Sophomore release by Lublin’s OHYDA. Picking up where their Self Titled LP left in 2016 their new 12” ups the feedback, aggression and psychedelic infused hardcore of their previous release to new levels. Sonically OHYDA are dark and anthemic, with a ferocious guitar tone and delay vocals backed up by a extremely solid rhythm section. Not afraid of riffs or creating atmospheric passages leading to explosions of noise full of nightmarish visions of the current world. Imagine ABADDON meeting HAWKWIND at Jarocin festival then using CRESS’s gear to write an album of distorted quasi industrial hardcore. I want to think that if the class of 1984 Polish hardcore had dreamed of what the future would sound it will be close to Koszmar.
Recorded by Pawel Chyla at Backyard Studio and Mastered by Daniel Husayn at North London Bomb Factory. Koszmar comes in a heavy reverse board and insert designed by guitarist Mike.
(Under The Demos)
https://lavidaesunmus.bandcamp.com/album/koszmar 
New band from Athens. (Under The Demos) https://bloodtrace.bandcamp.com/releases
Excellent d-beat hc/punk with some rock'n roll elements from Piraeus. (Scarecrow Records)
Pro tape limited to 100 copies. Raw & crusty Death Metal with members of Dead Congregation, Satan's Wrath, Sarabante, Vulnus etc. (Extreme Ear Slaughter) https://cursedblood1.bandcamp.com/releases
D-beat from Athens. (Terminal Records) https://terminalrecords.bandcamp.com/album/honda-ss
HC/Punk from Athens. Same 4 tracks on both sides. Limited to 100 hand-numbered pro tapes. (Read My Feast Records) https://injusticexsquad.bandcamp.com/album/those-that-know
Sophomore release by Lublin’s OHYDA. Picking up where their Self Titled LP left in 2016 their new 12” ups the feedback, aggression and psychedelic infused hardcore of their previous release to new levels. Sonically OHYDA are dark and anthemic, with a ferocious guitar tone and delay vocals backed up by a extremely solid rhythm section. Not afraid of riffs or creating atmospheric passages leading to explosions of noise full of nightmarish visions of the current world. Imagine ABADDON meeting HAWKWIND at Jarocin festival then using CRESS’s gear to write an album of distorted quasi industrial hardcore. I want to think that if the class of 1984 Polish hardcore had dreamed of what the future would sound it will be close to Koszmar. Recorded by Pawel Chyla at Backyard Studio and Mastered by Daniel Husayn at North London Bomb Factory. Koszmar comes in a heavy reverse board and insert designed by guitarist Mike. (Under The Demos) https://lavidaesunmus.bandcamp.com/album/koszmar
Grind/Death απο Αθηνα. (Read My Feast Records)
