• Media: Near Mint (NM or M-) Sleeve: Near Mint (NM or M-) (ATCO Records)
  • A collection of rare remastered versions of Alice In Chains classics performed in various locations. Includes the Hollywood Rock 1993 appearance, the 1991 recording at the Club Desoto for the movie 'Singles', the Saturday Night Special on Fox and more rare and hard to find tracks. A must for all their fans. SIDE 1: 1. It Ain't Like That 2. Would? 3. Man In The Box 4. Sea Of Sorrow 5. Junkhead SIDE 2: 1. Would? 2. Angry Chair/Them Bones 3. Them Bones 4. Again 5. Love Hate Love (TV Party)
  • Live From Shepherd's Bush Empire, London 2007. Tracklist: 1A Addicted 2A Just Friends 3A Cherry 4A Back To Black 5A Tears Dry On Their Own 6A Fuck Me Pumps 7A Love Is A Losing Game 1B Valerie 2B Poor Little Rich Girl 3B Rehab 4B You Know I'm No Good 5B Me & Mr. Jones 6B Monkey Man (Unoficial Release)  
  • Compilation taken from this Soul legend’s (R.I.P) Ska and Reggae cover live sessions. 12 tracks, includes inlay. Trackliste A1 Hey Little Rich Girl A2 Just Friends A3 Monkey Man A4 Cupid A5 You'Re Wondering Now A6 Ghost Town B1 Back To Black B2 Hey Little Rich Girl B3 Monkey Man B4 Cupid B5 A Message To You, Rudy B6 Free Nelson Mandela (2 Tone Records/Unofficial Release)
  • BIG BLACK | bulldozer | LP

    18.00 incl. tax
    Originally released in 1983 in limited edition galvanized metal album jackets on Fever Records and re-released on Touch And Go Records in 1992. Recently remastered by Steve Albini and Bob Weston at Chicago Mastering. Includes coupon for an MP3 download of the album and a 24" x 36" poster insert. (Touch And Go Records)
  • BIG BLACK | headache | LP

    17.00 incl. tax
    Remastered By Steve Albini And Bob Weston At Chicago Mastering. Headache is the 1987 EP by Big Black. A noisier affair than Atomizer, the four-song Headache EP was accompanied by a band-written sticker warning that it's not as good as the preceding LP. However Ready Men and Grinder are satisfyingly ornery, and the noise-fest of My Disco isn't far behind.
    12" - With Download. (Touch And Go Records)
  • BIG BLACK | racer x | LP

    17.00 incl. tax
    Originally released in 1983 on Homestead Records and re-released on Touch And Go Records in 1992. Recently remastered by Steve Albini and Bob Weston at Chicago Mastering. Includes coupon for an MP3 download of the album. Big Black was started by Steve Albini in 1982 while he was attending Northwestern University in Evanston, Illinois. Lungs, the first Big Black release was recorded by Steve on a borrowed 4-track. He played everything on the EP himself - except the sax bleating courtesy of pal John Bohnen and the drums courtesy of Roland. Soon after, Steve recruited Jeff Pezzati (Naked Raygun) on bass, and Santiago Durango (also Naked Raygun) joined them on guitar. In 1983, together with live drummer Pat Byrne, they recorded the Bulldozer EP. By 1984, the band had done some touring and recorded the Racer X EP and the start of the Il Duce 7”. After that, Jeff returned to Naked Raygun and was replaced by Dave Riley. In 1985, Big Black recorded their first full-length, Atomizer, as well as finishing the Il Duce 7”. Atomizer was released in 1986 along with the release of the Hammer Party compilation CD. In 1987, the Headache EP and Heartbeat 7” were released. That same year, the band recorded and released the 7” of The Model/He’s A Whore as well as their second full-length album, Songs About Fucking. They toured extensively (for Big Black). And they broke up. (Touch And Go Records)
  • Big Black was started by Steve Albini in 1982 while he was attending Northwestern University in Evanston, Illinois. Lungs, the first Big Black release was recorded by Steve on a borrowed 4-track. He played everything on the EP himself - except the sax bleating courtesy of pal John Bohnen and the drums courtesy of Roland. Soon after, Steve recruited Jeff Pezzati (Naked Raygun) on bass, and Santiago Durango (also Naked Raygun) joined them on guitar. In 1983, together with live drummer Pat Byrne, they recorded the Bulldozer EP. By 1984, the band had done some touring and recorded the Racer X EP and the start of the Il Duce 7”. After that, Jeff returned to Naked Raygun and was replaced by Dave Riley. In 1985, Big Black recorded their first full-length, Atomizer, as well as finishing the Il Duce 7”. Atomizer was released in 1986 along with the release of the Hammer Party compilation CD. In 1987, the Headache EP and Heartbeat 7” were released. That same year, the band recorded and released the 7” of The Model/He’s A Whore as well as their second full-length album, Songs About Fucking. They toured extensively (for Big Black). And they broke up. (Touch And Go Records)
  • In 2019, Bob Mould bucked the era’s despair with his melodic, upbeat album Sunshine Rock. Cut to spring 2020, and he has this to say: “We’re really in deep shit now.” That sentiment informs his new full-length album, Blue Hearts, the raging-but-catchy yin to Sunshine Rock’s yang.
    To be sure, we were in some shit in 2018, when Mould recorded Sunshine Rock. Back then, he had a song called “American Crisis” that didn’t fit the album. “That song is the seed for what we’re talking about now,” Mould says from his home in San Francisco during the COVID-19 lockdown.
    “American Crisis” is the third song in a walloping album that spits plainspoken fire at the people who fomented this crisis. “This is the catchiest batch of protest songs I’ve ever written in one sitting,” he says. Through some of the most direct, confrontational lyrics of his four-decade career, Mould makes his POV clear: “I never thought I’d see this bullshit again / To come of age in the ’80s was bad enough / We were marginalized and demonized / I watched a lot of my generation die / Welcome back to American crisis.”
    Why “welcome back”? Because Mould experienced deja vu writing Blue Hearts in the fall of 2019. “Where it started to go in my head is back to a spot that I’ve been in before,” he says. “And that was the fall of 1983.” Back then, Mould was a selfdescribed “22-year-old closeted gay man” touring with the legendary Hüsker Dü and seeing an epidemic consume his community. Leaders were content to let AIDS kill a generation. Mould later realized why his mind wandered back there for Blue Hearts. “We have a charismatic, telegenic, say-anything leader being propped up by evangelicals,” he says. “These fuckers tried to kill me once. They didn’t do it. They scared me. I didn’t do enough. Guess what? I’m back, and we’re back here again. And
    I’m not going to sit quietly this time and worry about alienating anyone.”
    Recorded at the famed Electrical Audio in Chicago with Beau Sorenson engineering and Mould producing, Blue Hearts nods to Mould’s past while remaining firmly planted in the issues of the day. Acoustic opener “Heart on My Sleeve” catalogues the ravages of climate change. “Next Generation” worries for who comes next. “American Crisis” references “Evangelical ISIS” and features this dagger of a line: “Pro-life, pro-life until you make it in someone else’s wife.”
    “Leather Dreams,” “Password to My Soul,” and “The Ocean” were composed during a writing binge before a January 2020 Solo Electric tour, when Mould stayed up for three straight days. “Songs just kept coming out,” he says. “‘Leather Dreams’ and ‘The Ocean’ both appeared within hours. I barely remember writing them.”
    That feels right for an explosive, hook-laden album like Blue Hearts. Only there’s nothing forgettable about it. (Merge Records)
  • Bob Mould returns with his next solo album titled 'Patch the Sky' via Merge Records. It is both his darkest and catchiest work. While written in solitude, Mould is backed on the record by longtime drummer Jon Wurster (Superchunk, Mountain Goats) and bassist Jason Narducy (Split Single). The first side of the LP is simple and catchy whilst he back-half of the record heavier in spirit and tone. (Merge Records)
  • The cliché that circulated after the 2016 election foretold a new artistic golden age: Artists would transform their anger and anxiety into era-defining works of dissent in the face of authoritarianism. Yet Bob Mould calls his new album Sunshine Rock. It's not because Mould - whose face belongs on the Mount Rushmore of alternative music - likes the current administration. His decision to "write to the sunshine," as he describes it, comes from a more personal place - a place found in Berlin, Germany, where he's spent the majority of the last three years. Here Mould would draw inspiration from the new environments. "Almost four years ago, I made plans for an extended break," Mould explains. "I started spending time in Berlin in 2015, found an apartment in 2016, and became a resident in 2017. My time in Berlin has been a life changing experience. The winter days are long and dark, but when the sun comes back, all spirits lift." "To go from [2011 autobiography] See a Little Light to the last three albums, two of which were informed by loss of each parent, respectively, at some point I had to put a Post-It note on my work station and say, "Try to think about good things." Otherwise I could really go down a long, dark hole," he says. "I'm trying to keep things brighter these days as a way to stay alive."
    (Merge Records)
  • Tracks on A side are new, previously unreleased. Tracks B3, B4 recorded live at Moni Lazariston 2/9/2013. Digipack cd edition. (Smash Records)
  • Tracks on A side are new, previously unreleased. Tracks B3, B4 recorded live at Moni Lazariston 2/9/2013. 180gr black vinyl, Limited to 160 numbered copies. (Smash Records)
  • Blag Dhalia of The Dwarves for the retro euro pop on this too sweet album. (Burger Records)
  • Originally released in June of 1982, the debut album by the Cocteau Twins is considered far darker than some of their later offerings, being influenced by Siouxsie and the Banshees, early Cure and the Birthday Party. During this early period, Will Heggie's bass played a significant role in defining their sound, giving it a darker and heavily rhythmic, earthy texture. This combined with Robin Guthrie's minimalistic and heavily effected guitar arrangements; a great deal of distortion and feed-back, smoothed out with chorus, reverb and flanger. Beneath is the roland 808 drum machine thumping along, as distinctively Cocteau sounding as the guitar. All while Elizabeth Fraser seemed to veer into glossolalia and mouth music. Garlands marks the beginning of their haunting ethereal sound. A masterpiece. The debut album remastered from the original analogue tapes. MP3 download coupon included. (4AD)
  • The group features Ian MacKaye, his Fugazi bandmate Joe Lally, and his Evens bandmate Amy Farina. On this self-titled debut each of the musicians share singing responsibilities. The lead track, Clean Kill, is a deceptively warm-sounding song about political corruption. It’s a clean kill, but it’s not clean, the band members sing in unison on the chorus. It’s unmistakably the work of Ian MacKaye, probably closer to The Evens than to any of his other projects, but with a bit more of that Fugazi-esque grit in the mix. It’s a very cool first track. (Dischord Records) https://coriky.bandcamp.com/album/coriky
  • Out of stock

    DANZIG | danzig 4 | 2xLP

    21.00 incl. tax
    Danzig 4, also titled Danzig 4P, is the fourth studio album by American heavy metal band Danzig. Released in 1994, it was the band's final album on American Recordings, and the last to feature the original lineup of John Christ (guitar), Eerie Von (bass), and Chuck Biscuits (drums). Danzig 4 followed 1993's highly successful Thrall: Demonsweatlive EP and singer Glenn Danzig's 1992 instrumental solo effort, Black Aria. (Def American Recordings/Unofficial Release)
  • DANZIG | danzig | LP

    17.00 incl. tax
    Re-issue of the first Us pressing without the Danzig logo on cover. Danzig debuts with a record of simple, pounding, bluesy metal featuring lead singer Glenn Danzig’s trademark Elvis-meets-Jim Morrison bellow and outlandishly dark, evil lyrics. There isn’t a great deal of musical variety or complexity here, but the band powers its way through such signature tunes as Twist of Cain, Am I Demon, and the (future) hit Mother with a primal energy. Plus, Danzig’s tongue-in-cheek posturing as the ultimate unholier-than-thou heavy metal frontman gives the record a definite appeal, even if one is not inclined to view his theatrics as dangerous or threatening. With James Hetfield from Metallica on backing vocals. (Def American Recordings/Unofficial Release)
  • Back in stock
    Including the first ever versions of songs like: Twist Of Cain, Am I Demon?, Possession and others. 9 anthems recovered from long lost tapes (not available anywhere else before) that gave birth to a record that is considered one of the best Metal albums of all time. The lost demos from Glen Danzig's pre-self-titled debut album in 1987. The first sketches and fully developed songs of some of the more remarkable classics in Danzig's career. This Release came in a least 4 different colors of vinyl. This is the Red Vinyl. Τracklist A1     Twist Of Cain A2     Feel It (Am I Demon?) A3     Possession A4     When Death Had No Name (Mortal Sin) B1     Trouble (I'm Evil) (Elvis Presley Cover) B2     Waiting On The Summer (Soul On Fire) B3     Die For The Demon (Night Of Hate) B4     Chaos (Descent) B5     Trouble (I'm Evil) v.2 (Yellow Dog Records/Unofficial)
  • Out of stock

    DAVID BOWIE | heroes | LP

    19.00 incl. tax
    2018 Remastered Version. The first of Bowie's legendary Berlin trilogy and the one that broke the most ground. It also caused so much consternation in the NME offices that they ran two reviews, one praising it to the skies, the other bewildered by Bowie's move towards the chilly electronic sounds that bore the influence of krautrock, particularly that of Kraftwerk and Neu! Collaborating with Brian Eno and produced by the genius Tony Digitally remastered edition. Heroes is the twelfth studio album by the iconic singer/songwriter, originally released on RCA Records in October 1977. The second installment of his Berlin Trilogy recorded with Brian Eno and Tony Visconti, Heroes continued the ambient experiments of Bowie's previous album Low (released earlier that year) and featured the contributions of King Crimson guitarist Robert Fripp. Of the three albums, it was the only one wholly recorded in Berlin. Recorded at Hansa Tonstudio in what was then West Berlin, Heroes reflected the zeitgeist of the Cold War, symbolized by the divided city. Co-producer Tony Visconti considered it "one of my last great adventures in making albums. (Parlophone Records)
  • Out of stock
    Legacy collects together some Bowie’s finest singles from his first hit, 1969’s Space Oddity through to the final singles Lazarus and I Can’t Give Everything Away from 2016. They also sound better than ever spread over 4 sides of vinyl. Stuffed to the gills with classic songs, Legacy also features a previously unreleased version of the classic 1971 single ‘Life On Mars?’ mixed by its original producer Ken Scott. In over fifty years from his very first recordings right through to his last album Blackstar, David Bowie was at the vanguard of contemporary culture as a musician, artist, icon and a constant influence on generations of writers, artists and designers. Bowie left a legacy of inspiration in every discipline from art to fashion to acting and beyond but it is for the groundbreaking music that he will mostly be remembered. Disc: 1 1. Let's Dance (Single Version) 2. Ashes to Ashes (Single Version) 3. Under Pressure 4. Life on Mars? 5. Changes Disc: 2 1. Oh! You Pretty Things 2. The Man Who Sold the World 3. Space Oddity 4. Starman (Original Single Mix) 5. Ziggy Stardust Disc: 3 1. The Jean Genie (Original Single Mix) 2. Rebel Rebel 3. Golden Years (Single Version) 4. Dancing in the Street 5. China Girl (Single Version) Disc: 4 1. Fame 2. Sound and Vision 3. Heroes (Single Version) 4. Where Are We Now? 5. Lazarus (Radio Edit) (Parlophone/2017)
  • DAVID BOWIE | low | LP

    20.00 incl. tax
    2018 Remastered Version. The first of Bowie's legendary Berlin trilogy and the one that broke the most ground. It also caused so much consternation in the NME offices that they ran two reviews, one praising it to the skies, the other bewildered by Bowie's move towards the chilly electronic sounds that bore the influence of krautrock, particularly that of Kraftwerk and Neu! Collaborating with Brian Eno and produced by the genius Tony Visconti, Low is an album of two distinct halves. Side one ( in old money) is full of quirky oddball pop vignettes, the highlight being the incredible Sound and Vision, a hit for Bowie in 1977. Side two was the side which upset some people, four long icy instrumentals evoking the spirit of the city of Berlin, split into two halves by the wall, and the mood of the eastern bloc in general (see Warszawa). Now, of course, these tracks are seen as a blueprint for much that was to come over the following decade, and even furter, but at the time, it so so surprising and so groundbreaking that many didn't know what to make of it. (Parlophone Records)
  • One of all time great albums. ''Searching For The Young Soul Rebels' captures the original eight-piece group infusing passionate self-belief into songs based on 60s mentors Geno Washington and Jimmy James. Rowland's expressive voice is perfectly matched by pumping horns and punchy rhythms, but the intensity of their performance ensures the set never falls into pastiche. Each song bears the stamp of a manifesto, one that was largely Rowland's, a myopic vision that brought this line-up to an acrimonious, premature end. Celebrating it’s 40th anniversary this year, this is the debut album from new-wave band Dexy’s Midnight Runners. The album has a surprising history, with band members stealing the original tapes and only returning them once EMI raised their royalty rates. The album received widespread critical acclaim and is featured in The Guardian and NME’s 100 Best Albums lists. (Parlophone)
  • Down IV – Part I (informally known as The Purple EP) is the first EP by American sludge metal band Down. It was released on September 18, 2012. It is the first album featuring bassist Pat Bruders due to the departure of former bassist Rex Brown in 2011, and the last to feature guitarist Kirk Windstein, who left in 2013. (Roadrunner Records / Cargo Records / Down Records)
  • Classic Polish band from 90's. (Gold Rock/Falarek Band)