• Media: Near Mint (NM or M-) Sleeve: Near Mint (NM or M-) (ATCO Records)
  • A collection of rare remastered versions of Alice In Chains classics performed in various locations. Includes the Hollywood Rock 1993 appearance, the 1991 recording at the Club Desoto for the movie 'Singles', the Saturday Night Special on Fox and more rare and hard to find tracks. A must for all their fans. SIDE 1: 1. It Ain't Like That 2. Would? 3. Man In The Box 4. Sea Of Sorrow 5. Junkhead SIDE 2: 1. Would? 2. Angry Chair/Them Bones 3. Them Bones 4. Again 5. Love Hate Love (TV Party)
  • Live From Shepherd's Bush Empire, London 2007. Tracklist: 1A Addicted 2A Just Friends 3A Cherry 4A Back To Black 5A Tears Dry On Their Own 6A Fuck Me Pumps 7A Love Is A Losing Game 1B Valerie 2B Poor Little Rich Girl 3B Rehab 4B You Know I'm No Good 5B Me & Mr. Jones 6B Monkey Man (Unoficial Release)  
  • Compilation taken from this Soul legend’s (R.I.P) Ska and Reggae cover live sessions. 12 tracks, includes inlay. Trackliste A1 Hey Little Rich Girl A2 Just Friends A3 Monkey Man A4 Cupid A5 You'Re Wondering Now A6 Ghost Town B1 Back To Black B2 Hey Little Rich Girl B3 Monkey Man B4 Cupid B5 A Message To You, Rudy B6 Free Nelson Mandela (2 Tone Records/Unofficial Release)
  • BIG BLACK | bulldozer | LP

    18.00 incl. tax
    Originally released in 1983 in limited edition galvanized metal album jackets on Fever Records and re-released on Touch And Go Records in 1992. Recently remastered by Steve Albini and Bob Weston at Chicago Mastering. Includes coupon for an MP3 download of the album and a 24" x 36" poster insert. (Touch And Go Records)
  • BIG BLACK | headache | LP

    17.00 incl. tax
    Remastered By Steve Albini And Bob Weston At Chicago Mastering. Headache is the 1987 EP by Big Black. A noisier affair than Atomizer, the four-song Headache EP was accompanied by a band-written sticker warning that it's not as good as the preceding LP. However Ready Men and Grinder are satisfyingly ornery, and the noise-fest of My Disco isn't far behind.
    12" - With Download. (Touch And Go Records)
  • BIG BLACK | racer x | LP

    17.00 incl. tax
    Originally released in 1983 on Homestead Records and re-released on Touch And Go Records in 1992. Recently remastered by Steve Albini and Bob Weston at Chicago Mastering. Includes coupon for an MP3 download of the album. Big Black was started by Steve Albini in 1982 while he was attending Northwestern University in Evanston, Illinois. Lungs, the first Big Black release was recorded by Steve on a borrowed 4-track. He played everything on the EP himself - except the sax bleating courtesy of pal John Bohnen and the drums courtesy of Roland. Soon after, Steve recruited Jeff Pezzati (Naked Raygun) on bass, and Santiago Durango (also Naked Raygun) joined them on guitar. In 1983, together with live drummer Pat Byrne, they recorded the Bulldozer EP. By 1984, the band had done some touring and recorded the Racer X EP and the start of the Il Duce 7”. After that, Jeff returned to Naked Raygun and was replaced by Dave Riley. In 1985, Big Black recorded their first full-length, Atomizer, as well as finishing the Il Duce 7”. Atomizer was released in 1986 along with the release of the Hammer Party compilation CD. In 1987, the Headache EP and Heartbeat 7” were released. That same year, the band recorded and released the 7” of The Model/He’s A Whore as well as their second full-length album, Songs About Fucking. They toured extensively (for Big Black). And they broke up. (Touch And Go Records)
  • Big Black was started by Steve Albini in 1982 while he was attending Northwestern University in Evanston, Illinois. Lungs, the first Big Black release was recorded by Steve on a borrowed 4-track. He played everything on the EP himself - except the sax bleating courtesy of pal John Bohnen and the drums courtesy of Roland. Soon after, Steve recruited Jeff Pezzati (Naked Raygun) on bass, and Santiago Durango (also Naked Raygun) joined them on guitar. In 1983, together with live drummer Pat Byrne, they recorded the Bulldozer EP. By 1984, the band had done some touring and recorded the Racer X EP and the start of the Il Duce 7”. After that, Jeff returned to Naked Raygun and was replaced by Dave Riley. In 1985, Big Black recorded their first full-length, Atomizer, as well as finishing the Il Duce 7”. Atomizer was released in 1986 along with the release of the Hammer Party compilation CD. In 1987, the Headache EP and Heartbeat 7” were released. That same year, the band recorded and released the 7” of The Model/He’s A Whore as well as their second full-length album, Songs About Fucking. They toured extensively (for Big Black). And they broke up. (Touch And Go Records)
  • In 2019, Bob Mould bucked the era’s despair with his melodic, upbeat album Sunshine Rock. Cut to spring 2020, and he has this to say: “We’re really in deep shit now.” That sentiment informs his new full-length album, Blue Hearts, the raging-but-catchy yin to Sunshine Rock’s yang.
    To be sure, we were in some shit in 2018, when Mould recorded Sunshine Rock. Back then, he had a song called “American Crisis” that didn’t fit the album. “That song is the seed for what we’re talking about now,” Mould says from his home in San Francisco during the COVID-19 lockdown.
    “American Crisis” is the third song in a walloping album that spits plainspoken fire at the people who fomented this crisis. “This is the catchiest batch of protest songs I’ve ever written in one sitting,” he says. Through some of the most direct, confrontational lyrics of his four-decade career, Mould makes his POV clear: “I never thought I’d see this bullshit again / To come of age in the ’80s was bad enough / We were marginalized and demonized / I watched a lot of my generation die / Welcome back to American crisis.”
    Why “welcome back”? Because Mould experienced deja vu writing Blue Hearts in the fall of 2019. “Where it started to go in my head is back to a spot that I’ve been in before,” he says. “And that was the fall of 1983.” Back then, Mould was a selfdescribed “22-year-old closeted gay man” touring with the legendary Hüsker Dü and seeing an epidemic consume his community. Leaders were content to let AIDS kill a generation. Mould later realized why his mind wandered back there for Blue Hearts. “We have a charismatic, telegenic, say-anything leader being propped up by evangelicals,” he says. “These fuckers tried to kill me once. They didn’t do it. They scared me. I didn’t do enough. Guess what? I’m back, and we’re back here again. And
    I’m not going to sit quietly this time and worry about alienating anyone.”
    Recorded at the famed Electrical Audio in Chicago with Beau Sorenson engineering and Mould producing, Blue Hearts nods to Mould’s past while remaining firmly planted in the issues of the day. Acoustic opener “Heart on My Sleeve” catalogues the ravages of climate change. “Next Generation” worries for who comes next. “American Crisis” references “Evangelical ISIS” and features this dagger of a line: “Pro-life, pro-life until you make it in someone else’s wife.”
    “Leather Dreams,” “Password to My Soul,” and “The Ocean” were composed during a writing binge before a January 2020 Solo Electric tour, when Mould stayed up for three straight days. “Songs just kept coming out,” he says. “‘Leather Dreams’ and ‘The Ocean’ both appeared within hours. I barely remember writing them.”
    That feels right for an explosive, hook-laden album like Blue Hearts. Only there’s nothing forgettable about it. (Merge Records)
  • Bob Mould returns with his next solo album titled 'Patch the Sky' via Merge Records. It is both his darkest and catchiest work. While written in solitude, Mould is backed on the record by longtime drummer Jon Wurster (Superchunk, Mountain Goats) and bassist Jason Narducy (Split Single). The first side of the LP is simple and catchy whilst he back-half of the record heavier in spirit and tone. (Merge Records)
  • The cliché that circulated after the 2016 election foretold a new artistic golden age: Artists would transform their anger and anxiety into era-defining works of dissent in the face of authoritarianism. Yet Bob Mould calls his new album Sunshine Rock. It's not because Mould - whose face belongs on the Mount Rushmore of alternative music - likes the current administration. His decision to "write to the sunshine," as he describes it, comes from a more personal place - a place found in Berlin, Germany, where he's spent the majority of the last three years. Here Mould would draw inspiration from the new environments. "Almost four years ago, I made plans for an extended break," Mould explains. "I started spending time in Berlin in 2015, found an apartment in 2016, and became a resident in 2017. My time in Berlin has been a life changing experience. The winter days are long and dark, but when the sun comes back, all spirits lift." "To go from [2011 autobiography] See a Little Light to the last three albums, two of which were informed by loss of each parent, respectively, at some point I had to put a Post-It note on my work station and say, "Try to think about good things." Otherwise I could really go down a long, dark hole," he says. "I'm trying to keep things brighter these days as a way to stay alive."
    (Merge Records)
  • Tracks on A side are new, previously unreleased. Tracks B3, B4 recorded live at Moni Lazariston 2/9/2013. Digipack cd edition. (Smash Records)
  • Tracks on A side are new, previously unreleased. Tracks B3, B4 recorded live at Moni Lazariston 2/9/2013. 180gr black vinyl, Limited to 160 numbered copies. (Smash Records)
  • Blag Dhalia of The Dwarves for the retro euro pop on this too sweet album. (Burger Records)
  • Originally released in June of 1982, the debut album by the Cocteau Twins is considered far darker than some of their later offerings, being influenced by Siouxsie and the Banshees, early Cure and the Birthday Party. During this early period, Will Heggie's bass played a significant role in defining their sound, giving it a darker and heavily rhythmic, earthy texture. This combined with Robin Guthrie's minimalistic and heavily effected guitar arrangements; a great deal of distortion and feed-back, smoothed out with chorus, reverb and flanger. Beneath is the roland 808 drum machine thumping along, as distinctively Cocteau sounding as the guitar. All while Elizabeth Fraser seemed to veer into glossolalia and mouth music. Garlands marks the beginning of their haunting ethereal sound. A masterpiece. The debut album remastered from the original analogue tapes. MP3 download coupon included. (4AD)
  • The group features Ian MacKaye, his Fugazi bandmate Joe Lally, and his Evens bandmate Amy Farina. On this self-titled debut each of the musicians share singing responsibilities. The lead track, Clean Kill, is a deceptively warm-sounding song about political corruption. It’s a clean kill, but it’s not clean, the band members sing in unison on the chorus. It’s unmistakably the work of Ian MacKaye, probably closer to The Evens than to any of his other projects, but with a bit more of that Fugazi-esque grit in the mix. It’s a very cool first track. (Dischord Records) https://coriky.bandcamp.com/album/coriky
  • Out of stock

    DANZIG | danzig 4 | 2xLP

    21.00 incl. tax
    Danzig 4, also titled Danzig 4P, is the fourth studio album by American heavy metal band Danzig. Released in 1994, it was the band's final album on American Recordings, and the last to feature the original lineup of John Christ (guitar), Eerie Von (bass), and Chuck Biscuits (drums). Danzig 4 followed 1993's highly successful Thrall: Demonsweatlive EP and singer Glenn Danzig's 1992 instrumental solo effort, Black Aria. (Def American Recordings/Unofficial Release)
  • DANZIG | danzig | LP

    17.00 incl. tax
    Re-issue of the first Us pressing without the Danzig logo on cover. Danzig debuts with a record of simple, pounding, bluesy metal featuring lead singer Glenn Danzig’s trademark Elvis-meets-Jim Morrison bellow and outlandishly dark, evil lyrics. There isn’t a great deal of musical variety or complexity here, but the band powers its way through such signature tunes as Twist of Cain, Am I Demon, and the (future) hit Mother with a primal energy. Plus, Danzig’s tongue-in-cheek posturing as the ultimate unholier-than-thou heavy metal frontman gives the record a definite appeal, even if one is not inclined to view his theatrics as dangerous or threatening. With James Hetfield from Metallica on backing vocals. (Def American Recordings/Unofficial Release)
  • Back in stock
    Including the first ever versions of songs like: Twist Of Cain, Am I Demon?, Possession and others. 9 anthems recovered from long lost tapes (not available anywhere else before) that gave birth to a record that is considered one of the best Metal albums of all time. The lost demos from Glen Danzig's pre-self-titled debut album in 1987. The first sketches and fully developed songs of some of the more remarkable classics in Danzig's career. This Release came in a least 4 different colors of vinyl. This is the Red Vinyl. Τracklist A1     Twist Of Cain A2     Feel It (Am I Demon?) A3     Possession A4     When Death Had No Name (Mortal Sin) B1     Trouble (I'm Evil) (Elvis Presley Cover) B2     Waiting On The Summer (Soul On Fire) B3     Die For The Demon (Night Of Hate) B4     Chaos (Descent) B5     Trouble (I'm Evil) v.2 (Yellow Dog Records/Unofficial)
  • Out of stock

    DAVID BOWIE | heroes | LP

    19.00 incl. tax
    2018 Remastered Version. The first of Bowie's legendary Berlin trilogy and the one that broke the most ground. It also caused so much consternation in the NME offices that they ran two reviews, one praising it to the skies, the other bewildered by Bowie's move towards the chilly electronic sounds that bore the influence of krautrock, particularly that of Kraftwerk and Neu! Collaborating with Brian Eno and produced by the genius Tony Digitally remastered edition. Heroes is the twelfth studio album by the iconic singer/songwriter, originally released on RCA Records in October 1977. The second installment of his Berlin Trilogy recorded with Brian Eno and Tony Visconti, Heroes continued the ambient experiments of Bowie's previous album Low (released earlier that year) and featured the contributions of King Crimson guitarist Robert Fripp. Of the three albums, it was the only one wholly recorded in Berlin. Recorded at Hansa Tonstudio in what was then West Berlin, Heroes reflected the zeitgeist of the Cold War, symbolized by the divided city. Co-producer Tony Visconti considered it "one of my last great adventures in making albums. (Parlophone Records)
  • Out of stock
    Legacy collects together some Bowie’s finest singles from his first hit, 1969’s Space Oddity through to the final singles Lazarus and I Can’t Give Everything Away from 2016. They also sound better than ever spread over 4 sides of vinyl. Stuffed to the gills with classic songs, Legacy also features a previously unreleased version of the classic 1971 single ‘Life On Mars?’ mixed by its original producer Ken Scott. In over fifty years from his very first recordings right through to his last album Blackstar, David Bowie was at the vanguard of contemporary culture as a musician, artist, icon and a constant influence on generations of writers, artists and designers. Bowie left a legacy of inspiration in every discipline from art to fashion to acting and beyond but it is for the groundbreaking music that he will mostly be remembered. Disc: 1 1. Let's Dance (Single Version) 2. Ashes to Ashes (Single Version) 3. Under Pressure 4. Life on Mars? 5. Changes Disc: 2 1. Oh! You Pretty Things 2. The Man Who Sold the World 3. Space Oddity 4. Starman (Original Single Mix) 5. Ziggy Stardust Disc: 3 1. The Jean Genie (Original Single Mix) 2. Rebel Rebel 3. Golden Years (Single Version) 4. Dancing in the Street 5. China Girl (Single Version) Disc: 4 1. Fame 2. Sound and Vision 3. Heroes (Single Version) 4. Where Are We Now? 5. Lazarus (Radio Edit) (Parlophone/2017)
  • DAVID BOWIE | low | LP

    20.00 incl. tax
    2018 Remastered Version. The first of Bowie's legendary Berlin trilogy and the one that broke the most ground. It also caused so much consternation in the NME offices that they ran two reviews, one praising it to the skies, the other bewildered by Bowie's move towards the chilly electronic sounds that bore the influence of krautrock, particularly that of Kraftwerk and Neu! Collaborating with Brian Eno and produced by the genius Tony Visconti, Low is an album of two distinct halves. Side one ( in old money) is full of quirky oddball pop vignettes, the highlight being the incredible Sound and Vision, a hit for Bowie in 1977. Side two was the side which upset some people, four long icy instrumentals evoking the spirit of the city of Berlin, split into two halves by the wall, and the mood of the eastern bloc in general (see Warszawa). Now, of course, these tracks are seen as a blueprint for much that was to come over the following decade, and even furter, but at the time, it so so surprising and so groundbreaking that many didn't know what to make of it. (Parlophone Records)
  • One of all time great albums. ''Searching For The Young Soul Rebels' captures the original eight-piece group infusing passionate self-belief into songs based on 60s mentors Geno Washington and Jimmy James. Rowland's expressive voice is perfectly matched by pumping horns and punchy rhythms, but the intensity of their performance ensures the set never falls into pastiche. Each song bears the stamp of a manifesto, one that was largely Rowland's, a myopic vision that brought this line-up to an acrimonious, premature end. Celebrating it’s 40th anniversary this year, this is the debut album from new-wave band Dexy’s Midnight Runners. The album has a surprising history, with band members stealing the original tapes and only returning them once EMI raised their royalty rates. The album received widespread critical acclaim and is featured in The Guardian and NME’s 100 Best Albums lists. (Parlophone)
  • Down IV – Part I (informally known as The Purple EP) is the first EP by American sludge metal band Down. It was released on September 18, 2012. It is the first album featuring bassist Pat Bruders due to the departure of former bassist Rex Brown in 2011, and the last to feature guitarist Kirk Windstein, who left in 2013. (Roadrunner Records / Cargo Records / Down Records)
  • Classic Polish band from 90's. (Gold Rock/Falarek Band)
  • It's been a few years but FRANKIE STUBBS, the lead singer and guitarist for the legendary UK punk band LEATHERFACE, is back with an all new acoustic 4 song EP, "Blood Orange Moon". The record contains 3 brand new songs and a version of the LEATHERFACE favorite "Shipyards". Along with his unmistakeable voice, this stripped down EP highlights Frankie's unique approach to songwriting, thoughtful lyrics and intricate guitar playing. Backed by Graeme Philliskirk (LEATHERFACE, MEDICTATION) on additional acoustic guitars, Blood Orange Moon is wonderful look into what Frankie has been up to in his songwriting lately as well as a nostalgic throwback to the LEATHERFACE days. Frankies songs have the broad appeal that can attract new listeners and old fans alike. People will be singing along to these songs at his shows for years to come. This EP is a split release between Little Rocket Records in the UK and Rad Girlfriend Records in the US. (Rocket Records / Rad Girlfriend Records) https://radgirlfriendrecords.bandcamp.com/album/blood-orange-moon-ep
  • On January 1, 2000, I wrote a fax to Frankie and asked him, if he would like to release a few songs on my label - Sounds of Subterrania. 4months later - these six very special songs were released. 20 years later - Frankie is back on stage and we had thought about reissuing this record, which had been sold out for a long time, and selling it at his concerts. "Not long after re-convening Leatherface Frankie Stubbs put out this little solo acoustic 10". The results are sort of what you would imagine Leatherface would sound like without the electricity. The lack of musical varnish reveals a sound more akin to folk-blues then singer-songwriter. Of course, Stubbs' love of romantic pop is also on display here, as he (re)covers Elvis Presley's "I Can't Help Falling in Love With You" and Nick Cave's "Ship Song". (Sounds Of Subterrania) https://soundsofsubterrania.bandcamp.com/album/s-t-8
  • The 6 track release marks the 1st appearance of Guy Picciotto’s guitar-work in addition to his regular vocal duties. Recorded at Inner Ear Studios in 1988! The vinyl was re-cut and re-mastered in 2009 and includes a digital download card. (Dischord Records)  
  • Steady Diet of Nothing is the second full-length studio album by American post-hardcore band Fugazi, released in July, 1991 The style of this is different from "13 songs" and "repeater" but it still has the FUGAZI sound. Here they got more abstract and artsy - but it really works. So if you like any of their other stuff go and buy this. The vinyl was re-cut and re-mastered in 2009 and comes with a digital download card. (Dischord Records) https://fugazi.bandcamp.com/album/steady-diet-of-nothing
  • Out of stock

    FUGAZI | the argument | LP

    20.00 incl. tax
    2001’s The Argument was the final Fugazi album before the band took an extended and possibly permanent hiatus. It’s easy to see why the venerated D.C. group would be comfortable closing its career here; The Argument brings its four players full circle. Guy Picciotto’s “Full Disclosure” and Ian MacKaye’s “Epic Problem” give the album two songs—one from each frontman—that reconnect to the bracing physicality that defined Fugazi in its earliest years. At the same time, the album marks the final step of the group’s long trek to extricate itself from its early punk roots. With deep dub inflections and whispering piano, “The Kill” and “Strangelight” might make listeners think that film composing should be the band’s next chapter. As has always been the case with Fugazi, the songs that blend extremes stand out from the pack. “Cashout,” “Life and Limb,” and “The Argument” join the ranks of the group’s classic songs. (Dischord Records)
  • Repress of the first solo full length by the mighty Mr. Anzalone, better known as Danzig. This record is very far from punk rock, indeed the music is sort of ambient/electronic/avantgard rock. (Plan 9 Records/Unofficial Release)
  • Color Vinyl
    Hold Me Up is the third studio album by American rock band Goo Goo Dolls, originally released in 1990 by Metal Blade Records. It marked the beginning of John Rzeznik's emergence as the band's principal lead vocalist. The album features the band's first single "There You Are." (Metal Blade Records)
  • Jed is the second studio album by Goo Goo Dolls, originally released in 1989 by Metal Blade Records. It was the band's first album in which John Rzeznik sang vocals for some of the tracks; the majority of the songs are sung by Robby Takac, with Rzeznik taking over for two ("Up Yours" and "James Dean"). The album was named after painter Jed Jackson, who was Robby Takac's art teacher at Medaille College and who painted the cover artwork, which is entitled "Arkansas Sunset". (Metal Blade Records)
  • Legendary 1972 show at The Roundhouse, London from the Space Ritual era. Includes the original recording of Hawkwind’s hit single ‘Silver Machine’. It is the first time the whole show has been available on double vinyl. Bonus tracks include ‘Master Of The Universe’ (Original 1972 LP Mix) and ‘Born To Go’ (Original 1972 LP Mix). (Parlophone)
  • ICEBURN | asclepius | LP

    22.00 incl. tax
    Asclepius is the new album from the ever-evolving and adventurous collective Iceburn, who return with their first new material in twenty years. Much like the mythical ouroboros that appear in their music, Iceburn have come full circle, as guitarist/vocalist Gentry Densley (also of Eagle Twin & Ascend) comments, “Iceburn had always been about progressing and pushing the boundaries, pushing the music ahead of ourselves so we had to work to catch up. This new record comes from a place of rediscovery of who we are deep down, a place that with all it’s challenges and comforts, ultimately feels like home.” The rawness of Asclepius harks back to the days of their early records (such as Hephaestus), and fuses elements of metal, jazz, psychedelia, and rock with a seamless flow, monolithic riffs, swirling harmonies, and a groove that are the cornerstones of their sound. Asclepius comprises two long-form tracks, “Healing The Ouroboros” and ‘Dahlia Rides the Firebird’, the latter is based on an old traditional Greek tune. With some members majoring in classics/philosophy, music/composition and studying ethnomusicology – classic mythology has always been a key reference point for the themes of their music. That the new record is named after the god of healing and medicine and arriving at this moment in time is coincidence, as the band comments, “It felt like we needed healing even before this pandemic hit.” (Southern Lord Records)
  • ‘Pandemonium’ – originally released in 1984 and partially recorded inside the Great Pyramid of Giza, this is KJ’s biggest-selling album to date. The Re-issued double LP version – featuring new cover artwork from designer Mike Coles – stays true to the original track-listing, with both of the celebrated Cybersank Re-mixes for ‘Pandemonium’ & ‘Millennium’ included. (Spinefarm Records)  
  • Out of stock
    The debut and best album from Killing Joke from 1980. It is a dark, obsessive and dangerous album. The band backed its occult-inspired, apocalyptic message with tribal drums, rubber funk bass...and droning guitars. Years later it still sounds inspirational and deranged. ‘Killing Joke’ – the classic debut album featuring such key tracks as ‘Requiem’, ‘Wardance’ & ‘The Wait’ (covered by Metallica in 1987). The gatefold artwork has been lovingly recreated by original designer Mike Coles, the sole addition being a striking silver pantone on the sleeve. (Spinefarm Records)    
  • L7 is an American punk rock band from Los Angeles, often associated with the grunge movement of the late 1980s and early 1990s. They released their fourth studio album Hungry for Stink in 1994. Album's single “Andres” charted in the UK, USA, and Australia. Vocalist Donita Sparks' growls and howls were at their prime on this record. Their music is fast, dirty, and profound. 180 gram audiophile vinyl Insert (Music on Vinyl Record)
  • Houses of the Holy is the fifth studio album by the English rock band Led Zeppelin. It was released on 28 March 1973 by Atlantic Records. 180gr vinyl in gatefold sleeve sealed. Includes 11" x 11" thick velum style paper insert with lyrics and band line-up (Atlantic/2014)
  • In Through the Out Door is the eighth and final studio album by the English rock band Led Zeppelin. It was recorded over a three-week period in November and December 1978 at ABBA's Polar Studios in Stockholm, Sweden, and released by Swan Song Records on 15 August 1979. This is the final album released prior to the death of drummer John Bonham in 1980, shortly after which the group decided to disband. The original album had an outer sleeve which was made to look like a plain brown paper bag. Each cover showed an alternate angle of a man in a bar. The scenario has been photographed from 6 different viewpoints within the bar and then 6 different sleeve variations have been created (with the letters A - F at the top of the spine denoting each variation). The inner sleeve features a 'magic' ink in different colours which appear on the design when gently wetting. Comes in a brown paper bag. (Swan Song/2015)
  • LED ZEPELLIN | IV | LP

    20.00 incl. tax
    The untitled fourth studio album by the English rock band Led Zeppelin, commonly known as Led Zeppelin IV, was released on 8 November 1971 by Atlantic Records. It was produced by guitarist Jimmy Page and recorded between December 1970 and February 1971, mostly in the country house Headley Grange. The album is notable for featuring "Stairway to Heaven", which has been described as the band's signature song. 180gr vinyl in gatefold sleeve with insert. (Atlantic/2014)
  • Presence is the seventh studio album by the English rock band Led Zeppelin, released by Swan Song Records on 31 March 1976. The sticker on the front cover reads: THE CLASSIC 1976 ALBUM ON 180G VINYL Includes "Achilles Last Stand" and "Nobody's Fault But Mine" Remastered & Produced by Jimmy Page. The cover has embossed writings: "LED ZEPPELIN PRESENCE" on top right corner of the front cover and The Swan Song symbol on the bottom left corner of the rear cover. Includes insert. (Swan Song)
  • "Ο LOGOUT είναι τραγουδοποιός και ο παραγωγός που συνδυάζει παραδοσιακές αναφορές με lo-fi indie, ηλεκτρονικά και πειραματικά στοιχεία. Σε ζωντανές εμφανίσεις, το LOGOUT συνδυάζει φυσικά όργανα με live-looping, sampling και digital video art. Εκτός της τραγουδοποιίας έχει επίσης συμμετάσχει εκτελώντας τη μουσική σε θεατρικές παραστάσεις των Abovo και του Ηλία Καρελλά. Η πρώτη του κυκλοφορία ήταν το Paper Plane Flight Recorder (Inner Ear Records, 2011), ένα album που βασίστηκε σε folk ενορχηστρώσεις εισάγοντας και κάποιες πρώτες παραδοσιακές ελληνικές αναφορές στην παλέτα του. Το δεύτερο άλμπουμ του Little Things Buried in Concrete (Inner Ear Records, 2013) ήταν σε παραγωγή του Χρήστου Λαινά, η οποία έντυσε τα κομμάτια με πιο εναλλακτικούς και indie ήχους. Το τρίτο άλμπουμ του ήρθε 6 χρόνια αργότερα. Το N91° κυκλοφόρησε τον Μάιο του 2019, μέσω της ολλανδικής ετικέτας Indie Tiny Room Records και τον βρήκε να πειραματίζεται ακόμη περισσότερο με ήχους synthesizer ως την κύρια βάση των ενορχηστρώσεων του. Τον Σεπτέμβριο του 2019, οι ηχογραφήσεις που έκανε με το συγκρότημα The Place Within πριν από τα σόλο του έργα κυκλοφόρησαν επίσης ψηφιακα. Το τέταρτο άλμπουμ του ΕΔΩ / ΕΚΕΙ κυκλοφορεί στις 16 Οκτωβρίου 2020. Είναι η πρώτη του κυκλοφορία με στίχους στη μητρική του γλώσσα, τα ελληνικά. Το ΕΔΩ / ΕΚΕΙ είναι η πρώτη απόπειρα του LogOut με ελληνικό στίχο και οι ηχογραφήσεις του μοιράστηκαν σε Αθήνα και Άμστερνταμ. Ακούγοντάς το ήταν σαν να παρακολουθώ ταινία. Από το πρώτο κομμάτι, τα lo - fi στοιχεία είναι εμφανέστατα, όπως και οι επιρροές από Radiohead αλλά και από ελληνική μουσική. Υπάρχουν τραγούδια που έχουν τόσο ξεκάθαρα ελληνικά στοιχεία, όπως τα "Καταρράκτης", "Φίλη", "Αερικό" και Τρίτες, που σκέφτηκα ότι to άλμπουμ αυτό αναδρομικά θα μπορούσε να είναι το soundtrack μιας ταινίας της Φίνος Φιλμ. Ξεχωρίζουν σίγουρα οι συνεργασίες με τη Nalyssa Green στα φωνητικά στα "Γκρι", "Κώστας" και "Παράθυρα". Επίσης, το "Κύματα" με έκανε να νιώσω σαν να κρυφοκοιτάω από τις τρύπες των πατζουριών τη βιαστική καθημερινότητα σε κάποια μεγάλη πόλη της Ευρώπης. Προσωπικά μου αγαπημένα υπήρξαν, όμως, το "Παράθυρα" (μου θύμισε πολύ έντονα το "No Surprises" των Radiohead), αλλά και το "Πλατεία". Τα μελαγχολικά φωνητικά, η νοσταλγική διάθεση και τα φουτουριστικά synths, μου έδωσαν την εντύπωση ότι ο LogOut προσπαθεί να απεικονίσει μια εβδομαδιαία καθημερινότητα, παρατηρώντας τους ανθρώπους με ένα τηλεσκόπειο από λίγο πιο δίπλα αλλά προσπαθεί και να αποτυπώσει πολύ λυρικά την απομόνωση της ξενιτιάς. Πολύ ιδιαίτερο είναι το ροζ εξώφυλλο, με τις ανθρώπινες σκιές που αχνοφαίνονται. Μου έβγαλε μια πίκρα και θα μπορούσε και αυτό να είναι το artwork μιας ελληνικής ταινίας. Αναμφίβολα, το Εδώ / εκεί είναι ένα άλμπουμ που διεκδικεί επάξια θέση στην ελληνόφωνη indie σκηνή της χρονιάς!" deBop (B-otherside Records)
  • M.D.C. finally goes acoustic: the hardcore punk legend around DAVE DICTOR records their classics as "Millions Of Dead Cowboys" in a completely new guise. LP in a 350 gram cardboard cover with printed inlay and download code on Twisted Chords. While every second US punk rock singer feels like he has armed himself with a check shirt and acoustic guitar in the past 15 years and tries to shine ambitiously in the fields of country, folk and Americana, things are a little different with MIKE SMITH and DAVID DICTOR. Although the twelve selected songs were recorded almost continuously acoustically or at least with an undistorted guitar, iconic classics such as "John Wayne Was A Nazi", "Corporate Deathburger" and "Nazis Shouldn't Drive" not only retain their entirety due to the unmistakable singer own flair. So M.D.C. unplugged a kind of acoustic "radical rock" rather than arriving in the Nashville canon, steel guitar, violin or banjo was deliberately avoided. The songs are calm, catchy and profound - not a genre homage, but a completely unique version of themselves. From personal stories from a turbulent life to the biting self-defense against American realities, the band's smashers work perfectly even in the reduced setup. (Twisted Chords Records) https://twistedchords.bandcamp.com/album/tc187-mdc-millions-of-dead-cowboys
  • Out of stock

    MELVINS | hold it in | LP

    18.50 incl. tax
    Continuing their ongoing string of lineup experiments, Melvins stalwarts Dale Crover and King Buzzo team up with Butthole Surfers' Paul Leary and J.D. Pinkus on Hold It In. With such a distinct sound, the band's various personnel changes often feel somewhat superfluous, offering a variation on their usual sound without altering things too far from the kind of sludgy goodness listeners have come to know and love. With the addition of Pinkus and Leary, however, it feels as though a very fundamental shift has occurred, taking the band's sound in some very different, and interesting, new directions. Although the album's opener, "Bride of Crankenstein," feels like classic Melvins with its constant assault of crunchy riffs and grimy production, Hold It In enjoys a radical change in tone on "You Can Make Me Wait," a laid-back rocker with a groovy, slacker vibe that leaves it feeling more like Ween than the Melvins. Meanwhile, "Eyes on You" finds the band doing a freaked-out impression of a straight-ahead blues-rock number, pairing a rowdy, stomping beat (with handclaps and all) with oddly paranoid vocals. Those songs were penned by Leary, and the decision to hand the control to someone else is a bold one on Crover and Buzzo's part. Though the album contains plenty of odd twists and turns, there's enough of the old Melvins to keep things from straying too far from home, offering more than a few comforting oases for listeners to refresh themselves before they head out to explore some of Hold It In's weirder moments, making for a mix of the strange and the familiar that feels like classic Melvins without necessarily sounding like the bandmembers are borrowing ideas from themselves. (Ipecac Recordings)
  • Out of stock
    Psalm 69: The Way to Succeed and the Way to Suck Eggs (or as simply referred to as Psalm 69) is the common title for the fifth studio album by industrial metal band Ministry, released in 1992 on Sire Records. The actual title of the album is ΚΕΦΑΛΗΞΘ, which is made up of κεφαλή (kephal), a Greek word meaning "head", and ΞΘ, the number 69 in Greek numerals. The title Psalm 69 is used for simplicity's sake. The album gave Ministry a more mainstream audience, with the track "Jesus Built My Hotrod" receiving major airplay on MTV and various other music stations. Psalm 69 also marked Ministry's first release with guitarist Mike Scaccia, who was recruited by band frontman and founder Al Jourgensen in 1989. Sealed brand new 180 gram vinyl, issued with a printed inner sleeve with credits. (Sire Records/Rhino Records/2011)
  • Carnage is a new album by Nick Cave & Warren Ellis, recorded over a period of weeks during lockdown. Although the pair have composed & recorded many soundtracks together, and Warren is a long-term member of The Bad Seeds, this is the first time they have released an entire album of new... (Goliath Records/2021)
  • Fantastic sounding Nick Cave set live at the Fuji Rock Festival, Japan. Tracklist A1 Do You Love Me? A2 Lime Tree Arbour A3 Red Right Hand A4 Stagger Lee A5 I Let Love In B1 From Her To Eternity B2 Where The Wild Rosés Grow B3 The Mercy Seat B4 The Weeping Song B5 The Ship Song B6 Intro My Arms (Mute Records/Unofficial Release/2014)
  • Recorded at Townhouse III, London, September 1993 & Metropolis, Melbourne, December 1993. (Mute Records/Unofficial Release/2013)
  • Recorded in 1993-95 at Atlantis, Sing Sing and Metropolis Studios, Melbourne, Wessex Studios, London and mixed at Metropolis. "Where The Wild Roses Grow" was mixed at Sarm West, London. (Mute Records/Unofficial Release/2014)
  • 'Push the sky away' is the fifteenth studio album by nick cave and the bad seeds. at the heart of 'push the sky away' is a naturalism and warmth that makes it the most subtly beautiful of all the bad seeds albums. the contemporary settings of myths, and the cultural references that have time-stamped nick's songs of the twenty-first century mist lightly through details drawn from the life he observed around his seaside home, through the tall windows on the album's mysterious and ambiguous cover. 'push the sky away' has a clarity and sweet strangeness that's built upon the refusal to accept limitations, whether they be the traditional uses and sounds of musical instruments, lyric styles, or diminished spiritual horizons. Printed inner sleeve with lyrics. Contains code for digital mp3 album download. (Bad Seed Ltd.)
  • Back in stock
    Compilation of several BBC Sessions. (Marble Four/Unofficial Release)
  • Color Vinyl
    Limited Edition Colored Vinyl + Poster and Lyrics. (Geffen Records/Unofficial Release/2014)
  • Color Vinyl
    Limited Edition Colored Vinyl + Poster and Lyrics. (Geffen Records/Unofficial Release/2014)
  • The post-hardcore band Orange 9mm released their debut studio album Driver not Included in 1995. Listeners will get excited about their East Coast hardcore with flashes of metal and funk. This album rocks hard, but slows down to give the listener a break from all their energy and raw power. "High Speed Changer" and "Cutting and Draining" are two outstanding tracks. With the forceful choruses and intensive bass riffs they're giving you just a quick moment to catch some breath, before the band's moving on to the next song. It definitely deserves a place among the list of important '90s hardcore releases. Driver not Included is available as a limited edition of 1000 individually numbered copies on flame coloured (yellow & orange) vinyl. 180 gram audiophile vinyl Including insert Limited edition of 1000 individually numbered copies on flame coloured (yellow & orange mixed) vinyl (Music On Vinyl Records)
  • (Smash Records)
  • Pelican, the instrumental quartet whose singular vision of heavy music eschews classification, are set to release their first new music in almost six years. Channeling the visceral bombast of their live shows, “Midnight and Mescaline” is an unrelenting riff marathon, careening from bombastic heaviness to metal-infused fretboard frenetics to cathartic melody in under five minutes. Paired with b-side “Darkness on the Stairs”*** the new release taps into the band member’s shared roots in the late 90s DIY music scene, exuding an undeniably punk intensity and propensity for impassioned ferocity. ***contains unreleased track: “Darkness on the Stairs” Tracklist A Midnight And Mescaline 4:56 B Darkness On The Stairs 4:48 (Southern Lord Records)
  • Originally released in 1973, The Dark Side of the Moon became Pink Floyd's first number 1 album in the USA, remaining on the chart for 741 weeks between 1973 and 1988. One of the best-selling and most critically acclaimed albums of all time, The Dark Side of the Moon also introduced the iconic album cover artwork by Hipgnosis, After a request for a 'simple and bold' design. The stereo remastered album on heavyweight 180g vinyl Remastered from the original analogue tapes by JAMES GUTHRIE, JOEL PLANTE and BERNIE GRUNDMAN Original UK release date: March 1973. (Pink Floyd Records/2016)
  • 'Ummagumma' features a set of live performances on disc 1 and a collection of solo studio projects by various band members on disc 2. disc 1 was recorded live at mothers, birmingham, england. the party-liners may favour 'dark side of the moon', but diehard space cadets recognize 'ummagumma' as the pinnacle of post-barrett floyd's achievement. originally released as a double lp, the first record is a live recording from 1969, while the second features four extended cuts written by (and featuring) each of the four band members in turn. eschewing the catchy, kinks-influenced pop kaleidoscope of the band's first album, the live portion focuses on extended, spacy near-instrumentals, heavy on acid-fueled jamming and atmospheric electronic textures. from the eastern-tinged 'set the controls for the heart of the sun' to the over-the-top psychosis of 'careful with that axe, eugene,' 'ummagumma's first half is ground zero for the genre that would come to be known as space rock. the solo efforts on the second half are undoubtedly the band's most experimental, unconventional efforts ever. they make good use of the avant-garde techniques that were a key early influence, like musique concrete-style tape collage and sound effects. along the way, there's some lovely folk-tinged balladry, courtesy of roger waters ('grantchester meadows'), and some proto-prog keyboard wizardry (richard wright's multi-part 'sysyphus'). (Pink Floyd Records/2016)
  • Out of stock

    PJ HARVEY | dry | LP

    24.00 incl. tax
    Dry is the debut studio album by PJ Harvey, originally released on Too Pure Records on 30 March 1992. The album was recorded at The Icehouse, a local studio in Yeovil. Critically lauded both on release and retrospectively, the album contains the singles Dress and Sheela-Na-Gig. Back in print for the first time in almost 20 years. (Too Pure Records, 2020)
  • PJ HARVEY | rid of me | LP

    27.00 incl. tax
    Reissue on vinyl second PJ Harvey studio album in the Island Records catalogue, and her album. Produced by Steve Albini and originally released in May 1993, Rid Of Me features the singles ‘50ft Queenie’ and ‘Man-Size’. The album charted at number 3 in the UK. Reissue is faithful to the original recording and package, cutting by Bob Weston at Chicago Mastering under the guidance of Steve Albini. Originally released in 1993 and produced by Steve Albini Rid of Me adds only a touch of polish to the raw debut Dry keeping everything pretty much stripped down and burning. The album contains sone of harvey's must enduring songs - 50ft Queenie, Me-Jane and her storming take on Dylan's Highway 61 Revisited. Pressed on 180gsm vinyl Includes download card (Island Records, 2020)  
  • Out of stock
    The fifth PJ Harvey studio album Stories From The City, Stories From The Sea. Produced by PJ Harvey with Rob Ellis and Mick Harvey, and originally released in October 2000, Stories From The City, Stories From The Sea features the singles Good Fortune, A Place Called Home and This Is Love and includes a duet with Radiohead's Thom Yorke on This Mess We're In.. The album won the Mercury Music Prize in 2001. Reissue is faithful to the original recording and package, cutting by Jason Mitchell at Loud Mastering under the guidance of long-time PJ Harvey producer Head. (Island Records, 2021)
  • PORTISHEAD | dummy | LP

    21.00 incl. tax
    Portishead are an English band formed in 1991 in Bristol. They are often considered one of the pioneers of trip hop music. The band is named after the nearby town of the same name, eight miles west of Bristol, along the coast. Portishead consists of Geoff Barrow, Beth Gibbons and Adrian Utley, while sometimes citing a fourth member, Dave McDonald, an engineer on their first records. Their debut album, Dummy, was met with critical acclaim in 1994, quickly becoming a landmark album in the trip hop genre. Two other studio albums have been issued: Portishead in 1997 and Third in 2008, both of which received similar acclaim. In 1998, the band released a concert album, Roseland NYC Live. (Go! Beat)
  • As the vitriol spewed from Evil Empire, Rage Against the Machine's long-awaited follow up to their 1993 debut owes much to Chuck D.'s polemic fury and rapid-fire urgency - though as always the band rages without hip-hop machinery in favour of the heavy-duty power tools of rock. But no matter if Rage against the Machine amounts to revolutionary rap, protest metal, or a combination of the two, the band's command of sonic rage makes Evil Empire a powerful assault in any musical language. But wait, there's more to the name. Raging against the machine, like yelling at the TV, is woefully misdirected. Lyricist Zack de la Rocha is clearly someone with strong political views - particularly when it comes to the plight of fellow Mexicans on both sides of the border. He vents his indignation sharply at times (Vietnow, Without a Face), rather clumsily and artlessly most others. Music this angry should be aimed at something more specific than an entire race or nation or government, or else it risks sounding like the empty rants of confused post-pubescent rebellion. If only Rage against the Machine's raw musical muscles were grinding over a focused message, lord knows how potent they could be. LP - 180 Gram Vinyl with Download. (Epic)
  • Limited double vinyl LP pressing. The Red Hot Chili Peppers' first Warner Bros. Greatest Hits album spans almost 15 years of rock greatness. Featuring all of the band's best- loved recordings, Greatest Hits includes "Under The Bridge" (#2 pop and gold), the Top 10 "Scar Tissue," six classic Modern Rock #1s, a pair of Modern Rock Top 20s and three other fan favorites plus two brand-new songs. One of the most successful acts in rock history, Red Hot Chili Peppers have sold more than 60 million albums, including five multi-platinum LPs, and won six Grammy Awards, including Best Rock Album for Stadium Arcadium, Best Rock Performance By a Duo or Group for "Dani California, Best Rock Song for "Scar Tissue," and Best Hard Rock Performance With Vocal for "Give It Away." The band holds the record for the most #1 singles of all time at alternative radio, a total of 11, and a combined 81 weeks at #1. (Warner Records/2020)
  • Tracks on A side are new, previously unreleased. Tracks B3, B4 recorded live at Moni Lazariston 2/9/2013. 180gr black vinyl, Limited to 160 numbered copies. (Smash Records)
  • Out of stock
    Tracks on A side are new, previously unreleased. Tracks B3, B4 recorded live at Moni Lazariston 2/9/2013. 180gr black vinyl, Limited to 160 numbered copies. (Smash Records)
  • Two different sources for this rare radio sessions compilation: side A is from Hilversum in Holland, June 1993, and Central Park Ballroom, WI. From October 1991: pure early 90's Smashing Pumpkins greatness! Tracklist: Rocket Cherub Rock Today Disarm Spaceboy Dancing In The Moonlight Blue Siva Smiley Suffer Rhinocerous (Mind Control Records)
  • 2009 self-titled debut album from former Distillers front woman Brody Dalle. Also including bandmate Tony Bevilacqua and ex-Ret Hot Chilli Peppers and Queens of the Stone Age members Jack Irons and Alain Johannes, this is a mature, experienced Punk Rock record with strong melodies and Pop flourishes, which is reminescent of bands such as Siouxsie and the Banshees, Eagles of Death Metal and the Pixies. Includes the single 'Baptized By Fire'. (Anthem Records / Hassle Records / Unofficial Release)
  • Straight from the depths of an unused Boston-area concrete laboratory comes the debut of Sweeping Promises. Written and recorded with a patented ""single mic technique"" just before quarantine, ""Hunger for a Way Out"", is a post-punk leaning gem of unpolished DIY sound. The title track kicks things off in absolutely classic fashion, full of spirited hooks that echo the early Rough Trade sound. Angular guitars and sharp synth notes float atop a raw rhythm section, while Lira Mondal's effervescent vocals truly define Sweeping Promises' sound. There's something simple yet otherworldly about these tracks - you have the DIY prowess of Kleenex/LiLiPUT and Girls at Our Best!, a brooding new wave-y minimal synth sound woven in, and an undeniable pop-leaning appeal captured in vibrant monaural glory. It's hard to mistake these ten tracks of naturally urgent and driving post-punk for anything other than sheer brilliance. Sweeping Promises deliver in spades on ""Hunger for a Way Out"". (Feel It Records)
  • Originally released in 1995 this was their first album for three years and their first album of new TVPs material on Overground Records, who had previously issued two live albums, and reissued nine of their singles. Featuring eleven new tracks, the album was recorded by Liam Watson at Toe Rag Studios and was a marked change of direction from the highly polished ‘Closer To God’. “I wanted to get back to basics and recapture the spirit of the first two albums that were low budget and recorded quickly, that’s how all our best records were made” Dan Treacy 1995 Re-packaged with new artwork from the original artist Alison Wonderland and sleeve notes by Edward Ball (TVPs/The Times) the album will teach the kids of today everything they need to know about how to become a mod. What more could they want? “If you’re a Mod, you’re a Mod twenty four hours a day, even working with other people, you’re still a Mod. Some of them just can’t understand older men with homes and families, it’s just a different world, but I’m past it now, I’m too old You’ve got to be sixteen to be a Mod, to be able to wear high heeled boots and long hair and not care what anyone thinks” Dan Treacy 1995 This was the last TVPs album of original material. Albums since have been either compilations or consisted of cover versions, and as such ‘I Was A Mod Before You Was A Mod’ remains a remarkable testament to an extraordinary talent. (Overground Records)
  • Television were part of the late-'70s punk nucleus that put New York's CBGB club on the map. Driven by Tom Verlaine's raw-nerve songwriting and both his and Richard Lloyd's guitar playing - dual strands of slashing hooks and cathartic riffs - their music is spare yet structurally complex, artistic yet unpretentious. Among rock's true innovators, Television put a new face on punk and influenced everything from New Wave to jam-rock. Adventure is the band's second album and the follow-up to their critically acclaimed debut, Marquee Moon. Four of the songs, Foxhole, Ain't That Nothing, Careful and The Dream's Dream were older compositions from the band's live set. (Rhino Records)
  • Marquee Moon is a revolutionary album, but it's a subtle, understated revolution. Without question, it is a guitar rock album -- it's astonishing to hear the interplay between Tom Verlaine and Richard Lloyd -- but it is a guitar rock album unlike any other. Where their predecessors in the New York punk scene, most notably the Velvet Underground, had fused blues structures with avant-garde flourishes, Television completely strip away any sense of swing or groove, even when they are playing standard three-chord changes. Marquee Moon is comprised entirely of tense garage rockers that spiral into heady intellectual territory, which is achieved through the group's long, interweaving instrumental sections, not through Verlaine's words. That alone made Marquee Moon a trailblazing album -- it's impossible to imagine post-punk soundscapes without it. Of course, it wouldn't have had such an impact if Verlaine hadn't written an excellent set of songs that conveyed a fractured urban mythology unlike any of his contemporaries. From the nervy opener, "See No Evil," to the majestic title track, there is simply not a bad song on the entire record. And what has kept Marquee Moon fresh over the years is how Television flesh out Verlaine's poetry into sweeping sonic epics. It is impossible that 'post punk' would have happened without this album. (Eletra/Rhino Records)
  • TENANTS | stations | LP

    11.00 incl. tax
    Noise rock από Αθήνα. Περιορισμένη έκδοση 200 αντιτύπων σε μαυρο βινυλιο. (Self Released) https://tenantsgr.bandcamp.com
  • The Black Keys’ long-awaited ninth studio album, "Let’s Rock," their first in five years, is a return to the straightforward rock of the singer / guitarist Dan Auerbach and drummer Patrick Carney’s early days as a band. Auerbach says, “When we’re together we are The Black Keys, that’s where that real magic is, and always has been since we were sixteen.” The album includes the hit single "Lo/Hi". Let’s Rock was written, tracked live, and produced by Auerbach and Carney at Easy Eye Sound studio in Nashville and features backing vocals from Leisa Hans and Ashley Wilcoxson. “The record is like a homage to electric guitar,” says Carney. “We took a simple approach and trimmed all the fat like we used to. (Nonesuch/2019)‎