• Media: Near Mint (NM or M-) Sleeve: Near Mint (NM or M-) (Columbia)
  • Media: Near Mint (NM or M-) Sleeve: Near Mint (NM or M-) (ATCO Records)
  • A collection of rare remastered versions of Alice In Chains classics performed in various locations. Includes the Hollywood Rock 1993 appearance, the 1991 recording at the Club Desoto for the movie 'Singles', the Saturday Night Special on Fox and more rare and hard to find tracks. A must for all their fans. SIDE 1: 1. It Ain't Like That 2. Would? 3. Man In The Box 4. Sea Of Sorrow 5. Junkhead SIDE 2: 1. Would? 2. Angry Chair/Them Bones 3. Them Bones 4. Again 5. Love Hate Love (TV Party)
  • Live From Shepherd's Bush Empire, London 2007. Tracklist: 1A Addicted 2A Just Friends 3A Cherry 4A Back To Black 5A Tears Dry On Their Own 6A Fuck Me Pumps 7A Love Is A Losing Game 1B Valerie 2B Poor Little Rich Girl 3B Rehab 4B You Know I'm No Good 5B Me & Mr. Jones 6B Monkey Man (Unoficial Release)  
  • BIG BLACK | headache | LP

    17.00 incl. tax
    Remastered By Steve Albini And Bob Weston At Chicago Mastering. Headache is the 1987 EP by Big Black. A noisier affair than Atomizer, the four-song Headache EP was accompanied by a band-written sticker warning that it's not as good as the preceding LP. However Ready Men and Grinder are satisfyingly ornery, and the noise-fest of My Disco isn't far behind.
    12" - With Download. (Touch And Go Records)
  • Out of stock

    BIG BLACK | lungs | LP

    17.00 incl. tax
    Lungs is the first EP by American post-hardcore band Big Black. It was released on December 1982 on Ruthless Records and was reissued in 1992 on Touch and Go Records. A 19-year-old Steve Albini played nearly every instrument on Lungs, with "sax bleats" by Albini's college friend John Bohnen and drums being handled by "Roland," a drum machine that was credited as a member of the band. The EP was used to recruit the other members of Big Black. Lungs was recorded on a TEAC 3340 loaned to Albini in exchange for a case of beer. The original EP came with an array of objects, including loaded squirt guns, bloody pieces of paper (one of Albini's friends suffered from a nosebleed), dollar bills, condoms, concert tickets, Bruce Lee trading cards, pictures of old people and firecrackers. Things like fishhooks and razorblades were discounted, fearing lawsuits. (Touch And Go Records)
  • BIG BLACK | pig pile | LP

    17.00 incl. tax
    Recorded live in london in 1987, during the last big black tour, 'pig pile' opens in the band's typically charming manner with bassist dave riley announcing "this song is called 'dingy little back alley of a country'," before the band launches into a punishing 46-minute set. the concert includes material from the band's first ep, 'lungs', all the way up through 1987s 'songs about fucking'. the band's confrontational live sound emphasizes crackling, extremely harsh guitar and very brittle drums. in true punk rock style, the treble has been turned up as far as possible. 'cables' - about slaughterhouses and 'jordan, minnesota' - about a pedophilia scandal-both appear in radically sped-up versions. 'kerosene' is introduced as "a song jerry lee lewis wrote before he killed one of his wives," and steve albini's vocals are nearly buried beneath heaped shards of guitar shrapnel in 'steelworker.' while there is no substitute for actually living through the big black live experience, 'pig pile' - both on record and in its video form-documents one of the relatively few instances in history when music was actually dangerous. (Touch And Go Records)
  • BIG BLACK | racer x | LP

    17.00 incl. tax
    Originally released in 1983 on Homestead Records and re-released on Touch And Go Records in 1992. Recently remastered by Steve Albini and Bob Weston at Chicago Mastering. Includes coupon for an MP3 download of the album. Big Black was started by Steve Albini in 1982 while he was attending Northwestern University in Evanston, Illinois. Lungs, the first Big Black release was recorded by Steve on a borrowed 4-track. He played everything on the EP himself - except the sax bleating courtesy of pal John Bohnen and the drums courtesy of Roland. Soon after, Steve recruited Jeff Pezzati (Naked Raygun) on bass, and Santiago Durango (also Naked Raygun) joined them on guitar. In 1983, together with live drummer Pat Byrne, they recorded the Bulldozer EP. By 1984, the band had done some touring and recorded the Racer X EP and the start of the Il Duce 7”. After that, Jeff returned to Naked Raygun and was replaced by Dave Riley. In 1985, Big Black recorded their first full-length, Atomizer, as well as finishing the Il Duce 7”. Atomizer was released in 1986 along with the release of the Hammer Party compilation CD. In 1987, the Headache EP and Heartbeat 7” were released. That same year, the band recorded and released the 7” of The Model/He’s A Whore as well as their second full-length album, Songs About Fucking. They toured extensively (for Big Black). And they broke up. (Touch And Go Records)
  • Big Black was started by Steve Albini in 1982 while he was attending Northwestern University in Evanston, Illinois. Lungs, the first Big Black release was recorded by Steve on a borrowed 4-track. He played everything on the EP himself - except the sax bleating courtesy of pal John Bohnen and the drums courtesy of Roland. Soon after, Steve recruited Jeff Pezzati (Naked Raygun) on bass, and Santiago Durango (also Naked Raygun) joined them on guitar. In 1983, together with live drummer Pat Byrne, they recorded the Bulldozer EP. By 1984, the band had done some touring and recorded the Racer X EP and the start of the Il Duce 7”. After that, Jeff returned to Naked Raygun and was replaced by Dave Riley. In 1985, Big Black recorded their first full-length, Atomizer, as well as finishing the Il Duce 7”. Atomizer was released in 1986 along with the release of the Hammer Party compilation CD. In 1987, the Headache EP and Heartbeat 7” were released. That same year, the band recorded and released the 7” of The Model/He’s A Whore as well as their second full-length album, Songs About Fucking. They toured extensively (for Big Black). And they broke up. (Touch And Go Records)
  • In 2019, Bob Mould bucked the era’s despair with his melodic, upbeat album Sunshine Rock. Cut to spring 2020, and he has this to say: “We’re really in deep shit now.” That sentiment informs his new full-length album, Blue Hearts, the raging-but-catchy yin to Sunshine Rock’s yang.
    To be sure, we were in some shit in 2018, when Mould recorded Sunshine Rock. Back then, he had a song called “American Crisis” that didn’t fit the album. “That song is the seed for what we’re talking about now,” Mould says from his home in San Francisco during the COVID-19 lockdown.
    “American Crisis” is the third song in a walloping album that spits plainspoken fire at the people who fomented this crisis. “This is the catchiest batch of protest songs I’ve ever written in one sitting,” he says. Through some of the most direct, confrontational lyrics of his four-decade career, Mould makes his POV clear: “I never thought I’d see this bullshit again / To come of age in the ’80s was bad enough / We were marginalized and demonized / I watched a lot of my generation die / Welcome back to American crisis.”
    Why “welcome back”? Because Mould experienced deja vu writing Blue Hearts in the fall of 2019. “Where it started to go in my head is back to a spot that I’ve been in before,” he says. “And that was the fall of 1983.” Back then, Mould was a selfdescribed “22-year-old closeted gay man” touring with the legendary Hüsker Dü and seeing an epidemic consume his community. Leaders were content to let AIDS kill a generation. Mould later realized why his mind wandered back there for Blue Hearts. “We have a charismatic, telegenic, say-anything leader being propped up by evangelicals,” he says. “These fuckers tried to kill me once. They didn’t do it. They scared me. I didn’t do enough. Guess what? I’m back, and we’re back here again. And
    I’m not going to sit quietly this time and worry about alienating anyone.”
    Recorded at the famed Electrical Audio in Chicago with Beau Sorenson engineering and Mould producing, Blue Hearts nods to Mould’s past while remaining firmly planted in the issues of the day. Acoustic opener “Heart on My Sleeve” catalogues the ravages of climate change. “Next Generation” worries for who comes next. “American Crisis” references “Evangelical ISIS” and features this dagger of a line: “Pro-life, pro-life until you make it in someone else’s wife.”
    “Leather Dreams,” “Password to My Soul,” and “The Ocean” were composed during a writing binge before a January 2020 Solo Electric tour, when Mould stayed up for three straight days. “Songs just kept coming out,” he says. “‘Leather Dreams’ and ‘The Ocean’ both appeared within hours. I barely remember writing them.”
    That feels right for an explosive, hook-laden album like Blue Hearts. Only there’s nothing forgettable about it. (Merge Records)
  • Bob Mould returns with his next solo album titled 'Patch the Sky' via Merge Records. It is both his darkest and catchiest work. While written in solitude, Mould is backed on the record by longtime drummer Jon Wurster (Superchunk, Mountain Goats) and bassist Jason Narducy (Split Single). The first side of the LP is simple and catchy whilst he back-half of the record heavier in spirit and tone. (Merge Records)
  • The cliché that circulated after the 2016 election foretold a new artistic golden age: Artists would transform their anger and anxiety into era-defining works of dissent in the face of authoritarianism. Yet Bob Mould calls his new album Sunshine Rock. It's not because Mould - whose face belongs on the Mount Rushmore of alternative music - likes the current administration. His decision to "write to the sunshine," as he describes it, comes from a more personal place - a place found in Berlin, Germany, where he's spent the majority of the last three years. Here Mould would draw inspiration from the new environments. "Almost four years ago, I made plans for an extended break," Mould explains. "I started spending time in Berlin in 2015, found an apartment in 2016, and became a resident in 2017. My time in Berlin has been a life changing experience. The winter days are long and dark, but when the sun comes back, all spirits lift." "To go from [2011 autobiography] See a Little Light to the last three albums, two of which were informed by loss of each parent, respectively, at some point I had to put a Post-It note on my work station and say, "Try to think about good things." Otherwise I could really go down a long, dark hole," he says. "I'm trying to keep things brighter these days as a way to stay alive."
    (Merge Records)
  • Blag Dhalia of The Dwarves for the retro euro pop on this too sweet album. (Burger Records)
  • FIRST VINYL REISSUE FOR THE CHARLOTTES' FIRST 12" WHICH ALSO INCLUDES THEIR FIRST 7" AND THE 'LOVE IN THE EMPTINESS' 12" AS BONUS. LIMITED 500 COPIES ON 180GR VINYL. Hailing from the small, conservative market town of Huntingdon in Cambridgeshire, The Charlottes rose from the ashes of a short-lived band called The Giant Polar Bears; before that, bassist David Fletcher had been in Red Over White, guitarist Graham Gargiulo had played in Mithrandir while drummer Simon Scott would eventually end up in Slowdive; early vocalist John Lindsell was replaced by Petra Roddis. Their debut single, “Are You Happy Now,” issued on the short-lived local independent, Moleworth Records, was in melodic power-pop mode; debut album Lovehappy was recorded in Bristol and released by Martin Whitehead’s Subway Organization in August 1989, to rave reviews. Championed by John Peel, it showcased their evolving “Wall of Guitar” sound, moving away from the tamer pop beginnings. Follow-up EP “Love In The Emptinesss” showed continued growth, the song constructions becoming more complex and layered, and when the group signed to Cherry Red in 1990, the single “Liar” began making waves in America, though the group somehow split right at this high-water mark; thankfully, the EP and single are both included on our expanded Lovehappy reissue. TRACKLIST: Are You Happy Now Cold Keep Me Down Stubborn See The Danger Shine Everything To Me In My Hair Love Happy Liar Blue Venus Love In The Emptiness Be My Release Could There Ever Be (Radiation Deluxe/RSD)  
  • The group features Ian MacKaye, his Fugazi bandmate Joe Lally, and his Evens bandmate Amy Farina. On this self-titled debut each of the musicians share singing responsibilities. The lead track, Clean Kill, is a deceptively warm-sounding song about political corruption. It’s a clean kill, but it’s not clean, the band members sing in unison on the chorus. It’s unmistakably the work of Ian MacKaye, probably closer to The Evens than to any of his other projects, but with a bit more of that Fugazi-esque grit in the mix. It’s a very cool first track. (Dischord Records) https://coriky.bandcamp.com/album/coriky
  • DANZIG | danzig | LP

    17.00 incl. tax
    Re-issue of the first Us pressing without the Danzig logo on cover. Danzig debuts with a record of simple, pounding, bluesy metal featuring lead singer Glenn Danzig’s trademark Elvis-meets-Jim Morrison bellow and outlandishly dark, evil lyrics. There isn’t a great deal of musical variety or complexity here, but the band powers its way through such signature tunes as Twist of Cain, Am I Demon, and the (future) hit Mother with a primal energy. Plus, Danzig’s tongue-in-cheek posturing as the ultimate unholier-than-thou heavy metal frontman gives the record a definite appeal, even if one is not inclined to view his theatrics as dangerous or threatening. With James Hetfield from Metallica on backing vocals. (Def American Recordings/Unofficial Release)
  • Back in stock
    Including the first ever versions of songs like: Twist Of Cain, Am I Demon?, Possession and others. 9 anthems recovered from long lost tapes (not available anywhere else before) that gave birth to a record that is considered one of the best Metal albums of all time. The lost demos from Glen Danzig's pre-self-titled debut album in 1987. The first sketches and fully developed songs of some of the more remarkable classics in Danzig's career. This Release came in a least 4 different colors of vinyl. This is the Red Vinyl. Τracklist A1     Twist Of Cain A2     Feel It (Am I Demon?) A3     Possession A4     When Death Had No Name (Mortal Sin) B1     Trouble (I'm Evil) (Elvis Presley Cover) B2     Waiting On The Summer (Soul On Fire) B3     Die For The Demon (Night Of Hate) B4     Chaos (Descent) B5     Trouble (I'm Evil) v.2 (Yellow Dog Records/Unofficial)
  • Collection of rare remastered versions of Faith No More classics tracks performed in various locations. Includes the MTV Awards 1990 appearance, Jay Leno, 'Hey Hey It's Saturday', Conan O'Brian and more rangin' from 1990 to 1995. A must for all their fans.
     Side A 01 "EPIC" 05:00 02 "EDGE OF THE WORLD" 04:34 03 "EASY" 05:01 04 "MIDLIFE CRISIS" 03:51 05 "CAFFEINE" 05:47 Side B 06 "A SMALL VICTORY" 04:42 07 "EPIC"/"WAR PIGS" featuring Young MC, James Hetfield, Ozzy Osbourne 05:49 08 "DIGGING THE GRAVE" 03:16 09 "EVIDENCE" 04:09 10 "RICOCHET" 03:52 (TV Party/Unofficial Release)
  • Media Condition: Near Mint (NM or M-) Sleeve Condition: Near Mint (NM or M-) (Warner)
  • Out of stock
    'The Real Thing' was Faith No More's first album to include Mike Patton after the firing of vocalist Chuck Mosley, and it marked a significant turning point in the band's career. Boosted in part by MTV's heavy-rotation video for 'Epic,' 'The Real Thing' became an international breakout success and remains the band's highest selling album to date. (Slash/Reprise Records/2020)
  • Classic Polish band from 90's. (Gold Rock/Falarek Band)
  • FOOL IN THE BOX | same titled | LP + CD

    15.00 10.00 incl. tax

    (B-otherside Records)

  • It's been a few years but FRANKIE STUBBS, the lead singer and guitarist for the legendary UK punk band LEATHERFACE, is back with an all new acoustic 4 song EP, "Blood Orange Moon". The record contains 3 brand new songs and a version of the LEATHERFACE favorite "Shipyards". Along with his unmistakeable voice, this stripped down EP highlights Frankie's unique approach to songwriting, thoughtful lyrics and intricate guitar playing. Backed by Graeme Philliskirk (LEATHERFACE, MEDICTATION) on additional acoustic guitars, Blood Orange Moon is wonderful look into what Frankie has been up to in his songwriting lately as well as a nostalgic throwback to the LEATHERFACE days. Frankies songs have the broad appeal that can attract new listeners and old fans alike. People will be singing along to these songs at his shows for years to come. This EP is a split release between Little Rocket Records in the UK and Rad Girlfriend Records in the US. (Rocket Records / Rad Girlfriend Records) https://radgirlfriendrecords.bandcamp.com/album/blood-orange-moon-ep
  • On January 1, 2000, I wrote a fax to Frankie and asked him, if he would like to release a few songs on my label - Sounds of Subterrania. 4months later - these six very special songs were released. 20 years later - Frankie is back on stage and we had thought about reissuing this record, which had been sold out for a long time, and selling it at his concerts. "Not long after re-convening Leatherface Frankie Stubbs put out this little solo acoustic 10". The results are sort of what you would imagine Leatherface would sound like without the electricity. The lack of musical varnish reveals a sound more akin to folk-blues then singer-songwriter. Of course, Stubbs' love of romantic pop is also on display here, as he (re)covers Elvis Presley's "I Can't Help Falling in Love With You" and Nick Cave's "Ship Song". (Sounds Of Subterrania) https://soundsofsubterrania.bandcamp.com/album/s-t-8
  • Out of stock

    FUGAZI | end hits | LP

    20.00 incl. tax
    End Hits is the fifth studio album by American post-hardcore band Fugazi, released on April 28, 1998 by Dischord Records. It was recorded at Inner Ear Studios from March 1997 to September 1997 and produced by the band and Don Zientara, and saw the band continuing with and expanding upon the in-studio experimentation of their previous album Red Medicine (1995). Due to the title, rumors began circulating at the time that it was to be their last release. (Dischord Records)