• 'Push the sky away' is the fifteenth studio album by nick cave and the bad seeds. at the heart of 'push the sky away' is a naturalism and warmth that makes it the most subtly beautiful of all the bad seeds albums. the contemporary settings of myths, and the cultural references that have time-stamped nick's songs of the twenty-first century mist lightly through details drawn from the life he observed around his seaside home, through the tall windows on the album's mysterious and ambiguous cover. 'push the sky away' has a clarity and sweet strangeness that's built upon the refusal to accept limitations, whether they be the traditional uses and sounds of musical instruments, lyric styles, or diminished spiritual horizons. Printed inner sleeve with lyrics. Contains code for digital mp3 album download. (Bad Seed Ltd.)
  • Back in stock
    Compilation of several BBC Sessions. (Marble Four/Unofficial Release)
  • Color Vinyl
    Limited Edition Colored Vinyl + Poster and Lyrics. (Geffen Records/Unofficial Release/2014)
  • Color Vinyl
    Limited Edition Colored Vinyl + Poster and Lyrics. (Geffen Records/Unofficial Release/2014)
  • The post-hardcore band Orange 9mm released their debut studio album Driver not Included in 1995. Listeners will get excited about their East Coast hardcore with flashes of metal and funk. This album rocks hard, but slows down to give the listener a break from all their energy and raw power. "High Speed Changer" and "Cutting and Draining" are two outstanding tracks. With the forceful choruses and intensive bass riffs they're giving you just a quick moment to catch some breath, before the band's moving on to the next song. It definitely deserves a place among the list of important '90s hardcore releases. Driver not Included is available as a limited edition of 1000 individually numbered copies on flame coloured (yellow & orange) vinyl. 180 gram audiophile vinyl Including insert Limited edition of 1000 individually numbered copies on flame coloured (yellow & orange mixed) vinyl (Music On Vinyl Records)
  • (Smash Records)
  • Pelican, the instrumental quartet whose singular vision of heavy music eschews classification, are set to release their first new music in almost six years. Channeling the visceral bombast of their live shows, “Midnight and Mescaline” is an unrelenting riff marathon, careening from bombastic heaviness to metal-infused fretboard frenetics to cathartic melody in under five minutes. Paired with b-side “Darkness on the Stairs”*** the new release taps into the band member’s shared roots in the late 90s DIY music scene, exuding an undeniably punk intensity and propensity for impassioned ferocity. ***contains unreleased track: “Darkness on the Stairs” Tracklist A Midnight And Mescaline 4:56 B Darkness On The Stairs 4:48 (Southern Lord Records)
  • Originally released in 1973, The Dark Side of the Moon became Pink Floyd's first number 1 album in the USA, remaining on the chart for 741 weeks between 1973 and 1988. One of the best-selling and most critically acclaimed albums of all time, The Dark Side of the Moon also introduced the iconic album cover artwork by Hipgnosis, After a request for a 'simple and bold' design. The stereo remastered album on heavyweight 180g vinyl Remastered from the original analogue tapes by JAMES GUTHRIE, JOEL PLANTE and BERNIE GRUNDMAN Original UK release date: March 1973. (Pink Floyd Records/2016)
  • 'Ummagumma' features a set of live performances on disc 1 and a collection of solo studio projects by various band members on disc 2. disc 1 was recorded live at mothers, birmingham, england. the party-liners may favour 'dark side of the moon', but diehard space cadets recognize 'ummagumma' as the pinnacle of post-barrett floyd's achievement. originally released as a double lp, the first record is a live recording from 1969, while the second features four extended cuts written by (and featuring) each of the four band members in turn. eschewing the catchy, kinks-influenced pop kaleidoscope of the band's first album, the live portion focuses on extended, spacy near-instrumentals, heavy on acid-fueled jamming and atmospheric electronic textures. from the eastern-tinged 'set the controls for the heart of the sun' to the over-the-top psychosis of 'careful with that axe, eugene,' 'ummagumma's first half is ground zero for the genre that would come to be known as space rock. the solo efforts on the second half are undoubtedly the band's most experimental, unconventional efforts ever. they make good use of the avant-garde techniques that were a key early influence, like musique concrete-style tape collage and sound effects. along the way, there's some lovely folk-tinged balladry, courtesy of roger waters ('grantchester meadows'), and some proto-prog keyboard wizardry (richard wright's multi-part 'sysyphus'). (Pink Floyd Records/2016)
  • Out of stock

    PJ HARVEY | dry | LP

    24.00 incl. tax
    Dry is the debut studio album by PJ Harvey, originally released on Too Pure Records on 30 March 1992. The album was recorded at The Icehouse, a local studio in Yeovil. Critically lauded both on release and retrospectively, the album contains the singles Dress and Sheela-Na-Gig. Back in print for the first time in almost 20 years. (Too Pure Records, 2020)
  • PJ HARVEY | rid of me | LP

    27.00 incl. tax
    Reissue on vinyl second PJ Harvey studio album in the Island Records catalogue, and her album. Produced by Steve Albini and originally released in May 1993, Rid Of Me features the singles ‘50ft Queenie’ and ‘Man-Size’. The album charted at number 3 in the UK. Reissue is faithful to the original recording and package, cutting by Bob Weston at Chicago Mastering under the guidance of Steve Albini. Originally released in 1993 and produced by Steve Albini Rid of Me adds only a touch of polish to the raw debut Dry keeping everything pretty much stripped down and burning. The album contains sone of harvey's must enduring songs - 50ft Queenie, Me-Jane and her storming take on Dylan's Highway 61 Revisited. Pressed on 180gsm vinyl Includes download card (Island Records, 2020)  
  • Out of stock
    The fifth PJ Harvey studio album Stories From The City, Stories From The Sea. Produced by PJ Harvey with Rob Ellis and Mick Harvey, and originally released in October 2000, Stories From The City, Stories From The Sea features the singles Good Fortune, A Place Called Home and This Is Love and includes a duet with Radiohead's Thom Yorke on This Mess We're In.. The album won the Mercury Music Prize in 2001. Reissue is faithful to the original recording and package, cutting by Jason Mitchell at Loud Mastering under the guidance of long-time PJ Harvey producer Head. (Island Records, 2021)
  • PORTISHEAD | dummy | LP

    21.00 incl. tax
    Portishead are an English band formed in 1991 in Bristol. They are often considered one of the pioneers of trip hop music. The band is named after the nearby town of the same name, eight miles west of Bristol, along the coast. Portishead consists of Geoff Barrow, Beth Gibbons and Adrian Utley, while sometimes citing a fourth member, Dave McDonald, an engineer on their first records. Their debut album, Dummy, was met with critical acclaim in 1994, quickly becoming a landmark album in the trip hop genre. Two other studio albums have been issued: Portishead in 1997 and Third in 2008, both of which received similar acclaim. In 1998, the band released a concert album, Roseland NYC Live. (Go! Beat)
  • As the vitriol spewed from Evil Empire, Rage Against the Machine's long-awaited follow up to their 1993 debut owes much to Chuck D.'s polemic fury and rapid-fire urgency - though as always the band rages without hip-hop machinery in favour of the heavy-duty power tools of rock. But no matter if Rage against the Machine amounts to revolutionary rap, protest metal, or a combination of the two, the band's command of sonic rage makes Evil Empire a powerful assault in any musical language. But wait, there's more to the name. Raging against the machine, like yelling at the TV, is woefully misdirected. Lyricist Zack de la Rocha is clearly someone with strong political views - particularly when it comes to the plight of fellow Mexicans on both sides of the border. He vents his indignation sharply at times (Vietnow, Without a Face), rather clumsily and artlessly most others. Music this angry should be aimed at something more specific than an entire race or nation or government, or else it risks sounding like the empty rants of confused post-pubescent rebellion. If only Rage against the Machine's raw musical muscles were grinding over a focused message, lord knows how potent they could be. LP - 180 Gram Vinyl with Download. (Epic)
  • Limited double vinyl LP pressing. The Red Hot Chili Peppers' first Warner Bros. Greatest Hits album spans almost 15 years of rock greatness. Featuring all of the band's best- loved recordings, Greatest Hits includes "Under The Bridge" (#2 pop and gold), the Top 10 "Scar Tissue," six classic Modern Rock #1s, a pair of Modern Rock Top 20s and three other fan favorites plus two brand-new songs. One of the most successful acts in rock history, Red Hot Chili Peppers have sold more than 60 million albums, including five multi-platinum LPs, and won six Grammy Awards, including Best Rock Album for Stadium Arcadium, Best Rock Performance By a Duo or Group for "Dani California, Best Rock Song for "Scar Tissue," and Best Hard Rock Performance With Vocal for "Give It Away." The band holds the record for the most #1 singles of all time at alternative radio, a total of 11, and a combined 81 weeks at #1. (Warner Records/2020)
  • Tracks on A side are new, previously unreleased. Tracks B3, B4 recorded live at Moni Lazariston 2/9/2013. 180gr black vinyl, Limited to 160 numbered copies. (Smash Records)
  • Out of stock
    Tracks on A side are new, previously unreleased. Tracks B3, B4 recorded live at Moni Lazariston 2/9/2013. 180gr black vinyl, Limited to 160 numbered copies. (Smash Records)
  • Two different sources for this rare radio sessions compilation: side A is from Hilversum in Holland, June 1993, and Central Park Ballroom, WI. From October 1991: pure early 90's Smashing Pumpkins greatness! Tracklist: Rocket Cherub Rock Today Disarm Spaceboy Dancing In The Moonlight Blue Siva Smiley Suffer Rhinocerous (Mind Control Records)
  • 2009 self-titled debut album from former Distillers front woman Brody Dalle. Also including bandmate Tony Bevilacqua and ex-Ret Hot Chilli Peppers and Queens of the Stone Age members Jack Irons and Alain Johannes, this is a mature, experienced Punk Rock record with strong melodies and Pop flourishes, which is reminescent of bands such as Siouxsie and the Banshees, Eagles of Death Metal and the Pixies. Includes the single 'Baptized By Fire'. (Anthem Records / Hassle Records / Unofficial Release)
  • Straight from the depths of an unused Boston-area concrete laboratory comes the debut of Sweeping Promises. Written and recorded with a patented ""single mic technique"" just before quarantine, ""Hunger for a Way Out"", is a post-punk leaning gem of unpolished DIY sound. The title track kicks things off in absolutely classic fashion, full of spirited hooks that echo the early Rough Trade sound. Angular guitars and sharp synth notes float atop a raw rhythm section, while Lira Mondal's effervescent vocals truly define Sweeping Promises' sound. There's something simple yet otherworldly about these tracks - you have the DIY prowess of Kleenex/LiLiPUT and Girls at Our Best!, a brooding new wave-y minimal synth sound woven in, and an undeniable pop-leaning appeal captured in vibrant monaural glory. It's hard to mistake these ten tracks of naturally urgent and driving post-punk for anything other than sheer brilliance. Sweeping Promises deliver in spades on ""Hunger for a Way Out"". (Feel It Records)
  • Originally released in 1995 this was their first album for three years and their first album of new TVPs material on Overground Records, who had previously issued two live albums, and reissued nine of their singles. Featuring eleven new tracks, the album was recorded by Liam Watson at Toe Rag Studios and was a marked change of direction from the highly polished ‘Closer To God’. “I wanted to get back to basics and recapture the spirit of the first two albums that were low budget and recorded quickly, that’s how all our best records were made” Dan Treacy 1995 Re-packaged with new artwork from the original artist Alison Wonderland and sleeve notes by Edward Ball (TVPs/The Times) the album will teach the kids of today everything they need to know about how to become a mod. What more could they want? “If you’re a Mod, you’re a Mod twenty four hours a day, even working with other people, you’re still a Mod. Some of them just can’t understand older men with homes and families, it’s just a different world, but I’m past it now, I’m too old You’ve got to be sixteen to be a Mod, to be able to wear high heeled boots and long hair and not care what anyone thinks” Dan Treacy 1995 This was the last TVPs album of original material. Albums since have been either compilations or consisted of cover versions, and as such ‘I Was A Mod Before You Was A Mod’ remains a remarkable testament to an extraordinary talent. (Overground Records)
  • Television were part of the late-'70s punk nucleus that put New York's CBGB club on the map. Driven by Tom Verlaine's raw-nerve songwriting and both his and Richard Lloyd's guitar playing - dual strands of slashing hooks and cathartic riffs - their music is spare yet structurally complex, artistic yet unpretentious. Among rock's true innovators, Television put a new face on punk and influenced everything from New Wave to jam-rock. Adventure is the band's second album and the follow-up to their critically acclaimed debut, Marquee Moon. Four of the songs, Foxhole, Ain't That Nothing, Careful and The Dream's Dream were older compositions from the band's live set. (Rhino Records)
  • Marquee Moon is a revolutionary album, but it's a subtle, understated revolution. Without question, it is a guitar rock album -- it's astonishing to hear the interplay between Tom Verlaine and Richard Lloyd -- but it is a guitar rock album unlike any other. Where their predecessors in the New York punk scene, most notably the Velvet Underground, had fused blues structures with avant-garde flourishes, Television completely strip away any sense of swing or groove, even when they are playing standard three-chord changes. Marquee Moon is comprised entirely of tense garage rockers that spiral into heady intellectual territory, which is achieved through the group's long, interweaving instrumental sections, not through Verlaine's words. That alone made Marquee Moon a trailblazing album -- it's impossible to imagine post-punk soundscapes without it. Of course, it wouldn't have had such an impact if Verlaine hadn't written an excellent set of songs that conveyed a fractured urban mythology unlike any of his contemporaries. From the nervy opener, "See No Evil," to the majestic title track, there is simply not a bad song on the entire record. And what has kept Marquee Moon fresh over the years is how Television flesh out Verlaine's poetry into sweeping sonic epics. It is impossible that 'post punk' would have happened without this album. (Eletra/Rhino Records)
  • TENANTS | stations | LP

    11.00 incl. tax
    Noise rock από Αθήνα. Περιορισμένη έκδοση 200 αντιτύπων σε μαυρο βινυλιο. (Self Released) https://tenantsgr.bandcamp.com
  • The Black Keys’ long-awaited ninth studio album, "Let’s Rock," their first in five years, is a return to the straightforward rock of the singer / guitarist Dan Auerbach and drummer Patrick Carney’s early days as a band. Auerbach says, “When we’re together we are The Black Keys, that’s where that real magic is, and always has been since we were sixteen.” The album includes the hit single "Lo/Hi". Let’s Rock was written, tracked live, and produced by Auerbach and Carney at Easy Eye Sound studio in Nashville and features backing vocals from Leisa Hans and Ashley Wilcoxson. “The record is like a homage to electric guitar,” says Carney. “We took a simple approach and trimmed all the fat like we used to. (Nonesuch/2019)‎