• Τέσσερα χρόνια μετά από το τελευταίο τους δίσκο, Αρχή Του Τέλους επιστρέφουν με ολοκαίνουργιο άλμπουμ με τίτλο "Η Φθίνουσα Σκιά της Θλίψης". Ο δίσκος θα κυκλοφορήσει σε 300 αντίτυπα, τα 200 σε μαύρο βινύλιο και τα 100 είναι σε διάφανο/πράσινο βινύλιο. Κυκλοφορεί σε συνεργασία μπάντας και Scarecrow Records. www.arxitoyteloys.blogspot.com Label: Scarecrow Records
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    Athen’s CHAIN CULT return with their first full length following a great Demo and 7” from last year. Recorded at Ignite Music by George Christoforidis during May and July of 2019, Shallow Grave shows the progression of a band who have played non-stop for two years, covering pretty much all of Europe. CHAIN CULT’s post punk is anthemic, militant and idealistic, putting music to a very dark and bleak time and place. You can hear echoes of early THE CURE, THE SOUND, Second Empire Justice era BLITZ or WIPERS in their music but also the passion and conviction of locals METRO DECAY, STRESS or ANTI… Very much a perfect reflection of what springs to mind thinking about the current Athens scene.

    Shallow Grave comes housed in a reverse board sleeve including a printed inner sleeve with lyrics, all  designed by CHAIN CULT’s collaborator Aris Panagopoulos of A.D. Visions.

    Label: La Vida Es Un Mus Records
  • Οι Cramps σχηματίστηκαν το 1976 από δύο χαρακτηριστικές φυσιογνωμίες του αμερικανικού underground, δύο φλεγόμενα βέλη σε παράλληλη πορεία, τον Lux Interior και την Poison Ivy. Ένα ζευγάρι καλλιτεχνών και performer, που μετέτρεψαν την τέχνη τους σε στάση ζωής, το πάθος τους σε επάγγελμα, την μπάντα τους σε παγκόσμιο πολιτισμικό σύμβολο και σφράγισαν ανεξίτηλα με την παρουσία τους μια μεγάλη περίοδο του rock. Ταυτόχρονα, οι δυο τους κατάφεραν να αποτελέσουν μια γέφυρα αισθητικής ανάμεσα στις υποκουλτούρες της δεκαετίας του ’50 και του ’60 κι εκείνη της δεκαετίας του ’80, κατά την οποία και μεγαλούργησαν, πετυχαίνοντας κάτι μοναδικό: να συνδέσουν το punk με παλιότερα -και φαινομενικά άσχετα με αυτό- μουσικά ιδιώματα καθοδηγώντας με ασφάλεια νεότερες γενιές στα μονοπάτια του rockabilly. Εκδότης: ΕΚΔΟΣΕΙΣ ΣΤΟ ΠΕΡΙΘΩΡΙΟ Χρονολογία Έκδοσης: Νοέμβριος 2023 Αριθμός σελίδων: 137 Διαστάσεις: 17x23
  • Reissued on vinyl for the first time since their original release in 1982. "Last Rights for GENOCIDE and M.I.A.” is the title of one of my most beloved split albums ever released. Since its initial release in 1982, it has never been re released in its entirety and that is a major crime. "Awesome split record from Smoke Seven Records with two great US hardcore/punk combos. Genocide was founded early 1980 in New Jersey by Bobby EBZ (vocals), Wheels (bass), Jet Screamer (guitars) and Damage (drums) and "they were a full-throttle, skull fucking rip-ride of hardcore sex, ghetto drugs and berserk violence, a supersonic nailgun of Aquanet and mascara and spikes and splatterpunk and slutmetal. And this was way before most of that shit was even invented, brother. Led by shadowy charlatan and full-bore suicidal egomaniac Bobby EBZ, for one very brief but blinding moment in the late 80’s, Genocide threatened to rip rockNroll’s heart right out of it’s leather-clad chest and eat it whole. Besides a fashion sense that suggested needle Nazis from outer space, and a disposition just this side of liquored-up junkyard dogs, Genocide really ought to be remembered as one of the first bands to realize that there wasn't a whole lot of difference between the punk rock riot of GBH and the hellfire spit metal of Venom. So they played both at once. M.I.A. were formed 1980 in Las Vegas by Mike (vocals), Nick (guitars), Paul (bass/piano) and Moon (drums) and they broke up and then reunited a few months later in Orange County/California, becoming part of the growing scene there. Shortly after recording a demo, songs were snapped up for two now-legendary 1982 punk compilations: American Youth Report and Not So Quiet On The Western Front. The rest of the demo was released as a split LP Last Rites for Genocide and M.I.A.- The band struck a deal with notorious punk label Alternative Tentacles and released Murder in A Foreign Place in June of 1984. That summer they embarked on a grueling three month tour of the United States & Canada. In 1985 they completed another U.S. tour and headed back into the studio to record the post-punk classic Notes From the Underground. In 1987 the band issued its final studio album on Flipside Rec., After The Fact. In 2001, Alternative Tentacles issued Lost Boys, a compilation of the first two albums plus extras; in 2017 Darla Records reissued Notes From the Underground and After The Fact digitally and on CD for the first time." Great Music!" (Puke N Vomit Records)
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    Επανέκδοση του πρώτου δίσκου. Κόκκινο βινύλιο, 500 αντίτυπα. Self Released by the band.
  • France’s Syndrome 81 started gaining momentum in the Punk scene with their 2013 demo tape, drawing comparisons to the plethora of great bands that defined the French Oi sound of the 1980s with a heavy stomp culled from classic USHC. The band has progressed since then, and the sound is more diverse but also more defined, having filed off some of the American influences and moved in a darker, distinctly French direction that is both melancholy and anthemic, with lyrics being influenced by growing up in Brest, France. The band comes from this dark place and write songs about their personal struggles growing up and growing old. These are songs about watching your friends lose sight and move on while you question why you are still here, haunted by your past and having to look your former self in the eye while you apologize for who you’ve become. These are songs about trudging through a desert you built yourself. 18 songs from their Demo, Litovsk split, UVPR compilation song, Desert Urbain, BMAB single serie and Urban Savage split. It is coming in a gatefold jackets with awesome drawing by All Cats Are Grey. Label: Destructure Records / Sabotage Records
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    Επανέκδοση του δεύτερου δίσκου σε μοβ βινύλιο. Self Released by the band.
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    MISFITS | static age | LP

    19.00 incl. tax
    Static Age is an album by the American horror punk band Misfits, recorded in 1978. Although it was the first album the band ever recorded, it was not released in its entirety until 1996. In August 1977 The Misfits released their debut single "Cough/Cool" on Blank Records, a label operated by the band's lead vocalist Glenn Danzig. Several months later Mercury Records issued a Pere Ubu record on their own Blank Records imprint, unaware that Danzig held a trademark on the name. The parties came to a settlement, with Danzig accepting thirty hours of studio time for his band in exchange for the rights to the Blank Records name. In January and February 1978 the Misfits, then consisting of Danzig, guitarist Franché Coma, bassist Jerry Only, and drummer Mr. Jim, recorded seventeen songs at C.I. Recordings in New York City with engineer and producer Dave Achelis. Due to time constraints, the band recorded the songs live in the studio with only a few takes and very few overdubs. Ultimately fourteen of the seventeen tracks produced during the sessions were assembled for the Misfits' anticipated debut album, to be titled Static Age. However, the band were unable to find a record label interested in releasing the album. Instead, the Misfits released four of the new tracks ("Bullet", "We Are 138", "Attitude", and "Hollywood Babylon") as the "Bullet" single in June 1978 on Danzig's newly created label Plan 9 Records (the same four tracks, along with a remixed version of "Last Caress", were reissued on the Beware EP in January 1980). While on tour in Canada that October, guitarist Franché Coma abruptly quit the band, followed by drummer Mr. Jim at the tour's conclusion. With the band's future far from certain, the Static Age recordings were shelved indefinitely. Danzig recruited new members Bobby Steele and Joey Image and the Misfits shifted their style away from the traditional punk rock of the Static Age sessions to a more horror film-inspired direction. None of the remaining Static Age tracks were released during the early era of the band, though a re-recorded version of "Teenagers from Mars" appeared on the "Horror Business" single in 1979, and a live version of "We Are 138" appeared on the Evilive EP in 1982. After the band's breakup in 1983, Danzig overdubbed guitar and bass tracks on nine of the unreleased Static Age tracks ("Static Age", "TV Casualty", "Hybrid Moments", "Come Back", "Some Kinda Hate", "Theme for a Jackal", "Angelfuck", "Spinal Remains", and "She"), releasing these new versions on the 1985 Legacy of Brutality compilation album. Misfits followed in 1986, reissuing the tracks "Bullet" and "Hollywood Babylon" as well as the overdubbed version of "She". Collection II (1995) reissued "We Are 138" and "Attitude", the remixed version of "Last Caress", and the previously unreleased "Return of the Fly". With the release of the Misfits box set in 1996, the complete original Static Age album saw the light of day for the first time, eighteen years after the songs were recorded. The box set included all three compilation albums as well as a disc with all fourteen Static Age tracks that had been mixed in 1978. The remaining three tracks, "She", "Spinal Remains", and "In the Doorway", were mixed by Alan Douches and Tom Bejgrowicz on February 24, 1997, at West West Side Music and were included when Static Age was finally released as a standalone album that July. "In the Doorway" had never before been released, as it had remained unmixed on the master tapes for nineteen years. The album also included an unlisted eighteenth track consisting of a collage of studio banter and outtakes. Includes double sided insert. (D&V Records/Unofficial Release)
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    Με καθυστέρηση σχεδόν 10 χρονών κυκλοφορεί σε βινύλιο το σπλιτ Τελευταίως Αιώνας/Επιθανάτιος Ρόγχος. Μέλη από της μπάντες συνεχίζουν/συνέχιζαν στους Καταχνιά και Ατόπια. Label: Self Released
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    Επανέκδοση του τρίτου δίσκου. (Self Releasrd)
  • The words legendary, seminal, and classic get thrown around at will these days, but Rudimentary Peni’s debut album is all of them. Recorded over two days at Southern Studios by John Loder and originally released in 1983 by Crass off-shoot label Corpus Christi, Death Church showed a band moving away from the urgency of their two early 7”s and into their own realm. Creating a template that bands have been trying to replicate ever since, while ticking all the boxes to become a genre-defining album. Iconic artwork, a unique sound and their own lyrical universe. All merging seamlessly. Sonically the album is full of Nick Blinko’s extraordinary vocals and equally remarkable guitar, Grant Matthews’ big meandering driving basslines and Jon Greville's tight and relentless drum work which together made something intricate and hard hitting, with a sequence that makes the 21 songs on the album flow perfectly. Visually, the album is every outsider art lover’s wet dream. A six-panel poster sleeve with every inch covered in Nick Blinko’s claustrophobic black and white line drawings, while lyrically the songs deal with madness, religion, death, and questioning humankind from a dark poetic place rarely found in any art form. Remastered from the original master tapes by Arthur Rizk and housed in a replica poster sleeve. Death Church is back in print in LP, CD and cassette after nearly a decade of no official reissues (Sealed Records)
  • Welcome DRAMACHINE! All the way from Athen Greece. A punk project involving analogue synths, a guitar, a bass, pedals, vocals, a drum-machine, nagging, gossip and drama- telling brought to you by 3 mortals trying to survive in a world of snake-eating bats, ex boyfriends, extreme weather conditions, self-improvement freaks and low wages. A fresh combination of synth-punk and post -punk / experimental music. Taking the drum machine beat arrangements and synth-heavy patterns of wave/ post-punk, but using those as the base coat in a sound that's much more informed by experimental and avant-garde music. This record is so much more than a genre exercise or a deft melding of influences. It’s an unadjusted highly experimental and totally addictive synth wave album with hints of minimal post punk. The music ranges from dirgelike chants to ethereal pop to haunting ballads. It’s pure melancholic beauty from start to finish. Even a retro, toxic synth pop that balances on a thin line between punk rock and cold-wave electronics. DRAMACHINE offer us a challenging sound, combining both electronics and instrumentation for a truly stunning musical hybrid. Just when you think you have this band figured out you get blasted with a coldwave influence! Edgy and recklessly punky with a dash of synthpop dropped in for good measure. It’s a wild ride, but somehow it hangs together and sounds like music rather than just aimless noise-making. If you crave music that both surprises and charms, I can’t recommend DRAMACHINE highly enough. So, if you want to enjoy this, don't concentrate on the any reference points, concentrate on how they push against and defy any expectations, and you'll see what a genuinely, thrillingly exciting band DRAMACHINE is. (Erste Theke Tontraeger)
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    Δεν είναι τυχαίο ότι οι Hekátē διάλεξαν για όνομά τους αυτό της αρχαίας θεάς Εκάτης, που σχετίζεται με τον υπόκοσμο, την μαγεία, τη νύχτα και τα σταυροδρόμια. Οι Hekátē είναι τέσσερις γυναίκες με διαφορετικές διαδρομές, που το 2018 τις οδήγησαν στο ίδιο σταυροδρόμι, στην αιώνια νύχτα της Αθήνας. Η μουσική τους είναι πολυαναφορική, ένα εκρηκτικό μείγμα από τα μαγικά τους φίλτρα. Το βαρύ, μελωδικό μπάσο θεμελιώνει τις βάσεις του ήχου τους στο post-punk. Τα τύμπανα τον εκτροχιάζουν όπου χρειάζεται δημιουργικά. Τα πλήκτρα, πιο πολύ ηλεκτρικά παρά ηλεκτρονικά, ακούγονται καθαρά και γέρνουν άλλοτε προς ένα έξυπνο New Wave και άλλοτε κλείνουν το μάτι στο garage, ενώ τα φωνητικά θυμίζουν οργισμένη, έμμετρη απαγγελία που ακροπατά στις μελωδίες. Ως αποτέλεσμα, τα οκτώ τραγούδια του πρώτου δίσκου τους κινούνται σε ένα φάσμα που ξεκινά από μελαγχολικούς αστικούς ύμνους και καταλήγει σε αγχωτικές και ιλιγγιώδεις καταδιώξεις, όλα δεμένα κάτω από μια τελετουργική ατμόσφαιρα. Ο τίτλος του δίσκου, Μέρες Οργής, είναι μετάφραση του μεσαιωνικού ύμνου “Dies Irae”, όπου ο υμνογράφος προειδοποιεί για την οργή του Θεού, που θα πέσει στα κεφάλια των αμαρτωλών στη Δευτέρα Παρουσία. Οι Hekátē, μέσα από τους στίχους τους, στρέφουν την οργή τους προς τον Θεό, προς τους ανθρώπους που Τον φτιάξανε και τον ασφυκτικό κόσμο που εκείνοι συντηρούν. Ξεκινά σα κραυγή αγωνίας για να κορυφωθεί σε πολεμική ιαχή! Η ιαχή των Hekátē είναι η φωνή μιας γενιάς χειραφετημένων γυναικών σε κίνηση. Η εμφάνισή τους στη σκηνή είναι μια αναπόφευκτη και ευτυχής συγκυρία, μιας και υπάρχει μικρό προηγούμενο στην ελληνόφωνη δισκογραφία. Απότοκο της δικής τους χειραφέτησης και πολλών άλλων γυναικών πριν από αυτές. Ως πολιτικά υποκείμενα, οι Hekátē δεν μπορούν παρά να αντανακλούν την έμφυλη ταυτότητά τους στη μουσική τους. Μία ταυτότητα που είτε επί σκηνής ή δισκογραφικά, είτε εκεί έξω, στη ζούγκλα πολλών ταχυτήτων της ελληνικής κοινωνίας, γεννά από αμηχανία μέχρι έχθρα, γιατί εξ ορισμού εμποδίζεται από στεγανά και δυσδιάκριτα προνόμια. Σε όποιον, λοιπόν, δεν θέλει να καταλάβει, εξηγούνται ορθά κοφτά στο κομμάτι μανιφέστο “Soapbox”, λέγοντας «Νομίζεις ότι με βλέπεις; Σκατά βλέπεις!». Μην αποθαρρύνεστε όμως. Οι Μέρες Οργής δεν είναι μια στεγνή, ακατάληπτη διακήρυξη ιδεών. Είναι ένας βαθιά ποιητικός, ατμοσφαιρικός δίσκος, ποτισμένος με μελαγχολικές μελωδίες που ξέρουν να πατάνε το γκάζι για να σε κουβαλήσουν μέχρι την αντίπερα όχθη. It’s not surprising that Hekátē chose their name after the ancient Greek goddess Hekate, the deity of the underworld, witchcraft, nighttime and crossroads. Hekátē are four women coming from different paths, all of which converged in the Spring of 2018, and met at the great crossroad of Athens’ eternal night. Their music is multi-referential, an explosive mix of their magic potions. The heavy, melodic bass establishes the base of their post-punk sound. The drums derail it where necessary. The synths, more electric than electronic, can be heard distinctly, at times leaning towards a smarter New Wave but also giving a wink at garage rock. The vocals sound like an enraged, rhythmic recital tightroping along the melody. As a result, their eight tracks move along a scale, starting with melancholic, urban hymns and ending in anxious, frenzied chases, all tied together with a ceremonial atmosphere. The record title, Days of Wrath, is a translation of the Medieval hymn “Dies Irae,” which warns of God’s wrath, which will come down on the people during the Second Coming. Through their lyrics, Hekátē turn their wrath towards God, the people who created Him and the constricting world those people sustain. It starts out like a cry for help and climaxes into a war cry. Hekátē’s war cry is the voice of a generation of emancipated women in motion. With few similar examples across the Greek scene, it comes as the result of their own liberation and of the many who came before them, paving the way. As political beings, Hekátē cannot but reflect their own gender identity in their music. An identity that—whether on stage or on record, or out there in the high-speed jungle of Greek society—expresses emotions from discomfort to aggression, as it is by definition obstructed by outdated and invisible privileges. For those who don’t wish to understand, they explain it, cut and dry, with their track-manifesto “Soapbox,” reminding them: “You think you see me? Well, you see shit!” However, do not be disheartened. Days of Wrath is not some wooden, incomprehensible declaration of ideas. It is a deeply poetic, atmospheric record, doused in cloudy melodies that know when to hit the gas to carry the listener to the other side. Label: La Vida Es Un Mus Records
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    Released a year after their much hearled debut album 'Voice of a Generation' , 'Second Empire Justice' features half the members from the original line-up and with a new sound. While initially being an Oi!/Skinhead Punk band, on 'Second Empire Justice' they not only changed members and their look but also their sound and released a Post-Punk classic with a heavy dose of Joy Division worship, produced by Chris Nagle. While Nagle had also produced their debut album, he had also engineered the Joy Division and New Order albums under Martin Hannett and had also engineered various other post punk albums of the day from the likes of The Durutti Column, A Certain Ratio and Magazine. Together the band and Nagle created a masterpiece while not appreciated at the time, especially by their original skinhead/Oi! fanbase. The album would go onto influence tons of post-punk/darkwave bands that sprouted from the ashes of punk/hardcore bands decades later and become one of the most sought after albums of the golden age of post-punk.. So sit back and listen to these beautiful moody haunting guitars, dancing basslines and emotionally fragile vocals all the while retaining a punk ferocity. For Fans of : Joy Division, Magazine, Red Lorry Yellow Lorry, Killing Joke, The Middle Class Limited repress on Puke n Vomit Records, comes with a huge poster of the cover art. (Puke n Vomit Records)  
  • DRaw noise D-Beat destruction straight from the sewers of Galatsian land. 8 songs of pure mayhem + a Chaos UK cover. Black vinyl + mini poster, limited to 300 copies. Label: Extreme Earslaughter
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    Street punk pioneers Charged G.B.H. formed in Birmingham in l978, the name referencing original bassist Sean McCarthy’s trial for grievous bodily harm. The in-your-face hardcore of EP “Leather, Bristles, Studs And Acne,” paved the way for super-charged debut LP, City Baby Attacked By Rats, which hit the number two position on the British indie charts on release in l982, as well as the mainstream top 2O, despite being released by tiny independent, Clay Records. With a touch of Motorhead and Sabbath beneath their straight-up hardcore, City Baby is where the legend begins, capturing G.B.H. at their bloodiest. Limited to 500 copies only, includes a double sided insert and an exclusive photo licensed by US photographer Alison Braun in a 60x40cm folded poster! Tracklist Time Bomb Sick Boy Wardogs Slut Maniac Gunned Down I Am The Hunted City Baby Attacked By Rats The Prayer Of A Realist Passenger On The Menu Heavy Discipline Boston Babies Bellend Bop Label: Radiation Records Barcode: 8055515235609
  • Τα τραγούδια ηχογραφηθήκαν το 2003 ενώ εγινε επεξεργασία ήχου και προσθήκη φωνητικών το 2024. Label: Self Released
  • Νέο σχήμα απο Αθήνα με μελη απο Χωρίς Οίκτο/Lifewreck/Chain Cult. Label: Χαος & Αντικομφορμισμος
  • Reissue of the legendary UK band SACRILEGE's landmark debut - 'Behind The Realms Of Madness'. Originally released in 1985, SACRILEGE were one of the first bands of the 80's that both punks and metalheads rallied behind. Propelled by singer Lynda 'Tam' Simpson's ferocious vocals and poltically charged lyrics, Behind The Realms Of Madness blended crust, thrash, hardcore, doom and death-metal to create a timeless album that has directly influenced scores of punks and heshers alike. 425gsm heavy cardboard cover, insert, poster, black vinyl, ltd 500, Original vinyl transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in March 2014. Audio cleaning and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in March 2022. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate reissue! Label: High Roller
  • "A couple years ago my consigliere Mr @jonahjonahfalco played me a track he was working on, and I immediately fell in love with its Pet Shop Boys style electronics tom-toms and their late Blitz general vibe. Down the pub and upon some further discussion I learnt the band was Edmonton’s @arewenothomefront , and as it happened I already knew @noproblempunx We got talking and a few months later ‘Think Of The Lie” 12” came out. I loved it and so did a lot of people it seems. Then the band came and played two fantastic shows @staticshockrecords and I finally met Mr @wegotemboys and the rest of the band which as it happened were the sweetest bunch. By then we have been in touch regularly and I can say, without a doubt, that working with them has been an incredible experience, I want to think we all have learnt a lot from each other and became great friends on the way. Today is the day their second record gets announced and I truly hope you enjoy it as much as I do. It is a very special record, hard to pinpoint but a record which, at least in this house, gets played over and over. I hope you dig it." Paco “Enormous full length debut from Home Front who have managed to fix truth to the beautiful and borderline mythical threadneedle moment in which punk, new wave, pop, indie and rock and roll all descend upon a single source. We may have only dreamed that Tears for Fears might have been going to see GBH at the weekend or that Annie Lennox spent her evening sewing Crass patches to her Wrangler Blue Bell jacket, but Home Front have rang the dinner triangle for us all to feast. High moments of perfectly patinated synth brilliance, tender new wave considerations, punk anthems that could fill the biggest stadium, and fiery hooks that could warm the coldest cynic. The Champagne, the gluebag, the boots, and the eyeliner, GAMES OF POWER clutches to it all. GAMES OF POWER lives inside a crystal clear recording by long time friend and Edmonton wizard Nik Kozub, bringing Home Front’s follow up to “Think of The Lie” to euphoric heights and gritty lows. Produced again by Jonah Falco remotely and between sub zero 10 kilometer runs in Edmonton in late February with co-production by Nik Kozub, Home Front have put their best mirror shined boot forward." (Jonah Falco) (La Vida Es Un Ms Records)
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    A re-issue of the skull-splitting debut full length from Britain's hardcore legends. Originally released in 1982, . Originally released on the CLAY record label in 1982, this masterpiece gave inspiration to literally hundreds in the extreme metal and hardcore punk areas for the subsequent four decades and its legacy remains invaluable to this day. This album is a hurricane of wall-of-sound brutality, delivered with D.I.Y. ethics and an apocalyptic and anti-establishment bravado All time hc/punk classic. Label: Radiation Records Barcode: 8055515232486
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    Finally a re-release of this classic album. Adding ENTOMBED guitarist Uffe Cederlund to a group that already features AT THE GATES singer Tomas Lindberg has created a death 'n' roll supergroup - and one of the best heavy records of 2008. For those who are unfamiliar with DISFEAR, it is basically a mix of a lot of hardcore with a lot of metal to create a product that is simply loud, in your face and unrelenting. "live the storm" is a 35min. assault of heavy power chords, pounding drums and bass, layered with southern sounding leads and throat wrenching yells. LabeL La Familia Releases
  • Out of stock
    Absolutely classic punk album from Tim and the gang, released on Epitaph Records in 1995. About half of Rancid's present day live set is comprised of songs from this album. Singles at the time included Time Bomb, Ruby Soho, Olympia, WA and Roots Radicals. However, Journey to the End of the East Bay, The 11th Hour, Maxwell Murder and Old Friend have become Rancid classics in their own right. Label Epitaph Barcode: 0045778744114
  • Οι Sarabante είναι μια crust / hardcore punk μπάντα από την Αθήνα,  που σχηματίστηκε στα τέλη του 2006. Κατά τη διάρκεια του καλοκαιριού του 2011, κυκλοφόρησαν το πρώτο τους άλμπουμ "Remnants". Το LP κυκλοφόρησε από τη Sara Records, τη δισκογραφική της μπάντας, και στη συνέχεια κυκλοφόρησε η CD έκδοση, σε περιορισμένα αντίτυπα, από τη Southern Lord Records. Ακολούθησε μια περιοδεία στην Ανατολική Ευρώπη και πολλές τοπικές ζωντανές εμφανίσεις, ενώ την άνοιξη του 2013 κυκλοφόρησαν το "Έρμαια Των Καιρών / Under The Shadows", ένα 7" EP από τη Man in Decline Records. Έχοντας επηρεαστεί σε μεγάλο βαθμό από την καταπίεση και προσπαθώντας να αντέξουν τη συνεχιζόμενη κρίση στη χώρα τους, σφυρηλατημένοι σε περιόδους ακραίας λιτότητας, 'μαύρισαν' ακόμα περισσότερο τις συνθέσεις τους, τις οποίες ηχογράφησαν το 2014. Το νέο τους υλικό είναι πιο σκοτεινό, πιο βρώμικο και πιο ειλικρινές και καταστροφικό από την πρώτη τους κυκλοφορία. Το «Poisonous Legacy" θα είναι διαθέσιμο από τη Southern Lord μόνο σε βινύλιο και ψηφιακό κατέβασμα. Sarabante is a crust/ hardcore punk band from Athens, Greece formed in late 2006.. During the summer of 2011, they released their first album “Remnants”. The LP was released by Sara Records, the band’s own label, followed by a limited edition CD by Southern Lord Records. Ensuing was an Eastern European tour and numerous local live shows, while releasing in spring of 2013 “Έρμαια Των Καιρών / Under The Shadows”, a 7” EP via Man in Decline Records. Heavily influenced by the oppression and trying to withstand the ongoing crisis in their home country Greece, forged in times of extreme austerity, blackened even more their focus in composing the new material, which they recorded in 2014. Their new stuff is darker, filthier and more sincere and destructive than the first. “Poisonous Legacy” will be available from Southern Lord on vinyl + digital downloads only. Label: Southern Lord Records
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