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ASSEMBLY showcases carefully curated singles, fan favourites, and archival rarities from the JOE STRUMMER solo catalogue. This 16-track compilation features three previously unreleased versions of classic Clash tracks, including the never-before-heard “Junco Partner (Acoustic)” and electrifying live performances of “Rudie Can’t Fail” and “I Fought The Law,” the latter two of which were recorded by Joe Strummer and the Mescaleros at London’s Brixton Academy on November 24, 2001. George Harrison’s passion for introducing the world to new music expressed itself in May of 1974 when he created his own new label – DARK HORSE RECORDS. The label contained a variety of talented artists on its roster, including George himself. ASSEMBLY marks the first new JOE STRUMMER title released via the newly relaunched Dark Horse Records. TRACKLIST: 1. Coma Girl 2. Johnny Appleseed 3. I Fought The Law (Live)* 4. Tony Adams 5. Sleepwalk 6. Love Kills 7. Get Down Moses 8. X-Ray Style 9. Mondo Bongo 10. Rudie Can't Fail (Live)* 11. At The Border, Guy 12. Long Shadow 13. Forbidden City 14. Yalla Yalla 15. Redemption Song 16. Junco Partner (Acoustic)* (Dark Horse Records – DH0002, BMG – DH0002) -
Parallel to his career as the best singer ever fronting the best band ever, Joey Ramone spiced his creative life every now and then with collaborations with like-minded musician friends and other side projects. Presented here are a bunch of those and what a feast this is! From the awesome 7" he recorded with his brother as Sibling Rivalry to multiple collaborations with artists like Debbie Harry, Helen Love, Holly and The Italians, 22 Jacks or Furious George here's a great collection for all Ramones fans. Containins rare and previously unreleased tracks. (Deaf Youth Industries Records) -
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Johnny Notebook is back. In tow the 28th Century Mates. Having emerged from the remnants of the bands Dean Dirg, Toyotas, Metric Eyes and Tetallica, the synth-punk duo Johnny Notebook, rooted in Düsseldorf, Wuppertal and Madrid, releases all their pent-up energy onto society after almost three years. The result is the energetic, driving sound of the new long player Johnny Notebook and the 28th Century Mates. It is played with the proven mixture of the danceable beats of the Roland TR505 drum composer, the catchy cadences of the PolyKorg800 synthesizer, recurring hooklines and a ruthlessly nasal, but no less melodious voice. Influences from genre gods like Devo, Screamers and Aviador Dro are still the unmistakable foundation of Johnny Notebook. 28th Century Mates is also enriched by repeated Italo-Disco elements, for example in the form of overlaying synthesizer melodies through to shorter keyboard solos, which makes the sound a bit more positive and light-lived than on previous Johnny Notebook releases. Lyrically, many of the songs address the sometimes absurd interactions between digital and analog reality and oscillate between nostalgia, sarcasm and fatalism, without sounding even remotely melancholy (Sound of Subterrania)
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2CD edition in hard-back 32p book with bonus disc of four demo sessions and more. The faulty 1977 LP was known as 'muddy' – the master was lost when Track went bust. Previous issues were out-takes, remixes or ‘mud’ – but it’s now heard clearly at last! First issued as a much sought-after vinyl LP for RSD in July 2021, now this CD version comes together with a bonus CD - 'the L.A.M.F. demos, plus'; a 19-track collection of four demo sessions from 1976-77 and three tracks from singles. It’s packaged in a hard-cover 32-page book, with notes by Simon Wright and a 2012 interview with Walter Lure (the last of the LAMF Heartbreakers who sadly passed away in 2020), together with rarely-seen photos. Upon release in 1977, Johnny Thunders & the Heartbreakers’ L.A.M.F. had a mastering fault, widely condemned as a ‘muddy mix’. Track Records went bust and the master was lost – so subsequent releases were compiled from out-takes or re-mixes. Forty-four years later, the master has been found in the attic of producer Daniel Secunda, a crystal-clear 1977 ‘Copy Master'. Now L.A.M.F. can at last be heard as the band and producers intended! Tracklist The Found '77 Masters 1-1 Born To Lose 1-2 Baby Talk 1-3 All By Myself 1-4 I Wanna Be Loved 1-5 It's Not Enough 1-6 Chinese Rocks 1-7 Get Off The Phone 1-8 Pirate Love 1-9 One Track Mind 1-10 I Love You 1-11 Goin' Steady 1-12 Let Go 1-13 Can't Keep My Eyes On You 1-14 Do You Love Me The Demo Sessions, Plus 2-1 Born To Lose (Chris Stamp Single Mix) 2-2 Chinese Rocks (Chris Stamp Single Mix) 2-3 Born Too Loose (Essex Studio Demo Feb '77) 2-4 Chinese Rocks (Essex Studio Demo Feb '77) 2-5 Let Go (Essex Studio Demo Feb '77) 2-6 Can't Keep My Eyes On You (Jay Nap Studio Demo '76) 2-7 I Love You (Jay Nap Studio Demo '76) 2-8 It's Not Enough (Jay Nap Studio Demo '76) 2-9 Do You Love Me (Jay Nap Studio Demo '76) 2-10 Take A Chance (Jay Nap Studio Demo '76) 2-11 Born To Lose (Jay Nap Studio Demo '76) 2-12 I Wanna Be Loved (SBS Studio Demo Jan '76) 2-13 Going Steady (SBS Studio Demo Jan '76) 2-14 Flight (SBS Studio Demo Jan '76) 2-15 Pirate Love (SBS Studio Demo Jan '76) 2-16 Give Her A Great Big Kiss (Riverside Studio Demo Dec '77) 2-17 Too Much Junkie Business (Riverside Studio Demo Dec '77) 2-18 London Boys (Riverside Studio Demo Dec '77) 2-19 Can't Keep My Eyes On You (Live) (Single B-side 1977) (Jungle Records)
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The classic 1977 punk album - remastered and repackaged for its 40th anniversary. Now with 20-page booklet in a 'remus' card gatefold sleeve with notes and lyrics. Sole surviving Heartbreaker Walter Lure is touring 'LAMF' with an all-star line-up. * In 1977 this classic punk album had a sound flaw and wasn't heard properly until 1994 - after both former New York Dolls Johnny Thunders and Jerry Nolan had died. Now songs like 'Born To Lose' and 'Chinese Rocks' are acclaimed as punk anthems. The album has been remastered and repackaged to celebrate its 40th anniversary. Includes 20-page booklet with the background story of recording in punk London, and lyrics, in a card gatefold sleeve. The sole surviving Heartbreaker, Walter Lure, has been playing the album with an all-star line-up (members of Blondie, Replacements, MC5). * "That 'L.A.M.F.', the only album by Johnny Thunders' swaggering, smacked-up post New York Dolls outfit, The Heartbreakers, is one of New York punk's defining artefacts (despite being recorded in Britain), is beyond dispute. 12 songs that put the guitarist's abiding passions - Chuck Berry, The Rolling Stones, Phil Spector and Shadow Morton girl groups, glam, garage, trash and junk - in perfect, speedy collision." - Damien Love, Uncut mag, 9/10. Label: Jungle Records Barcode: 5013145274415
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Collection of studio cuts, covers and live tracks from the junkie guitar anti-hero. The B side features Revere Sound Studio acoustic recordings from Boston, in January 1982 and 'Give Me More', recorded in a New York City apartment in 1982. (Easy Action Records)
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Following the drug-fueled implosion of the Heartbreakers, Johnny Thunders bounced back with his first solo outing, So Alone. Featuring a veritable who's who of '70s punk and hard rock -- Chrissie Hynde, Phil Lynott, Peter Perrett, Steve Marriott, Paul Cook, and Steve Jones, among others -- the record was a testament to what the former New York Dolls guitarist could accomplish with a little focus. Much like Thunders' best work with the Dolls and Heartbreakers, So Alone is a gloriously sloppy amalgam of R&B, doo wop, and three-chord rock & roll. Despite the inevitable excesses that plagued every Thunders recording session, Steve Lillywhite's solid engineering job and a superb set of songs hold everything together. A cover of the Chantays' classic instrumental "Pipeline" leads things off, and is a teasing reminder of what a great guitarist Thunders could be when he put his mind to it. The record's indisputable masterpiece is "You Can't Put Your Arms Round a Memory," a wrenching, surprisingly literate ballad in which Thunders seems to acknowledge that his junkie lifestyle has doomed him to the abyss. Songs like "Leave Me Alone," "Hurtin'," and the chilling title track continue the theme of life inside the heroin balloon. Fortunately, all this back-alley gloom is leavened by some memorably animated moments. "London Boys" is a scathing reply to the Sex Pistols' indictment of the New York punk scene, "New York." The funky "Daddy Rolling Stone" features the inimitable Lynott on background vocals, while the rave-ups "Great Big Kiss" and "(She's So) Untouchable" are terrific examples of Thunders' raunchy take on classic R&B. Sadly, Johnny Thunders never followed up on the promise of his solo debut. His subsequent records were a frustrating mix of drug-addled mediocrity and downright laziness. But for one brief moment, he seemed to put it all together. That moment is So Alone. Includes new liner notes by Lenny Kaye. 45th Anniversary Edition, Red Vinyl. Label: Real Records – RCV1 26982, Rhino Records Barcode: 603497837793
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One of the coolest and best bands to ever emerge out of the Rock n Roll sleaze pit of Los Angeles, The Joneses were the epitome of trashy rock ‘n’ roll. A mix of the New York Dolls, Ramones and Eddie Cochran – commonly referred to as ‘too glam for punk and too punk for rock”. Their music is pure punk fueled rock ‘n’ roll aggression, loaded with ‘50s style melodies but brandishing a hard ‘80s Los Angeles aggressive edge. The first volume in the PNV reissue series compiles the 1982 “Jonestown” 7”, The 1983 “Criminals” 12” EP along with various rare compilation tracks and other odds and ends capturing their early years. (Puke N Vomit Records/Smoke Seven Records)
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One of the coolest and best bands to ever emerge out of the Rock n Roll sleaze pit of Los Angeles, The Joneses were the epitome of trashy rock ‘n’ roll. A mix of the New York Dolls, Ramones and Eddie Cochran – commonly referred to as ‘too glam for punk and too punk for rock”. Their music is pure punk fueled rock ‘n’ roll aggression, loaded with ‘50s style melodies but brandishing a hard ‘80s Los Angeles aggressive edge. The second volume in the PNV Joneses reissue series compiles their tracks from the infamous “Hell Comes To Your House Part II” comp (1983) plus their sleaze soaked rock n roll debut LP ‘Keeping Up With The Joneses’ (1986) along with other rare tracks. (Puke N Vomit Records)
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One of the coolest and best bands to ever emerge out of the Rock n Roll sleaze pit of Los Angeles, The Joneses were the epitome of trashy rock ‘n’ roll. A mix of the New York Dolls, Ramones and Eddie Cochran – commonly referred to as ‘too glam for punk and too punk for rock”. Their music is pure punk fueled rock ‘n’ roll aggression, loaded with ‘50s style melodies but brandishing a hard ‘80s Los Angeles aggressive edge. The third volume in the PNV Joneses reissue series compiles their tracks from their ‘Tits and Champagne’ EP (1989) and their self-released ‘Anita Fix’ E.P. (1999) along with rare unreleased recordings. (Puke N Vomit Records)
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(Waste Management/Fan Club)
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"Bootleg of a Bootleg" - contains the Judge - Chung King Can Suck It which was originally bootleged on Judge - Revelation Can Suck It LP. Includes 1-sided lyric sheet. 150 copies pressed. Judge had gone into Chung King with only one three-day weekend of studio time block-booked in order to record their first album, since band members John Porcelly and Sammy Siegler were set to tour with their main band Youth Of Today in Europe later that month. The studio was home to many of the popular (and now legendary) rap acts of the day, including the Beastie Boys, Run-DMC and LL Cool J; Youth Of Today had recorded their third album We're Not In This Alone at the same studio earlier in the year, so Porcelly and Siegler were already familiar with the place. According to a 2005 interview with Judge guitarist Porcell in AMP, all three of those acts had already been using three of the four separate facilities in the studio complex, leaving Judge with what was at the time the least technologically advanced of the four rooms. To complicate matters, the recording engineer the band had been assigned by the studio was a full-blown cocaine addict - an irony given Judge's militant anti-drug lyrics and moral code. During the second day of the sessions, the engineer on duty failed to show up for work, forcing the band to work with another studio staff engineer totally unaccustomed to recording punk rock music. After the sessions were completed, Porcell and Siegler listened to the finished mixes while on the Youth of Today European tour and came to the conclusion that while the performances were good, the recordings were not up to the standards of what they had done in the past with Youth of Today. The drum tracks in particular do not have the punch typical of other Revelation releases at the time, and the overall mix is considered to be thin. A phone call to lead singer Mike "Judge" Ferarro confirmed that he too was unhappy with the finished album, and the group chose to shelve the session and start over in a different studio. Unfortunately for Revelation, label owner Jordan Cooper had already paid for the mastering of the record and the plating of the vinyl stampers - a point in the manufacture of record too late to fully prevent the release of an album, especially for Revelation Records, which was then still a small independent label that Cooper was running out of his home. With advance orders already coming in for the as-yet unreleased album, Revelation decided to press a limited run of 100 white-vinyl copies of the album, assigning it catalog number REV:-1 (negative one), and sending these copies to tide over fans who had advance ordered Bringin' It Down. As is customary the record pressing plant produced a 10% overrun of the album and as a result 110 copies were delivered. Each copy has its number stamped on the bottom corner of the back of the sleeve however the printing on the jacket notes a pressing run of 100 so with the additional 10, those extra sleeves had the "100" altered to say "110". This record has been much sought after by collectors ever since. Judge then scheduled time at Normandy Studios in Rhode Island - the same studio where The Cro-Mags recorded their second album Best Wishes in 1988 - to record a proper version of their first album, Bringin' It Down. The two albums are similar in track listing for the first eight songs; Chung King... features two songs, "Holding On" and "No Apologies", that were not rerecorded for Bringin' It Down; "Where It Went", written after the Chung King... sessions, takes their place. The Chung King Can Suck It album remained a rarity (in spite of two different bootleg editions of the album), and was sought after both for its collectibility and the two rare Judge songs it contained, until 2005, when Revelation compiled all of Judge's recorded output - Chung King Can Suck It included - for the CD What It Meant: The Complete Discography. In May 2015 a copy became the most expensive sale on Discogs.com, fetching $6,048, a record that stood for a year until David Bowie's second album, David Bowie, sold for $6,826. (Revelution Records/Unofficial Release)
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Judge's "What it Meant: The Complete Discography" combines the "New York Crew" 7", the "Bringin' It Down" LP, the "Storm" 7", the "Chung King Can Suck It" LP and previously unreleased demo tracks. Includes an all new layout with liner notes by Judge guitarist Porcell and never-before-seen live and behind the scenes photos. A fitting testament to this classic New York hardcore band. New pressing now available on translucent blue vinyl with a gatefold cover. 2xLP includes digital download of this record. (Revelation Records)
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You're Speaking My Language is the first full-length album by Juliette and the Licks, released on May 17, 2005. Label: Unofficial Release
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Kaaos were one of the foremost Finnish hardcore bands of the '80s along with RATTUS, TERVEET KADET, APPENDIX, BASTARDS and RIISTETYT. Formed in March 1980, they were one of the first hardcore punk bands in Finland to release a record, and though their line-up has changed frequently through the years, the band is somewhat active through the years. 1983, Kaaos went to the studio to record new material for a LP but that session was never released. Some of these tracks were later re-recorded for their 1984 “Ristiinnaulittu Kaaos” LP. Other tracks from this session were released in 1996 on the “Valtio Tuhoaa Ei Rakenna” 7”. Here in your hand is the original full-length record . . . how they were meant to be. Remastered for maximum ear damage. Label: Sonarize Records
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Kaaos/Cadgers split was first release of Kaaos and at the same time first release of the Cadgers (later Riistetyt) it was released in 1981 by P.Tuotanto. Official repress of this legendary 8-track EP from 1981. Black vinyl in 14“x7“ double sided cover. (Larmattacke Records)
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Finally this project is finished! For all of you who aren't familiar with this Norwegian band, they existed from '84 to '87, were the following band of "Svart Framtid", featuring Gunnar on vocals who later after Kafka Prosess' decline, formed with other friends "So Much Hate" & were in my opinion one of the best HC bands that ever came from Norway or even Europe!! On here you find all the stuff that Kafka Prosess have recorded in their 3 years of existence incl. an previous unreleased 7" session. Label: Skuld Records
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Ultra-raw, brutal hardcore punk from the violent suburbs of Mexico D.F.!! Official re-issue of their cult debut demotape “Victimas de horror” (1991) in its most integral version, with the addition of 4 very rare out-takes recorded at the same time.. 22 TRACKS! For the first time on vinyl in its entirety! Ripped, restored and mastered straight from the band’s archival master tapes for the most effective and genuine sonic impact. Primitive, rude hardcore punk with scraping hoarse vocals backed by a crude, fuzzy and totally DIY basement recording. Quoting the band: ” this demo was recorded in 1991 in the house of a friend named Cintia in Colonia Diaz Ordaz in Ecatepec Edo. mex, we recorded it on a homemade recorder in the living room of Cintia’s house; a friend named Jose Angel (nicknamed “el mopet”) was the one who was at the controls of the recorder putting pause in each song, it was all made in one session… it’s worth mentioning that most of the equipment was lent by a gang known as “los águilas” from col. nueva Mèxico in Ecatepec”. One of the leading names in raw Mexican hardcore along with MASACRE 68, SS-20, M.E.L.I., ATOXXICO etc.. Comes with a stunning 16 page book with a history of the demo, flyers and rare photos from that era. Solid black vinyl limited to 200 copies. Label: F.O.A.D.
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An official repress of one of all time favorite danish hc/punk E.P.s. The 1984 3 track E.P. by Kalashnikov from Albertslund! Carefully restored by Lasse @ Ballade Studios. (Adult Crush Records)
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Kalazaar was an anarcho-punk band from Athens,Greece. The band formed in 2006. ⒶTruth was formed in late 2007 with the idea to motivate the people around us to make a real social & political change, and to agitate consciousness. NYC anti-fascist anarchoi! punk. (Self Released)
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Label: Nothing To Harvest Records – NTH006, WOOAAARGH – WRG198, SweetOhm Recordings – none, Body Blows Records – BOB009, Pandora Records – PR009, Vault Relics – VAULT005, Mërda distro – none, Underground Union Records – UUR009, Falkoping DIY – FDIY002, Rakkerpak Records – none, Bike Punk Salamanca – BP#05, Prejudice Me Records – PMR04
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Karma Sutra were an anarcho pacifist band from Luton, Bedfordshire who formed in the early 80’s after the demise of the legendary the Phallic Symbols. Karma Sutra only had one release at the time - an album self released in 1987 called Daydreams of a Production Line Worker which came towards the end of their lifetime. Sealed Records now release the earlier years of demos and compilation tracks on a 15 track round up. Be Cruel with Your Past and all Who Seek to Keep you There includes their first and primitive demo The New Economy Roast from 1983. It’s very basic and has a Bullshit Detector Compilation quality to it. A few years later came the second demo Shoppers Paradise which is the best material Karma Sutra recorded. Six tracks of well produced classic 80’s Anarcho punk with a driving sound. It’s passionate, tuneful and politically aware. How this wasn’t released at the time on vinyl, is a travesty. Also included is two tracks from the Mortarhate Compilations Who? What? Why? When? Where? and We Don't Want Your Fucking Law!. Finally the last three tracks were from the final line up of the band and were recorded with Spon from UK Decay adding more post punk elements to the sound. The LP comes with a 40 page booklet of Lyrics, handouts, fanzine interviews and statements. (Sealed Records)
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Malmö hc/råpunk time machine heading back to the early 80's. (Adult Crash Records) https://kasshuve.bandcamp.com/album/grisablod-8-track-ep
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Επανέκδοση του δεύτερου δίσκου σε μοβ βινύλιο. Self Released by the band.
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Επανέκδοση του πρώτου δίσκου. Κόκκινο βινύλιο, 500 αντίτυπα. Self Released by the band.
