• Out of stock
    Ένα γεροντοπρεζάκι βγαλμένο από σελίδες του Στήβενσον, ένας ξεβουλωτής καμπινέδων ερωτευμένος με την όπερα και ένας λοβοτομημένος βετεράνος σαιξπηρικός ηθοποιός· ένας χούλιγκαν, ένας πιτσιρικάς από το Εκουαδόρ συνεχώς στην τσίτα και ένας κλεπταποδόχος, συνεπικουρούμενοι ενίοτε από έναν κλέφτη αυτοκινήτων που συλλαμβάνεται ακόμα και φορώντας τη μαγειρική ποδιά. Προσθέστε και κάμποσους νεαρούς λαντζιέρηδες με ροπή προς τη μικροεγκληματικότητα, τα ναρκωτικά και τα ποτά, και έχετε το τέλειο εργατικό τσούρμο. The new working class heroes! Με αυτή την πειρατική συμμορία, ο συγγραφέας-αφηγητής, Ιταλός μετανάστης και πτυχιούχος προλετάριος, θα σαλπάρει για τις φουρτουνιασμένες θάλασσες του σύγχρονου εργασιακού ωκεανού του Ηνωμένου Βασιλείου. "Ορκίστηκα. Ο Θεός να φυλάει τη Βασίλισσα. Και όποιος στο Βασίλειο ζυγώσει, τον καμπινέ ας ξεβουλώσει". Άλλη μια "Brain Drain" ιστορία; Κάθε άλλο... Εδώ μιλάμε για μια ιστορία βγαλμένη από τα χαμηλότερα πατώματα, χωρίς ακαδημαϊκά λούστρα και επιχειρηματική λάμψη. Με φόντο το Brexit, την αποβιομηχανοποίηση, τη μετανάστευση και την ακραία εργατική υποτίμηση, η ιστορία μας εξελίσσεται σε καμπινέδες και κουζίνες, σε θερμοκήπια και ψευτοϊταλικές πιτσαρίες. Ανάμεσα σε μπύρες, τσαμπουκάδες, ποδόσφαιρο και μπόλικη λογοτεχνία, ο Αλμπέρτο θα αναμετρηθεί με τα στοιχειά που έχουν πάρει στο κατόπι τους όπου γης εργαζομένους· μόνα όπλα του, η κληρονομιά του παρελθόντος και κάποια αποθέματα εργατικής υπερηφάνειας και ταξικής αλληλεγγύης που δείχνουν να αντιστέκονται πεισματικά στο χρόνο. (Από την παρουσίαση στο οπισθόφυλλο του βιβλίου) Συγγραφέας: Αλμπέρτο Προυνέτι Μετάφραση: Βαγγέλης Ζήκος Έτος Έκδοσης: 2020 Σελίδες: 144 ISBN:978-618-84912-2-9
  • Out of stock

    1919 ‎| machine | LP

    20.00 incl. tax
    1919 are a post-punk band formed in Bradford, England in early 1980. Reissued on vinyl for the very first time since its initial release , the classic 1983 album gets a re-master from the band themself's. The Machine LP was heavily inspired by Conrad’s Heart of Darkness, and the theme of alienation is prominent in the band’s oeuvre. If you are a huge fan of deathrock or dark punk--you have to own this--you won't be disappointed! (Restless Empire Records)
  • Their first and "lost" studio album from 1988 year. First time on vinyl. Cold wave/post punk with a little bit Swans influence. 1984 is a legend of Polish new wave / cold wave / punk rock scene. In the 1980s the band used its biting, punk-style irony to depict the totalitarian reality of Polish People’s Republic in its final years, and it was an excellent example of the strength inherent in Polish punk rock / new wave of those times. Besides, if I may put a personal note here – they were one of the most important features in the soundtrack for my punk childhood. Towards the end of the 1980s they seemingly gave up their political image for a more iconoclastic or artistic vision. In a more or less active way, the band has continued for all these years. Throughout the 1980s, despite the numerous recording sessions they managed to release only one 7” and one song on a compilation. It wasn’t until 25 years later that some of the band’s archival sessions saw the light of day, including their demo entitled Why not? (1987), and their iconic album Specjalny rodzaj kontrastu [Special kind of contrast] (1988) (Pasazer Records)
  • Oi/Punk band from Novi Sad, Serbia formed in 1984. Includings stuff from both demos from 1984 and unreleased soundboard live from 1984. All the stuff is taken from original reel and original audio master tapes and mastered in the USA. This limited release includings photos and lyrics. (Rest In Punk Records)
  • pecial Japanese Collection of Hits from the 1990's All-girl Punk Band, Including their Covers of the Go Go's "we Got the Beat", "Theme to Peter Gunn", a Tribute to the Ramones and Seven More. Tracklist A1 Horror Rocker A2 Isstusho Ni Itai A3 Boom Boom Girl A4 Kiteyo Ramones A5 Soratobu Joe Joe B1 Jet Coaster B2 Nijiiro No Kyouryou B3 Peter Gun B4 I Wanna Be Your Girl Friend B5 We Got The Beat - Shakin`all Over (Fan Club)
  • One of the most iconic albums of the 1980's underground American scene, 7SECONDS's The Crew delivers 18 legendary songs in 20 minutes. This masterpiece has been remastered by David Gardner from the original analog tapes. It has been repackaged as a gatefold featuring a beautiful 20-page full-color book on the oral history of the band from inception through the making of The Crew. It includes insights from the likes of Ian MacKaye, Jello Biafra, Keith Morris, and many others, as well as unpublished flyers and photos. (Trust Records)
  • Available July 2022. The third album of Hamburg's steamroller noise punk merchants A.F.K. (Aargh Fuck Kill) - Nine new songs that, compare to their last album, see a u-turn back to their roots of full throttle hardcore punk with a aggressive sonic intensity! Lyrics shouted in German and English show and tell a description of the insanity, frustration and anger that lies in the void of the current state of society. Especially in the past two years. One can say that A.F.K. along with their mates from INSTINCT OF SURVIVAL are the pinnacle of the current Hamburg crust punk exports! Recorded by Ryan Leverenz-Mompellio at OFF YA TREE Studios. Mastered by Will Killingsworth at DEAD AIR. Vinyl album comes with a lyric sheet and free digital download! (Ruin Nation Records)
  • Ποιήματα για επώδυνες διαδικασίες , μέρος πρώτο: ένα 16 σελιδο βιβλίο με ποιήματα και εικονογραφήσεις της Αντιγόνης Ηλιάδη και μαζί ένα επτάιντσο βινύλιο με μελλοποιήσεις των ποιημάτων από τους Precariat , ένα noiz black punk τρίο από την Αθήνα, με μέλη από Bad Trip και Sarabante Κυκλοφορεί σε 300 αντίτυπα, σε συμπαραγωγή της μπάντας και της Body Blows Records. New band from Athens w/members Bad Trip and Sarabante. Four songs noiz black punk.
  • Death is raining upon us. Once again the banality of evil is plowing through lives and land. It comes in the shape of man, a mushroom cloud in trousers. What was first an artistic experiment, investigating childhood fears. The dark cloud on the horizon. Looming over us always. Became reality. These six tracks are instruments of terror. Focusing on the inhuman barbarism of humanity. Deafening, blinding, four minute-warnings of heavy electronic mayhem. Programming the synths like Stalin’s organ. Causing radiation sickness. Sonic assault of the mind and body. Hear the siren songs. Sex on red alert. Beware and behave. The Road to Nuclear Holocaust has never been closer. Devastating zynth-slaughter debut LP by Sweden Ä.I.D.S. Six tracks of deafening, blinding, four minute-warnings of heavy electronic mayhem. "I never have and I never will stand on the side of the oppressor. I never have and I never will sell out my integrity for money. I celebrate all humans that stand with me against the oppression of the masses anywhere in the world! When I look at the state of the world, I can’t believe how fucked up it is. If I had to pick one record today that sounds like the way I feel, it would be The Road To Nuclear Holocaust by Ä.I.D.S. Hell fucking yes, this album is an all-out FUCKING RAGER that never lets up! This is what Pure Sonic Fury sounds and feels like and it’s the soundtrack to my past, present, and future! Imagine if Discharge, Killing Joke, and Suicide decided to start a band — the outcome would be 50% of how amazing Ä.I.D.S.sounds. Blast the title track “The Road To Nuclear Holocaust” and the track “Afterworld Trash” then tell me this band is not HARD AF! The “devastating zynth-slaughter” you will come in contact with on this offering will become the soundtrack to y’all’s rage as well! Join us as we celebrate the release of the new Ä.I.D.S. album that is taking place below. I want to give a HUGE shout-out to LA VIDA ES UN MUS DISCOS for releasing The Road To Nuclear Holocaust on Sept. 30th" CVLT NATION (La Vida Es Un Mus)
  • When the punks go marching in" is the 1982 debut album by punk legends Abrasive Wheels. Hailing from Leeds, the band were seldom out of the Independent charts between 1980 and 1984 when the band split. It's a very youthful-sounding album, littered with barely concealed influences (the "Holidays in the Sun" guitar on "First Rule [No Rule]" is a dead giveaway), but there's no denying either the quality or the fervency of the music and, by the time you hit the title track, a partial take on the old "When the Saints Go Marching In," exhaustion is the least of your emotions. For fans of CHRON GEN, THE PARTISANS and CHAOS UK. (Puke n Vomit Records)
  • Out of stock

    AC/DC | back on black | LP

    22.00 incl. tax
    It doesn't get more classic than this. The Brian Johnson era started with a bang - You Shook Me All Night Long, Back in Black, Hells Bells...absolutely required rock. Originally released as Atlantic 16018 on July 25, 1980 Band logo and album title are embossed on the front of matte cover. Comes with printed inner sleeve. (Columbia/Albert Productions/Sony Music/2009)
  • Out of stock
    Back on wax! 'Dirty deeds..' demented ac/dc's position as the premier dirty hard rock to ever have stomped the earth. This record, originally spewed forth in 1976 was literally bursting with quality: the salacious title song, the fan favourite 'big balls,' 'there's gonna be some rockin..'' it ain't pretty but we like it. Reissue, Remastered, 180 gram. (Columbia/Albert Productions/Sony Music/2009)
  • Brian Johnson's second album as ac/dc's frontman, and as such helped them create a phenomenal commercial success, with both singles, 'let's get it up' and the title track, charting on both sides of the atlantic. The album went on to sell over a million copies world-wide and the title track became an immediate live favourite, complete with a cannon-fire salute stage show that became instant encore material. Elsewhere, their familiar rattle remained intact, with 'night of the long knives' and 'breaking the rules' forging a familiar piece of metal. Gatefold Cover with a printed cardboard inner sleeve including liner notes and photos. Originally released as Atlantic 11111 on November 20, 1981 (Columbia/Albert Productions/Sony Music/2009)
  • AC/DC | high voltage | LP

    22.00 incl. tax
    'High voltage' was the first chance america had to glimpse the raw power of Australia's best hard rock outfit. From their earliest days, lead guitarist angus young, a spastic dwarf-like riff-monger who wore nothing but traditional schoolboy attire, led this band of hooligans with gleeful perversity and balls-out ambition. The group's intent is perfectly clear from the disc's opening power chords: to distill rock and mutate the blues down to its barest essentials in a pulverizing whomp. Riding over the top of the battering rhythm section is the all-too-true sneer of vocalist bon scott, who brings sexist anthems to a previously unachieved high (or low, depending on your reference point). Issued in a single sleeve with colour printed inner sleeve with liner notes, images and credits. (Columbia/Albert Productions/Sony Music/2009)
  • Out of stock
    Limited edition 180 gram vinyl pressing of 'highway to hell'. The artwork includes the original jacket designs, plus new inner sleeves, with the liner notes taken from the new cd versions. Remastered from the original master tapes at Sterling Sound. Originally released as Atlantic 19244 on August 3, 1979. (Columbia/Albert Productions/Sony Music/2009)
  • The hard rock world got a close-up view of the power of ac/dc with the band's first live offering, if you want blood, you've got it. Although the Australian rockers had three prior studio releases of undeniable crunch under their belt, it was this live document that captured the band in all its' chomping power chord glory. distilling the blues and rock 'n' roll down to its barest structures of guitar/bass/drums leaves little room for error. Without heavy production techniques, keyboards, tape loops (or even an effect pedal, for that matter), the band takes to the stage with only bare-knuckle riffs and a floor shaking 4/4 beat. and shake the floor they did. Printed laminated inner sleeve with images and liner notes. All tracks recorded live during 1978 world tour. Mixed at Albert Studios Sydney Australia. An Albert production for Albert International Music. (Columbia/Albert Productions/Sony Music/2009)
  • Color Vinyl
    Misprint on cover front and back. Picture shows band with Brian Johnson as a singer. In fact, of course Bon Scott is the singer at this concert in 1977. 180 gram orange vinyl. Perfect Sound Board Recording From The Agora Ballroom, Cleveland Ohio 1977! Tracklist A1 Live Wire A2 She's Got Balls A3 Problem Child A4 High Voltage B1 The Jack B2 Baby Please Don't Go B3 Rocker (DOL/Unofficial Release)
  • AC/DC | powerage | LP

    22.00 incl. tax
    With ac/dc's third release, powerage, the band was dispensing even heftier ammo from their hook-laden cartridge belt. With the rock-steady rhythm section pounding out 4/4 beats as if it were overtaking a small country, guitarists (and brothers) angus and malcolm young trade towering riffs that belie their pint-sized physical stature. The real change on powerage is a noted improvement in songwriting skill. The six-minute "down payment blues" actually has a sense of restraint and building tension, as opposed to the band's usual hit-the-ground running approach. The release includes a coloured inner-sleeve with band's photos, notes, credits and info. Originally released as Atlantic 19180 on May 30, 1978 Recorded at Albert Studios, Sydney, Australia February/March 1978 Remastered from the original master tapes (Columbia/Albert Productions/Sony Music/2009)
  • Balls to the wall represent one of the peaks of the German metal band Accept. Mind-blowing chord progressions and stylish solos mark the music on this record. The ten tracks are all unforgettable in their own way, most memorable is the title song and the clip they created to this track. The album was released during the golden age of metal and it established the band as one of the heaviest and most important bands of their time. Balls to the wall even charted in the Billboard 200 list. Accept is a German heavy metal band from the town of Solingen, originally assembled by former vocalist Udo Dirkschneider, guitarist Wolf Hoffmann and bassist Peter Baltes. Their beginnings can be traced back to the late '60s. The band played an important role in the development of speed and thrash metal, being part of the German heavy metal scene, which emerged in the early to mid-80s. The package includes a 4-page booklet. 180-gram audiophile vinyl 4-page booklet with band picture and lyrics Legendary 1983 cult album feat. "Balls to the Wall", "Love Child" and "London Leatherboys" (Music On Vinyl)
  • ACCEPT | metal heart | LP

    28.50 incl. tax
    The German heavy metal giants Accept released their accessible sixth studio album Metal Heart in 1985. It marked the return of guitarist Jörg Fischer and the album contains some of their classic songs, such as Metal Heart" and "Living for Tonite". It's a work of pure metal greatness and it got everything you expect from the band. To crack the American market they added catchier choruses and melodies to the music, but they didn't hold back on any of their powerful metal music. The album is overwhelmingly well-produced and performed, and containing brilliant strokes of songwriting genius along with catchy, memorable themes. 180 gram audiophile vinyl Insert "Metal Heart" and "Living for Tonite" (Music On Vinyl)
  • Originally released in 1983 on Fallout Records. Their debut album gets its first ever worldwide reissue thanks to Puke n Vomit Records. Amazing catchy blistering Punk with great Post-Punk elements makes this one of the coolest 80s UK Punk albums ever. Originating from Essex, the band formed in 1980 and quickly grew in popularity in part from their energetic performances and catchy songs and the presence of exuberant vocalist Alison ‘George Cheex’ Roberts, Their debut single a split with Dead Mans Shadow was released in 1981, that lead to them getting some seriously heavy BBC airplay courtesy of DJ John Peel. This was followed by their 'Suicide Bag' 7' on Fallout in 1982 and that single quickly climbed the UK Indie charts. When the LP 'Mercury Theatre - On The Air!' was released in 1983 it climbed all the way to #5 on the indie charts. (Puke n Vomit Records)
  • The second studio album, released on the band’s own label SOS Records in 1987 following a reunion of the band after a five-year breakup (whilst members persued other projects such as D.I. Chritian Death etc.) . Thirteen tracks, including new recordings of all three songs from 1981’s Welcome to Reality EP, as well as covers of “The House of the Rising Sun” and the Stooges’ “I Got a Right”. (Nickel And Dime Records / Triple X Records)
  • Out of stock

    Adolescents, also known as The Blue Album due to its cover design, is the debut studio album by American punk rock band the Adolescents, released in April 1981 on Frontier Records. Recorded after guitarist Rikk Agnew and drummer Casey Royer joined the band, it features several songs written for their prior group, the Detours, including "Kids of the Black Hole" and "Amoeba", which became two of the Adolescents' most well-known songs. Adolescents was one of the first hardcore punk albums to be widely distributed throughout the United States, and became one of the best-selling California hardcore albums of its time.[1] The band never toured in support of it, and broke up four months after its release. The Blue Album lineup of Agnew, Royer, guitarist Frank Agnew, bassist Steve Soto and singer Tony Brandenburg reunited several times in subsequent years, but only for brief periods. Limited repress on Restless Empire. Blue/black splatter vinyl.
    (Restless Empire Records)

  • BEER CITY SKATEBOARDS AND RECORDS is proud to bring you ADRENALIN O.D. - Let’s BBQ Millennium Edition 12”! This is limited to 1000 and is a RSD exclusive! This star studded release features the songs from the original Let’s Barbecue 7” that first graced us back in 1983 plus an additional track from that same session that never saw the light of day! Also included are 5 tracks from the ADRENALIN O.D. demo tape that came out in 1982. These tracks were never recorded for anything else. For the first time ever all these have now been restored and remastered and are presented to you at 45RPM’s for optimal audio enjoyment! Add to that a fabulous gatefold packaging, lyrics and liner notes written by none other then the band itself. Along with pictures; some of which have never been seen by the public! Plus a plastic collectable download card so you can keep your record as safe as Han Solo frozen in Carbonite! You have yourself a release that will hit you like a pie in the face at a Three Stooges convention! So come record store day make sure you get to the store bright and early and get this limited piece of hardcore/punk history! - Record Store Day 2019 release. - Includes digital download card. - Limited edition of 1000 copies. (Record Store Day website shows limited to 1100 copies). Gatefold. - Features the songs from the original Let's Barbeque 7” from 1983 plus an additional track from that same session. - Also included are 5 tracks from the AOD demo tape recorded in 1982. (Beer City Records)  
  • 35 Anniversary Millennium edition LP! It’s hard to believe that this classic came out 35 years ago, isn’t it?! Now were happy to bring it to you in this special anniversary edition thats limited to 1000 copies! Not only does this contain all 15 original tracks of blazing speed-punk/hardcore (and dare we say thrash) and sarcastic lyrics , but they have been restored and remastered and from THE ORIGINAL MASTER TAPES! Don’t think the fun stops there cause this also includes the original insert and art work. Plus a full color poster with never before seen photos and liner notes by the band and other notable personalities! Plus there are a few other surprises we are not going to mention. With only 1000 being pressed you better grab this up quick! (Beer City Records)  
  • Debut release from the stenchcore act from Umeå, Sweden. AFTERMATH does include members from band such as Misantropic, Personkrets 3:1, Disconvenience, Epidemics, Acid Blood and Scum Crusade. Think Swordwielder and Plague Thirteen and you sort of get the point. (Phobia Records)
  • Παλιομοδίτικο hc/punk απο Αθήνα. Athens hardcore is back on the map. Against All Odds is one of the longest standing hardcore bands from Greece, active since 2007. Fans of Warzone, Madball, Breakdown and Agnostic Front, do not sleep on this. Pro-printed tapes with 5-panel J-card and on body print. Limited to 100. Recorded and mixed by George Pavlidis at at Ihovrihio Studio in Athens, Greece. Mastered by Brad Boatright at Audiosiege Mastering Studio in Portland, USA. Guest vocals at ‘How it goes’ by Fotis My Turn. Cover by Colo Lopez (www.instagram.com/cololopeztattoo) Artwork by Life Trap Designs (www.instagram.com.lifetrap_designs) Tracklist: 1. HOW IT GOES 2. RESIST 3. WOLFPACK 4. HARD WAY 5. GHOST DOG (World's Appreciated Kitsch Records)
  • Out of stock
    Recorded at Studio 606, Earth Sound Studio, Motor Studio, Total Treble Studio and mixed by Billy Bush, Transgender Dyphoria Blues is an insightful and highly-provocative 10-song offering written by frontwoman Laura Jane Grace, whose material examines one's grappling with gender dysphoria, the loss of a young friend and pure self discover, as well as love and ultimate acceptance. Featuring Grace's signature explicit songwriting and dominant vocals, the album also features longtime guitarist / vocalist James Bowman, drummer Atom Willard and Fat Mike of NOFX on bass for "FUCKMYLIFE666" and "Unconditional Love". (Total Treble / Xtra Mile Recordings)
  • Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in1l979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”). A milestone in California Punk Rock history. Tracklist A1 Too Young To Die A2 Everything Turns Grey A3 Miserlou A4 The Last Goodbye A5 America* A6 Bored Of You* B1 No Such Thing B2 A Cry For Help In A World Gone Mad B3 Bloodstains B4 Living In Darkness B5 Pipeline* B6 Mr Moto* B7 Breakdown* Bonus Tracks: *A5/A6: from 'Agent Orange' 7", 1980 *B5: b side from 'Everything Turns Gray' 7", 1981 *B6/B7: from 'Bitchin' Summer' 12", 1982 (Radiation Records)
  • Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in1l979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”). A milestone in California Punk Rock history. Black vinyl reissue, with double sided insert, includes 5 bonus tracks. Tracklist A1 Too Young To Die A2 Everything Turns Grey A3 Miserlou A4 The Last Goodbye A5 America* A6 Bored Of You* B1 No Such Thing B2 A Cry For Help In A World Gone Mad B3 Bloodstains B4 Living In Darkness B5 Pipeline* B6 Mr Moto* B7 Breakdown* Bonus Tracks: *A5/A6: from 'Agent Orange' 7", 1980 *B5: b side from 'Everything Turns Gray' 7", 1981 *B6/B7: from 'Bitchin' Summer' 12", 1982 (Radiation Records)
  • In 2018 Strength Records did the very first vinyl re-issue for the RIOT RIOT, UPSTART album. Last year Strength Records was disbanded but the friendly contact between Strength label owner Wouter (also running Rebellion Records) and Roger Miret remained. The 2018 re-issue sold out very quickly leaving an unfulfilled demand. Now here is a special 2022 CD edition this time presented by Rebellion Records. Different name, same people, even better quality! Providing yet another uncompromising mixture of fast, ferocious New York Hardcore and punk-rock sing-alongs, "RIOT RIOT UPSTART's" structure is very much alike "SOMETHING'S GOTTA GIVE". With a total of 17 songs, the tracklist offers a variety of stompers - barely clocking the 90 second mark, and street rockin' anthems such as title-track "Riot Riot Upstart" and "My Life", undoubtedly leaving producer Lars Frederiksen's (Rancid, The Bastards, Old Firm Casuals) mark on to this record! (Rebellion Records)
  • Out of stock
    Though originally released 20 years ago already (time sure does flies), the mix of crude New York Hardcore and Oi!'ish sing-along anthems hasn't lost any of its impact, remaining crucial - and for quite a few AGNOSTIC FRONT's favorite album - until this very day! Including the band's biggest hit "Gotta Go", "SOMETHING'S GOTTA GIVE´" features a total of 15 scorchers, all making sure this was the best comeback-album the pioneers of New York Hardcore could ever make! A must-have in every punk's, skin's or hardcore kid's record collection! Rebellion Records 2021 With the 2021 repress tracks like "I Wanna Know", "Liberty", "Uncle Sam", "Love To Be Hated" and title-track "Dead Yuppies" are about to be rediscovered by both a whole new crowd and AGNOSTIC FRONT fans worldwide! This is New York Hardcore. These are the pioneers. This is AGNOSTIC FRONT! Packed in a solid super jewel box for extra durability Officially licensed from Epitaph, courtesy of Agnostic Front. (Rebellion Records)
  • Out of stock
    Though originally released 20 years ago already (time sure does flies), the mix of crude New York Hardcore and Oi!'ish sing-along anthems hasn't lost any of its impact, remaining crucial - and for quite a few AGNOSTIC FRONT's favorite album - until this very day! Including the band's biggest hit "Gotta Go", "SOMETHING'S GOTTA GIVE´" features a total of 15 scorchers, all making sure this was the best comeback-album the pioneers of New York Hardcore could ever make! A must-have in every punk's, skin's or hardcore kid's record collection! Rebellion Records 2021 With the 2021 repress tracks like "I Wanna Know", "Liberty", "Uncle Sam", "Love To Be Hated" and title-track "Dead Yuppies" are about to be rediscovered by both a whole new crowd and AGNOSTIC FRONT fans worldwide! This is New York Hardcore. These are the pioneers. This is AGNOSTIC FRONT! Packed in a solid super jewel box for extra durability Officially licensed from Epitaph, courtesy of Agnostic Front. Reissue in gatefold with glossy AF logo w/inner sleeve. (Rebellion Records)
  • "AGONI of Stockholm was one of the predecessors of modern D-beat and Scandinavian hardcore, playing in the heavier register such as SVART PARAD, BOMBANFALL, CRUDITY, DNA, HEADCLEANERS, ANTIBOFORS, DISARM, or DISCARD…but in some cases, several years prior to those bands. So, if any of that is of interest, this review is for you, and you already want or have this LP. AGONI was fucking heavy and fast, and pre-any of those categorizations. Just hardcore käng (känga “boot” crust) punk. Grumbling, furious bass and a calamity of drumming and distortion. An intonating furnace of vocals. Classic tumbling intros and tempo changes you hear all the time in a D-beat “Dis” band today. Not just today, ever since the mid-’80s, and all over the world! But AGONI, and their Swedish contemporaries, wrote that skit. The freshness is almost palpable; it sounds so sincerely constructed and musically destructed. The remastering of these three demos(!) and a live 1985 gig is outstanding. Not to get too far off track here, but if you watch ’80s skate videos and you see the look on the skater’s face when they are like, “What the fuck did I just do and land?,” you realize they were inventing something raw and powerful and always went as hard as possible —it was their scene to do so. That is what it’s like to listen to this compilation. Beautiful hardcore in its the purest and earliest form. No carbon copies here, actually writing the often-imitated fill stylings and riffs you hear today, seemingly happening on the exact take you are listening to. Those subtle imperfections in timing and dropping tone that make it so fucking punk. Side B (demo three) moves into their more thrash-crossover material, as bands of this style were doing then, but even their take retains hardcore roots in its hooks. This collection is essential! Alas, all the liner notes are in Swedish. Use your translation app or something, it’s not 1984—and don’t forget your band is not AGONI when you rehearse that two-second raw moment they did, but you’re still pretty good." https://www.maximumrocknroll.com/review/mrr-467/en-rost-for-fred-1984-1986-lp/ 100% Classic Stockholms Mangel! This LP contains all three AGONI (pre-Agony) demos including the long lost second demo and live material. Gatefold sleeve with extensive liner notes, photos etc. 250x Green vinyl. 1-7: Demo 1 (1985) 8-12: Demo 2 (1985) 13-15: Demo 3 The Future Is Ours (1986) 16-21: Live Ultrahuset 1985-03-31 (De Nihill Records)
  • After reissuing Colombian underground milestones such as Blasfemia, Restos De Tragedia and the iconic “Estamos en la sima” compilation, F.O.A.D. is back to digging into the obscure roots of the legendary Ultra Metal scene born in Medellín in the mid ’80s. This time it’s the turn of AGRESSOR, a pioneering, extremely raw unit delivering the ugly, barbaric sounds that were peculiar to that area and were portraying a nightmarish reality of crimes, drugs and misery. As some say “It’s not Metal, it’s not Hardcore… it’s ULTRA METAL“. Double LP anthology collecting all their 80’s recordings, consisting of: “Ensayo 1986” (early demo), recordings for “Rodrigo D. No Futuro” (1987), complete session at “Estudio Tiempos Modernos” (1987), live at Aeropuerto “Olaya Herrera“, 1987. Gatefold sleeve with rare photos, flyers and a detailed history (in Spanish and English) written in collaboration with the band’s guitarist Antonio Guerrero, explaining how – with the shittiest equipment and instruments – he managed to achieve that crude primitive sound that characterized not only Agressor but also other bands he was in (Sacrilegio and Masacre) and inspired hordes of death thrashin’ maniacs all over the world. Sheer caveman brutality channelled through the rawest Metal ever created! Black vinyl limited to 200. (F.O.A.D. Records)
  • Out of stock
    Diehard splatter red on milky clear vinyl limited to 100. After reissuing Colombian underground milestones such as Blasfemia, Restos De Tragedia and the iconic “Estamos en la sima” compilation, F.O.A.D. is back to digging into the obscure roots of the legendary Ultra Metal scene born in Medellín in the mid ’80s. This time it’s the turn of AGRESSOR, a pioneering, extremely raw unit delivering the ugly, barbaric sounds that were peculiar to that area and were portraying a nightmarish reality of crimes, drugs and misery. As some say “It’s not Metal, it’s not Hardcore… it’s ULTRA METAL“. Double LP anthology collecting all their 80’s recordings, consisting of: “Ensayo 1986” (early demo), recordings for “Rodrigo D. No Futuro” (1987), complete session at “Estudio Tiempos Modernos” (1987), live at Aeropuerto “Olaya Herrera“, 1987. Gatefold sleeve with rare photos, flyers and a detailed history (in Spanish and English) written in collaboration with the band’s guitarist Antonio Guerrero, explaining how – with the shittiest equipment and instruments – he managed to achieve that crude primitive sound that characterized not only Agressor but also other bands he was in (Sacrilegio and Masacre) and inspired hordes of death thrashin’ maniacs all over the world. Sheer caveman brutality channelled through the rawest Metal ever created! (F.O.A.D. Records)
  • AGRIMONIA | agrimonia | LP

    14.00 incl. tax
    REPRESSED! Their "demo" cd hit me by surprise and I really couldn't refuse to put this out! These folks come from Gothenburg in lovely Sweden and deliver the goods! The demo (minus 1 song though) that you'll find on this black piece of vinyl hold 4 times thundering death and black metal soaked doom, with hints of crust, as well as atmospheric and epic darkness. The guitars range from devastating heaviness to gloomy acoustic sections, with piercing leads that flash through the darkness every now and then. If you've ever wanted to know exactly how your favourite metal, crust, and doom bands would have sounded like if they were one band this is where you should turn. I won't namedrop anything, just ask you to take me on my word that you really need to check this out if you've been even the slightest intrigued with what's written above. Even though I could drop many influential names, as well as list several of your favourite Swedish crustcore bands in the "members of" department. (Kleister) (Skuld Records)
  • The wait was long, but now it's ready! A dignified follow-up of their first album! An intense Dolp from this dark crust band from Gothenburg. I haven't really enough words to describe this brutal yet twisted attack on my eardrums. Eight songs in just over 72 minutes(!) of death and blackmetal gloom with a healthy dose of crust punk influences leaving me speechless. The Double Lp comes in a beautiful gatefold with a foldout insert. CD version is being released in the US by Profane Existence. (Skuld Records)
  • Agrimonia’s sound could be described as the bastard child of the epic, bittersweet sounds of bands like Counterblast and Neurosis, together with the simplicity and murk of bands like Bolt Thrower and Bathory. Thundering death and black metal soaked doom, with hints of crust, as well as atmospheric and epic darkness. The guitars range from devastating heaviness to gloomy acoustic sections, with piercing leads that flash through the darkness "Rites of Separation" was recorded at Studio Fredman in Sweden by Fredrik Nordstrom in the winter of 2012/2013. (Southern Lord Records)
  • News from the front: ALGARA's first LP is here. From Barcelona, the land where the CNT-FAI shined in 1936, now the anarchist bombs explode again through the twelve tracks of "Absortos en el Tedio Eterno". Ever wondered what would have happened if the RONDOS and CRASS had joined forces at the Conway Hall or if AVIADOR DRO and ESPLENDOR GEOMETRICO never had a couple of judo kicks and the four started a new band? Well, then you are close to imagining how ALGARA sounds. At times sparse militant punk a la CRISIS/ FALLOUT filtered thru the KGB/ SINIESTRO TOTAL machine. At times minimal synthetic idealist anthems, but always revolutionary, forward thinking, and making the sound their own. The anonymous collective self recorded "Absortos en el Tedio Eterno" in a Barcelona squat while engaging in their agitprop campaigns. With songs about poor working conditions, the constant evictions, youth unemployment, and a city consumed by tourism and other forms of gentrification, the LP is a cold call to arms for today’s political punk. The LP sleeve shows members of the collective at one of their rendezvous point looking cool. Comes with an A2 double sided poster, 14 page Manual for Sound Guerrilla booklet and a sticker. (La Vida Es Un Mus)
  • Out of stock
    'The Sound Of A' was written back in 1967, and was actually the first song Alice Cooper wrote entirely on his own. It was forgotten until Dennis Dunaway, the bass player of the original Alice Cooper band, rediscovered it and played it to Alice, after which the two of them updated the song and then recorded it for the "Paranormal" album. Features: • 10" Vinyl EP • Hand-Numbered, Limited Edition White Vinyl - Only 4,000 Copies • "The Sound Of A" taken from the album Paranormal • All other songs are previously unreleased and recorded live in Columbus, OH, May 6, 2016 • U2's Larry Mullen on drums on "The Sound Of A" (Ear Music – 0212673EMU)
  • Color Vinyl
    Live At Sheraton La Reina in Los Angeles, September 15th 1990. Yellow Vinyl, 180gr. Tracklist A1 It Ain't Like That A2 Man In The Box A3 Bleed The Freak A4 Put You Down B1 Sea Of Sorrow B2 Real Thing B3 Sunshine B4 We Die Young (DOL/Unofficila Release)
  • Live In Oakland is an unofficial release of the band performing live at Oakland Coliseum Arena on October 8th 1992. Tracklist A1 Dam That River A2 We Die Young A3 Them Bones A4 Would A5 Junkhead A6 God Smack A7 Put You Down B1 Sickman B2 It Ain't Like That B3 Angry Chair B4 Man In The Box (Radio Loop Loop)
  • Back in stock
    All tracks recorded in Seattle, June 1989, Demos For "Facelift Tracklist Side 1 1. "Suffragette City" (demo) (2:57) 2. "Bleed The Freak" (demo) (3:37) 3. "Social Parasite" (demo) (4:23) 4. "We Die Young" (demo) (2:29) 5. "Chemical Addiction" (demo) (4:49) 6. "Sunshine" (demo) (4:24) Side 2 1. "King Of The Cats" (demo) (3:07) 2. "The Real Thing" (demo) (3:49) 3. "Killing Yourself" (demo) (2:41) 4. "Sea Of Sorrow" (demo) (5:23) 5. "I Can't Remember" (demo) (3:19) (Unofficial Release)
  • Out of stock
    Channelling goth, ‘positive punk’ and industrial, Alien Sex Fiend are experimental pioneers whose output defies easy categorisation. Formed at London’s goth epicentre, the Batcave, in 1982, the Fiends’ early use of loops, synth sheens and a dub sensibility yielded a deal with Anagram and rapid chart success; this dynamite vinyl compilation, exclusive to Radiation Records, draws from six early singles, including the electrode mix of popular debut ‘Ignore the Machine,’ freaky dirge ‘Lips Can’t Go,’ minimalist stomper ‘Dead And Buried,’ the rocking excess of ‘R.I.P.,’ intergalactic ‘E.S.T.’ and the mutant disco of ‘I’m Doing Time.’ A killer set tracking their early evolution, this is absolutely essential listening for all ASF fans. A Lips Can't Go Drive my Rocket - Up Uranus Ignore the Machine (Electrode Mix) Girl at the End of my Gun Dead and Buried B R.I.P. (Blue Crumb Truck) E.S.T. (Trip To The Moon) Boneshaker Baby I'm Doing Time in a Maximum Security Home In and Out of my Mind (Radiation Records)
  • This is the band’s 9th studio release and their first new music in 5 years. Produced and mixed by Cameron Webb, Is This Thing Cursed? is the first Alkaline Trio album written almost entirely in the studio. It’s when the songs began to come together that the band noticed the new material forming parallels with Maybe I’ll Catch Fire. According to the band, Is This Thing Cursed? is a cousin or sibling to Fire. Co-lead vocalist and bassist Dan Andriano explains, “the songwriting process is almost like what it was back in the day. We would just kind of write a song, be excited about it, then move on. We wrote in that spirit in the studio. I really feel like we made a record that the old school fans are going to dig.” European version on 180 gram vinyl. (Epitaph / Heart And Skull Records)
  • “I’m gonna need you to fuck off.” These Portland noisemakers don’t mince words on their debut album. Nor are they just shooting off their mouths. Over the course of this eight-song, 20-minute firecracker they back up that shit-talk with an impressive arsenal of searing guitar licks, primal drumbeats and a singer who channels the rage and angst of classic British punk. But like those oldsters, they’re also clever enough to lace their tunes wtih plenty of catchy melodies, singalong choruses and razor-wire hooks. I’d say they come closer to living up to their name than you expect, but let’s face it: None of these songs will ever be hits, even though they absolutely should be. You can disagree with me on that. But if you do, I’m gonna need you to do something. THE PRESS RELEASE: “After a head-warping intro, Men And Their Work kicks into eight driving post-punk rockers full of angst, confidence, feminism, melody, grit and a sense of direction not commonly found in a debut album. Shit, most seasoned bands don’t even make albums this coherent. It’s a smart moniker as All Hits certainly lives up to the promise. There is a 60/40 split of familiar comfort and provocative mystery inherent in every song. You get shouted sloganeering backed with barbed melody and finessed power-ups massaged into the sweetest spots. We can’t put our finger on exactly what it is that makes this record so special but whatever it is there is a lot of it. Destined to be a modern classic. For fans of Wipers, Raincoats, early Wire and Sleater-Kinney.” (Iron Lung Records) https://ironlungpv.bandcamp.com/album/men-and-their-work-lp-lungs-160
  • For over 25 years, All Out War proves that age has only honed the band's capabilities on "Dying Gods" and drove the band to look toward to the next chapter in "Give Us Extinction." "Give Us Extinction" continues in the assault, but strives to unleash even more pummeling brutality. "Give Us Extinction," like the timelessly brutal albums "For Those Who Were Crucified" and "Dying Gods," was engineered and produced by Steve Evetts (Hatebreed, Turmoil, Buried Alive, Suicide Silence) and mastered by Alan Douches at West West Side Studios in New York. (Organized Crime Records)
  • Features a song from the God Is War album "Extinction Is Ours". Also contains the unreleased death dirge "Curse of Humanity". Track Listing: 01. Curse Of Humanity 02. Extinction Is Ours (Nonbeliever Records)
  • Out of stock
    All Pigs Must Die is a new band that is rapidly and viciously taking the world by storm! Right off the bat, their pedigree gives them an advantage. Kevin Baker (The Hope Conspiracy) is the throat and Ben Koller (Converge) is the battery. Although the band s members hail from these known modern hardcore/metal acts, they turn their more crust punk/d-beat-driven aggression outward with this band. God Is War is the first full-length studio album by the American metalcore band All Pigs Must Die. It was produced by Kurt Ballou and released on August 16, 2011 through Southern Lord Records. The cover artwork was designed by German illustrator Florian Bertmer. (Southern Lord Records)
  • All Pigs Must Die are far more than the sum of their parts, and their fusion of crust punk, hard core and metal is more ferocious than ever before. The band return with Hostage Animal and an expanded lineup, thanks to the addition of Trap Them’s Brian Izzi. Bound by a shared sonic vision, APMD is comprised of some of the most well-seasoned musicians on the eastern seaboard —Kevin Baker (The Hope Conspiracy), Ben Koller (Converge), Matt Woods, and Adam Wentworth (both of Bloodhorse). Distilling aggressive music to its purest tenets, APMD craft songs that pulverize, gnash, and whirl with a punishing delivery. APMD unleashed their first full length with 2011’s God Is War. The 30-minute rip was a nod to primeval disdain and anger. Exploring facets of human conflict one track at a time, God Is War introduced the world to a whole new spectrum of rage. In 2013, APMD upped the ante with Nothing Violates This Nature. Honing their craft with more speed and filth, APMD pushed their sound closer to the edge of the cliff. 2017 sees the release of APMD’s third full-length, Hostage Animal. Like its predecessors, Hostage Animal was recorded at Kurt Ballou’s GodCity Studio. But that is where the similarities end; Hostage Animal ushers in the most concise, yet dynamic collection of work in the band’s catalog. As a 5-piece, APMD broadens their sound without abandoning any brutality. Drawing from inspirations as diverse as Slayer, Trouble, Morbid Angel (old), GISM, Jesus Lizard, Bathory, Ulver (old), Sepultura (old), Nietzsche, Heidegger, Darwin, pessimism, fear, hatred, paranoia, THC. This is a record that will leave you with whiplash of both body and mind. (Southern Lord Records)
  • All Pigs Must Die return with a new skull-crushing opus: NOTHING VIOLATES THIS NATURE. As with the debut album: “God Is War”, NVTN was recorded and mixed by KURT BALLOU at Godcity Studios. APMD is a band committed to uncompromising sonic warfare. Its sound and lyrics assault the listener in a fury of blackened death filled anthems. Owing as much to the Cro-Mags and Discharge as Entombed and Celtic Frost. APMD mix powerful riffs, relentless tempos and a dark presence to bulldoze a grim path of destruction. The NTVTN album contains 10 violence-inducing shredders steeped in utter filth. Aaron Turner (Isis) has lent his nihilistic hand, pen and mind to develop along with the band the dark iconic artwork contained within. (Southern Lord Records)
  • Second LP from the project led by Albert Limones (Nosferatu/ Creamers) following on from The Grotto Screams in 2021. Skeletal, brittle and skittish punk. Complex, layered tones with wobbly chorused bass, jagged drum patterns and bristling guitar. Amongst the rubble, 'Limones vocals are everything that hold this together, piercing and primal. Recalling Christian Death, Bauhaus, but Altar of Eden really stand alone The LP sounds like it’s been pulled from some tape archive from 1985. Not that it’s dated in any way. It’s just along the same strand of DNA.. (Drunken Sailor Records)
  • Perhaps you, like me, have listened to Bauhaus and Killing Joke and thought, ‘Well, this is great, but I wish it was a bit more of a rager.’ Similarly, maybe you listened to The Effigies and Samhain before musing to yourself, ‘Cool, although I thought it’d be darker.’ In other words, it’s occurred to you that deathrock could be a tad deathier and - if it’s not too distasteful of me to say so - rock a hell of a lot harder. Step forward, Altar of Eden. The project of Austin, TX resident Albert Limones (whose bruising sounds you may have heard in the shadowy likes of Nosferatu and Creamers), it’s an unholy marriage of Big Black’s mechanistic rhythms and the serrated, atmospheric noise of yer favourite early ‘80s 4AD types. Tracks like ‘The Abandonment’ absolutely lay waste to your speakers - it opens with a harrowing shriek before throbs of chorusing bass and guitar carve out their own unnerving paths. Somewhere in the distance, a menacing voice can be heard, buried in murk and distortion, with the song operating at breakneck pace and maximum volume - hey, I think our criteria may have been met. Second track ‘Tears’ ups the ante, leaning heavily on atmospheric gloom while pushing the drum machine to the fore, like Clan of Xymox setting up traps for the Slenderman, before the lacerating strafes of guitar on ‘Eternity’ invite the nightmares to truly begin. And that’s just the first three songs - by the time ‘Death in the Country’ gallops to a beautifully discordant end, we’re well and truly bewitched by this wonderful, horrible noise. ‘The Grotto Screams’ was originally released on cassette in April of last year, before finally getting this well-deserved vinyl pressing - one of the first truly essential releases of 2021. Don’t miss out. (Drunken Sailor Records)
  • First ever reissue of Alternative TV’s "Action Time Vision", compiled in 1980 and featuring the group’s 7“es from 1977 to 1979. Including bonus track "You Bastard" and new liner notes by ATV singer Mark Perry, the founding editor of punk fanzine Sniffin' Glue. What Mark Perry says: "It wouldn’t be an exaggeration to say that Punk turned my world upside down! In July 1976, after hearing and seeing the Ramones, I went from just another music fan, avid reader of the NME and Melody Maker, to become editor of punk’s premier fanzine, Sniffin’ Glue. It was almost an instant success and by December 1976, through our no nonsense approach, our position as the ‘punk Bible’ was assured. But it was never enough for me. As I saw the initial punk explosion subside into a succession of third-rate copycats, I wanted to have a go myself. My first attempt at forming a band was in late ’76. We called ourselves the ‘New Beatles’ and it ended after a couple of rehearsals. It wasn’t until I met guitarist Alex Fergusson, a mate of Sounds writer Sandy Robertson, in early 1977, that I started putting together some more interesting ideas for a band. I worked on a bunch of lyrics and, pretty quickly, Alex had put tunes to them. Eventually calling ourselves Alternative TV, we had our first rehearsals at Throbbing Gristle’s Industrial Studios in March ’77. That initial line-up was just me singing and Alex on guitar, with Genesis P-Orridge helping out on some bass and drums. We did ask Gen to join fulltime, but he decided against it and stuck with Throbbing Gristle. After more rehearsals, we played our first gig at the Nottingham Punk Festival in May 1977, joined by Mick Smith on bass and John Towe (ex-Generation X) on drums. I started thinking about doing a record almost from the start because, by this time, I was running the Step Forward record label with Miles Copeland, who was also to become the band’s manager. It seemed like a natural move to put out my own record, but it instead ended up on Deptford Fun City, another of Miles’ labels. Before that actually happened, we made a slight detour by recording a demo for EMI. They didn’t want to sign us, but we did end up with the tapes…" (Staubgold Records)
  • ALVILDA | négatif | 7”

    10.00 incl. tax
    ALVILDA are Nina, Eva, Sandra and Melanie and is the best power pop inconnue! Four ALIEN SNATCH! pandemic pop pearls parisiennes! Seems the four gals starring the SHANGRI LAS on "Leader of the Pack", but are the ones riding Lambretta motor scooters picking up the DOGS. The are the french version of Belfasts' PROTEX, their four-song debut 45rpm has the trademark lofi-mod to power pop drive and add some yé-yés of their idols, LES CALAMITÉS and some ice-melting RONETTES surf harmonies and back ups. Fans of NUMBER ONES, WHIFFS, BARRACUDAS, TV CRIME and PROTOKIDS put a heart-shaped cardboard file next to your A´s- After Last Night 45 until release date. Record comes in two double sided printed cover cards in super clear sleeves.This is ALVILDAS first recordings from December 2020 at Château Vergogne Studio. We´re in love toutes le nuits already. (Alien Snatch Records)
  • Out of stock

    AMEBIX | arise | 2xCD

    18.50 incl. tax
    The iconic and seminal Amebix album remastered with sensational brand new design and the CD features a bonus unreleased live set (from London's Ambulance Station, 2nd February 1985). The album has been out of print for some time and has been a constant seller even 30 years after its recording. Amebix reformed briefly in 2009 and recorded the highly acclaimed comeback album Sonic Mass to global praise. New liner notes by The Baron and unseen photos. (Amebix Records – AMBEA001CD)
  • Monolith" is the second studio album by the British crust punk band Amebix, originally released in 1987 and now finally made available again on cd by Dissonance Productions. (Dissonance Productions)
  • Monolith was the second full-length album by West County punk-metal ’80s anti-heroes, Amebix. One of the best crossover records the UK ever produced. Originally released in 1987, with second rate Giger-style sleeve-art, on a dodgy heavy metal label (called Dodgy Heavy Metal Records). The Power Remains was a posthumous collection of live and demo recordings, that was originally released in 1993 (and done in a much more appropriate and enthusiastic fashion) by MCR and Skuld Records. This band-released reissue combines both LPs, with lavish new gatefold sleeve artwork (competently created by Andy Lefton of War//Plague and Tau Cross). And these copies are “special record store day 2016 limited editions. Limited to 1000 copies. Housed in a gatefold jacket with a round silver sticker stating "Special Limited Edition- Record Store Day 2016". Tracks A1 to B4 were originally released as the Monolith LP. Tracks C1 to D2 and D4 were originally released on The Power Remains LP. Track D3 is previously unreleased. Tracks A1 to B4 were recorded and mixed at Sam Studios Bristol in May / June 1987. Tracks C1 C2, and C3 are demo recordings. Recorded at Cabs Studios late 1987 in 10 hours. Track C1 is a demo recording. Recorded at O.O.C. Studios, Holland 1985. Tracks D1 to D4 recorded live in the Longrace Hall Bath September 1987. (Amebix Records/2016)
  • Out of stock

    AMEBIX | redux | 10′

    18.50 incl. tax
    Time comes in cycles sometimes what we thought we left behind suddenly catches up with us and changes the 'Plan'. Amebix vowed never to play again after the sad ending of the band in 1987, out of steam and with little support we simply drifted apart. It wasn't until the advent of the internet that it became apparent that we had left a wake in our passing, which had in turn passed the torch on to those who would follow. There was some satisfaction in that, and also some niggling feeling that we had never really had our 'day in the sun', but as I say, time comes in cycles.Stig, Roy & I all got together for the first time in 2008, I had not picked up a bass guitar for 22 years , whilst Stig had kept his hand in with his own projects , and Roy Mayorga has barely left a drum stool since his early days in Nausea, but it was the first time that we had all met , let alone played together. The brief was to try and re -visit three songs, to see what there was left of the music that had driven us so hard when we were just kids. If it didn't work, we would all have tried anyway and had a good experience along with it. But it did work, the first track we recorded was WINTER, the first take was the one we kept, and that is ultimately the version you hear. We all stood around a bit stunned, this is easy ..lets crack into Arise!...........nailed ! As the tracks came together, we realised that a door was opening, and that we had a choice, to walk along this road again or hang up the strap for good. Personally I am glad that we walked on, 2009 was a great year , a time of celebration and re-birth, and a vindication of the body of work that we had spent ten years on, which found a home within the souls of so many good people .NGNM. A.Arise! 6:45 B i.Winter 4:59 ii. Chain Reaction 5:47 All songs written by Amebix Recorded, mixed and Engineered by Roy Mayorga o Classic Amebix tracks re-recorded with the founder members The Baron and Stig and featuring multiple talents of Drummer/ Percussionist, Producer-Engineer (Sepultura) Roy Mayorga (Nausea/ Stone Sour ) (Easy Action)
  • Out of stock
    Silent since the late 80s, Amebix, a duo of the reclusive swordsmith Rob Miller and his brother Stig have had their lineup augmented with the addition of drummer Roy Mayorga (Soulfly, Stone Sour). Sonic Mass is their first album in over 20 years and their third in total. Deluxe gatefold sleeve with spot varnish front & back : stunning artwork by Andy Lefton : full colour printed inner sheet. (Amebix Records) https://amebix1.bandcamp.com/album/sonic-mass
  • "Web of Lies / Death Won’t Even Satisfy is the vinyl debut from this hardcore band from New Jersey, and it is a full-bore scorcher. Ammo plays ferocious US-style hardcore with a lunging, unhinged style that reminds me of groups like early Agnostic Front, Void, and Eye for an Eye-era Corrosion of Conformity… not so much in style, but in the way Ammo sounds like they’re maniacs who might materialize out of your home speakers in order to slash your throat. It’s a rare enough feat to capture this sort of wild energy on tape, but Ammo fuses this crazy energy with memorable songwriting, with tracks like “Black Site,” “Slam Slam Slam,” and “Ethnostate” hitting even harder because they’re so damn catchy. Sounding fast and crazy is Ammo’s forte, but their secret weapon is their ability to play at mid tempo, like on the crushing NYHC-style mosh part in “Known Unknown” and the singalong during the breakdown to the epic “All You Do (Is Want Me to Die).” I love music that expands hardcore’s boundaries, but Ammo isn’t that… they distill hardcore its essence, their sound ground down to the sharpness of a knife’s edge. This is not a record to sleep on." (Daniel Lupton) (Static Shock Records)
  • Live At Hove Festival, Norway, 26 June 2007. Tracklist: A1 Addicted A2 Just Friends A3 Tears Dry On Their Own A4 He Can Only Hold Her A5 Cherry A6 Back To Black A7 Wake Up Alone B1 Love Is A Losing Game B2 Hey Little Rich Girl B3 Monkey Man B4 You Know I'm No Good B5 Rehab B6 Me And Mr Jones B7 Valerie (Round Midnight ‎– RNDMNG027/Unofficial Release)
  • Back in stock
    Another slice of rare Amy Winehouse on 7", this time teaming up with The Specials! When Amy Winehouse jumped on stage with The Specials in the summer of 2009, a new classic was born. "You're Wondering Now" and "Ghost Town" were performed, also features great mocked Specials first album cover art. (Fan Club/Unofficial Release)
  • Out of stock
    Amyl and the Sniffers are a punk band possessed by the spirit of seventies Australian rock. Amy Taylor (vocals), Bryce Wilson (drums), Dec Martens (guitar) are former housemates who formed the band, wrote a handful of tunes and released their debut EP, Giddy Up, all in a span of twelve hours. Completing their line up with Gus Romer on bass, the band take their cues from a diverse bunch of legends including AC/DC, Cosmic Psychos, Dolly Parton and Die Antwoord, setting out to have as much fun as possible. Their 2nd EP, Big Attraction, was released in February 2017, kicking off a stellar year for these young punks. Growing buzz around their blistering live show made the band a hot tip at Bigsound in Brisbane, while the band was added to festival line-ups including Meredith and CherryRock17. The band and were invited to join the Cosmic Psychos on their forthcoming November/December tour and capped off the year with a sellout NYE show at the legendary Tote in their home town of Melbourne. 2018 sees Amyl And The Sniffers ratchet up another couple of gears with their first national headline tour in April followed by UK shows in May, and their first North American tour in June with fellow Melbournians King Gizzard And The Lizard Wizard. (Damaged Goods)  
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    Already renowned for a ball-tearing live show, The Sniffers made their international debut as one of the hottest tipped acts at The Great Escape in 2018. Soon afterwards, they signed deals with both Rough Trade Records and ATO Records, made a massively hyped appearance at SXSW, and finally released their self-titled debut album in 2019, landing them an ARIA (Australian Recording Industry Association) Award for Best Rock Album, capping off a wild year for the lunatic, likeable punks. Late in 2020, Amyl and The Sniffers went into the studio with producer Dan Luscombe to record their sophomore album, Comfort To Me. Written over a long year of lockdown, the album was influenced by and expanded on a heavier pool of references - old-school rock’n’roll (AC/DC, Rose Tattoo, Motörhead and Wendy O Williams), modern hardcore (Warthog and Power Trip) and the steady homeland heroes (Coloured Balls and Cosmic Psychos). Lyrically, the album was influenced by Taylor’s rap idols and countless garage bands and in her words ‘I had all this energy inside of me and nowhere to put it, because I couldn’t perform, and it had a hectic effect on my brain. My brain evolved and warped and my way of thinking about the world completely changed.’ Seventeen songs were recorded in the Comfort to Me sessions and the top 13 made the cut. They were mixed long-distance by Nick Launay (Nick Cave, IDLES, Yeah Yeah Yeahs) and mastered by Bernie Grundman (Michael Jackson, Prince, Dr Dre). Comfort To Me demonstrates the same irrepressible smarts, integrity and fearless candour as their debut but as you’d expect of any young band five years on, their sound has evolved, in Amy’s words it’s ‘raw self expression, defiant energy and unapologetic vulnerability.’ (Rough Trade Records)
  • Andrea, frontman of punk rock band The Manges along with guitarist and music producer Alex Bounty (I Divi Di Beverly, Supermarket) started The Veterans in 2006. The first s/t album from 2008 is now reissued on yellow vinyl, coming with a CD that also includes extra tracks from singles and digital releases. (Striped Music)
  • ANGELIC UPSTARTS | Slipmat

    15.00 incl. tax
    Αντιστατική τσόχα για το πλατό του πικάπ διαμέτρου 30 εκ. Υψηλή ποιότητα, βάρος 45 γρ., πάχος περίπου 2,5 χιλ. Ιδανικό δώρο για ντιτζέι και λάτρεις του βινυλίου. Περιορίζει βλάβες-γρατζουνιές και προστατεύει το βινύλιο. 12´´ slipmat, diameter 30 cm High quality 16 ounce felt approx. 2,5mm thick Gift idea for DJs and vinyl lovers Reduces damages/ scratches and protects the vinyl
  • ANGELIC UPSTARTS | T-shirt

    14.00 incl. tax
    Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
  • Out of stock
    Original press from 1988 on German label Subway Records, not a bootleg! Probably the most important "unknown" band in the history of punk rock, this unfailingly offensive, undeniably brilliant gaggle of rock critics and hooligans went out of its way to offend 99% of society while inspiring the remaining 1% to paroxysms of joy. This early-'80s collection ranks with the band's finest, highlighted by sonic joyrides like "They Saved Hitler's Cock" and "My Old Man's a Fatso." The Samoan influence extends through to 1997, with their songs popping up regularly in sets by bands such as the Foo Fighters (who often open with "Gas Chamber," included here) and the Mighty Mighty Bosstones (known to pop off a cover of Back From Samoa's "Lights Out"). File under: how to win friends and alienate people.--David Sprague Originally released in 1982. (Subway Records/1988)
  • Original press from 1988 on German label Subway Records, not a bootleg! Limited vinyl repressing of the Punk band's 1980 debut EP. Formed in 1978 by "Metal" Mike Saunders and Gregg Turner, a pair of erstwhile rock critics who'd previously teamed with fellow writer Richard Meltzer in the group VOM. The Angry Samoans are classic first wave LA punk at it's finest. For fans of Black Flag, TSOL, Circle Jerks, and Fear. Reissue of the "Inside My Brain" 12" (Bad Trip Records BT 201, 6 Tracks, 1980) With extra tracks B1 to B3 (Demo, Recorded October 1978) and Tracks B4 to B5 (Live At Rhino Records, May 12, 1979). (Subway Records/1988)
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    This was the Samoans last official album and it's a beauty. This band carried the punk rock, acid exploration axis better than any other band from the eighties that you'd care to mention. The sixties feel is more obvious on this release and their great '86 EP 'Yesterday Started Tomorrow', but they've reduced the hardcore burn of 'Back from Samoa' with an early Saints feel, and added some spaced out interludes with acoustic odes directed at the down sides of ingesting too much acid. (Fan Club)
  • Out of stock
    From the ashes of VOM rose the Angry Samoans! In 1978 they recorded their first demos in a cheap two track studio. Some of these tracks have appeared as bonus tracks on long deleted album re-issues, others were released on a long deleted 7´´, one sees the light of day for the first time ever! In true Samoans style the album is sharp and short and finally the complete demos are now released on one piece of vinyl that plays at 45 rpm. (Bad Trip Records)
  • Out of stock
    Anna von Hausswolff’s new album All Thoughts Fly via Southern Lord. Here in solo instrumental mode, the entire record consists of just one instrument, the pipe organ, and represents absolute liberation of the imagination. All Thoughts Fly radiates a melancholic beauty, and is distinguished by fluid transitions of contrasting elements; calmness and drama, harmony and dissonance, much like the place that inspires the music. (Southern Lord Records)

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