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One of the best and most underappreciated albums to emerge from the legendary Finnish Punk explosion. 013 were an amazing short-lived but hugely influential Finnish band. They were all the more amazing for having a sound and spirit all their own. A truly pure Punk underground sound inspired by the sounds of 77 and 78, loaded with catchy as fuck cool guitars and melodic vocals made every song instantly memorable. The three-piece from Pukkila, Finland, originally appeared on the now sought after collectable Propaganda EP released in 1981 and the legendary Russia Bombs Finland compilation LP released the following year. The band’s only album was the Takaisin Todellisuuteen LP which was released on Propaganda Records in 1983, and the band split up shortly afterwards. Puke n Vomit is proud to announce the only domestic release of one of the best Punk albums you'll ever hear. For Fans Of: Appendix Buzzcocks RUDI The Damned Maho Neitsyt Label: Puke n Vomit Records -
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"From The Graveyard" is the second full length of the Occult Doom band "1782". In this album there is a leap in quality as the production is much better than the previous releases. Eight tracks and 43 minutes of pure dark Doom, with slow and powerful riffs, and heavy and massive drumming. After the recording of "Doom Sessions Vol.2", the band immediately enters the studio and records the heaviest tracks they have done so far, and they have done it while maintaining that catchy state they have always had. Here too there are featurings, Nico Sechi on organ (Hammond in "1782" and "Celestial Voices" in the debut album) and Alfredo Carboni's Synth. As in the eponymous debut album, the artwork was done by the mighty SSCVLT. "From The Graveyard" was recorded, mixed and mastered in November 2020 by Alfredo Carboni at "RKS Studios" in Ossi, Sardinia (Italy). Label: Heavy Psych Sounds Records Barcode: 0647697340714
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Their first and "lost" studio album from 1988 year. First time on vinyl. Cold wave/post punk with a little bit Swans influence. 1984 is a legend of Polish new wave / cold wave / punk rock scene. In the 1980s the band used its biting, punk-style irony to depict the totalitarian reality of Polish People’s Republic in its final years, and it was an excellent example of the strength inherent in Polish punk rock / new wave of those times. Besides, if I may put a personal note here – they were one of the most important features in the soundtrack for my punk childhood. Towards the end of the 1980s they seemingly gave up their political image for a more iconoclastic or artistic vision. In a more or less active way, the band has continued for all these years. Throughout the 1980s, despite the numerous recording sessions they managed to release only one 7” and one song on a compilation. It wasn’t until 25 years later that some of the band’s archival sessions saw the light of day, including their demo entitled Why not? (1987), and their iconic album Specjalny rodzaj kontrastu [Special kind of contrast] (1988) (Pasazer Records)
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Complete discography of one of the best crust bands in 90's coming out from Sweden. 3 WAY CUM! 40 songs, 2 vinyls, inlay, A2 poster, sticker, coloured vinyl edition - do you need more? In cooperation with Halvfabrikat Records, rotten artwork from Stivart, completely restored and remastered by Kenko (Communichaos), layout by Andreas (Crutches). Label: Phobia Records, Halvfabrikat Records
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Containing the hits that were only deemed misses by the critics that condemned Oi! as some kind of subcultural fad that favoured football and violence way above the bloody good tunes that should by rights occupy the higher rank, 4 Skins, The Unreleased Radio & Studio Sessions encapsulates that energy at its finest. From formidable swarms of police brutality and political injustice, the underlying (and unyielding) socio-political messages experienced from the streets that resonated with every estranged clockwork skinhead of the day are bound to be ticked on every track. After the atmospheric crash of One Law for Them, dropped in amongst the Radio and blistering Bumper Sessions with Evil sitting squarely in its unpolished centre is the ska-inflected gallop of Seems To Me, an unreleased tune reinforcing the notion that there was more to Oi! than meets the laces. 40x30 cm folded poster included, 1-5: Recorded in July 1981 for radio session that was never broadcast. 6-7: Unreleased single, due to be issued in 1983 (Secret SHH 149). 8-12: Recorded at Bumper Studios in January 1981. 13: Demo. Originally released in February 1991 on "The Oddities Of Oi! (Link LRMO 3). Tracklist A1 Wonderful World (John Peel Session 1981) A2 Jealousy (John Peel Session 1981) A3 One Law For Them (John Peel Session 1981) A4 Evil (John Peel Session 1981) A5 Yesterdays Heroes (John Peel Session 1981) A6 Norman (Unreleased 45, 1983) A7 Seems To Me (Unreleased 45, 1983) B1 Clockwork Skinhead (Bumper Session, 1981) B2 Evil (Bumper Session. 1981) B3 A.C.A.B. (Bumper Session. 1981) B4 I Don't Wanna Die (Bumper Session, 1981) B5 Yesterdays Heroes (Bumper Session, 1981) B6 Saturday (Demo) Label: Radiation Barcode: 8055515235708
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Another heavyweight of the English scene released on Dirty Punk Records and certainly one of the best known and best Oi! bands ever. Formed in 1979, THE 4 SKINS have released a lot of songs on compilations that have marked the history of Oi! music like "Oi!" the album", "Strength Thru Oi! "Carry on Oi!" »... as well as some cult 7''s. By adding a few rare titles, we were able to release this double album bringing together the best of the band. Everything is there and everything is essential. No extensions with dirty sounding lives or bad rehearsals in a garage, here is gathered all the best of the 4 SKINS. All in a superb gatefold sleeve with beautiful and rare photos of the band and a history of the songs written by Mark Brennan. A wonder to hold in your hands. Tracklist: 1 Chaos 2 Wonderful World 3 Clockwork Skinhead 4 Evil 5 A.C.A.B 6 I Don't Wanna Die 7 Yesterday's Heroes 8 1984 9 Sorry 10 Evil 11 One Law For Them 12 Brave New World 13 Merry Christmas Everybody 14 Yesterday's Heroes 15 Justice 16 Get Out Of My Life 17 Low Life 18 Bread Or Blood 19 Plastic Gangsters 20 Norman 21 Seems To Me 22 Chaos (Herbert Version) 23 On The Streets Label: Dirty Punk Records – DPR061
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'The Good, The Bad & The 4-Skins' is the debut LP - originally released on Secret Records in 1982 - from East End Oi! legends The 4-Skins. Recorded with the first stable line-up after numerous changes, fronted by legendary vocalist Panther (who stepped in after the original singer Gary Hodges' defection), this is violent, political, and as real as Oi! gets, this is one of the absolute classic LPs of the genre. Featuring studio recordings on Side A and amped up live versions of such OI! classics as 'A.C.A.B' or 'Chaos' on Side B. Label: Radiation Records Barcode: 8055515232417
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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One of the most iconic albums of the 1980's underground American scene, 7SECONDS's The Crew delivers 18 legendary songs in 20 minutes. This masterpiece has been remastered by David Gardner from the original analog tapes. It has been repackaged as a gatefold featuring a beautiful 20-page full-color book on the oral history of the band from inception through the making of The Crew. It includes insights from the likes of Ian MacKaye, Jello Biafra, Keith Morris, and many others, as well as unpublished flyers and photos. (Trust Records)
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French label Combat Rock has released this great album including recordings from demos and outtakes from 1977 to 1979. Includes insert with pictures of the band and great sleeve notes by Nick Cash himself. Limited edition to 300 copies so you better rush or cry forever. TRACKLIST A1 Titanic Reaction A2 Crime A3 Don't Deny A4 Feelin' Alright With The Crew A5 Soldier A6 Games We Play A7 Like Any Other B1 Waiting B2 Tulles Hill Night B3 The Biggest Price In Sport B4 English Wipeout B5 Argue B6 Stop! Stop! B7 Trouble B8 Solution B9 Heart To Heart Label: Combat Rock
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"The beautiful short life of the band A5 from Bremen ranged from 1980 to late 1981 and the commercial success of the Neue Deutsche Welle was immense and A5 don't five a fuck and wandered off the scene. A5 is a band which characterizes the transition from Punk to NDW very nice and presents a wonderful mix of both. In September 1980, the band consisting of Sabina May, Ego/N, Harald Hass, Wolf Schaller, Rainer Kosch and Knox, their first EP Erst Ausgabe (also known as Seesack EP) were recorded and was released by No Fun Records. In the summer of 1981 they toured with famous bands such as Hans-A-Plast, Rotzkotz and Der Moderne Man and in October 1981 they released their second and last vinyl Kalte Erotik 7'' and shortly after, in late 1981, the band broke up." Limited edition of 500 copies. Label: Mad Butcher
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"The beautiful short life of the band A5 from Bremen ranged from 1980 to late 1981 and the commercial success of the Neue Deutsche Welle was immense and A5 don't five a fuck and wandered off the scene. A5 is a band which characterizes the transition from Punk to NDW very nice and presents a wonderful mix of both. In September 1980, the band consisting of Sabina May, Ego/N, Harald Hass, Wolf Schaller, Rainer Kosch and Knox, their first EP Erst Ausgabe (also known as Seesack EP) were recorded and was released by No Fun Records. In the summer of 1981 they toured with famous bands such as Hans-A-Plast, Rotzkotz and Der Moderne Man and in October 1981 they released their second and last vinyl Kalte Erotik 7'' and shortly after, in late 1981, the band broke up." Limited edition of 500 copies. Label: Mad Butcher
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Time for another prime dose of potent, chorus-drenched anarcho-punk from one of its finest modern exponents: A Culture Of Killing return with their third album, bigger and bolder than before with a foreboding sense of deathrock gloom dialed all the way up beyond 11. Their usual array of nods are all present and correct (The Mob, Zounds, The Cure), but this time everything feels… grander? More fully realised? Impressive, given their first two albums have been hoovered up and hailed by those in the know, but maybe we should banish any lingering doubts that the mysterious Italian band might be moving beyond merely echoing the classics and closer to creating a new benchmark for the genre. Look, all of this is a very fancy way of saying that ACOK are pretty fucking great and no one else can touch ‘em right now when it comes to this sort of goth-tinged post-punk. New instrumentation, new ways of relating to each other as a band, new ways of grabbing your attention as a listener and making you want to press the record grooves into your brain and use your nerve endings as a stylus. From new wave-styled Burundi beats and furious call-and-response vocals to dubbed-out grooves, there are new influences that are more than welcome in the band’s sound, but the songs themselves are their finest thus far (‘2 Years’ and ‘The Last Train Home’ are simply magical). It says a lot about this LP that it’ll hold its own with the output of both Crass Records and 4AD; it’s a strong step forward that’ll win ‘em new fans and embolden existing ones to say things like ‘best band in the world right now’ and ‘sell your home to buy a copy if you have to’. Especially if you don’t technically own your home. You get the idea. Is there a Crass-shaped hole in your life that’s been empty since you wore out your copy of ‘Penis Envy’? An itch that only the purest of peace punk can scratch? This is the record for you. I don’t use the word ‘essential’ much but… oh, well, I’ve given the game away there, haven’t I? Get it, get it now. Will Fitzpatrick Label: Drunken Sailor Records)
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Common Courtesy is the fifth album from A Day to Remember and is reissued on both CD and double LP vinyl for the first time since 2016. Since its initial release in 2013 Common Courtesy has gone on to amass over 500k in total consumption and includes some of the bands biggest hits including Right Back At it Again and Sometimes You're the Hammer, Sometimes You're the Nail. Over the course of the past several years, each of A Day To Remember's releases have hit No. 1 on Billboard's Rock, Indie and/ or Alternative Charts, they've sold more than a million units, racked up over 400 million Spotify streams and 500 million YouTube views, garnered two gold- selling albums and singles (and one silver album in the UK) and sold out entire continental tours, amassing a global fanbase whose members number in the millions. Deluxe Edition, Limited Edition, Reissue, Yellow Inside Milky Clear. (Epitaph Records/Epitaph Europe – 05235521)
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Packed with first-hand stories and unpolished nuggets, this hefty but very-readable book plots a path through UKHC in the ‘90s as it developed into an underground scene. Focusing on the people; artists, promoters, venues, record labels and fanzines, and following the evolution of the author’s bands, it looks at the intricacies of the post-punk genre and bursts with ‘straight from the horse’s mouth’ hardcore anecdotes that’ll keep you turning the pages. You’ll read about touring and gigs with hundreds of bands, including Green Day, NOFX, Alice Donut, Jailcell Recipes, The BBMFs, Majority Of One, Spermbirds, The Babies Three, Understand, Samiam, Down By Law, Alloy, Hot Water Music, Bob Tilton, Tribute, Discount, Blue Tip, Leiah, Leatherface, Spy Versus Spy, Hunter Gatherer, Dismemberment Plan, Burning Airlines, Piebald and many more. If you were ever in a band, then you’ll recognise and empathise with much of the narrative. And if you’ve wondered what it would be like to tour and release records at the underdog end of the alternative music scene, then this book will take you on an invigorating and enlightening roller-coaster ride. “ ‘A Hardcore Heart’ is an invigorating time capsule, of a period before Instagram, Facebook and MySpace, even before mobile phones, sat navs and Google Maps. It wasn’t easy (nothing worth doing ever is) but we somehow made things happen; we stubbornly battered our dreams into reality and bullishly ignored anyone that told us it couldn’t be done. It was a truly inspirational time, when it seemed anything was possible, and a two-bit hardcore band from a leafy town in Kent could share stages and records with the best the world’s hardcore punk scene had to offer.” Ian Glasper, Author of ‘The Scene That Would Not Die’ “There have been hundreds of books, films and documentaries about punk rock, it’s initial explosion and the impact it had. They all have their merits, but all seem to think it all stopped in 1979. While a lot of the old guard moved on, punk didn’t die, it moved underground and became more pure, more political and much more relevant to a new generation. While those early bands talked the talk, these new kids were walking the walk, punk was now a lifestyle. Like a lot of us, David found himself immersed in this lifestyle, and spells out how he got involved, how it all worked and why it was so intoxicating.” Tony Whatley, Editor of Suspect Device fanzine "A Hardcore Heart is a comprehensive collection of stories narrated by David Gamage, a hardcore punk veteran who shares insights into the '90s UK scene in a brilliant, descriptive, and entertaining way. This book will hold your attention until the last pages and hopefully inspire you to start a band, zine, or record label.” Djordje Miladinovic, Editor of Thoughts Words Action blog The first edition limited printing is 662 pages with colour images and is shipping now. #ahardcoreheart #UKHC #punk #books #DIY #alternative #scene #CouchPotatoes #Joeyfat #Rydell #venues #promoters #fanzines #bands #MVT #MusicVenueTrust Format Paperback | 662 pages Dimensions 156.00 x 234.00 x 55.00mm | 1,300 gr Publication date November 2022 Publisher Earth Island Books Language English
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A Storm Of Light are New York-based metal alchemists, featuring former NEUROSIS visual master Josh Graham. Kim Thayil (SOUNDGARDEN) lends guitar on several tracks. On this release the band ditched the heavy rock elements of its previous release in favour of influences of f.i. Killing Joke, Bad Brains, Metallica and Crash Worship. This approach brings back the intensity of 'Black Ocean', but with the speed and precision that reminds of the band's metal influences. While there still are a couple of slower/sludgy tunes, some songs are twice as fast as the older material. Comments STORM founding guitarist/vocalist Josh Graham “These songs are much more focused. Even the more ‘epic’ songs are shorter but still accomplish the same journey as the longer songs used to. We’ve ditched the rock elements of the last record and let our early influences of Killing Joke, Bad Brains, Metallica and Crash Worship seep in. We are bringing back the intensity of Black Ocean but with the speed and precision ore akin to our metal influences. While there are still some slower/sludgy tunes, some songs are twice as fast as the older material.” (Southern Lord Records)
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A Storm Of Light are New York-based metal alchemists, featuring former NEUROSIS visual master Josh Graham. Kim Thayil (SOUNDGARDEN) lends guitar on several tracks. On this release the band ditched the heavy rock elements of its previous release in favour of influences of f.i. Killing Joke, Bad Brains, Metallica and Crash Worship. This approach brings back the intensity of 'Black Ocean', but with the speed and precision that reminds of the band's metal influences. While there still are a couple of slower/sludgy tunes, some songs are twice as fast as the older material. Comments STORM founding guitarist/vocalist Josh Graham “These songs are much more focused. Even the more ‘epic’ songs are shorter but still accomplish the same journey as the longer songs used to. We’ve ditched the rock elements of the last record and let our early influences of Killing Joke, Bad Brains, Metallica and Crash Worship seep in. We are bringing back the intensity of Black Ocean but with the speed and precision ore akin to our metal influences. While there are still some slower/sludgy tunes, some songs are twice as fast as the older material.” (Southern Lord Records)
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Available July 2022. The third album of Hamburg's steamroller noise punk merchants A.F.K. (Aargh Fuck Kill) - Nine new songs that, compare to their last album, see a u-turn back to their roots of full throttle hardcore punk with a aggressive sonic intensity! Lyrics shouted in German and English show and tell a description of the insanity, frustration and anger that lies in the void of the current state of society. Especially in the past two years. One can say that A.F.K. along with their mates from INSTINCT OF SURVIVAL are the pinnacle of the current Hamburg crust punk exports! Recorded by Ryan Leverenz-Mompellio at OFF YA TREE Studios. Mastered by Will Killingsworth at DEAD AIR. Vinyl album comes with a lyric sheet and free digital download! (Ruin Nation Records)
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Ποιήματα για επώδυνες διαδικασίες , μέρος πρώτο: ένα 16 σελιδο βιβλίο με ποιήματα και εικονογραφήσεις της Αντιγόνης Ηλιάδη και μαζί ένα επτάιντσο βινύλιο με μελλοποιήσεις των ποιημάτων από τους Precariat , ένα noiz black punk τρίο από την Αθήνα, με μέλη από Bad Trip και Sarabante Κυκλοφορεί σε 300 αντίτυπα, σε συμπαραγωγή της μπάντας και της Body Blows Records. New band from Athens w/members Bad Trip and Sarabante. Four songs noiz black punk.
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Death is raining upon us. Once again the banality of evil is plowing through lives and land. It comes in the shape of man, a mushroom cloud in trousers. What was first an artistic experiment, investigating childhood fears. The dark cloud on the horizon. Looming over us always. Became reality. These six tracks are instruments of terror. Focusing on the inhuman barbarism of humanity. Deafening, blinding, four minute-warnings of heavy electronic mayhem. Programming the synths like Stalin’s organ. Causing radiation sickness. Sonic assault of the mind and body. Hear the siren songs. Sex on red alert. Beware and behave. The Road to Nuclear Holocaust has never been closer. Devastating zynth-slaughter debut LP by Sweden Ä.I.D.S. Six tracks of deafening, blinding, four minute-warnings of heavy electronic mayhem. "I never have and I never will stand on the side of the oppressor. I never have and I never will sell out my integrity for money. I celebrate all humans that stand with me against the oppression of the masses anywhere in the world! When I look at the state of the world, I can’t believe how fucked up it is. If I had to pick one record today that sounds like the way I feel, it would be The Road To Nuclear Holocaust by Ä.I.D.S. Hell fucking yes, this album is an all-out FUCKING RAGER that never lets up! This is what Pure Sonic Fury sounds and feels like and it’s the soundtrack to my past, present, and future! Imagine if Discharge, Killing Joke, and Suicide decided to start a band — the outcome would be 50% of how amazing Ä.I.D.S.sounds. Blast the title track “The Road To Nuclear Holocaust” and the track “Afterworld Trash” then tell me this band is not HARD AF! The “devastating zynth-slaughter” you will come in contact with on this offering will become the soundtrack to y’all’s rage as well! Join us as we celebrate the release of the new Ä.I.D.S. album that is taking place below. I want to give a HUGE shout-out to LA VIDA ES UN MUS DISCOS for releasing The Road To Nuclear Holocaust on Sept. 30th" CVLT NATION (La Vida Es Un Mus)
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The original release was the result of international DIY efforts avoiding the narrow-mindedness of the Iron Curtain. It also brought together two of the strongest scenes of the Eastern Bloc - Polish and Yugoslavian. All of the recordings were done in Borut Cine Studio, in Ljubljana, during Abaddon's tour of Yugoslavia. Invited by Peter Barbaric, they also played a couple of shows with bands like Pankrti or U.B.R. The "Wet za wet" LP was then released by New Wave Records from France. Because of this, and also thanks to worldwide tape-traders and the band's appearances on comp. tapes like "Noise Behind the Iron Dustbin" or "Cultural Compost Pit", as well as a bootleg split-tape with Rejestracja, they were quite well-known beyond their home country. In Poland, their regular performances at the Jarocin Festival and appearances on legendary compilations like "Fala" and "Jak punk to punk" established the band as one of the classics of the genre. The LP contains 8 fast, direct, and tight Hardcore Punk ragers and a great roots/dub song called "Ljubljana night." Coming from their Polish/Eastern European perspective, the album's lyrics and artwork expressed a protest against any form of authoritarian power - from the brutality of fascism during WWII and the 1981 revolts in Poland, to more current world problems of the time, like Apartheid in South Africa and the global arms race. In the context of Poland's political climate in the 80s, their lyrics and music were seriously impressive. Mastering for the reissue was done from the original sources by Jarek Smok at Studio As One (Warsaw). The LP features a gatefold cover, an additional booklet with an exclusive interview with Tomasz Dorn, drummer of Abaddon and words from Patrice (New Wave Records) and plenty of rare photos (including the work of Michał Wasążnik - one of the best documenters of 80s punk in Poland). All of the lyrics and the interview come with English translations. One of the most classic releases of Polish Hardcore Punk available again on vinyl! Label: Warsaw Pact Records
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Originally released in 1985, this is the sole album by Tony Cadenas' own The Abandoned, the band he formed after the Adolescents original break up in 1981. Sounding a lot like Tony's original band but with an heavier Germs influence, and a more metallic, darker, almost Motörhead-esque touch. As long as Adolescents got back on track, right before releasing their mid '80s comeback masterpiece 'Brats In Battalions' this obscure page of California punk rock history got completely forgotten and was never reopened until today. A band that really pushed the boundaries for the time while sticking to their roots, something most bands were not able to do. A must for all California punk rock maniacs out there! Label: Radiation Records
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Abhinanda from Umea in Sweden were together with Refused and Doughnuts at the forefront of the Swedish Hardcore scene. They were a band with a Straight-Edge and Vegetarian philosophy and life style. Members also were skateboarders. Label: Shing records
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“Pezzi di vetro schizzi di sangue” (translated: pieces of glass, splatters of blood) is the definitive book on Luca Abort, singer of BLUE VOMIT, NERORGASMO, IFIX TCEN TCEN, collecting all his stunning drawings, paintings, graffiti, comics, band photos.. A maniacal collection of images, the result of a project developed over 10 years about one of the most nihilistic and emblematic characters of the Italian punk scene between the 1980s and 1990s, passed away too young following his omen “I’ll exalt myself with the most sublime death”.. A personality of great intelligence, surly and provocative, Luca has created an enormous amount of drawings, paintings, graffiti, tables, record covers, flyers and other graphic artworks. This book collects them meticulously: almost 300 full colored color pages disclosing a huge amount of never seen before material (taken from Luca’s personal archives made available to his mother’s courtesy) also including rare photos and detailed discographies of BLUE VOMIT, NERORGASMO and IFIX TCEN TCEN. This book is almost completely devoid of written parts except for a brief preface and afterword in Italian, it’s all focused on the pictures, so even if you don’t understand Italian you will be fully satisfied. Regular soft cover version limited to 350 copies. Label: F.O.A.D. Records
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Hailing from Leeds, England and by far the biggest punk band from the area they were seldom out of the Independent charts between 1980 and 1984. Specialising in the sort of massive rowdy choruses that could put an ear-to-ear smile on the face of a dead man. Like so many of those intense bands of the time, their fire burnt brightly for just a relatively short time, but the shadows it cast, and the colourful musical legacy they bestowed the punk scene, were both important and influential! A1 - A3 "Vicious Circle" EP (1982) A4 - A6 "The Army Song (ABW EP)" EP(1981) A8 - A9 Burn 'Em Down! EP (1982) A10 - B11 "When The Punks Go Marching In !" LP (1982) Label: Audio Platter Barcode: 803341524149
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ABSENT IN BODY make their Relapse Records debut with the terrifying new album Plague God. Featuring current and former members of AMENRA, NEUROSIS, and SEPULTURA, Plague God is bound by the same ideals of unity and fearlessly uncompromising honesty of expression that have driven their respective bands to imperious heights of reverence and groundbreaking sonic deliverance. Plague God is by turns devastating and sublime, drawn from musicians for whom life and art are inextricably bound. Initially the brainchild of AMENRA guitarist Mathieu J. Vandekerckhove, and NEUROSIS vocalist/guitarist Scott Kelly, ABSENT IN BODY formed in 2017. Immediately recognizing their kinship, and with AMENRA frontman Colin H. Van Eeckhout brought in on vocals and bass, what emerged is a reflection of the intervening years of turbulence, extending it's scope as it navigates across five stretches of unstable terrain. From the opening Rise From Ruins with Sepultura drummer, Iggor Cavelera’s tribal beat emerging from foreboding, near-subsonic oscillations to explode in a tide of corrosive riffs and feral howls, through Sarin’s steadfast, procession-through-purgatory groove, to The Half Rising Man’s matrix of organic/mechanic evolution, it’s an album in constant dialogue between the animalistic, the human and the industrial, and a hunger to distill a truth, something unpolluted from the fray. Plague God doesn’t just give voice to these moments of truth, but in the band’s deep kinship integral to every claustrophobic judder, every stretch of atmospheric dread and helpless alias assumed, lies a freedom we both forget and attain at our peril. (Relapse Records)
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It doesn't get more classic than this. The Brian Johnson era started with a bang - You Shook Me All Night Long, Back in Black, Hells Bells...absolutely required rock. Originally released as Atlantic 16018 on July 25, 1980 Band logo and album title are embossed on the front of matte cover. Comes with printed inner sleeve. Label: Columbia – 5107651, Albert Productions – 5107651, Sony Music – 5107651 Barcode: 5099751076513
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Back on wax! 'Dirty deeds..' demented ac/dc's position as the premier dirty hard rock to ever have stomped the earth. This record, originally spewed forth in 1976 was literally bursting with quality: the salacious title song, the fan favourite 'big balls,' 'there's gonna be some rockin..'' it ain't pretty but we like it. Reissue, Remastered, 180 gram. (Columbia/Albert Productions/Sony Music/2009)
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Flick of the Switch is the ninth studio album by Australian hard rock band AC/DC. The album was deemed a commercial disappointment after it failed to match the sales figures of the band's two previous releases, 1980's Back in Black and 1981's For Those About to Rock, and its release represented the beginning of the band's commercial decline. The third AC/DC album to feature lead vocalist Brian Johnson, the album is also the last to feature drummer Phil Rudd before his return on Ballbreaker (1995). Packaging: embossed sleeve with printed inner sleeve. Originally released as Atlantic 80100 on August 19, 1983. Label: Columbia – 5107671, Albert Productions – 5107671, Sony Music – 5107671 Barcode: 5099751076711
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Brian Johnson's second album as ac/dc's frontman, and as such helped them create a phenomenal commercial success, with both singles, 'let's get it up' and the title track, charting on both sides of the atlantic. The album went on to sell over a million copies world-wide and the title track became an immediate live favourite, complete with a cannon-fire salute stage show that became instant encore material. Elsewhere, their familiar rattle remained intact, with 'night of the long knives' and 'breaking the rules' forging a familiar piece of metal. Gatefold Cover with a printed cardboard inner sleeve including liner notes and photos. Originally released as Atlantic 11111 on November 20, 1981 (Columbia/Albert Productions/Sony Music/2009)
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'High voltage' was the first chance america had to glimpse the raw power of Australia's best hard rock outfit. From their earliest days, lead guitarist angus young, a spastic dwarf-like riff-monger who wore nothing but traditional schoolboy attire, led this band of hooligans with gleeful perversity and balls-out ambition. The group's intent is perfectly clear from the disc's opening power chords: to distill rock and mutate the blues down to its barest essentials in a pulverizing whomp. Riding over the top of the battering rhythm section is the all-too-true sneer of vocalist bon scott, who brings sexist anthems to a previously unachieved high (or low, depending on your reference point). Issued in a single sleeve with colour printed inner sleeve with liner notes, images and credits. Label: Columbia, Albert Productions, Sony Music Barcode: 5099751075912
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Limited edition 180 gram vinyl pressing of 'highway to hell'. The artwork includes the original jacket designs, plus new inner sleeves, with the liner notes taken from the new cd versions. Remastered from the original master tapes at Sterling Sound. Originally released as Atlantic 19244 on August 3, 1979. (Columbia/Albert Productions/Sony Music/2009)
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The hard rock world got a close-up view of the power of ac/dc with the band's first live offering, if you want blood, you've got it. Although the Australian rockers had three prior studio releases of undeniable crunch under their belt, it was this live document that captured the band in all its' chomping power chord glory. distilling the blues and rock 'n' roll down to its barest structures of guitar/bass/drums leaves little room for error. Without heavy production techniques, keyboards, tape loops (or even an effect pedal, for that matter), the band takes to the stage with only bare-knuckle riffs and a floor shaking 4/4 beat. and shake the floor they did. Printed laminated inner sleeve with images and liner notes. All tracks recorded live during 1978 world tour. Mixed at Albert Studios Sydney Australia. An Albert production for Albert International Music. (Columbia/Albert Productions/Sony Music/2009)
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With ac/dc's third release, powerage, the band was dispensing even heftier ammo from their hook-laden cartridge belt. With the rock-steady rhythm section pounding out 4/4 beats as if it were overtaking a small country, guitarists (and brothers) angus and malcolm young trade towering riffs that belie their pint-sized physical stature. The real change on powerage is a noted improvement in songwriting skill. The six-minute "down payment blues" actually has a sense of restraint and building tension, as opposed to the band's usual hit-the-ground running approach. The release includes a coloured inner-sleeve with band's photos, notes, credits and info. Originally released as Atlantic 19180 on May 30, 1978 Recorded at Albert Studios, Sydney, Australia February/March 1978 Remastered from the original master tapes (Columbia/Albert Productions/Sony Music/2009)
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Rare Tracks Australian Singles 1974-1978. A1, A2 both sides of the Australien debut single AC/DC - Can I Sit Next To You, Girl, July 1974. A3, A4 from the Australien AC/DC - High Voltage LP, 1975. A5 from the Australien AC/DC - T.N.T. LP, 1975. A6 b-side of the Australien AC/DC - Dog Eat Dog single, 1977. B1 live, January 1977, from Australian v/a Various - Boogie, Balls And Blues: Australian Hard Rock 1970-77 compilation LP, 1987. B2 from Australien AC/DC - Dirty Deeds Done Dirt Cheap LP, 1976. B3 traditional, arr. AC/DC b-side of Australien AC/DC - Jailbreak single, 1976. B4 'Whole Lotta Rosie' demo, 1977, from AC/DC - Bonfire cd box set, 1997. B5 from Australien AC/DC - Let There Be Rock LP, 1977. B6 from Australian AC/DC - Cold Hearted Man 12", available in Australia & New Zealand only in the AC/DC - Vol. 1 box set, 1981. B7 live in Glasgow, April 1978, b-side of the Australian AC/DC - Whole Lotta Rosie single, 1978. B3 is an instrumental song, but Bon Scott can be heard in the background in the last 30 seconds, so he is also the lead singer. B6 is from Australian AC/DC - Powerage LP, 1978. Tracklist: Side 1: (25:44) A1 Can I Sit Next To You, Girl 3:16 A2 Rockin' In The Parlour 3:18 A3 Stick Around 4:39 A4 Love Song 5:14 A5 School Days 5:21 A6 Carry Me Home 3:56 Side 2: (26:00) B1 Dirty Deeds Done Dirt Cheap 4:39 B2 R.I.P. (Rock In Peace) 3:32 B3 Fling Thing 1:57 B4 Dirty Eyes 3:14 B5 Crabsody In Blue 4:41 B6 Cold Hearted Man 3:30 B7 Dog Eat Dog 4:27 Label: Verne Records/Unofficial Release
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Balls to the wall represent one of the peaks of the German metal band Accept. Mind-blowing chord progressions and stylish solos mark the music on this record. The ten tracks are all unforgettable in their own way, most memorable is the title song and the clip they created to this track. The album was released during the golden age of metal and it established the band as one of the heaviest and most important bands of their time. Balls to the wall even charted in the Billboard 200 list. Accept is a German heavy metal band from the town of Solingen, originally assembled by former vocalist Udo Dirkschneider, guitarist Wolf Hoffmann and bassist Peter Baltes. Their beginnings can be traced back to the late '60s. The band played an important role in the development of speed and thrash metal, being part of the German heavy metal scene, which emerged in the early to mid-80s. The package includes a 4-page booklet. 180-gram audiophile vinyl 4-page booklet with band picture and lyrics Legendary 1983 cult album feat. "Balls to the Wall", "Love Child" and "London Leatherboys" (Music On Vinyl)
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The German heavy metal giants Accept released their accessible sixth studio album Metal Heart in 1985. It marked the return of guitarist Jörg Fischer and the album contains some of their classic songs, such as Metal Heart" and "Living for Tonite". It's a work of pure metal greatness and it got everything you expect from the band. To crack the American market they added catchier choruses and melodies to the music, but they didn't hold back on any of their powerful metal music. The album is overwhelmingly well-produced and performed, and containing brilliant strokes of songwriting genius along with catchy, memorable themes. 180 gram audiophile vinyl Insert "Metal Heart" and "Living for Tonite" (Music On Vinyl)
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A musical time machine documenting their rise to ambiguity, providing insight on their influence and underground status as forefathers of early 80’s ‘crossover’. The ACCUSED’s 34 Song Archives 2xLP reveals early teen-punk roots, including early demo tracks of vintage ‘Splatter Rock’ and the creeping metal-influence! Humbling outtakes! Candid rehearsal sessions! Live ‘bootlegs’ and extensive liner notes. Comes in a nice gatefold cover. Splatterheads beware!!! Label: Unrest Records
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Acid Barretts are a drum-machine-fueled shoegaze/postpunk duo hailing from Athens, Greece. Formed back in 2013 by guitarist and vocalist Harry Eugene Kane, the band ventured out to emulate the essence of bands like Spacemen 3, Suicide and The Jesus and Mary Chain. While the position of bass player is currently occupied by one Scizhic Inzc, this incarnation of the band is finally being completely detached and absolved from the notion of musical genres and limitations imposed upon creativity. Anything goes. Label: Old Bad Habits Label
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Previously unreleased two John Peel sessions and a David Jensen session – 16 tracks. Action Pact were a punk rock band from Stanwell, an isolated village right under the flight-path of London Heathrow Airport, inspiring this album title-song. Formed in 1981 by guitarist Wild Planet, bassist & lyricist Dr. Phibes, and the then 15-year-olds drummer Joe Fungus and singer George Cheex, still school-kids when their Heathrow Touchdown EP was released in October 1981. BBC Radio 1 DJ John Peel played the single many times and booked them for their first session, recorded February 1982. Signed to Jungle’s Fall Out Records imprint, Action Pact's label debut Suicide BagEP went to the top of the British punk chart in July 1982. Five more singles entered the indie charts including Yet Another Dole Queue Song, and a reworked London Bouncers, along with two albums, ‘Mercury Theatre – On The Air’ and ‘Survival of the Fattest’. A second John Peel session in ‘82 and a David Jensen BBC session in ’83 were also recorded and broadcast – all collected together here for the first time. Inner bag with notes, interviews & photos by Mick Mercer who attended a session. Limited red vinyl. Includes an unheard song. ‘Mostly better than released versions’. Label: Fall Out Barcode: 5013145306215
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Originally released in 1983 on Fallout Records. Their debut album gets its first ever worldwide reissue thanks to Puke n Vomit Records. Amazing catchy blistering Punk with great Post-Punk elements makes this one of the coolest 80s UK Punk albums ever. Originating from Essex, the band formed in 1980 and quickly grew in popularity in part from their energetic performances and catchy songs and the presence of exuberant vocalist Alison ‘George Cheex’ Roberts, Their debut single a split with Dead Mans Shadow was released in 1981, that lead to them getting some seriously heavy BBC airplay courtesy of DJ John Peel. This was followed by their 'Suicide Bag' 7' on Fallout in 1982 and that single quickly climbed the UK Indie charts. When the LP 'Mercury Theatre - On The Air!' was released in 1983 it climbed all the way to #5 on the indie charts. (Puke n Vomit Records)
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One of the most exciting bands to come out of Canada in the last few years, Vancouver’s ACTORS delivers their debut album on Artoffact Records, and you better believe it it sounds as glorious as all the hype predicted! This is the fourth pressing, on milky-clear vinyl. “You should make it your business to check this album out. One of the better post punk releases I have heard this year.” -Elizabeth Klisiewicz, Echoes & Dust “Vancouver’s brilliant post-punk and new-wave quartet ACTORS continue their flair for sonic cinematics in the video for their latest track ‘Face Meets Glass’… The atmosphere quivers with singer Jason Corbett’s crooning reverb augmented by shivering guitars and stark synths.” –Post-Punk “Addictively dancey, uplifting and melancholy sounds… Beautiful, dark music.” –CVLT Nation “Eighties-style post-punk… marrying influences from metal in the post-punk style.” –Decibel Magazine Label: Artoffact Records Barcode: 0628070633463
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UK82 hardcore punk band formed 1982 in Portsmouth, Hampshire, England, UK, from the remains of two earlier Portsmouth bands (Birth Trauma and The Anihilates). Originally released in 1987. Comes with insert, 140gr vinyl. Label: Noise Not Music
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The second studio album, released on the band’s own label SOS Records in 1987 following a reunion of the band after a five-year breakup (whilst members persued other projects such as D.I. Chritian Death etc.) . Thirteen tracks, including new recordings of all three songs from 1981’s Welcome to Reality EP, as well as covers of “The House of the Rising Sun” and the Stooges’ “I Got a Right”. (Nickel And Dime Records / Triple X Records)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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BEER CITY SKATEBOARDS AND RECORDS is proud to bring you ADRENALIN O.D. - Let’s BBQ Millennium Edition 12”! This is limited to 1000 and is a RSD exclusive! This star studded release features the songs from the original Let’s Barbecue 7” that first graced us back in 1983 plus an additional track from that same session that never saw the light of day! Also included are 5 tracks from the ADRENALIN O.D. demo tape that came out in 1982. These tracks were never recorded for anything else. For the first time ever all these have now been restored and remastered and are presented to you at 45RPM’s for optimal audio enjoyment! Add to that a fabulous gatefold packaging, lyrics and liner notes written by none other then the band itself. Along with pictures; some of which have never been seen by the public! Plus a plastic collectable download card so you can keep your record as safe as Han Solo frozen in Carbonite! You have yourself a release that will hit you like a pie in the face at a Three Stooges convention! So come record store day make sure you get to the store bright and early and get this limited piece of hardcore/punk history! - Record Store Day 2019 release. - Includes digital download card. - Limited edition of 1000 copies. (Record Store Day website shows limited to 1100 copies). Gatefold. - Features the songs from the original Let's Barbeque 7” from 1983 plus an additional track from that same session. - Also included are 5 tracks from the AOD demo tape recorded in 1982. (Beer City Records)
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35 Anniversary Millennium edition LP! It’s hard to believe that this classic came out 35 years ago, isn’t it?! Now were happy to bring it to you in this special anniversary edition thats limited to 1000 copies! Not only does this contain all 15 original tracks of blazing speed-punk/hardcore (and dare we say thrash) and sarcastic lyrics , but they have been restored and remastered and from THE ORIGINAL MASTER TAPES! Don’t think the fun stops there cause this also includes the original insert and art work. Plus a full color poster with never before seen photos and liner notes by the band and other notable personalities! Plus there are a few other surprises we are not going to mention. With only 1000 being pressed you better grab this up quick! (Beer City Records)
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Oakland-based dark punk band Adrenochrome is proud to present their premiere full-length release, In Memoriam. In Memoriam is laden with infectious melodies, tenacious rhythm, and catchy, powerful vocals. This album houses all the attitude and tone of early death-rock powerhouses like Phaidia, while maintaining all the fury and focus of anarcho-punk legends such as Poison Girls and Penetration. Driving, dancey, and just aggressive enough to demand your attention, In Memoriam is certain to leave you singing along with your fist in the air. (Domîno Monët) Reversed Sleeve 350gr with Insert + Download code. Label: Symphony Of Destruction Records
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III:The Betrayal is one of two full length albums being released by Adrestia 2022. The album was recorded by Martin Shukevich and Ulf Blomberg, while mixing and mastering was done by Henrik Udd. https://www.rocking.gr/reviews/album/Adrestia-III-The-Betrayal/11050 (Alerta Antifacsista Records)
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IV: The Mark Of Cain is one of two full length albums being released by Adrestia 2022. The album was recorded by Martin Shukevich and Ulf Blomberg, while mixing and mastering was done by Henrik Udd. https://www.rocking.gr/reviews/album/Adrestia-IV-The-Mark-Of-Cain/11054 (Alerta Antifacsista Records)
