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Dead Boys hailed from Cleveland, OH and relocated to New York to become one of the first US punk bands signed to Sire Records. Young, Loud and Snotty is the first studio album by the American punk band Dead Boys. It was recorded and released in 1977 on Sire Records, produced by Genya Ravan. The album is the only Dead Boys album to chart, peaking at 189 on the Billboard 200 in November 1977. The album was included at #7 on the Rolling Stone "10 Greatest Punk Rock Albums" reader poll. Label: Fanclub/Unofficial Release -
Songs the Lord Taught Us is the debut album by the American rock band the Cramps. It was released in 1980 on I.R.S. Records in America and Illegal Records in England. In 2020, Rolling Stone included Songs the Lord Taught Us in their "80 Greatest albums of 1980" list, praising the band for its "psychobilly sound that went way beyond the kitschiest moments of the Ramones or Blondie and into a whole new realm of garage-trash novelty" Label: Fanclub/Unofficial Release) -
...Off the Bone is the first compilation album of previously released material by the American rock band the Cramps. It was released in 1983 in the United Kingdom on Illegal Records. The original release had an anaglyph on the cover and a pair of paper red and blue "3D glasses" inside the sleeve for viewing it. Track listing: Side One 1. "Human Fly" (Human Fly 7", 1978) 2. "The Way I Walk" (Surfin' Bird 7", 1978) 3. "Domino" (Human Fly 7", 1978) 4. "Surfin' Bird" (Surfin' Bird 7", 1978) 5. "Lonesome Town" (Gravest Hits 7'', 1978) 6. "Garbage Man" (Fever 7", 1980) 7. "Fever" (Fever 7", 1980) Side Two 1. "Drug Train" (Drug Train 7", 1980) 2. "Love Me" (Drug Train 7", 1980) 3. "I Can't Hardly Stand It" (Drug Train 7", 1980) 4. "Goo Goo Muck" (Goo Goo Muck 7", 1980) 5. "She Said" (Goo Goo Muck 7", 1980) 6. "The Crusher" (The Crusher 7", 1981) 7. "Save It" (The Crusher 7", 1981) 8. "New Kind of Kick" (The Crusher 7", 1981) Label: Fanclub/Unofficial Release) -
Psychedelic Jungle is the second album by the American rock band the Cramps. It was released in May 1981 on I.R.S. Records. It was engineered by Paul McKenna and recorded in January 1981 at A&M Studios. It was self-produced by the Cramps. The photo on the back cover of the album was taken by the noted photographer and director Anton Corbijn. Only half of the album's 14 tracks are original compositions, written by guitarist Poison Ivy Rorschach and singer Lux Interior. The rest are cover versions of rock and roll, rockabilly, and garage rock singles from the 1950s and 1960s; these include "Green Door" by Jim Lowe (1956), "Jungle Hop" by Kip Tyler and the Flips (1958), "Rockin' Bones" by Ronnie Dawson (1959), "Goo Goo Muck" by Ronnie Cook and the Gaylads (1962), "The Crusher" by the Novas (1964), "Primitive" by the Groupies (1966), and "Green Fuz" by Green Fuz (1969). (I.R.S. Records – ILP 009/Unofficial Release) -
Danzig is the debut studio album by American heavy metal band Danzig, released in August 1988. The album was the first release on producer Rick Rubin's new label Def American Recordings. Danzig debuts with a record of simple, pounding, bluesy metal featuring lead singer Glenn Danzig’s trademark Elvis-meets-Jim Morrison bellow and outlandishly dark, evil lyrics. There isn’t a great deal of musical variety or complexity here, but the band powers its way through such signature tunes as Twist of Cain, Am I Demon, and the (future) hit Mother with a primal energy. Plus, Danzig’s tongue-in-cheek posturing as the ultimate unholier-than-thou heavy metal frontman gives the record a definite appeal, even if one is not inclined to view his theatrics as dangerous or threatening. With James Hetfield from Metallica on backing vocals. Label: Def American Recordings/Unofficial Release -
Danzig is the debut studio album by American heavy metal band Danzig, released in August 1988. The album was the first release on producer Rick Rubin's new label Def American Recordings. Danzig debuts with a record of simple, pounding, bluesy metal featuring lead singer Glenn Danzig’s trademark Elvis-meets-Jim Morrison bellow and outlandishly dark, evil lyrics. There isn’t a great deal of musical variety or complexity here, but the band powers its way through such signature tunes as Twist of Cain, Am I Demon, and the (future) hit Mother with a primal energy. Plus, Danzig’s tongue-in-cheek posturing as the ultimate unholier-than-thou heavy metal frontman gives the record a definite appeal, even if one is not inclined to view his theatrics as dangerous or threatening. With James Hetfield from Metallica on backing vocals. Label: Def American Recordings/Unofficial Release
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Danzig is the debut studio album by American heavy metal band Danzig, released in August 1988. The album was the first release on producer Rick Rubin's new label Def American Recordings. Danzig debuts with a record of simple, pounding, bluesy metal featuring lead singer Glenn Danzig’s trademark Elvis-meets-Jim Morrison bellow and outlandishly dark, evil lyrics. There isn’t a great deal of musical variety or complexity here, but the band powers its way through such signature tunes as Twist of Cain, Am I Demon, and the (future) hit Mother with a primal energy. Plus, Danzig’s tongue-in-cheek posturing as the ultimate unholier-than-thou heavy metal frontman gives the record a definite appeal, even if one is not inclined to view his theatrics as dangerous or threatening. With James Hetfield from Metallica on backing vocals. Label: Def American Recordings/Unofficial Release
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Always Was, Is and Always Shall Be is the debut studio album by American punk rock musician GG Allin, recorded and released in 1980 on Orange Records. (Fan Club/Records) -
If the Misfits were one of the greatest punk bands then Walk Among Us released in 1982 is perhaps one of the greatest records in punk history. While Static Age and Earth AD showcased a band searching for an identity like a vampire for its next victim, Walk Among Us is almost sheer perfection. With a solidified lineup, fully grown-out devillocks (the Misfits trademark long spike of hair in the front) and the stabilizing presence of the somewhat pedestrian but agile arthur googy on drums, uber-misfit Glenn Danzig was finally able to match his zombie-elvis to a worthy musical foil. From the manic opening of 20 Eyes to the monster football chorus of Braineaters, there is nothing less than a sublime moment on this album from start to finish. Astro Zombies or I Turned into a Martian sound like songs to raise the dead by. a special bonus is perhaps the tenderest love song to decapitation (Skulls) in recent memory. Lp comes with double sided insert. (Ruby Records/Unofficial) -
Out of stock
Unofficial realease, similar to the original "yellow goat" version. -
The mighty Death Side, my favorite - together with Bastard - hardcore band to ever come out of Japan. Originally released on Selfish Records in 1989. One of the best hardcore records ever.
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Gauze, Gauze, Gauze – for sure one of the best, but also one of the most uncompromising hardcore bands out of Japan. Formed in 1981 from as a punk act but turned into their unique hardcore sound over time. Furious speed (for the time), no guitar solos and very clever and angry arrangement – music for the soul and not the mind. I would see them as a milestone for Japanese hardcore. 100s of band have later been compared with them. This is reissue their classic, second 1986 LP. Includes a two sided insert. (Fan Club/Unofficial Release) -
Slovenian all female hardcore/punk band active during 80's and former in Ljubljana ex-Yugoslavia. Trail-blazing female punk band Tozibabe was the first girl group in Yugoslavia to write its own material, and one of the few female hardcore acts of Eastern Europe. Their furious, uncompromising songs had scathing, shouted vocals, and its members tackled different instruments, making them the stuff of legend. This wide-ranging compilation gathers material from the Hard-Core Ljubljana compilation, their ground-breaking mini-LP, Dežuje, live tracks from their appearance at Novi Rock in 1985 plus previously unreleased work from their 2015 reunion show. Raw hardcore, Tozibabe style! TRACKLIST 01 Dezuje 02 Trash 03 Ti 04 Lutke 05 Dezuje/Nekega Lepega 06 Ko Bos Prisel 07 Bog 08 Nekega Lepega 09 Moja Praznina 10 Necem Te Vec 11 Dezuje + Moja Praznina + Nekega Lepega + Trash + Ti + Dezuje Label: Radiation Records Barcode: 8055515234480 -
THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND 25.02.23, THANKS! This two-volume set of records which represents the complete discography of State of Fear couldn’t have come at a better time with the current hardcore/crust scene in the U.S. on the rise once again. A new generation of punks have scoured the filthy depths of the genre to find the classics, and State of Fear ticks every box of a classic hardcore band. Formed from the ex-members of DISRUPT and DEFORMED CONSCIOUS, State of Fear adopted a more streamlined hardcore attack than that of either of their former bands, but kept intact the political and dark themes of the crust bands they had come from. This was hardcore made by fans of Swedish bands like SKITLICKERS, MOB 47, ANTI-CIMEX, and although they definitely wear their influences on their sleeve, they created a sound which was enigmatically their own. Entering the scene in the heyday of the Minneapolis crust explosion spearheaded by Profane Existence in 1994, they immediately made their mark with powerful live showings and a no-bullshit delivery. Volume 1 includes the self titled debut, and the infamous ‘Wallow in Squalor’ EP’s, State of Fear showcase a devastating combination of speed and memorable riffs not seen by another band in America since. Songs like ‘Blood Thirsty System’, ‘Violation’, ‘Consumption’ emboldened a generation of punks in the 90’s, while confirming their feelings of rage at the political system in place, which sadly still stands today. These songs aren’t going to lose appeal until the blood thirsty system falls. Sonarize Records has added a large format 12 page booklet that includes a biography, interviews, lyrics, and hard to find photos of the band. (Sonarize Records) -
THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON OR AROUND 25.02.23, THANKS! This two-volume set of records which represents the complete discography of State of Fear couldn’t have come at a better time with the current hardcore/crust scene in the U.S. on the rise once again. A new generation of punks have scoured the filthy depths of the genre to find the classics, and State of Fear ticks every box of a classic hardcore band. Formed from the ex-members of DISRUPT and DEFORMED CONSCIOUS, State of Fear adopted a more streamlined hardcore attack than that of either of their former bands, but kept intact the political and dark themes of the crust bands they had come from. This was hardcore made by fans of Swedish bands like SKITLICKERS, MOB 47, ANTI-CIMEX, and although they definitely wear their influences on their sleeve, they created a sound which was enigmatically their own. Entering the scene in the heyday of the Minneapolis crust explosion spearheaded by Profane Existence in 1994, they immediately made their mark with powerful live showings and a no-bullshit delivery. As outlined in the above description State of Fear had set out on a hardcore path widely copied but never matched throughout 1994-1996. It’s in this period that they attempt their first full length LP which although marred by recording issues and personnel changes, would go on to be regarded by most as an contender for one of the best LP’s of 1990’s in the hardcore punk genre. Volume 2 is this stand-alone LP by the band and features the original artwork of Marald who has also gone on to a famed career in the fine art world, this includes a large 4 page booklet with all lyrics included, and an A2 poster. Did I mention that both Vol. 1 and 2 have been remastered by Jack Control for the highest sound quality possible. These are definitive documents of one of the best hardcore bands to exist. (Sonarize Records) -
Hailing from the former northern mining town of Wigan, between Manchester and Liverpool, the short-lived Electro Hippies were a band like no other, saluted as icons of crust punk and proto-grindcore. Following some cassette demos, a shared LP with Newcastle’s Generic and a Peel session, debut LP The Only Good Punk…Is A Dead One surfaced on Peaceville with twenty songs, all clocking in at under two minutes (around half being less than 60 seconds). Highly political, deeply ironic, and with a snatch of Black Sabbath in the mix, The Only Good Punk is the band at their blistering best, the peak that preceded their ultimate downfall. Label: Radiation Reissues - RRS210 Barcode: 8055515234732 -
Formed in 1981 in suburban Martinez, east of San Francisco, second-wave punk act Pariah struggled to find acceptance until future Green Day engineer Kevin Army produced a demo, placing ‘Up To Us’ on the Rodney On The Roq Vol. 3 compilation. Their sought-after debut album for Posh Boy, Youths of Today, was the breakthrough that saw them backing the Ramones, UK Subs and Suicidal Tendencies, the hit ‘White Line’ an anti-cocaine anthem; this edition includes the great ‘Learning Process’ from esteemed compilation Not So Quiet On The Western Front. Label: Radiation Reissues - RRS213 Barcode: 8055515234749 -
The American punk rock band The Dictators was described by critics as “one of the finest and most influential proto-punk bands to walk the earth”. They released five studio albums in total, including the 1977 album Manifest Destiny. The album features a cover version of “Search & Destroy” by The Stooges. Manifest Destiny is available as a limited edition of 750 individually numbered copies on translucent red coloured vinyl. Label: Music on Vinyl Barcode: 8719262026469 -
Demos and outtakes from "White Light White Heat White Trash" sessions. Side 1 1. "Love Me Tonight" 2. "Crown Of Thorns" 3. "Like You've Never Done Before" 4. "Lost & Found" 5. "Got Nothin' Comin" 6. "Do It Again" Side 2 1. "Dope Fiend Blues" 2. "I'm In Love With My Car" 3. "Can't Hide" 4. "Don't Drag Me Down" 5. "Don't Keep Me Hanging On" Label: Waste Management/Unofficial Release -
Risen from the ashes of 90’s pioneering pop punkers Home Alone, Retarded hailed from Voghera, Italy, and debuted in 1998 with three singles and this self titled lp of pure Ramones-inspired madness, reissued on vinyl after 25 years. One of the best Italian punk albums of the 90’s, according to Rolling Stone Magazine. One bonus track, double sided insert included. TRACKLIST A1 Let's Go In My Bedroom A2 Judy Wants To Be My Girl A3 You're Not Cool A4 Bikini Beach Party A5 Danny's Lie A6 Come Back To Me A7 Stupid Boy B1 Baby I Wanna Dance With You B2 Let's Keep Going The Show B3 Saturday Night I Wanna Go To The Show B4 Let's Dance & Twist Again B5 Baby Doll B6 I Wanna Be The Same B7 The Right Thing B8 Let’s Go (Let’s Go, Let’s Go) * bonus track Label: Hey Suburbia -
“IF YOU WANT TO LISTEN TO GOOD POP PUNK LISTEN TO SPANISH BANDS” (Ben Weasel, Maximum RocknRoll, 1995). Originally released on the legendary No Tomorrow label in 1995, Radio Surf is one of the absolute classics of the 90’s Spanish Ramones-inspired pop punk resurgence. Includes their 1993 single and four demo versions as bonus, with double-sided insert. Label: Hey Suburbia Barcode: 8055515233322 -
77-Early Years-79 is a compilation of the band's first four singles, all originally issued on Step Forward Records, and was first released as an LP in 1981. One album track ("Dice Man" from Dragnet) is also included, and a CD reissue in 2000 adds two tracks from the various artists compilation Short Circuit: Live at the Electric Ballroom, from the same time. 2002's Early Singles drops "Dice Man" and adds three singles recorded for Kamera Records in 1981 and 1982, with their B-sides. In 2003, tracks from the Step Forward singles and two albums recorded for the label were selected for It's the New Thing! - The Step Forward Years. The first of multiple Fall compilation albums and certainly one of the most valuable. TRACKLIST Repetition Bingo Masters Breakout Psycho Mafia Various Times It's The New Thing Rowche Rumble In My Area Dice Man Psykick Dance Hall No. 2 2nd Dark Age Fiery Jack Label: Radiation Reissues - RADK7019 Barcode: 8055515233667 -
Live at the Witch Trials was the debut studio album by The Fall. It was released in March 1979, through record label Step-Forward. Despite it's title, it is not a live album. The album was recorded at Camden Sound Suite on 15 December 1978 and mixed by producer Bob Sargeant the next day. The group had been booked into the studio for a week but Mark E. Smith had fallen ill, leading to the cancellation of the first three days. Some songs dated from earlier incarnations of the group with both Tony Friel and Una Baines featuring on the writing credits. Label: Radiation Reissues - RADK7021 Barcode: 8055515233681 -
Founded by its only constant member, Mark E. Smith, The Fall formed in Manchester in 1976 and were one of the most prominent post-punk groups in the world. Musically, there may have been several stylistic changes over the years, but it was often characterised by an abrasive guitar-driven sound and frequent use of repetition, always underpinned by Smith's distinctive vocals and often cryptic lyrics. “Dragnet” is the second studio album – released 26th October 1979. Originally released through record label Step-Forward, it predicated 2 major factors in the group’s career – high productivity and high group turnover. The album has historically garnered excellent reviews, including 4/5 in MOJO, 8.7/10 on Pitchfork and 4/5 in Q Magazine. Featuring the one and only Mark E. Smith alongside Steve Hanley (bass), Marc Riley (guitar), Craig Scanlon (guitar), Mike Leigh (drums), Kay Carroll (backing vocals) and Yvonne Pawlett (keyboards). Label: Radiation Reissues - RADK7020 Barcode: 8055515233674 -
Out of stock
Born from working class roots in Edinburgh, Scotland, The Exploited emerged from the punk underground in 1981 with the debut-LP 'Punk's Not Dead', a direct response to the Crass-song 'Punk Is Dead'. The Exploited brought to the early '80s all the fire, speed and attitude of 1977's first wave, but with a street punk/Oi! swagger that was fresh and exciting. Peaking at #20 on the UK charts, 'Punk's Not Dead' was the best selling independent record of 1981. Essential punk history! SPECIAL 40TH ANNIVERSARY EDITION, FULLY REMASTERED AND INCLUDING AN EXCLUSIVE POSTER. Label: Pinhead Records Barcode: 0737186600716
