• Athen’s CHAIN CULT return with their first full length following a great Demo and 7” from last year. Recorded at Ignite Music by George Christoforidis during May and July of 2019, Shallow Grave shows the progression of a band who have played non-stop for two years, covering pretty much all of Europe. CHAIN CULT’s post punk is anthemic, militant and idealistic, putting music to a very dark and bleak time and place. You can hear echoes of early THE CURE, THE SOUND, Second Empire Justice era BLITZ or WIPERS in their music but also the passion and conviction of locals METRO DECAY, STRESS or ANTI… Very much a perfect reflection of what springs to mind thinking about the current Athens scene.

    Shallow Grave comes housed in a reverse board sleeve including a printed inner sleeve with lyrics, all  designed by CHAIN CULT’s collaborator Aris Panagopoulos of A.D. Visions. (La Vida Es Un Mus Records) https://lavidaesunmus.bandcamp.com/album/shallow-grave-lp


    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we use for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
  • It came out of nowhere in 1982, this punk rock/hardcore fireball with the bright yellow sleeve. In one sense, The Zero Boys' Vicious Circle was yet another example of how U.S. punk seemed to peak coast to coast that year. But unlike most coastal punk, the Zero Boys were pointing the way to a scene that could accommodate heaping helpings of melody, intelligence, and rock 'n' roll, not just turbo-charged ferocity. Vinyl version contains a coupon that for a limited time allows you to download MP3 audio files of the recordings. (Secretly Canadian Records)
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    Adolescents, also known as The Blue Album due to its cover design, is the debut studio album by American punk rock band the Adolescents, released in April 1981 on Frontier Records. Recorded after guitarist Rikk Agnew and drummer Casey Royer joined the band, it features several songs written for their prior group, the Detours, including "Kids of the Black Hole" and "Amoeba", which became two of the Adolescents' most well-known songs. Adolescents was one of the first hardcore punk albums to be widely distributed throughout the United States, and became one of the best-selling California hardcore albums of its time.[1] The band never toured in support of it, and broke up four months after its release. The Blue Album lineup of Agnew, Royer, guitarist Frank Agnew, bassist Steve Soto and singer Tony Brandenburg reunited several times in subsequent years, but only for brief periods. Limited repress on Restless Empire. Blue/black splatter vinyl.
    (Restless Empire Records)

  • Out of stock
    Released a year after their much hearled debut album 'Voice of a Generation' , 'Second Empire Justice' features half the members from the original line-up and with a new sound. While initially being an Oi!/Skinhead Punk band, on 'Second Empire Justice' they not only changed members and their look but also their sound and released a Post-Punk classic with a heavy dose of Joy Division worship, produced by Chris Nagle. While Nagle had also produced their debut album, he had also engineered the Joy Division and New Order albums under Martin Hannett and had also engineered various other post punk albums of the day from the likes of The Durutti Column, A Certain Ratio and Magazine. Together the band and Nagle created a masterpiece while not appreciated at the time, especially by their original skinhead/Oi! fanbase. The album would go onto influence tons of post-punk/darkwave bands that sprouted from the ashes of punk/hardcore bands decades later and become one of the most sought after albums of the golden age of post-punk.. So sit back and listen to these beautiful moody haunting guitars, dancing basslines and emotionally fragile vocals all the while retaining a punk ferocity. For Fans of : Joy Division, Magazine, Red Lorry Yellow Lorry, Killing Joke, The Middle Class Limited repress on Restless Empire. (Restless Empire Records)
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    RATOS DE PORAO | carniceria tropical | LP

    18.5021.00 incl. tax
    One of the greatest albums by these iconic Brazilian Thrash/Punk champions back on vinyl after more than 20 years from its original pressing... Brutal, aggressive Hardcore/Crossover from South America's finest, kicking asses since 1981! Produced by Billy Anderson (Neurosis, Sleep, Brutal Truth, Melvins, Fantomas etc) in 1997 now specially remastered for vinyl to ensure the best dynamic impact and enriched with 1 exclusive bonus track that was previously appearing only on the CD version. Restyled sleeve + insert with lyrics and never seen before photos of that time. If you got the previous RxDxPx releases on FOAD ("Periferia", "Descanse em paz", "Feijoada acidente", "No money no English") you know you can't go wrong with this! (FOAD Records)
  • KALTE NACHT | kalte nacht | LP

    18.5020.00 incl. tax
    Kalte Nacht is a dark/synth project which was formed in Athens, Greece, in 2017 by the composer Nick Konstantinidis (synthesizers, drum machine, bass). In 2018, Myrto Stylou joined forces contributing with her vocals and from that moment on, they continued as a duet. This is their debut album, comprising of 8 tracks, revealing all their sins and inner thoughts inspired by the Athenian underground. Comes in 300 hand-numbered copies, half of them on black and half on yellow vinyls. Includes insert, sticker and download code. (Geheimnis Records)
  • Hard cover, 48 pages. 55 pics by Apostolos Mokas, member of the hardcore band MY TURN and a professional tour manager, shooting pictures with his phone from Belfast to Berlin and from London to Budapest. Hardcore shows, venues, landscapes, street art and even a football stadium.
  • An illustrated and wide-ranging survey of the underground U.S. punk scene in the 1980s The product of decades of work and multiple self-published editions, Going Underground, written by 1980s scene veteran George Hurchalla, is the most comprehensive look yet at America's nationwide underground punk scene. Despite the misguided mainstream press declarations that "punk died with Sid Vicious" or that "punk was reborn with Nirvana," Hurchalla followed the DIY spirit of punk underground, where it not only survived but thrived nationally as a self-sustaining grassroots movement rooted in seedy clubs, rented fire halls, xeroxed zines, and indie record shops. Rather than dwell on well-documented suspects and trendsetters from LA, NY, and DC, Hurchalla delves deep into the underground's underbelly to root out stories from Chicago, Philadelphia, Austin, Lawrence, Annapolis, Cincinnati, Florida, and elsewhere. Like most of the truly great books on punk that have emerged to date, Hurchalla mixes his personal experiences with the words of dozens of band members, promoters, artists, zinesters, and scenesters. This revised second edition includes new photos, zine scans, and flyer collections from around the United States. „The book is out since 2005, but it took some while until the meanwhile second edition found it’s way in our Po Box. Anyway, I’m very glad it did, since it is a great book! At least for me it was fun and interesting to read. Sometimes I thought you need to be a real expert in US-Punk/Hardcore in order to understand sometimes what George Hurchalla writes, since his writing is so detailed when it comes to names and bands and scenes and stuff. But I might be wrong there, find out, it was no problem for me. It is roughly A4 sized, paperback and has 300 pages, tons of great photos and flyers for illustration. It contains ca. 30 Chapters that deal with either different scenes in different parts of the country and move along from 1979 – 1992. It would be too much to list it here, but George has a good way of combining his own writing based on his own knowledge or research and quoting people, use oral history or using clippings from original interviews. Because of that you get the story presented as just that a story in the right order with lots of information and anecdotes. Unlike in other books the author does not concentrate on the already well documented scenes / bands / persons, but barely touches them and concentrates on all the other great stuff that was going on in punk rock america back then. San Francisco, Los Angeles, Chicago, Boston, New York, DC, Austin you name it, it is all there. And this book is not only concentrating on bands and the music, but also on all the political/DIY content the scene had back then, which is great, it shows that punk/hardcore was so much more than it appears to be today. Interesting also that a lot of bands from the east coast that seem to be big in Europe have had not very much impact in the usa, in other words, Hurchalla concentrates on the more interesting people/scenes. Which does not mean you will not read certain names in the book. I really do like the balance and the way it came out. I could rave on how great the book is and what other stories are being told so well, but that would mean that this review is a couple of pages long. So, you better go out there and get this, it will give you some quality reading pleasure and on top a good lesson in US Punk/Hardcore history! Thumbs up!“ Trust Fanzine "Going Underground’s subtitle may say “American Punk”, but the book almost exclusively covers American Hardcore. Of course author George Hurchalla couldn’t really use that phrase because of Steven Blush’s similar book American Hardcore. Even though Hurchalla’s survey of the regional scenes that dotted the map of American hardcore has some redundancies with Blush’s better known book, it has plenty of unique merits which make it valuable. Most importantly, it focuses heavily on bands whose stories haven’t already been told in great detail. So, while there are obligatory passages on the big guys – Minor Threat, Black Flag, Bad Brains…etc. – there’s an equal amount of ink spent on smaller acts like The Fix, Government Issue, and Toxic Reasons. Even when Hurchalla writes about hardcore’s biggest acts, he finds new avenues to explore, like Minor Threat’s cold war with T.S.O.L., or the night Mike Diamond of the Beastie Boys led a one-off group called Lucifer’s Imperial Heretical Knights of Schism in a musical roast of sorts at the expense of the Bad Brains and their Rastafarian beliefs. Hurchalla’s own experiences as a fan in Florida and Philadelphia play a large role in the book, with firsthand reports from shows by both local outfits and national touring acts. He also takes excursions into music that was important to him during this era which doesn’t neatly fit into the hardcore genre tag, like The Gun Club or the SST art-punk comp Keats Rides a Harley. Lastly, Going Underground features a ton of photos that capture the raw excitement of the era, most of which I haven’t seen published before. Like the music itself, Going Underground moves quickly, providing a raw and unflinching look into one of the most important youth movements of the 20th century." Midnight to Six Format Paperback | 402 pages Dimensions 152 x 229 x 30.48mm | 469g Publisher PM Press
  • Out of stock
    NEGATIVE FX was the 1st band from Choke, best known for his fronting SLAPSHOT as well as LAST RIGHTS. This band was much faster, with frantic drumming and speedy guitars coupled with Choke's manic, confrontational lyrics. These 18 tracks appear on the band's long out-of-print full-length. (Taang! Records)
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    "Decontrol - The Singles" features singles from the early years of the insanely influential Discharge. With 27 tracks, this set definitely shows off the driving sound that would be the blueprint for the countless D-beat and crustpunk bands that would follow in their wake, and makes for some essential listening for hardcore fans. Includes the following releases: - Realities Of War EP (1980) - Fight Back EP (1980) - Decontrol single (1980) - Why mini LP (1981) - Never Again single - State Violence State Control single (1982) - Warning EP (1983) - The Price Of Silence single (1983) - The More I See single (1984) - Ignorance single (1985) (Let Them Eat Vinyl Records)  
  • Subhumans are one of the most influential bands from the UK Anarcho-Punk scene of the 80's, filed right alongside Crass and Conflict, and just as relevant today as they were during the darkest days of Thatcher's Britain. Take your choice in how to label them – Punk, UK82, Crusty, etc. – therein lies the attraction and consequent reason for their popularity, the band epitomizes non-conformity and connects with people in many different scenes. This is their first new music in 12 years - all brand new songs about terror/pollution/mind control and similar reflections on a world in crisis! Subhumans don’t really need much in the way of introduction - since 1980, they’ve recorded and released a powerhouse of a back catalog that completely stands the test of time. ‘The Day the Country Died’ (1983) and ‘From the Cradle to the Grave’ (1984) are two classic albums in practically every punk’s collection. This album will undoubtedly be filed right alongside these records as another huge contribution to the world of punk they helped create. Pirates Press Records are thrilled to be releasing this new record, and Subhumans are embarking on a year of touring in both Europe and North America! The social and political commentary of bands like Subhumans forged a path, along with their contemporaries, for punk to change lives and opinions around the world. Sadly the things they sang about forty years ago are largely just as important now, sometimes more so in an age of Trump and Brexit. We can’t wait to hear more of what they have to say about the current political climate, the immense imbalance of wealth and power, and the causes they hold near and dear to their hearts. (Pirates Press Records) https://subhumans.bandcamp.com/album/crisis-point  
  • Official t-shirt. Gildan Heavy Cotton, size MEDIUM.
  • 20 years ago DISCLOSE released their response to the greatest hardcore 12” ever released: DISCHARGE’s Why. At the time the band was at the peak of their DISCHARGE era and had perfectly crafted a trademark sound, which shows through on the recording. The chainsaw-sounding double-toned guitar, Kawakami’s unmistakable vocals, and a rhythm section firmly based on the Stoke-On-Trent’s beat melded together to create a repetitive mantra-like noise chant. Recorded at Grove Cargo and mastered at Studio D-Takt by Jan Jutila, the production is a perfect example of noise not music pressed into vinyl, with both high and low frequencies cutting through the mix without losing any power. Lyrically Nightmare Or Reality focuses on the tragic sights of bullshit fucking war while aurally the record is a full-blown attack on all senses. D-Beat Raw Punk at its best. 20 years on and many times imitated but never duplicated. Originally released by MCR Company, this 20 year anniversary official reissue comes in a printed inner sleeve and heavy board outer sleeve. (La Vida Es Un Mus Records)
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    RIXE | collection | LP

    16.00 incl. tax
    Collection neatly compiles RIXE's first 3 Eps on one album. All 12 cuts have been remastered for maximum volume. Rixe appeared from nowhere and went from strength to strength over the two years since the Debut EP Coup Et Blessures was released in February 2015. The EP was their calling card and harked back to the glory years of Bologna's finest Nabat mixed with the classic 80's French Oi! sound. It was instant and loved by all and went on to have six pressings. A year later came Les Nerf A Vif - another four tracker with extra bite and bile. Every track was perfectly recorded and produced. Lean with snarl and each track a nugget of anthemic Oi!. On third EP Bapteme Du Feu there was no let up in quality...  more. (La Vida Es Un Mus Records)
  • Postpunk απο Αθήνα για οπαδούς Gang Of Four/Abwarts. 100 κοπιες μονο. (Self Released)
  • Back in stock
    Originally released 1998 as 10" on TVG Records! Ultra fucking FAST turbo speed violence exploding with that furious hyper-blastbeaten craziness that only these Kraut maniacs can deliver. Short ultrafast and loud fits like a glove when it comes to describe the whirlwind mayhem Yacopsae fire out 21 sonx! Call it PowerViolence, fast-core or simply Hardcore played at alien sick speed. 21 sonx in total! (Regurgitated Semen Records)
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    G.L.O.S.S. stands for Girls Living Outside Society's Shit. Reissue of their long-gone demotape, this time on vinyl. Pissed off, queer-as-fuck, ripping hardcore. Easily one of the best demos of 2015. (Sabotage Records) https://girlslivingoutsidesocietysshit.bandcamp.com/album/trans-day-of-revenge
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    Glenn and the gang at the On Broadway in San Francisco in 1981 on the A side, plus the full 'Why Be Something You're Not' TV show, recorded live in Detroit, 1983. Classic Misfits, a must for the fans! (Mind Control Records)
  • Τα τελευταία δέκα χρόνια, εποχή που χαρακτηρίστηκε από την "κρίση", παρατηρείται μια αλλαγή στις παρεμβάσεις στους τοίχους και τις άλλες δημόσιες επιφάνειες της Αθήνας. Η τάση πολιτικοποίησης του γκράφιτι και της τέχνης του δρόμου συνδυάζεται με την τάση χρήσης αισθητικών μέσων στις, κατά τα άλλα, τυπικά πολιτικές παρεμβάσεις. Η δυναμική που εκφράζεται στους τοίχους αντανακλά, όμως, τη δυναμική μιας πολύπλευρης πολιτικής διεκδίκησης που αναπτύχθηκε στους δρόμους και στις γειτονιές. Η "κρίση", η ενίσχυση της ακροδεξιάς, ο φεμινισμός, η υποστήριξη των ΛΟΑΤΚΙ, τα εργασιακά δικαιώματα και η εμπορευματοποίηση της πόλης είναι θέματα που αφορούν τους/τις δημιουργούς, πολιτικούς ακτιβιστές/τριες και καλλιτέχνες/ιδες. Ωστόσο, το ενδιαφέρον τοπικών και διεθνών μέσων ενημέρωσης προωθεί, παράλληλα, μια εικόνα της Αθήνας ως "Μέκκα της τέχνης του δρόμου στην Ευρώπη" και συμβάλλει στην κοινωνική κατασκευή της ως ένα "τρέντι" και "εναλλακτικό" τουριστικό προορισμό. Τι ρόλο παίζει η πολιτική παρέμβαση στο πλαίσιο τέτοιων αλλαγών; Πώς μπορεί να αντισταθεί στις δυνάμεις που επιχειρούν να αφομοιώσουν τις παρεμβάσεις, καθιστώντας τες μέρος ενός αισθητικοποιημένου και εμπορευματοποιημένου τοπίου; Η "βρομιά" και οι "μουτζούρες" στους τοίχους δεν μπορούν παρά να αποτελούν μικρές αντιστάσεις στην αισθητικοποίηση της πόλης, που θέλει την Αθήνα μια τουριστικοποιημένη και "καθαρή" "πρωτεύουσα της τέχνης του δρόμου". Οι πολιτικές παρεμβάσεις, όμως, όπως τα κομμάτια που σχολιάζονται στο βιβλίο, εκφράζουν αντιστάσεις γιατί, πέρα από το "λέρωμα" των τοίχων, αποτελούν μέρος ευρύτερων κινημάτων και διεκδικήσεων. Έτσι, καταφέρνουν να δημιουργήσουν τις συνθήκες ανάπτυξης κριτικής, λόγων και συζητήσεων, που υποσκάπτουν τους κυρίαρχους λόγους στη δημόσια σφαίρα, τροφοδοτώντας με εικόνες και νοήματα το φαντασιακό της πολιτικής διεκδίκησης. (Από την παρουσίαση στο οπισθόφυλλο του βιβλίου) Εκδότης: ΕΚΔΟΣΕΙΣ ΣΤΟ ΠΕΡΙΘΩΡΙΟ Χρονολογία Έκδοσης: Μάιος 2019 Αριθμός σελίδων: 84 Διαστάσεις: 21x24
  • Back in stock
    The definitive, total SVART PARAD discography including all their existing recordings 1984-1986, remastered from first generation tapes provided by the band, adding a bunch of rare and unreleased material. All their demos, extra studio out-takes, compilation tracks and a bonus “Total Live” CD made of 4 different live sets. Forget the previous poorly made, incomplete collections, this release has all you need to own the most exhaustive and best sounding SVART PARAD anthology to date… 80 SONGS!! Raw, crude Hardcore attack from one of Sweden’s most influential bands of the 80’s, take the later sound of bands like Doom, it’s undeniable that they took inspiration from what you’ll hear on this record. Housed in a gatefold sleeve with a very detailed booklet full of rare photos, flyers and original tape artworks. Layout assembled by Håkan, former drummer of the legendary ASOCIAL, with constant supervision of the S.P. members. Another fundamental Swedish Hardcore discography getting the deserved quality treatment by the FOAD team! – Double LP including all demos, compilation tracks and more. – Gatefold sleeve – “Total live” CD with 4 different live sets – 30cm x 30cm booklet (original artworks, photos, flyers, lyrics, liner notes) – BLACK VINYL limited to 350 copies (F.O.A.D. Records)
  • THE OFFSPRING | smash | LP

    20.00 incl. tax
    The Offspring's metal-inflected punk became a popular sensation in 1994, selling over four million albums on an independent record label. While the group's credentials and approach follow the indie rock tradition of the '80s, sonically they sound more like an edgy, hard-driving heavy metal band, with their precise, pulsing power chords and Dexter Holland's flat vocals. Featuring Holland, guitarist Kevin "Noodles" Wasserman, bassist Greg Kriesel, and drummer Ron Welty, the Offspring released their self-titled debut album in 1989. Four years later, their second album, Ignition, became an underground hit, setting the stage for the across-the-board success of 1994's Smash, which still holds the record as the biggest selling indie release of all time. (Epitaph Records)
  • Out of stock

    TURBONEGRO | ass cobra | LP

    22.0024.00 incl. tax
    The classic Turbonegro albums, re-released on Indie Recordings; Ass Cobra is their third full-length. It was first released on Boomba Records in Germany May 1996 and in 1997 on Sympathy for the Record Industry in the United States. The legendary Turbonegro played their first ever concert in Copenhagen in February 1989, so this year sees the 30th anniversary of this extraordinary band. Indie Recordings are immensely proud to announce that we have obtained the rights to release the Turbonegro catalogue on limited edition coloured vinyl (on never before released vinyl colours), standard vinyl and CD. (Indie Records)
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    TURBONEGRO | apocalypse dudes | LP

    22.0024.00 incl. tax
    The classic Turbonegro albums, re-released on Indie Recordings; first out Apocalypse Dudes, originally released in 1998. Apocalypse Dudes is the fourth album by the Norwegian band Turbonegro. It is the first studio album with Euroboy as the lead guitarist and the last before the band disbanded in December 1998. Released in early 1998 in Norway and Germany, the album was a huge success for the then underground band. The legendary Turbonegro played their first ever concert in Copenhagen in February 1989, so this year sees the 30th anniversary of this extraordinary band. Indie Recordings are immensely proud to announce that we have obtained the rights to release the Turbonegro catalogue on limited edition coloured vinyl (on never before released vinyl colours), standard vinyl and CD. (Indie Records)