• Oi/Punk band from Novi Sad, Serbia formed in 1984. Includings stuff from both demos from 1984 and unreleased soundboard live from 1984. All the stuff is taken from original reel and original audio master tapes and mastered in the USA. This limited release includings photos and lyrics. (Rest In Punk Records)
  • The CHORUS formed out of frustration to the hectic and undisciplined punk scene. Taking cues from the more extreme East Coast hardcore bands mixed with their own groove and style, the CHORUS would arguably be the blueprint for the burgeoning, West Coast, militant straight-edge scene. Originally released 30 years ago on the formative Nemesis Records, Truth Gives Wings To Strength became an instant classic that has gone on to influence countless bands. Thirtieth anniversary re-press available on silver vinyl, limited to 250 copies. (Organized Crime Records)
  • Originally released in 1985, this is the sole album by Tony Cadenas' own The Abandoned, the band he formed after the Adolescents original break up in 1981. Sounding a lot like Tony's original band but with an heavier Germs influence, and a more metallic, darker, almost Motörhead-esque touch. As long as Adolescents got back on track, right before releasing their mid '80s comeback masterpiece 'Brats In Battalions' this obscure page of California punk rock history got completely forgotten and was never reopened until today. A band that really pushed the boundaries for the time while sticking to their roots, something most bands were not able to do. A must for all California punk rock maniacs out there! 
    (Radiation Records)

  • 35 Anniversary Millennium edition LP! It’s hard to believe that this classic came out 35 years ago, isn’t it?! Now were happy to bring it to you in this special anniversary edition thats limited to 1000 copies! Not only does this contain all 15 original tracks of blazing speed-punk/hardcore (and dare we say thrash) and sarcastic lyrics , but they have been restored and remastered and from THE ORIGINAL MASTER TAPES! Don’t think the fun stops there cause this also includes the original insert and art work. Plus a full color poster with never before seen photos and liner notes by the band and other notable personalities! Plus there are a few other surprises we are not going to mention. With only 1000 being pressed you better grab this up quick! (Beer City Records)  
  • Recorded at Studio 606, Earth Sound Studio, Motor Studio, Total Treble Studio and mixed by Billy Bush, Transgender Dyphoria Blues is an insightful and highly-provocative 10-song offering written by frontwoman Laura Jane Grace, whose material examines one's grappling with gender dysphoria, the loss of a young friend and pure self discover, as well as love and ultimate acceptance. Featuring Grace's signature explicit songwriting and dominant vocals, the album also features longtime guitarist / vocalist James Bowman, drummer Atom Willard and Fat Mike of NOFX on bass for "FUCKMYLIFE666" and "Unconditional Love". (Total Treble / Xtra Mile Recordings)
  • Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in1l979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”). A milestone in California Punk Rock history. Black vinyl reissue, with double sided insert, includes 5 bonus tracks. Tracklist A1 Too Young To Die A2 Everything Turns Grey A3 Miserlou A4 The Last Goodbye A5 America* A6 Bored Of You* B1 No Such Thing B2 A Cry For Help In A World Gone Mad B3 Bloodstains B4 Living In Darkness B5 Pipeline* B6 Mr Moto* B7 Breakdown* Bonus Tracks: *A5/A6: from 'Agent Orange' 7", 1980 *B5: b side from 'Everything Turns Gray' 7", 1981 *B6/B7: from 'Bitchin' Summer' 12", 1982 (Radiation Records)
  • The Aggrolites delivered a third album that completely busted the myth that surrounds this often difficult time in a band's career. In 2007 they released this phenomenal record, containing what many consider their best ever track Free Time. This explosive album just built upon a momentum and trajectory that just continued to build steam and take them to new heights. Some of the real burners on this record still remain in the bands' live set, but for whatever reason, this one never made it's way onto vinyl... until now. Using what could be unearthed of the original design, Pirates Press Records is proud to give this fantastic album new legs, and to give fans and collectors alike something very special to commemorate this period of the band's history. MARKETING AND SELLING POINTS First time ever pressed on vinyl Free Time has been streamed more than 2.8 million times on Spotify! (Pirate Press Records/Hellcat Records)
  • AGRIMONIA | agrimonia | LP

    14.00 incl. tax
    REPRESSED! Their "demo" cd hit me by surprise and I really couldn't refuse to put this out! These folks come from Gothenburg in lovely Sweden and deliver the goods! The demo (minus 1 song though) that you'll find on this black piece of vinyl hold 4 times thundering death and black metal soaked doom, with hints of crust, as well as atmospheric and epic darkness. The guitars range from devastating heaviness to gloomy acoustic sections, with piercing leads that flash through the darkness every now and then. If you've ever wanted to know exactly how your favourite metal, crust, and doom bands would have sounded like if they were one band this is where you should turn. I won't namedrop anything, just ask you to take me on my word that you really need to check this out if you've been even the slightest intrigued with what's written above. Even though I could drop many influential names, as well as list several of your favourite Swedish crustcore bands in the "members of" department. (Kleister) (Skuld Records)
  • The wait was long, but now it's ready! A dignified follow-up of their first album! An intense Dolp from this dark crust band from Gothenburg. I haven't really enough words to describe this brutal yet twisted attack on my eardrums. Eight songs in just over 72 minutes(!) of death and blackmetal gloom with a healthy dose of crust punk influences leaving me speechless. The Double Lp comes in a beautiful gatefold with a foldout insert. CD version is being released in the US by Profane Existence. (Skuld Records)
  • For over 25 years, All Out War proves that age has only honed the band's capabilities on "Dying Gods" and drove the band to look toward to the next chapter in "Give Us Extinction." "Give Us Extinction" continues in the assault, but strives to unleash even more pummeling brutality. "Give Us Extinction," like the timelessly brutal albums "For Those Who Were Crucified" and "Dying Gods," was engineered and produced by Steve Evetts (Hatebreed, Turmoil, Buried Alive, Suicide Silence) and mastered by Alan Douches at West West Side Studios in New York. (Organized Crime Records)
  • Release from Cassette Store Day 2017. Limited edition of 349 hand-numbered copies. Formed in London in 1977 Alternative TV was a post-punk group known for incorporating reggae rhythms and pushing the boundaries of the definition of punk towards the experimental and avantgarde. Their first album, The Image Has Cracked, came out originally in 1978 and is a wholly unique piece of British post-punk. Beloved by John Peel, and close confidantes of Throbbing Gristle, Alternative TV is one of the most original and beguiling groups of the era. (Restless Empire Records)
  • Back in stock
    Writing about punk, especially hardcore seems to be a topic that has been passed over by most music writers. You see tons of books about the early days of punk and bands like the Ramones, Clash, Sex Pistols etc..(if you believed what those books said or VH1, punk ended they day Sid Vicous died), but very rarely do groups like Black Flag, Dead Kennedys, Minor Threat, and the hundreds others that followed in their wake get any coverage from a mainstream media. American Hardcore sets out to fill the missing piece of history that was the hardcore scene. This is an oral history of the scene as told by the author, who was a D.C. promoter and played in a band called No Trend, and interviews done by the author with the people created hardcore. He talks with some of the biggest names in the scene including: Milo Aukermen, Brian Baker, Jello Biafra, Dez Cadena, Glenn Danzig, Greg Ginn, Greg Graffin, Jack Grisham, Brett Gurewitz, Ian Mackaye, Mike Ness, Henry Rollins, Mike Watt, and many more both of larger and smaller bands spread throughout country. This personal accounts and the telling of many private and unknown stories gives the book a very intimate feel and by the end, I felt as if I understood some of the frequent contributors better and was better able to understand some of their more personal lyrics and songs. The book is divided into four parts, each with its own chapters. The first part takes a look at why hardcore happened, what were the major influences within and around the scene that prompted it to react the way it did. It discusses topics such as violence at shows, the (rightful) hatred and distrust of the police, racism and sexism in scene or more specifically why it was predominately white and male. It also talks about some of the homosexual people that helped create hardcore. The book also talks about things like straight edge, anti-fashion, people coming from middle class suburbs and stuff like that. The second part is definetly the best part. This part was about the bands and the scenes from all over the country. The best thing is that this book isn't all about the west coast or the east coast, the author attempted and made a really good effort to cover every scene from every area around the country. Some scenes and bands get more attention than others; Black Flag, Misfits, and Bad Brains each got their own chapters, and California was divided into 3 chapters, while others barely get a paragraph. When he does do the chapters on the scenes, the author starts with the bigger bands from that scene and then moves down to the smaller groups. Which is cool that he names the smaller groups along with larger ones, it does get tedious after awhile when you have never heard of some of these bands and just want to skip to the next chapter. Also this is my pet peeve through out the book, when he talks about scenes in different towns he always mentions shows his band played, especially if they were with big bands. While that's cool and I would give my left nut to see the Dead Kennedys play in their prime, let alone open for them, it got really annoying after awhile. The third part tends to drag on bit as it talks about the formation of labels, artwork, the d.i.y ethic, and media portray in movies and TV. I did learn some interesting things in this section though. For instance Belushi was the person responsible for getting FEAR to play on SNL, one more reason he is a god, and if you look during the second performance at the end Ian Mackaye grabs the mic and yells "New York Sucks!" The fourth and final section is about the demise of hardcore and why after 86 or so it became irrelevant, at least in this author's eyes, as most of the good bands quit or started new projects that were labeled "post hardcore" or "emo". A really interesting part at the end has many of the big names from the scene discussing punk/hardcore and its relevance today, and how today's scene differs from then. While some comments sounded elitist, I will give them credit that being punk during the time period 80-86 was a lot more dangerous than it is now, I have never been beaten down for the way I looked, or had cops shut down a show with tear gas and billy clubs, in some ways I feel lucky for that. He also includes a discography at the end for almost every band that recorded something, but he limits it to stuff that was only recorded in-between those magic years, or stuff that was done after 86 that the author feels was relevant. Which to me is really heavy-handed, take Bad Religion for instance, under their discography it stops after the "Back To the Known" EP, I would have included "Suffer" which was done in 87 (I think). Same with Social Distortion, with them it seems like they must have quit after "Mommy's Little Monster". Overall this book offers a very intimate and personal account of hardcore punk between the years 1980-1986. Although at times the author and contributors sound heavy handed as we started this so we are more hardcore and what not, it still is a really enjoyable read, I couldn't put it down and finished it in about a week. If for nothing else the some of the pictures are worth the price of the book alone. Some great live shots and just pictures of people hanging out and being part of the scene are cool, along with the, at times, arty pictures at the beginning of each chapter. (My favorite is called "America" and is a picture of an old worn out chair sitting in front of a busted TV set in a vacant lot). I think that anyone who is a fan of older punk bands should check this out, it gives some great background on your favorite bands and introduces you to some that time has passed over. I know I have been trying to track down some of these bands after reading about them to listen to them.
    • Paperback | 410 pages
    • 178 x 254 x 24.64mm | 824g
    • English
       
  • Compilation taken from this Soul legend’s (R.I.P) Ska and Reggae cover live sessions. 12 tracks, includes inlay. Trackliste A1 Hey Little Rich Girl A2 Just Friends A3 Monkey Man A4 Cupid A5 You'Re Wondering Now A6 Ghost Town B1 Back To Black B2 Hey Little Rich Girl B3 Monkey Man B4 Cupid B5 A Message To You, Rudy B6 Free Nelson Mandela (2 Tone Records/Unofficial Release)
  • Out of stock
    4th album and second full length album from this Basque Black Metal influenced Crust band. Seven new tracks wrapped in a heavy and thick production. Recorded at Marekords Studio by Marek, mixed at Corsarios Estudios by Lolo and Mastered at Enormous Door Mastering by Jack Control. (Alerta Antifascista Records)
  • Solid black vinyl limited to 250 copies. Hailing from Rieti, central Italy, ANGEL DEATH is one of the most feared and ancient names in the Italian Death Metal scene, formed in 1984 and active until 1995. This total discography collection on F.O.A.D. Records is a dream-come-true for a lot of infernal maniacs that for years have hoped to see all the ominous recordings of this band collected on one release. Malicious, satanic Death/Black assault of the most aggressive form! Double LP compiling their entire discography 1985-1996 including their “Death to Christianity” Demo 1986, s/t Demo 1991, “Gore (Blood of war)” EP (1992), “Exorcisin’ the pain / Desire for immortality” EP (1992) and bonus tracks… A total overview on their bloody history starting with their raw and primitive first Demo and developing into a grinding assault of merciless brutality topped by those seriously disturbing vocals oozing a feeling of ruthlessness and pure evil. Originally signed by Deathlike Silence Productions as part of a string of ten releases that never saw the light (also including Abruptum, Sigh, Monumentum etc.) Sourced from the band’s studio masters, housed in a deluxe gatefold sleeve. Pressed on 180 gram vinyl! (F.O.A.D. Records)
  • Combining elements from the influences of Bl'ast!, Thin Lizzy, Black Flag and Deep Purple, Annihilation Time has made a record that is the ideal mix of 70s rock and 80s hardcore. Their third full-length is a ten-track mind riot laced with neck breaking rhythms, obscene twin guitar leads, and angst-driven vocals. (Tee Pee Records)
  • Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • DELUXE VINYL EDITION!!! "Absolut Country Of Sweden" is the 1990 debut album of hardcore Punk/Metal Legends ANTI CIMEX. Without a doubt Anti–Cimex were the forefathers of the Scandinavian scene. (Back on Black Records)  
  • Warning! Bent corner. This live LP contains songs previously available as: Tracks A1-B2, Anti Cimex - Made In Sweden, recorded live in Gothenburg, 01.06.1990. Tracks B3-B7, Anti Cimex - Fucked In Finland - Live 92, recorded live in Helsinki 24.01.1992. (New Prejudice a2o Records)
  • Formed in Derbyshire, in early 1978 by vocalist Martin Roper and guitarist Dugi Bell, Anti-Pasti were one of the big names of the 1980-1982 wave of UK punk, lagging only slightly behind The Exploited, GBH, and Discharge in terms of sales and leather-jacketed endorsements. Their debut album, which reached #31 on the UK charts, was originally released on the Rondelet label in 1981. That classic LP is faithfully reproduced here on vinyl with the addition of four bonus tracks from their first single, 1980s 'Four Sore Points'. A milestone in UK political punk!
    (Radiation Records)

  • Back in stock

    Part of the late '70s/early '80s HC/punk explosion out of the Los Angeles area, where bands like Black Flag, Circle Jerks, Minutemen, and Bad Religion originated from, Anti formed in 1979 by a then teenage Danny Phillips, better known as Danny Dean, who was the bassist/guitarist and first original vocalist, primary songwriter, and sole continuous member throughout multiple lineup changes during the past 40 years. Their 1982 debut album, 'I Don't Want To Die In Your War', was recorded and mixed by legendary producer and sound engineer for Black Flag and Descendents, Spot. It is a major example of California hardcore from the early '80s. Despite having been completely underrated, Anti's 1982 debut paved the way for a lot of California punk to come. Available again for the first time after almost four decades on its original format, with its original artwork and complete with insert thanks to Radiation Records.
    (Radiation Records)

  • The seventh full-length ANTI-FLAG album "The People or the Gun" is the first Anti-Flag release on SideOneDummy and starts off fast and furious as Chris #2 takes aim at those who use the Bible to control the masses. If the album's second track, "The Economy is Suffering. Let It Die," isn't nearly as reckless, it's just as impassioned, as Justin Sane weighs in on the government bailouts of 2008, asking "Where are all the bailouts for the homeless and the poor?" It's just the sort of question bands like Anti-Flag were born to ask. And there are plenty of those moments on "The People or the Gun." After fulfilling their two-record contract with a major, RCA Records, the band built a studio in Pittsburgh, Pennsylvania, their hometown, to cut their first release for SideOneDummy. By having their own studio and not having to work on any schedule but their own, they feel they're able to create statements and music that is relevant and timely - on their own terms. As much as Pittsburgh has defined them, though, they've always done their best to take their message to the world at large. Drummer Pat Thetic says "It's become a main priority to put the emphasis of our band and every show we play on community, whether it be canned food drives for local food banks, raising money to build wells in Africa, which we did on our U.S. tour, or clothing drives for the homeless on our Canadian tour." In addition to raising funds for those who need it most, they've created the non-profit organizations Military Free Zone (combating a provision in the No Child Left Behind act that invades students' privacy for Military Recruitment purposes) and Underground Action Alliance (a networking site for social justice). As Chris #2 says, "This is an extension of what our vision of punk rock is, was, and will always be." (SideOneDummy Records)
  • Out of stock
    If you're a ravenous consumer of New York hardcore obscurities like us, then you probably pored over tape trading lists late at night and wondered if Antidote's "Nazi Youth" demo actually existed, or was just a figment of tape traders' imaginations, or was (more realistically) just a bad dub of the 7". Well lo and behold, when we were tasked with re-releasing Antidote's classic "Thou Shalt Not Kill" 7" EP, we asked the band to dig into the vaults for a little something extra to pad things out into a 12", and they came up in spades! In addition to the legendary 8-song EP, you get the band's first 7-song demo recorded in 1982 at Jerry Williams' infamous 171A Studios, plus two songs recorded shortly thereafter for the lost Bad Brains Records compilation, and a previously uncirculated 12-song live set from 1983. The early demos feature original Antidote singer Jeff White (plus future Prong/Danzig axeman Tommy Victor on bass) and show the natural evolution from the band's punky roots to the well-oiled hardcore machine they became on their vinyl debut. The live set features "Thou Shalt Not Kill" howler Louie Rivera and contains several lost tracks that never made it to the studio. That's 29 tracks total of classic New York hardcore, 21 of which have never been heard anywhere before! The LP also includes a 16-page, 12"x12" booklet containing photos, flyers and extensive liner notes by guitarist/founding member Robb "Nunzio" Ortiz, plus a reproduction of the band's original sticker design. Pressing of 1000 copies. Track Listing : "Thou Shalt Not Kill" 7" 01. Life As One 02. Nazi Youth 03. Real Deal 04. Foreign Job-Lot 05. Zero Mentality 06. Got Me On The Line 07. Die At War 08. Something Must Be Done 1982 Demos 09. Die At War 10. Leave It Behind 11. Him 12. Them Or Us 13. Deadly Rain 14. Job Well Done 15. Live As One 16. Nazi Youth 17. Die At War Live At CBGB - June 11, 1983 18. Foreign Job-Lot 19. Something Must Be Done 20. Deadly Raine 21. Got Me On A Line 22. You Say You Didn't But You Did 23. Life As One 24. Nazi Youth 25. Herpes R Forever 26. Unaffected 27. Live For Nothing 28. Real Deal 29. Zero Mentality (Radio Raheem Records)
  • Vinyl reissue of their 1982 debut album. Finnish hardcore punk rarely gets any better than this. We are talking blistering, dark-edged punk, equally influenced by British d-beat hardcore bands such as Discharge and American bands such as the Germs. (Puke N Vomit Records)
  • ARMAGEDOM "Silêncio Fúnebre" remastered for the 1st time from the original tape that was recovered last year. Includes, two sided printed insert with lyrics and photos + an A4 300 gsm mini poster with lyrics explained in English by Javier. This record was originally released by Rainbow Records in 1986. (Punk Vortex Records)