• Classic UK OI punk. This smashing release includes 13 songs from radio sessions, from the unreleased 7", from the Bumper sessions and 1 demo. 1-5: Recorded in July 1981 for radio session that was never broadcast. 6-7: Unreleased single, due to be issued in 1983 (Secret SHH 149). 8-12: Recorded at Bumper Studios in January 1981. 13: Demo. Originally released in February 1991 on "The Oddities Of Oi! (Link LRMO 3). Tracklist A1 Wonderful World (John Peel Session 1981) A2 Jealousy (John Peel Session 1981) A3 One Law For Them (John Peel Session 1981) A4 Evil (John Peel Session 1981) A5 Yesterdays Heroes (John Peel Session 1981) A6 Norman (Unreleased 45, 1983) A7 Seems To Me (Unreleased 45, 1983) B1 Clockwork Skinhead (Bumper Session, 1981) B2 Evil (Bumper Session. 1981) B3 A.C.A.B. (Bumper Session. 1981) B4 I Don't Wanna Die (Bumper Session, 1981) B5 Yesterdays Heroes (Bumper Session, 1981) B6 Saturday (Demo) (Ttan Ttakun Irratia Records)
  • The CHORUS formed out of frustration to the hectic and undisciplined punk scene. Taking cues from the more extreme East Coast hardcore bands mixed with their own groove and style, the CHORUS would arguably be the blueprint for the burgeoning, West Coast, militant straight-edge scene. Originally released 30 years ago on the formative Nemesis Records, Truth Gives Wings To Strength became an instant classic that has gone on to influence countless bands. Thirtieth anniversary re-press available on silver vinyl, limited to 250 copies. (Organized Crime Records)
  • Out of stock
    Back in print!!! Groundbreaking collection of the legendary “Kostis,” the most enigmatic of all Greek rebetika artists. 12 tracks of dark and moody open-tuned guitar duets and black-humor lyrics chronicling the hash dens, prison culture and pickpockets of old Athens. Includes a 28 page booklet with extensive notes by Tony Klein (Greek Rhapsody, Mortika), full lyrics in Greek and English, and many previously unpublished photographs. (Mississippi Records)
  • Originally released in 1985, this is the sole album by Tony Cadenas' own The Abandoned, the band he formed after the Adolescents original break up in 1981. Sounding a lot like Tony's original band but with an heavier Germs influence, and a more metallic, darker, almost Motörhead-esque touch. As long as Adolescents got back on track, right before releasing their mid '80s comeback masterpiece 'Brats In Battalions' this obscure page of California punk rock history got completely forgotten and was never reopened until today. A band that really pushed the boundaries for the time while sticking to their roots, something most bands were not able to do. A must for all California punk rock maniacs out there! 
    (Radiation Records)

  • Recorded at Studio 606, Earth Sound Studio, Motor Studio, Total Treble Studio and mixed by Billy Bush, Transgender Dyphoria Blues is an insightful and highly-provocative 10-song offering written by frontwoman Laura Jane Grace, whose material examines one's grappling with gender dysphoria, the loss of a young friend and pure self discover, as well as love and ultimate acceptance. Featuring Grace's signature explicit songwriting and dominant vocals, the album also features longtime guitarist / vocalist James Bowman, drummer Atom Willard and Fat Mike of NOFX on bass for "FUCKMYLIFE666" and "Unconditional Love". (Total Treble / Xtra Mile Recordings)
  • Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in1l979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”). A milestone in California Punk Rock history. Black vinyl reissue, with double sided insert, includes 5 bonus tracks. Tracklist A1 Too Young To Die A2 Everything Turns Grey A3 Miserlou A4 The Last Goodbye A5 America* A6 Bored Of You* B1 No Such Thing B2 A Cry For Help In A World Gone Mad B3 Bloodstains B4 Living In Darkness B5 Pipeline* B6 Mr Moto* B7 Breakdown* Bonus Tracks: *A5/A6: from 'Agent Orange' 7", 1980 *B5: b side from 'Everything Turns Gray' 7", 1981 *B6/B7: from 'Bitchin' Summer' 12", 1982 (Radiation Records)
  • AGRIMONIA | agrimonia | LP

    14.00 incl. tax
    REPRESSED! Their "demo" cd hit me by surprise and I really couldn't refuse to put this out! These folks come from Gothenburg in lovely Sweden and deliver the goods! The demo (minus 1 song though) that you'll find on this black piece of vinyl hold 4 times thundering death and black metal soaked doom, with hints of crust, as well as atmospheric and epic darkness. The guitars range from devastating heaviness to gloomy acoustic sections, with piercing leads that flash through the darkness every now and then. If you've ever wanted to know exactly how your favourite metal, crust, and doom bands would have sounded like if they were one band this is where you should turn. I won't namedrop anything, just ask you to take me on my word that you really need to check this out if you've been even the slightest intrigued with what's written above. Even though I could drop many influential names, as well as list several of your favourite Swedish crustcore bands in the "members of" department. (Kleister) (Skuld Records)
  • The wait was long, but now it's ready! A dignified follow-up of their first album! An intense Dolp from this dark crust band from Gothenburg. I haven't really enough words to describe this brutal yet twisted attack on my eardrums. Eight songs in just over 72 minutes(!) of death and blackmetal gloom with a healthy dose of crust punk influences leaving me speechless. The Double Lp comes in a beautiful gatefold with a foldout insert. CD version is being released in the US by Profane Existence. (Skuld Records)
  • Compilation of previously released early recordings. The LP contains the No Sanctuary 12" (1984) and the Who's The Enemy 7" (1982) plus tracks from a previous bonus single is the Winter 7" (tracks B6-B7). Tracks A1 to B1: No Sanctuary 12" (1984) Tracks B1 to B5: Who's The Enemy 7" (1982) Tracks B6-B7: Winter 7" (1983) Tracklist A1 Battery Humans A2 Control A3 Progress? A4 Sanctuary A5 The Church Is For Sinners A6 Sunshine Ward (Glad To Be Bad) B1 Moscow Madness (No Gods Part II) B2 Carnage B3 Curfew B4 Belief B5 No Gods No Masters B6 Winter B7 Beginning Of The End (Fan Club/Unofficial Release)
  • Out of stock
    4th album and second full length album from this Basque Black Metal influenced Crust band. Seven new tracks wrapped in a heavy and thick production. Recorded at Marekords Studio by Marek, mixed at Corsarios Estudios by Lolo and Mastered at Enormous Door Mastering by Jack Control. (Alerta Antifascista Records)
  • Solid black vinyl limited to 250 copies. Hailing from Rieti, central Italy, ANGEL DEATH is one of the most feared and ancient names in the Italian Death Metal scene, formed in 1984 and active until 1995. This total discography collection on F.O.A.D. Records is a dream-come-true for a lot of infernal maniacs that for years have hoped to see all the ominous recordings of this band collected on one release. Malicious, satanic Death/Black assault of the most aggressive form! Double LP compiling their entire discography 1985-1996 including their “Death to Christianity” Demo 1986, s/t Demo 1991, “Gore (Blood of war)” EP (1992), “Exorcisin’ the pain / Desire for immortality” EP (1992) and bonus tracks… A total overview on their bloody history starting with their raw and primitive first Demo and developing into a grinding assault of merciless brutality topped by those seriously disturbing vocals oozing a feeling of ruthlessness and pure evil. Originally signed by Deathlike Silence Productions as part of a string of ten releases that never saw the light (also including Abruptum, Sigh, Monumentum etc.) Sourced from the band’s studio masters, housed in a deluxe gatefold sleeve. Pressed on 180 gram vinyl! (F.O.A.D. Records)
  • Combining elements from the influences of Bl'ast!, Thin Lizzy, Black Flag and Deep Purple, Annihilation Time has made a record that is the ideal mix of 70s rock and 80s hardcore. Their third full-length is a ten-track mind riot laced with neck breaking rhythms, obscene twin guitar leads, and angst-driven vocals. (Tee Pee Records)
  • Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • DELUXE VINYL EDITION!!! "Absolut Country Of Sweden" is the 1990 debut album of hardcore Punk/Metal Legends ANTI CIMEX. Without a doubt Anti–Cimex were the forefathers of the Scandinavian scene. (Back on Black Records)  
  • Formed in Derbyshire, in early 1978 by vocalist Martin Roper and guitarist Dugi Bell, Anti-Pasti were one of the big names of the 1980-1982 wave of UK punk, lagging only slightly behind The Exploited, GBH, and Discharge in terms of sales and leather-jacketed endorsements. Their debut album, which reached #31 on the UK charts, was originally released on the Rondelet label in 1981. That classic LP is faithfully reproduced here on vinyl with the addition of four bonus tracks from their first single, 1980s 'Four Sore Points'. A milestone in UK political punk!
    (Radiation Records)

  • Back in stock

    Part of the late '70s/early '80s HC/punk explosion out of the Los Angeles area, where bands like Black Flag, Circle Jerks, Minutemen, and Bad Religion originated from, Anti formed in 1979 by a then teenage Danny Phillips, better known as Danny Dean, who was the bassist/guitarist and first original vocalist, primary songwriter, and sole continuous member throughout multiple lineup changes during the past 40 years. Their 1982 debut album, 'I Don't Want To Die In Your War', was recorded and mixed by legendary producer and sound engineer for Black Flag and Descendents, Spot. It is a major example of California hardcore from the early '80s. Despite having been completely underrated, Anti's 1982 debut paved the way for a lot of California punk to come. Available again for the first time after almost four decades on its original format, with its original artwork and complete with insert thanks to Radiation Records.
    (Radiation Records)

  • If you're a ravenous consumer of New York hardcore obscurities like us, then you probably pored over tape trading lists late at night and wondered if Antidote's "Nazi Youth" demo actually existed, or was just a figment of tape traders' imaginations, or was (more realistically) just a bad dub of the 7". Well lo and behold, when we were tasked with re-releasing Antidote's classic "Thou Shalt Not Kill" 7" EP, we asked the band to dig into the vaults for a little something extra to pad things out into a 12", and they came up in spades! In addition to the legendary 8-song EP, you get the band's first 7-song demo recorded in 1982 at Jerry Williams' infamous 171A Studios, plus two songs recorded shortly thereafter for the lost Bad Brains Records compilation, and a previously uncirculated 12-song live set from 1983. The early demos feature original Antidote singer Jeff White (plus future Prong/Danzig axeman Tommy Victor on bass) and show the natural evolution from the band's punky roots to the well-oiled hardcore machine they became on their vinyl debut. The live set features "Thou Shalt Not Kill" howler Louie Rivera and contains several lost tracks that never made it to the studio. That's 29 tracks total of classic New York hardcore, 21 of which have never been heard anywhere before! The LP also includes a 16-page, 12"x12" booklet containing photos, flyers and extensive liner notes by guitarist/founding member Robb "Nunzio" Ortiz, plus a reproduction of the band's original sticker design. Pressing of 1000 copies. Track Listing : "Thou Shalt Not Kill" 7" 01. Life As One 02. Nazi Youth 03. Real Deal 04. Foreign Job-Lot 05. Zero Mentality 06. Got Me On The Line 07. Die At War 08. Something Must Be Done 1982 Demos 09. Die At War 10. Leave It Behind 11. Him 12. Them Or Us 13. Deadly Rain 14. Job Well Done 15. Live As One 16. Nazi Youth 17. Die At War Live At CBGB - June 11, 1983 18. Foreign Job-Lot 19. Something Must Be Done 20. Deadly Raine 21. Got Me On A Line 22. You Say You Didn't But You Did 23. Life As One 24. Nazi Youth 25. Herpes R Forever 26. Unaffected 27. Live For Nothing 28. Real Deal 29. Zero Mentality (Radio Raheem Records)
  • Out of stock
    "We Don’t Need Them" is the second full-length record from West Virginia puns Appalachian Terror Unit. ATU have become known throughout the years as being one of the most politically charged bands in the current punk scene. This new record is an all out attack on today’s society that takes ATU to a new level of intensity both lyrically and musically. The combination of the beautiful and thought provoking gatefold cover (with art designed by Stiv of War) along with the brilliant recording and mastering job by Jay Matheson at the Jam Room take this record even further. Song subjects include the horrors of war, police brutality, destruction of the environment, rape culture, consumerism and much more. Expect a very heavy and much angrier approach from a band that has been around the block and matured their sound. Seven raging new tunes including the epic fourteen and a half minute track“We Don’t Need Them”, a song that will one day be ranked among similar greats as the SUBHUMANS “From the Cradle to the Grave” and AUS ROTTEN “And Now Back to Our Programming”. Package includes Gatefold Sleeve, Lyric Sheet + Large Poster. Digital Download Code enclosed! (Profane Existence Records)
  • Portland’s Arctic Flowers have explored unique attempts at cross-pollinating genres that have grown apart over the course of the evolution of dark music, re-incorporating styles usually seen as mutually exclusive in today’s fractured (and fractious) punk scene. The end result has been a catalog that is one of the current punk scene’s most ambitious, challenging, and rewarding to listen to. Formed in 2009 Arctic Flowers has multiple releases under their belt. “Straight to The Hunter” is their newest full length. (Contraszt! Records)
  • ARMAGEDOM "Silêncio Fúnebre" remastered for the 1st time from the original tape that was recovered last year. Includes, two sided printed insert with lyrics and photos + an A4 300 gsm mini poster with lyrics explained in English by Javier. This record was originally released by Rainbow Records in 1986. (Punk Vortex Records)
  • Out of stock

    ATTAK | zombies | LP

    15.00 incl. tax
    UK punk band from New Mills with Lindsay, sister of Mackie from Blitz, playing the drums. Great vinyl reissue of this classic punk album originally released on NO FUTURE RECORDS back in 1983 and now re-issued by italian RADIATION RECORDS. (Radiation Records)
  • AVENGERS | avengers | LP

    25.00 incl. tax
    In the late '70s, The Avengers established themselves as one of the US's preeminent punk bands. Fusing incisive guitar hooks, explosive rhythms and adolescent venom, the group forged some of the most in-your-face songs of the era. Their live shows were legendary, playing up and down the West Coast and even blowing Sex Pistols off the stage at the latter's final performance. As Byron Coley writes in the liner notes, "Of the best bands of San Francisco's first wave in 1977, The Avengers were by far the coolest and youngest sounding. They roared without irony, as though this were indeed Year Zero (and, for a moment, it was) with history being overwritten by the new. The honesty of their belief was carried by their sound. And it was convincing!" Originally released in 1983, four years after the band's dissolution, The Avengers' self-titled LP is often referred to as "The Pink Album" for its magenta-hued cover design. Frontwoman Penelope Houston's iconic voice and razor-sharp lyrics resonate on anthems "We Are The One" and "The American In Me," while penetrating ballads like "Corpus Christi" reveal a truly out-of-body euphony. The Pink Album remains The Avengers' definitive statement – collecting their classic Dangerhouse EP, sessions recorded with the Pistols' Steve Jones and a half-dozen revelatory demos. While much has been written about The Avengers in the past three decades, rock critic Greil Marcus puts it succinctly, "The word I always come back to is mystical, and that remains almost theirs alone." (Superior Viaduct Records)  
  • AXEGRINDER | satori | LP

    22.00 incl. tax
    You can feel it as much as hear it: the sound of crust-punk, scabrous and bleak – a soundtrack for the slow, painful disintegration of society and perhaps even humanity itself. A jolting, icy blast of reality through the world’s shattered windows. The sound of despair turning to defiance. Formed in London in 1986, Axegrinder arrived as the ongoing post-punk melting pot began to conjure ever-heavier new hybrid strains of the hardcore punk and underground metal scenes that were still only a few years old. Following in the groundbreaking footsteps of peers like Amebix and Sacrilege, the band swiftly established themselves as one of the most musically adventurous and hair-raisingly intense bands the UK had to offer. Renowned as an explosive live band, whether playing in a rot-infested squat or venturing into bigger, shinier venues, Axegrinder cemented their burgeoning reputation with their monstrous debut album The Rise Of The Serpent Men. The follow-up to a trio of widely hailed demos, it was released in 1989 via legendary British metal imprint Peaceville Records and was heralded as an underground classic. A brave, belligerent album that aggressively filtered Killing Joke’s pulsing nihilism through a prism of post-thrash grinding power, it was years ahead of its time. Unfortunately, the first chapter of the Axegrinder story came to an abrupt halt not long after the release of ...Serpent Men. After years of hard slog around the squats and pubs of the UK, both guitarist Steve Alton and vocalist Trev found themselves becoming increasingly disillusioned with the scene that they had helped to forge. Newly signed to Rise Above Records, Axegrinder will release Satori into a world that seems every bit as fucked up and bleak as the one they angrily assailed first time round. In reality, the anti-authoritarian message that burned at the heart of the crust-punk scene three decades ago has never lost its relevance or its power. From the crushing, slow-burn assault of Halo (Snakes For The Breeding) to the warped, nihilistic balladry of epic closer Too Far From Home, this is music that screams its righteous fury and creative clout from the rooftops. (Rise Above Records)
  • The Empire Strikes First... 14 songs that are fresh, focused, and absolutely alive in the way that great rock 'n' roll energizes everything it touches. It's been a long road from their early-80s beginnings, but these days, the primary concerns of Graffin and Gurewitz are not the band's intricate (and subtle) years-long evolution; they're first and foremost topical songwriters focused on domestic chaos and its global manifestation. Bad Religion is, after all, the outfit that, during the first Gulf War in 1991, shared a Maximum Rock 'n' Roll split seven-inch with radical MIT professor Noam Chomsky, who, like them, is locked into the tense present and dedicated to exposing the forces who lie and disguise to deepen and enforce human misery. The truth is that after 20+ years, Bad Religion meet the present day not only unfettered by nostalgia, but hardwired into the moment. Fans take the band's growth and standards for granted. It's tempting to say-- though impossible to prove-- that the The Empire Strikes First is a such a terrific album because vocalist Graffin and guitarist Gurewitz, the band's most important creative forces, are responding to the death, desolation, and destruction of war, and to the concurrent attacks on the Bill of Rights; it seems more than just a happy accident that the band has just delivered one of its most charged and inspired records in years. (Epitaph Records)
  • Punk rock Pioneers Bad Religion have released their sixteenth studio album on Epitaph Records. The new album, already a favorite among fans, has been greeted with worldwide critical acclaim and praise. Produced by the band and Joe Barresi, True North celebrates the power of cogent punk in the face of personal pain and adversity. On the new album, the storied band deliberately revisits and refines the powerful and melodic Southern California sound they helped to define. “We went back to our original mission statement of short concise bursts of melody and message,” co-songwriter and guitarist Brett Gurewitz explains. “The intent was to record stripped down punk songs without sacrificing any conceptual density. (Epitaph Records)