• Out of stock

    Athen’s CHAIN CULT return with their first full length following a great Demo and 7” from last year. Recorded at Ignite Music by George Christoforidis during May and July of 2019, Shallow Grave shows the progression of a band who have played non-stop for two years, covering pretty much all of Europe. CHAIN CULT’s post punk is anthemic, militant and idealistic, putting music to a very dark and bleak time and place. You can hear echoes of early THE CURE, THE SOUND, Second Empire Justice era BLITZ or WIPERS in their music but also the passion and conviction of locals METRO DECAY, STRESS or ANTI… Very much a perfect reflection of what springs to mind thinking about the current Athens scene.

    Shallow Grave comes housed in a reverse board sleeve including a printed inner sleeve with lyrics, all  designed by CHAIN CULT’s collaborator Aris Panagopoulos of A.D. Visions. (La Vida Es Un Mus Records) https://lavidaesunmus.bandcamp.com/album/shallow-grave-lp

  • Όλα τα μελάνια υδατικής βάσης για εκτύπωση μεταξοτυπίας έχουν πιστοποίηση ECO-Passport. Κάθε στάμπα και λογότυπο αποτελούν χειροποίητη μεταξοτυπία. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Μουσική συλλογή βασισμένη στα ''Μικρά Ποιήματα σε Πεζό'' του Charles Baudelaire από τις εκδόσεις Oposito - www.opositobooks.com - για την ενίσχυση ΛΟΑΤΚΙΑ+ προσφύγων. Στις 21 Ιουνίου θα κυκλοφορήσει περιορισμένη έκδοση 100 αντιτύπων του βιβλίου συνοδευομένων από διπλό cd της συλλογής. Σύντομα θα ανακοινωθούν τα σημεία διανομής. Όλα τα έσοδα αυτής της κυκλοφορίας θα πάνε στην ομάδα Εmantes emantes.com Ο Charles Baudelaire, ‘’Δάντης μιας παρηκμασμένης εποχής’’, έζησε στο Παρίσι στα μέσα του 19ου αιώνα, σε μια περίοδο στη διάρκεια της οποίας η πόλη άλλαζε δραματικά. Η βιομηχανοποίηση, η πρωταρχική συσσώρευση, οι αναδιαρθρώσεις και η καπιταλιστική ανακαίνιση του Παρισιού, ανάγκασε ένα μεγάλο αριθμό ανθρώπων να αλλάξει δραστικά τρόπο ζωής. Ιδιαίτερα η αύξηση των ενοικίων θα μεταφέρει το προλεταριάτο από κέντρο προς τα προάστια, με αποτέλεσμα οι γειτονιές του Παρισιού να χάσουν την χαρακτηριστική τους φυσιογνωμία. Αυτό το κοινωνικό πλαίσιο που διαμορφώνεται στο Παρίσι, θα αποτελέσει για τον Baudelaire την πηγή έμπνευσής του. Τα Μικρά Ποιήματα σε Πεζό, δημοσιεύτηκαν στο σύνολό τους το 1869, δύο χρόνια μετά το θάνατο του δημιουργού τους και εισήγαγαν ένα νέο βλέμμα και έναν καινούριο τρόπο έκφρασης σχετικά με αυτή τη μοντέρνα ζωή. Ο Baudelaire, εγκλωβισμένος σε έναν κόσμο μέσα στον οποίο νιώθει ξένος, περιπλανιέται στη νέα πόλη και παρατηρεί τους ανθρώπους, την κενότητα στις απογυμνωμένες συμπεριφορές τους, αποτυπώνοντάς τες με κάθε λεπτομέρεια. Ίσως να μην είναι αδόκιμο αν χαρακτηρίζαμε την περιπλάνηση του Baudelaire μέσα στον αστικό ιστό του Παρισιού, ως μια τεχνική πρώιμης ψυχογεωγραφίας που είχε ως στόχο να τον απελευθερώσει από τους καταπιεστικούς μηχανισμούς και τις συμβάσεις της κοινωνίας. Ο επανερχόμενος εξευγενισμός των πόλεων, οι όλο και πιο ακραίες μορφές καπιταλισμού και οι μεγάλες μετακινήσεις πληθυσμών στη σύγχρονη εποχή αλλάζουν για ακόμη μία φορά το τοπίο των σύγχρονων μητροπόλεων. Η περαιτέρω διάβρωση που προκλήθηκε από την έλευση του κορονοϊού έβαλε πολλούς ανθρώπους σε όλο και πιο ασταθείς και επισφαλείς συνθήκες. Τα αισθήματα της αποξένωσης, της ασφυξίας, της ακύρωσης, της ματαιότητας καθώς επίσης και του αποκλεισμού που είναι έκδηλο στα πεζά ποιήματα του Baudelaire αποτυπώνεται στα βλέμματα των μεταναστευτικών και των προσφυγικών πληθυσμών που προσπαθούν να γλυτώσουν από τον πόλεμο και την πείνα και να ξεκινήσουν νέες ζωές. Αντιμέτωπες με αυτές τις πιέσεις, κοινότητες που προηγουμένως ήταν περιθωριοποιημένες βρίσκονται τώρα εντελώς αποκλεισμένες. Οι ΛΟΑΤΚΙA+ πρόσφυγες είναι μία από αυτές τις κοινότητες, καθώς έχουν να αντιμετωπίσουν εκτός από τις συνέπειες της βίαιης μετατόπισής τους λόγω του πολέμου και των κοινωνικών διακρίσεων, το ρατσισμό στις ευρωπαϊκές πόλεις αλλά και την ομοφοβική συμπεριφορά μεγάλου μέρους του μεταναστευτικού και του προσφυγικού πληθυσμού. Το οξύ βλέμμα του Baudelaire στη σύγχρονη ζωή θεωρούμε ότι εκφράζει αυτό το συναίσθημα της αποξένωσης. Αυτή η αναζήτηση για νέους τρόπους έκφρασης θα τον οδηγήσει στην καινοτόμο χρήση των μικρών ποιημάτων σε πεζό, μια καινοτομία που ανταποκρίνεται επίσης στις ανάγκες της σύγχρονης περιόδου αλλαγών. Αυτές ήταν οι ιδέες πίσω από το σχηματισμό της ετερόκλητης ομάδας και λοιπών ερμηνευτών της καθημερινής παραδοξότητας και την πρωτοβουλία να κυκλοφορήσουμε αυτή τη μουσική συλλογή, της οποίας οι απαγγελίες βασίστηκαν εξ ολοκλήρου, στα ΜΙΚΡΑ ΠΟΙΗΜΑΤΑ ΣΕ ΠΕΖΟ, σε Μετάφραση του Ζ. Δ. Αϊναλή από τις εκδόσεις oposito, τις οποίες και ευχαριστούμε. H συλλογή θα κυκλοφορήσει ψηφιακά από το bandcamp στις 11 Ιουνίου και επίσης θα τυπωθούν CD που θα συνοδεύουν το βιβλίο σε περιορισμένα αντίτυπα. Όλα τα έσοδα αυτής της κυκλοφορίας θα πάνε στην ομάδα Εμάντες, που υποστηρίζει ενεργά ΛΟΑΤΚΙ+ πρόσφυγες. Η Emantes παρέχει τόσο υλική βοήθεια (τροφή, καταλύματα έκτακτης ανάγκης, ρούχα, φάρμακα) όσο και άυλη (νομική βοήθεια και πρόσβαση σε ιατρικές και σε υπηρεσίες ψυχικής υγείας). Για περισσότερες πληροφορίες σχετικά με την ομάδα Emantes, επισκεφθείτε τον ιστότοπό τους στη διεύθυνση Emantes.com ή στη σελίδα στο Facebook.
  • The first ever vinyl discography of these Greek filthy Crustcore veterans! Founded by members of Sound Pollution and Sadistic Noise, INDUSTRIAL SUICIDE were clearly inspired by the late ’80s Manic Ears/Peaceville generation that took the school of Discharge, Amebix and Antisect to a new stage of stenching heaviness, at times pushing the pedal to Grind-Punk speed, keeping a line of continuity with the extremity of their predecessors, the legendary Sound Pollution. This collection includes their Demo 1989, Rehearsal 1989, unreleased tracks 1990 and bonus sessions recorded from 2017 to 2019 (including a song with Bri/Doom on guitar and an Antisect cover). Old styled Crust/HC detonation for fans of Doom, Sore Throat, Deviated Instinct, Mortal Terror. LP including a fanzine styled booklet with photos, flyers, original demos’ scans and liner notes! Diehard edition on swirl blue/grey vinyl (180 grams) limited to 100 copies. (F.O.A.D. Records)
  • The first ever vinyl discography of these Greek filthy Crustcore veterans! Founded by members of Sound Pollution and Sadistic Noise, INDUSTRIAL SUICIDE were clearly inspired by the late ’80s Manic Ears/Peaceville generation that took the school of Discharge, Amebix and Antisect to a new stage of stenching heaviness, at times pushing the pedal to Grind-Punk speed, keeping a line of continuity with the extremity of their predecessors, the legendary Sound Pollution. This collection includes their Demo 1989, Rehearsal 1989, unreleased tracks 1990 and bonus sessions recorded from 2017 to 2019 (including a song with Bri/Doom on guitar and an Antisect cover). Old styled Crust/HC detonation for fans of Doom, Sore Throat, Deviated Instinct, Mortal Terror. LP including a fanzine styled booklet with photos, flyers, original demos’ scans and liner notes! Solid black vinyl (180 grams) limited to 200 copies. (F.O.A.D. Records)
  • Με καθυστέρηση σχεδόν 10 χρονών κυκλοφορεί σε βινύλιο το σπλιτ Τελευταίως Αιώνας/Επιθανάτιος Ρόγχος. Μέλη από της μπάντες συνεχίζουν/συνέχιζαν στους Καταχνιά και Ατόπια. (Self Released)
  • France’s Syndrome 81 started gaining momentum in the Punk scene with their 2013 demo tape, drawing comparisons to the plethora of great bands that defined the French Oi sound of the 1980s with a heavy stomp culled from classic USHC. The band has progressed since then, and the sound is more diverse but also more defined, having filed off some of the American influences and moved in a darker, distinctly French direction that is both melancholy and anthemic, with lyrics being influenced by growing up in Brest, France. The band comes from this dark place and write songs about their personal struggles growing up and growing old. These are songs about watching your friends lose sight and move on while you question why you are still here, haunted by your past and having to look your former self in the eye while you apologize for who you’ve become. These are songs about trudging through a desert you built yourself. 18 songs from their Demo, Litovsk split, UVPR compilation song, Desert Urbain, BMAB single serie and Urban Savage split. It is coming in a gatefold jackets with awesome drawing by All Cats Are Grey. (Destructure Records / Sabotage Records)
  • Πρώτα κυκλοφόρησε σε κασέτα στην αρχή της χρονιάς και εξαφανίστηκε μέσα σε λίγες μέρες, τώρα επανακυκλοφορεί σε βινύλιο από την Αγγλική La Vida Es Un Mus. Οι Chain Cult είναι ένα τρίο από την Αθήνα με μέλη από μπάντες όπως οι Conspiracy Of Denial, Dirty Wombs, Lifewreck, Αρχή Του Τέλους κ.α. Μουσικά είναι κάτι ανάμεσα στους The Estranged και τους Joy Division.
  • Zounds formed in Reading in 1977 releasing their first single Can’t Cheat Karma on Crass Records in 1980. This early association with Crass meant they were key figures in the bourgeoning anarcho-punk scene along with The Mob, Poison Girls, Flux of Pink Indians and many others. Moving to Rough Trade Records the band released their first album The Curse of Zounds in 1982, recording and mixing the LP within five days. The cover art, by anarchist artist Clifford Harper, featured a painting of fire fighters apparently trying to put out a blaze at the Houses of Parliament in Westminster. However, the picture continued onto the back cover, which showed that in fact they are spraying the fire with petrol, thus feeding it. Someone must have slipped one of those post-anarcho-syndicalist pamphlets in with these guys’ Beano comics! This is sturdy, above-average English pop-punk with some surprisingly infectious hooks. But the foursome ain’t just disaffected youngsters lookin’ for a kiss (or any ol’ white riot) – they’re searching out the meaning of life in the post-industrial capitalist system. As long as you’ve got the tunes, fellas – go for it! – Trouser Press. "The curse of zounds" is now seen as a classic of the genre and one of the most inspirational albums of the post-punk period. (Overground Records)
  • M’lady’s Records is extremely excited to announce the reissue of DEAD MOON’s debut album classic, “In the Graveyard”. Highly sought by rock ‘n’ roll maniacs around the globe for its breathtaking songwriting and attitude, it’s also the first release in M’lady’s 2014 reissue series documenting many different timeless albums issued by Fred & Toody Cole (also of the Rats and Pierced Arrows). This record will NOT let you go once it’s made its way into your mind: every song is a classic, almost intimidating in its poise and strength. For the uninitiated, DEAD MOON come on almost like a hybrid of the most exciting elements of Love, AC/DC, the Weeds, and the Elevators. No joke. The group are also famous for operating extremely DIY, down to the recording and mastering of their albums (famously cut on the very same lathe that cut “Louie Louie” by the Kingsmen!). “In the Graveyard” was reissued on LP by our comrades at the estimable Mississippi Records in 2011, and we’ve teamed up with them to get this compact disc edition out to you, the bedroom rebel, the night time revolutionary, the romantic with a wake of destruction in your path. Also highly recommended for everyone with a beating heart and two ears. (Mississippi Records)
  • Absolutely classic punk album from Tim and the gang, released on Epitaph Records in 1995. About half of Rancid's present day live set is comprised of songs from this album. Singles at the time included Time Bomb, Ruby Soho, Olympia, WA and Roots Radicals. However, Journey to the End of the East Bay, The 11th Hour, Maxwell Murder and Old Friend have become Rancid classics in their own right. (Epitaph Records)
  • If the Misfits were one of the greatest punk bands then Walk Among Us released in 1982 is perhaps one of the greatest records in punk history. While Static Age and Earth AD showcased a band searching for an identity like a vampire for its next victim, Walk Among Us is almost sheer perfection. With a solidified lineup, fully grown-out devillocks (the Misfits trademark long spike of hair in the front) and the stabilizing presence of the somewhat pedestrian but agile arthur googy on drums, uber-misfit Glenn Danzig was finally able to match his zombie-elvis to a worthy musical foil. From the manic opening of 20 Eyes to the monster football chorus of Braineaters, there is nothing less than a sublime moment on this album from start to finish. Astro Zombies or I Turned into a Martian sound like songs to raise the dead by. a special bonus is perhaps the tenderest love song to decapitation (Skulls) in recent memory. Green vinyl. (Ruby Records/Unofficial)
  • Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Out of stock
    The should have become as big as bands like JOY DIVISION, THE SOUND or THE CURE that come from the same scene, unfortunately the group first disband in 1993. - "In The Breeze" is a compilation originally released right after the breakup, a collection of previously unreleased recordings spanning their first lifetime. It features demos, alternate versions, recording outtakes, John Peel session... To many they are the best kept secret of the early British pos-punk! Taken from the liner notes on the back of the jacket... Sad Lovers And Giants fell apart at the end of 1983. This record is a collection of previously unreleased recordings spanning their lifetime. 50:50 and The Change (Tracks A1 and A2): Demos recorded at Pet Sounds in early 1981. Electronically 'tweaked' 1984. "50:50" was soon dropped from the set but "The Change" survived as an occasional encore. Interlude (Track A3): Recorded live at The Venue, September 1982. Electronically 'tweaked' 1984. This instrumental dates back to the group's early days and was phased out by 1983. Landslide and Echoplay (Tracks A4 and A5): Out-takes from the "Colourless Dream" sessions at Surrey Sound, Summer 1981. "Landslide" had already been released on the group's first single/EP, "Clé", and "Echoplay" was re-recorded for "Epic Garden Music". These versions were remixed at Alaska, summer 1984. Sex Without Gravity, There Was No Time, Clint and Alice (Isn't Playing) (Tracks A6 to B3): Radio One John Peel Session, late 1981. "Sex Without Gravity" was never performed anywhere else and "There Was No Time" was soon replaced by new material. "Clint" and "Alice (Isn't Playing)" were subsequently recorded for "Epic Garden Music", although another version of "Clint" had already appeared on the "The Thing From The Crypt" compilation. The producer for Radio One was Roger Pursey and these tracks are released by arrangement with BBC Enterprises Limited. 3 Lines (Track B4): Recorded live at the Brunel Rooms, Swindon, March, 1983. Electronically 'tweaked' 1984. "3 Lines" later metamorphosed into "Dividing Lines", an unfinished out-take of "Feeding The Flame". Imagination (Track B5): Out-take from "Feeding The Flame". Recorded at Spaceward, summer 1983. "Imagination" originally appeared as the A-side of "Clé", but the group wished to record a better version. (Restless Empire Records)  
  • Σε λίγες εβδομάδες θα κυκλοφορήσει το πρώτο μέρος της τριλογίας GameBook του Αιρετικού. Ενα βιβλίο παιχνίδι για όσους είναι μοναχικοί, δεν θέλουν να παίζουν με άλλους, τους αρέσει να παίζουν παιχνίδια ρόλων RPG, ακούνε Dungeon Synth, γουστάρουν να σκοτώνουν Τελώνια και Νεκρομάντες σε κατακόμβες και μπουντρούμια. Επίσης μέχρι το τέλος της χρονιάς θα είναι έτοιμη και η Αγγλική έκδοση του.
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    Limited repress on Restless Empire. Gold vinyl. Only Theatre of Pain is the debut studio album by American rock band Christian Death, released in March 24, 1982 by record label Frontier. The album was produced by Christian Death and Thom Wilson. It is considered by most critics to be the harbinger of deathrock. (Frontier Records)  
  • Grief was founded in 1991 by Disrupt guitarist Terry Savastano and Unleashed Anger drummer Pete Donovan. Randy Odierno (who later switched to bass and later again left to join Bane of Existence) and Jeff Hayward joined shortly thereafter. They broke up in 2001 mainly due to drummer problems - something that was an ongoing problem for the band from the start. They also cited what they called a "hostile environment for doom metal bands". They reunited briefly in July 2005 to play a cluster of reunion shows. The band had several 7"s including one with Dystopia and Corrupted each. A compilation album called Turbulent Times appeared in 2002 through Southern Lord. The group reunited for one show at the first annual New England Grind And Doom Fest on July 17, 2005 at The Middle East Cafe in Cambridge, MA. They were so excited by the response to this show that they began booking others, and they toured intermittently throughout 2005 and 2006. In 2005, the band played shows through in venues including The Ace of Clubs and The Knitting Factory in New York, The Khyber in Philadelphia, O'Brien's in Allston/Brighton, MA, The Living Room in Providence, RI, and Cherry St. Station in CT. In 2006 Southern Lord Records released a full-length live album called Alive which featured their performance at the Middle East in November 2005. The album features artwork by Eric C. Harrison, who did much of the band's painted cover artwork. Grief's final appearance was at Emissions from the Monolith 8, a sludge/doom festival that took place in Ohio, May 2006. The Hartford Advocate wrote the following about their December 3, 2005 date at Cherry St. Station in CT: Since 1991, these Massholes have been writing songs about a distinctly New England flavor of depression and isolation. Jeff Hayward's throat-shredding vocals often seem more hardcore than metal; indeed, almost 15 years later, it's possible to see Grief as one of a handful of seminal NE bands who initiated the merger between hardcore and metal. However, unlike some of those bands, Grief still sounds both relevant and entertaining. The band re-formed in 2008 and toured the United States and Europe, but they soon disbanded again in March 2009. In 2012, Savastano formed the idea of reuniting Grief as Come to Grief, after the seminal 1994 album. Their name was changed in 2014 and followed by a headlining appearance in Oakland, California's Deadfest 2015. Members of the band have gone on to play in many other bands since the dissolution of Grief including Consume, Deathraid, Disrupt, State of Fear, Unleashed Anger, Goff, Demonic Death Preachers, Effects of Alcohol, Noosebomb, Abhorred, Z28, and Chicken Chest and the Bird Boys. Licensed by Century Media, Throne Records presents the most thorough vinyl issue this Sludgecore classic has ever accomplished.
    • Exclusive extra track "Bury the Dead"
    • Enhanced artwork (directly scanned from Eric Harrison's own paintings)
    • 180gr. heavy-weight vinyl
    • Extra-thick gatefold sleeve printed on 425gsm Frovi stock cardboard
    • Fold-out Poster (62x31 cms) printed over 180gsm art paper
    • Polylined black paper bag
    • Outer plastic bag
    (Throne Records)  
  • Out of stock
    Mondo Bizarro (a misspelled version of "Mondo Bizzarro," meaning "Weird World" in Italian) is the twelfth studio album by the American punk band the Ramones, released in 1992. It is the first to feature their new bassist, C.J. Ramone, who replaced departed member Dee Dee Ramone. (Vatican Radio Records)
  • FINALLY!!! Re-released on vinyl after almost 40 years! "Originally released in 1982, History Is What's Happening features one of the most harrowing title/cover art combinations in recent memory. What at first glance looks like a firing squad is, upon closer inspection, a concentration camp orchestra. On their second album, The Ex advance into a distinctly more post-punk style: textural guitar shards and tumbling motorik drumming with Bas Masbeck's thunderous bass shouldering much of the melodic load. Railing against political duplicity and the illusory nature of "freedom" in an age of manufactured consent, G.W. Sok offers some of punk's most bracing and memorable agitprop lyrics. These twenty songs are a quick-moving and caustic trip, a DIY studio rendition of the band's explosive live set from this era. History Is What's Happening remains an important signpost in the history of both Ex-evolution and the cataclysmic '80s. With their sophomore LP, the group would put Holland on the underground music map. Indeed, many now-lifelong fans around the world were just beginning to take notice and get down with the mighty Ex." This first-time vinyl reissue comes with 23" x 16" poster and 24-page booklet. Terrie (guitar), G.W. Sok (vocals), Bas (bass), Wim (drums). Recorded at Joke's Koeienverhuurbedrijf, Schellingwoude, Netherlands. Produced by Dolf Planteijdt. (The Ex Records/Superior Viaduct Records)
  • Release from Cassette Store Day 2017. Limited edition of 349 hand-numbered copies. Includes two bonus songs: Track B6 - B-side of the 'No Monarchy' 7" (Fontana 6022-003 - 1978) Track B7 - Previously unissued 1977 studio track Hailing from Antwerp, Belgium, The Kids formed in 1976 to prove to the world that punk was more than just a London vs New York fashion contest. Originally released on the Philips label in 1978, and highly acclaimed as one of the best punk records EVER. This is pure and quintessential punk rock. (Radiation Records) https://thekids.bandcamp.com/album/the-kids
  • Unofficial re-release their first LP from 1981. Glossy cover & 180g vinyl. (Dwed Wecords)
  • Η Β-otherSide Records με χαρά παρουσιάζει την κυκλοφορία του ορχηστρικού άλμπουμ των Διάφανων Κρίνων "Ο γύρος της μέρας σε ογδόντα κόσμους" για πρώτη φορά σε διπλό βινύλιο. Το άλμπουμ κυκλοφόρησε το 2005 σε μορφή Βιβλιό-cd, περιλαμβάνοντας εκτός από τις 11 συνθέσεις, ένα βιβλίο 150 σελίδων με στίχους, προσωπικές καταθέσεις των μελών και πρωτότυπα σχέδια του Θάνου Ανεστόπουλου. Στο 5ο άλμπουμ των Διάφανων Κρίνων, ο ήχος έχει αποκρυσταλλωθεί σε post-rock μονοπάτια τα οποία αναδεικνύουν τις εκτελεστικές δυνατότητες της μπάντας. (B-otherside Records/Mr.Vinylio)
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    NEON CHRIST | 1984 | LP

    26.00 incl. tax
    1984 is a crucial 80s hardcore document that has been painstakingly remastered from the original tapes using an all-analog process, Neon Christ guitarist William DuVall made multiple trips to Nashville to one of the few remaining studios maintaining the vintage technology to play and process the audio. Side one of “1984” features the original Neon Christ 7″ EP, and side two contains four songs recorded on labor day 1984 including “Ashes to Ashes” which was included on the International Peace/War compilation released by MDC’s R Radical Records. Vinyl was pressed with care by Kindercore vinyl mfg in Athens GA at 45 RPM for maximum fidelity. The package includes a full-colour stooughton gatefold sleeve and a 12”x12” twelve page oral history booklet featuring dozens of never-before-seen photographs. NEON CHRIST 1984 TRACK LISTING: 1. Parental Suppression 2. The Draft Song 3. Winding 4. Bad Influence 5. Neon Christ 6. We Mean Business 7. Yoof 8. It’s Mine 9. Doom 10. After 11. The Knife That Cuts So Deep 12. Ashes To Ashes 13. Blind Patriot 14. The Death They’ll Give You (Southern Lord Records)
  • Recorded several years ago before Rudimentary Peni engaged in another mysterious hiatus, Great War has finally emerged to kiss the gas-tinged light of a mustered morn. Expanding on the skeletal sounds and subject of 2009's “Wilfred Owen” single the band has seen fit to concentrate on a more mechanized approach doing away with even more of the humanizing aspects in their music this time delivering ten painful familiar shards fraught with brittle anxiety and anguished simplicity. Great War cements new phase in the ever-crawling metamorphic madness that is Rudimentary Peni. The record comes with brand new Nick Blinko Artwork on the sleeve and Inner Sleeve. (Sealed Records)