• One of the best and most underappreciated albums to emerge from the legendary Finnish Punk explosion. 013 were an amazing short-lived but hugely influential Finnish band. They were all the more amazing for having a sound and spirit all their own. A truly pure Punk underground sound inspired by the sounds of 77 and 78, loaded with catchy as fuck cool guitars and melodic vocals made every song instantly memorable. The three-piece from Pukkila, Finland, originally appeared on the now sought after collectable Propaganda EP released in 1981 and the legendary Russia Bombs Finland compilation LP released the following year. The band’s only album was the Takaisin Todellisuuteen LP which was released on Propaganda Records in 1983, and the band split up shortly afterwards. Puke n Vomit is proud to announce the only domestic release of one of the best Punk albums you'll ever hear. For Fans Of: Appendix Buzzcocks RUDI The Damned Maho Neitsyt ‎ (Puke n Vomit Records)
  • 108 | 18.61 | LP/Color

    20.00 incl. tax
    Recorded over a frigid weekend in Boston, MA in the analog domain of Alex Garcia Rivera (Give Up The Ghost) and later mixed by Kurt Ballou (Converge). From the first tension filled notes struck in "God Talk", it's apparent that a spiritual restlessness and awareness continues to writhe in the collective consciousness of 108 which is an attribute that has set them apart from the rest of the musical world since their inception. From there "18.61" pounds forth with the upmost intensity. Standout track "Crescent Moon" races at manic speed before crashing in on itself in one of 108's heaviest moments ever. Title track "18.61", a moving and brooding song that combines all of the unique musical qualities that make up 108. The gritty "Reduced" showcases new drummer Mike Justian (Trap Them, Unearth, etc.) as the new heart at the center of the 108 machine, rhythmically pushing the envelope. Though the aforementioned songs are electric in every way, it's in some of the more daring tracks that "18.61" truly starts to really shine. "Mannequins" and "Forever Is Destroyed" pick up where classics Black Flag and Rollins Band left off, taking frantic and unpredictable sonic turns that only a band like 108 could navigate. All of this makes "18.61" yet another stunning album from a band that continues to write their own destiny as one the most important and influential hardcore/punk bands in existence today. 1000 copies on opaque purple vinyl out of 2000 copies from the first pressing total. (Deathwish Records) https://deathwishinc.bandcamp.com/album/1861
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    Ένα γεροντοπρεζάκι βγαλμένο από σελίδες του Στήβενσον, ένας ξεβουλωτής καμπινέδων ερωτευμένος με την όπερα και ένας λοβοτομημένος βετεράνος σαιξπηρικός ηθοποιός· ένας χούλιγκαν, ένας πιτσιρικάς από το Εκουαδόρ συνεχώς στην τσίτα και ένας κλεπταποδόχος, συνεπικουρούμενοι ενίοτε από έναν κλέφτη αυτοκινήτων που συλλαμβάνεται ακόμα και φορώντας τη μαγειρική ποδιά. Προσθέστε και κάμποσους νεαρούς λαντζιέρηδες με ροπή προς τη μικροεγκληματικότητα, τα ναρκωτικά και τα ποτά, και έχετε το τέλειο εργατικό τσούρμο. The new working class heroes! Με αυτή την πειρατική συμμορία, ο συγγραφέας-αφηγητής, Ιταλός μετανάστης και πτυχιούχος προλετάριος, θα σαλπάρει για τις φουρτουνιασμένες θάλασσες του σύγχρονου εργασιακού ωκεανού του Ηνωμένου Βασιλείου. "Ορκίστηκα. Ο Θεός να φυλάει τη Βασίλισσα. Και όποιος στο Βασίλειο ζυγώσει, τον καμπινέ ας ξεβουλώσει". Άλλη μια "Brain Drain" ιστορία; Κάθε άλλο... Εδώ μιλάμε για μια ιστορία βγαλμένη από τα χαμηλότερα πατώματα, χωρίς ακαδημαϊκά λούστρα και επιχειρηματική λάμψη. Με φόντο το Brexit, την αποβιομηχανοποίηση, τη μετανάστευση και την ακραία εργατική υποτίμηση, η ιστορία μας εξελίσσεται σε καμπινέδες και κουζίνες, σε θερμοκήπια και ψευτοϊταλικές πιτσαρίες. Ανάμεσα σε μπύρες, τσαμπουκάδες, ποδόσφαιρο και μπόλικη λογοτεχνία, ο Αλμπέρτο θα αναμετρηθεί με τα στοιχειά που έχουν πάρει στο κατόπι τους όπου γης εργαζομένους· μόνα όπλα του, η κληρονομιά του παρελθόντος και κάποια αποθέματα εργατικής υπερηφάνειας και ταξικής αλληλεγγύης που δείχνουν να αντιστέκονται πεισματικά στο χρόνο. (Από την παρουσίαση στο οπισθόφυλλο του βιβλίου) Συγγραφέας: Αλμπέρτο Προυνέτι Μετάφραση: Βαγγέλης Ζήκος Έτος Έκδοσης: 2020 Σελίδες: 144 ISBN:978-618-84912-2-9
  • 1919 ‎| machine | LP

    17.00 incl. tax
    1919 are a post-punk band formed in Bradford, England in early 1980. Reissued on vinyl for the very first time since its initial release , the classic 1983 album gets a re-master from the band themself's. The Machine LP was heavily inspired by Conrad’s Heart of Darkness, and the theme of alienation is prominent in the band’s oeuvre. If you are a huge fan of deathrock or dark punk--you have to own this--you won't be disappointed! (Restless Empire Records)
  • Their first and "lost" studio album from 1988 year. First time on vinyl. Cold wave/post punk with a little bit Swans influence. 1984 is a legend of Polish new wave / cold wave / punk rock scene. In the 1980s the band used its biting, punk-style irony to depict the totalitarian reality of Polish People’s Republic in its final years, and it was an excellent example of the strength inherent in Polish punk rock / new wave of those times. Besides, if I may put a personal note here – they were one of the most important features in the soundtrack for my punk childhood. Towards the end of the 1980s they seemingly gave up their political image for a more iconoclastic or artistic vision. In a more or less active way, the band has continued for all these years. Throughout the 1980s, despite the numerous recording sessions they managed to release only one 7” and one song on a compilation. It wasn’t until 25 years later that some of the band’s archival sessions saw the light of day, including their demo entitled Why not? (1987), and their iconic album Specjalny rodzaj kontrastu [Special kind of contrast] (1988) (Pasazer Records)
  • Oi/Punk band from Novi Sad, Serbia formed in 1984. Includings stuff from both demos from 1984 and unreleased soundboard live from 1984. All the stuff is taken from original reel and original audio master tapes and mastered in the USA. This limited release includings photos and lyrics. (Rest In Punk Records)
  • Μπορεί και να μην είχαμε επισκεφθεί την Κρήτη, τα Ιωάννινα, την Θήβα ή την Πάτρα, μπορεί και να μην βολτάραμε Εξάρχεια, Κερατσίνι, Πέραμα και στις εθνικές οδούς, μπορεί και να μην κατεβαίναμε σε πορείες και κινητοποιήσεις. Μπορεί και ο Παύλος Φύσσας να μην είχε δολοφονηθεί από φασίστες, μπορεί και ο Ζακ Κωστόπουλος να μην είχε χτυπηθεί μέχρι θανάτου, μπορεί ακόμα να ζούσε και ο Αλέξανδρος Γρηγορόπουλος εάν δεν είχε δολοφονηθεί από αστυνομικό, μπορεί να ζούσε ίσως και ο Βαγγέλης Γιακουμάκης. Μπορεί επίσης να μην υπήρχαν πόλεμοι, φτώχεια, προσφυγιά, φασίστες, ομοφοβικοί, εκμεταλλευτές και εκμεταλλευόμενοι. Μπορεί και να μην ξέραμε καν τι είναι το stencil. Μπορεί και να μην υπήρχαμε τελικά σαν ομάδα. Αλλά τότε θα γράφαμε σενάρια επιστημονικής φαντασίας και θα είμασταν ο Νταρθ Βέιντερ. Έχουμε υποσχεθεί στους εαυτούς μας να συμμετάσχουμε στον πόλεμο των άστρων με τις δυνάμεις του φωτός αλλά για την ώρα βάφουμε τοίχους στο σκότος με τις δυνάμεις μας. Ελπίζουμε και με τις δικές σας. May the force be with us. (Από την έκδοση) Περιεχόμενα - INTRODUCTION: Political Stencil: in between political and art intervention - ARTISTS AVEREL MAPET 216 MITSOS KYKLAMINOS PRYCHO BRUNETTE BOY - TEAMWORK 2018 PATRA 2019 ATHENS 2014#15#16 VARIOUS PAINTINGS IN GREECE & GERMANY 2018 19 ZAK / ZACKIE 2015, 2018 IOANNINA 2016 MEGARA 2017 KIFISIA, ATHENS 2015 CRETE 2015 2019 ATHENS 2012 16 EXARCHEIA, ATHENS 2018 ELAIONAS, THIVA FEMALE DETENTION CENTER 2019 J. ASSANGE Επιμέλεια έκδοσης: Πάνος Π., Μαριάννα Λ. Μετάφραση έκδοσης: Μαριαλένα Β., Μαριάννα Λ. Συγγραφείς: Παυσανίας Καραθανάσης, Φοίβος Σοφοικίτης, Mitsos Kyklaminos, Ψυχώ Μελαχρινό Αγόρι, Θύμιος Κατσούλης, #JUSTICE FOR ZAK / ZACKIE#, Σ.Β.Ε.Ο.Δ. Εκδότης ΕΚΔΟΣΕΙΣ ΣΤΟ ΠΕΡΙΘΩΡΙΟ Χρονολογία Έκδοσης Σεπτέμβριος 2019 Αριθμός σελίδων 144 Διαστάσεις 24x22
  • Out of stock

    7 SECONDS | the crew | LP

    21.00 incl. tax
    Debut full-length from 1984 that established 7 Seconds as a household name in the hardcore punk scene. Not only was it an instant classic but it also paved the way for generations of bands to follow. Your record collection isn't complete without this one. (Better Youth Organization Records)
  • 86 MENTALITY | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • 7 years after "Old Reggae Friends", the new album for this top French ska/ reggae band. Musically they reached a new level, with their mix of ska, reggae, rock and much more. 12 new tracks about the life and struggle of the working class, the love for reggae music and the one or other beer in the local pub of the football club Red Star 93. The typical melancholic and rough voice of singer Charlie is underlinded by trumpet, sax and organ. A reference band in the French skinhead scene and a future classic album. Comes in gatefold sleeve with printed inner sleeve. (UPVR Vinyles) https://uneviepourrienvinyles.bandcamp.com/album/8-6-crew-working-class-reggae-lp

     
  • Out of stock
    "The Feast of Vultures is the second LP from this Italian band. Their first record had Crass Records-inspired cover art and a sound reminiscent of Zounds or the first Cure album, Three Imaginary Boys, with a strong melodic / pop element but a punky delivery. This time around the visual aesthetic has changed, and the music is a little different too, widening in scope and incorporating influences from a broader spectrum of 80s pop. Fans of the first LP will love “Promised World” and “Bridges,” but “The Toast of Despair” has a gloomier sound a la the Cure records after Three Imaginary Boys and the album-closer “Futuro?” has a New Romantic vibe. For me, though, the highlight of The Feast of Vultures is “All Will Be Fine,” a bright and poppy song that reminds me of Modern English’s “I’ll Melt with You” and is just as charming and repeatable. If you liked A Culture of Killing’s first album (and I know a lot of you did), I don’t see any reason not to take the journey’s next step." Sorry State. ‘A Feast of Vultures’ is the title of Josy Josef’s dissection of money and corruption in India’s modern democracy; the dove is of a symbol of peace. So now we’re up to speed, it makes perfect sense that the title of these Italian peace punks’ second offering should pull from the two threads. Like their self-titled record, this was originally released on cassette before getting a vinyl from Drunken Sailor (hey, that’s this label right here!), and it certainly deserves to be heard by as many ears as possible. You’ll be able to hear the ominous rumble of anarcho forebears The Mob and Crass (circa ‘Penis Envy’, thanks to its serrated chords) in A Culture Of Killing’s addictive sonic assault, although these songs also stroll through through dark forests previously trodden by The Cure at their most morose. In fact, you’ll find yourself suckered by an emotional pull that gives these songs something lasting alongside their noticeably energetic rumble. Writing about their first record, I advised you to press play and thrill forever, adding that anyone who doesn’t is a fucking cop. This time I’ll go further: it’s never been clearer that democracy is broken. Look at how the wheels were set in motion to get actual fascism into power over the last few years; think about the resistance to structural change from those who benefit from power and oppression. Things are fucked right now. And no, a record isn’t gonna change any of that, but none of us ever believed that’s what music would do, right? The important thing is it propagates the ideas. It keeps us talking. It reminds us to believe that we’re capable of better. OK, you might not call the ethereal gloom of ‘The Toast of Despair’ a kick-ass soundtrack to all this, and you may struggle to dance to cuts like ‘Promised World’. But dammit, this is an album that’ll amplify your hope while etching glacially beautiful sounds and furious rhythms on your psyche, and if that’s not worth celebrating then I dunno what is. And just to reiterate, anyone who doesn’t get on board is a fucking cop. (Drunken Sailor Records)
  • Out of stock
    Back in print!!! Groundbreaking collection of the legendary “Kostis,” the most enigmatic of all Greek rebetika artists. 12 tracks of dark and moody open-tuned guitar duets and black-humor lyrics chronicling the hash dens, prison culture and pickpockets of old Athens. Includes a 28 page booklet with extensive notes by Tony Klein (Greek Rhapsody, Mortika), full lyrics in Greek and English, and many previously unpublished photographs. (Mississippi Records)
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    Originally released in 1985, this is the sole album by Tony Cadenas' own The Abandoned, the band he formed after the Adolescents original break up in 1981. Sounding a lot like Tony's original band but with an heavier Germs influence, and a more metallic, darker, almost Motörhead-esque touch. As long as Adolescents got back on track, right before releasing their mid '80s comeback masterpiece 'Brats In Battalions' this obscure page of California punk rock history got completely forgotten and was never reopened until today. A band that really pushed the boundaries for the time while sticking to their roots, something most bands were not able to do. A must for all California punk rock maniacs out there! 
    (Radiation Records)

  • 300 x black Abhorrence’s comeback to the live arena after 20 years of lying in wait in the grave took place in the black summer of 2013. Svart Records were also there, capturing all 35 minutes of the bone-grinding mayhem and cadaveric incantations spewn forth from the stage. After an unholy gestation period the live material is now being let out to wreak havoc and cause grievous bodily and mental harm to the general public. Abhorrence are still old school, still undead and unclean! (Svart Records)
  • Out of stock

    Second studio album repress by these clockwork punks formerly known as Major Accident. This album, first issued by Flicknife Records, has never been repressed on vinyl since its original release in 1984 and contains 10 magnificent, melodic, punk/oi cuts, including the tracks "Fight To Win" and "Leaders Of Tomorrow" that went straight to the top 20 in the indie hit charts. Also includes a fantastic symphony in pure A Clockwork Orange film tradition. Limited edition of 500 copies. Imported from Spain. New from Daily Records Vintage Series.
    (Daily Records)

  • ACCIDENTE | pulso | LP

    15.00 incl. tax
    "Two years after their phenomenal LP 'Amistad y rebellion', ACCIDENTE from Madrid / Spain return with a fantastic and outstanding third album. Sweet melodic Punkrock with great spanish lyrics and vocals. Think of ASSASSINATORS and LA FRACTION to give you a hint."
  • Out of stock
    Martha Splatterhead returns! The pioneering kings of Splatter Rock The Accüsed are back from the wrong side of the grave! Accüsed axe slinger and founding member Tommy Niemeyer has resurrected the unholy Splatterbeast with a new lineup that is an efficient killing machine! (Southern Lord Records)
  • San Francisco's Acephalix began as a hybrid of crust punk and death metal. Given that a couple of their earliest releases came out on Prank, it's natural a little punk would shine through the murk. Through a pair of tapes released in 2010 and 2011, and packaged together as Interminable Night out on vinyl on Agipunk, the death-metal influence became more prevalent. D-beats were still a component of the band's machinery, but the riffing began to resemble Grave and other stalwarts of 1990s Swedish death metal. On Deathless Master, the crust presence has all but departed, and Acephalix are now committed to death metal. Riffs are still of the Swedish persuasion, but Acephalix also work in grooves that they can call their own. (Agipunk Records)
  • San Francisco's Acephalix began as a hybrid of crust punk and death metal. Given that a couple of their earliest releases came out on Prank, it's natural a little punk would shine through the murk. Through a pair of tapes released in 2010 and 2011, and packaged together as Interminable Night out on vinyl on Agipunk, the death-metal influence became more prevalent. D-beats were still a component of the band's machinery, but the riffing began to resemble Grave and other stalwarts of 1990s Swedish death metal. On Deathless Master, the crust presence has all but departed, and Acephalix are now committed to death metal. Riffs are still of the Swedish persuasion, but Acephalix also work in grooves that they can call their own. This album was released on Southern Lord on CD format only in 2012 (Agipunk Records)
  • Παλιομοδίτικο hc/punk απο Αθήνα. (Self Released)
  • White Crosses is the fifth album by the American punk rock band Against Me!. The band, which is formed by singer and guitarist Laura Jane Grace, merged their punk rock style with a big arena rock sound. . White Crosses' shows how they have expanded both sonically as structurally and still have the power of their former days. - 180 gram audiophile vinyl. - Insert (Music On Vinyl)  
  • It´s 2020, the 35th birthday of AGATHOCLES!!! So what crazy things to do to make this year something special for this Mincecore anniversary? Jan/AGx had the idea to press a series of eight 12”LP’s, with on each record, the complete sessions of the countless 7”EPs that AGATHOCLES have recorded during a period of more than 3 decades. This first LP contains the complete recordings done on 28th October 1990. These songs were released on various split 7”EPs with bands such as M.O.M., BLOOD, NASUM, SMEGMA and PUTRID OFFAL. There´s also one song that that was put on the APOCALYPTIC CONVULSIONS compilation 10”, released by Charlie Infection, drummer from PSYCHO. The covers of all 8 records of this series make up the complete triptych „The Garden of Earthly Delights“ by Hieronymus Bosch. Black vinyl, 350 gr cardboard cover, 2 pages info sheet with liner notes and all lyrics. (Animate Records)
  • It´s 2020, the 35th birthday of AGATHOCLES!!! So what crazy things to do to make this year something special for this Mincecore anniversary? Jan/AGx had the idea to press a series of eight 12”LP’s, with on each record, the complete sessions of the countless 7”EPs that AGATHOCLES have recorded during a period of more than 3 decades. This is the second full 12 Vinyl „LP album in the series of 8 albums with complete Agathocles sessions which were made for various 7“ EPs, recorded and released between 1990 and 2003. And what do we have here? Well, the complete studiosession which was done at the SOUNDSHAPE studios in Arendonk, Belgium on 27th of November 1993. The recordings you will hear on this album were used for split 7″ EPs with bands such as PATARENI (Croatia), MAN IS THE BASTARD (USA), AUDIORREA (Spain), SOCIAL GENOCIDE (Austria) and SMASH THE BRAIN (Japan). The song „is it really mine?“ was recorded for a benefit compilation 10″ LP called „no desire to continue living“. The covers of all 8 records of this series make up the complete triptych „The Garden of Earthly Delights“ by Hieronymus Bosch. Black vinyl, 350 gr cardboard cover, 2 pages info sheet with liner notes and all lyrics. (Animate Records)
  • It´s 2020, the 35th birthday of AGATHOCLES!!! So what crazy things to do to make this year something special for this Mincecore anniversary? Jan/AGx had the idea to press a series of eight 12”LP’s, with on each record, the complete sessions of the countless 7”EPs that AGATHOCLES have recorded during a period of more than 3 decades. Here we have the third 12″ Vinyl LP album in the series of 8 albums with complete Agathocles sessions which were made for various 7″ EP’s, recorded and released between 1990 and 2003. This time, we have a full studio session recorded in December 1994 at the SOUNSDSHAPE studios in Arendonk, Belgium. The recordings on this album were used for 7″ EP’s such as AGATHOCLES/ROT (Brazil) split 7″ EP, AGATHOCLES/PLASTIC GRAVE (Czech Republic) split 7″ EP, AGATHOCLES/CARCASS GRINDER (Japan) split 7″ EP and AGATHOCLES – back to 1987 7″ EP. Mince on! The covers of all 8 records of this series make up the complete triptych „The Garden of Earthly Delights“ by Hieronymus Bosch. Black vinyl, 350 gr cardboard cover, 2 pages info sheet with liner notes and all lyrics. (Animate Records)
  • It´s 2020, the 35th birthday of AGATHOCLES!!! So what crazy things to do to make this year something special for this Mincecore anniversary? Jan/AGx had the idea to press a series of eight 12”LP’s, with on each record, the complete sessions of the countless 7”EPs that AGATHOCLES have recorded during a period of more than 3 decades.
    LP number four in this series of eight albums with complete sessions which were made for various 7”EP’s, recorded and released between 1990 and 2003. On this one, you will hear recordings which were made in 1996, recorded and mixed at the SOUNDSHAPE-studios in Arendonk, Belgium. The songs were used for records such as the AGATHOCLES/VOMIT FALL (Italy) split 10”, AGATHOCLES/AUTORITAR (Germany) split 7”EP, AGATHOCLES/PRAPARATION H (USA) split 7”EP and AGATHOCLES/UNHOLY GRAVE (Japan) split 7”EP. Some interesting fact is that during the recording session of this 12”LP, Agathocles took some big kettle drums into the studio. They used these kettle drums on the song “Their excuse”.
    The covers of all 8 records of this series make up the complete triptych „The Garden of Earthly Delights“ by Hieronymus Bosch.
    Black vinyl, 350 gr cardboard cover, 2 pages info sheet with liner notes and all lyrics. (Animate Records)