• Athen’s CHAIN CULT return with their first full length following a great Demo and 7” from last year. Recorded at Ignite Music by George Christoforidis during May and July of 2019, Shallow Grave shows the progression of a band who have played non-stop for two years, covering pretty much all of Europe. CHAIN CULT’s post punk is anthemic, militant and idealistic, putting music to a very dark and bleak time and place. You can hear echoes of early THE CURE, THE SOUND, Second Empire Justice era BLITZ or WIPERS in their music but also the passion and conviction of locals METRO DECAY, STRESS or ANTI… Very much a perfect reflection of what springs to mind thinking about the current Athens scene.

    Shallow Grave comes housed in a reverse board sleeve including a printed inner sleeve with lyrics, all  designed by CHAIN CULT’s collaborator Aris Panagopoulos of A.D. Visions. (La Vida Es Un Mus Records) https://lavidaesunmus.bandcamp.com/album/shallow-grave-lp

  • The first ever vinyl discography of these Greek filthy Crustcore veterans! Founded by members of Sound Pollution and Sadistic Noise, INDUSTRIAL SUICIDE were clearly inspired by the late ’80s Manic Ears/Peaceville generation that took the school of Discharge, Amebix and Antisect to a new stage of stenching heaviness, at times pushing the pedal to Grind-Punk speed, keeping a line of continuity with the extremity of their predecessors, the legendary Sound Pollution. This collection includes their Demo 1989, Rehearsal 1989, unreleased tracks 1990 and bonus sessions recorded from 2017 to 2019 (including a song with Bri/Doom on guitar and an Antisect cover). Old styled Crust/HC detonation for fans of Doom, Sore Throat, Deviated Instinct, Mortal Terror. LP including a fanzine styled booklet with photos, flyers, original demos’ scans and liner notes! Diehard edition on swirl blue/grey vinyl (180 grams) limited to 100 copies. (F.O.A.D. Records)
  • The first ever vinyl discography of these Greek filthy Crustcore veterans! Founded by members of Sound Pollution and Sadistic Noise, INDUSTRIAL SUICIDE were clearly inspired by the late ’80s Manic Ears/Peaceville generation that took the school of Discharge, Amebix and Antisect to a new stage of stenching heaviness, at times pushing the pedal to Grind-Punk speed, keeping a line of continuity with the extremity of their predecessors, the legendary Sound Pollution. This collection includes their Demo 1989, Rehearsal 1989, unreleased tracks 1990 and bonus sessions recorded from 2017 to 2019 (including a song with Bri/Doom on guitar and an Antisect cover). Old styled Crust/HC detonation for fans of Doom, Sore Throat, Deviated Instinct, Mortal Terror. LP including a fanzine styled booklet with photos, flyers, original demos’ scans and liner notes! Solid black vinyl (180 grams) limited to 200 copies. (F.O.A.D. Records)
  • Όλα τα μελάνια υδατικής βάσης για εκτύπωση μεταξοτυπίας έχουν πιστοποίηση ECO-Passport. Κάθε στάμπα και λογότυπο αποτελούν χειροποίητη μεταξοτυπία. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • The first two editions of this English-language documentation (published under the title "Dead Moon - The Book") are now being traded at horrific prices - Ventil Verlag is now making the pure book version accessible to the European public at a cheaper price. Dead Moon was a lo-fi garage / rock-and-roll band from Portland, Oregon from 1987 to 2006. The band achieved a legendary and cult status. She cultivated her DIY ethos and always avoided falling into the traps of the conventional music industry. She produced her own records and ran her own music store and the Tombstone Music label of the same name. Their story is unique in the halls of rock music - a band that never betrayed their ideals, never gave up, and left behind an artistic and community heritage that is still unparalleled today. In the interview format, the book tells the Dead Moon saga in the band's own words. It contains a fully illustrated discography, lyrics and countless photos, flyers, posters and letters from the archive of Fred and Toody Cole. Hardcover with 320 pages. Treat yourselves!
  • Μουσική συλλογή βασισμένη στα ''Μικρά Ποιήματα σε Πεζό'' του Charles Baudelaire από τις εκδόσεις Oposito - www.opositobooks.com - για την ενίσχυση ΛΟΑΤΚΙΑ+ προσφύγων. Στις 21 Ιουνίου θα κυκλοφορήσει περιορισμένη έκδοση 100 αντιτύπων του βιβλίου συνοδευομένων από διπλό cd της συλλογής. Σύντομα θα ανακοινωθούν τα σημεία διανομής. Όλα τα έσοδα αυτής της κυκλοφορίας θα πάνε στην ομάδα Εmantes emantes.com Ο Charles Baudelaire, ‘’Δάντης μιας παρηκμασμένης εποχής’’, έζησε στο Παρίσι στα μέσα του 19ου αιώνα, σε μια περίοδο στη διάρκεια της οποίας η πόλη άλλαζε δραματικά. Η βιομηχανοποίηση, η πρωταρχική συσσώρευση, οι αναδιαρθρώσεις και η καπιταλιστική ανακαίνιση του Παρισιού, ανάγκασε ένα μεγάλο αριθμό ανθρώπων να αλλάξει δραστικά τρόπο ζωής. Ιδιαίτερα η αύξηση των ενοικίων θα μεταφέρει το προλεταριάτο από κέντρο προς τα προάστια, με αποτέλεσμα οι γειτονιές του Παρισιού να χάσουν την χαρακτηριστική τους φυσιογνωμία. Αυτό το κοινωνικό πλαίσιο που διαμορφώνεται στο Παρίσι, θα αποτελέσει για τον Baudelaire την πηγή έμπνευσής του. Τα Μικρά Ποιήματα σε Πεζό, δημοσιεύτηκαν στο σύνολό τους το 1869, δύο χρόνια μετά το θάνατο του δημιουργού τους και εισήγαγαν ένα νέο βλέμμα και έναν καινούριο τρόπο έκφρασης σχετικά με αυτή τη μοντέρνα ζωή. Ο Baudelaire, εγκλωβισμένος σε έναν κόσμο μέσα στον οποίο νιώθει ξένος, περιπλανιέται στη νέα πόλη και παρατηρεί τους ανθρώπους, την κενότητα στις απογυμνωμένες συμπεριφορές τους, αποτυπώνοντάς τες με κάθε λεπτομέρεια. Ίσως να μην είναι αδόκιμο αν χαρακτηρίζαμε την περιπλάνηση του Baudelaire μέσα στον αστικό ιστό του Παρισιού, ως μια τεχνική πρώιμης ψυχογεωγραφίας που είχε ως στόχο να τον απελευθερώσει από τους καταπιεστικούς μηχανισμούς και τις συμβάσεις της κοινωνίας. Ο επανερχόμενος εξευγενισμός των πόλεων, οι όλο και πιο ακραίες μορφές καπιταλισμού και οι μεγάλες μετακινήσεις πληθυσμών στη σύγχρονη εποχή αλλάζουν για ακόμη μία φορά το τοπίο των σύγχρονων μητροπόλεων. Η περαιτέρω διάβρωση που προκλήθηκε από την έλευση του κορονοϊού έβαλε πολλούς ανθρώπους σε όλο και πιο ασταθείς και επισφαλείς συνθήκες. Τα αισθήματα της αποξένωσης, της ασφυξίας, της ακύρωσης, της ματαιότητας καθώς επίσης και του αποκλεισμού που είναι έκδηλο στα πεζά ποιήματα του Baudelaire αποτυπώνεται στα βλέμματα των μεταναστευτικών και των προσφυγικών πληθυσμών που προσπαθούν να γλυτώσουν από τον πόλεμο και την πείνα και να ξεκινήσουν νέες ζωές. Αντιμέτωπες με αυτές τις πιέσεις, κοινότητες που προηγουμένως ήταν περιθωριοποιημένες βρίσκονται τώρα εντελώς αποκλεισμένες. Οι ΛΟΑΤΚΙA+ πρόσφυγες είναι μία από αυτές τις κοινότητες, καθώς έχουν να αντιμετωπίσουν εκτός από τις συνέπειες της βίαιης μετατόπισής τους λόγω του πολέμου και των κοινωνικών διακρίσεων, το ρατσισμό στις ευρωπαϊκές πόλεις αλλά και την ομοφοβική συμπεριφορά μεγάλου μέρους του μεταναστευτικού και του προσφυγικού πληθυσμού. Το οξύ βλέμμα του Baudelaire στη σύγχρονη ζωή θεωρούμε ότι εκφράζει αυτό το συναίσθημα της αποξένωσης. Αυτή η αναζήτηση για νέους τρόπους έκφρασης θα τον οδηγήσει στην καινοτόμο χρήση των μικρών ποιημάτων σε πεζό, μια καινοτομία που ανταποκρίνεται επίσης στις ανάγκες της σύγχρονης περιόδου αλλαγών. Αυτές ήταν οι ιδέες πίσω από το σχηματισμό της ετερόκλητης ομάδας και λοιπών ερμηνευτών της καθημερινής παραδοξότητας και την πρωτοβουλία να κυκλοφορήσουμε αυτή τη μουσική συλλογή, της οποίας οι απαγγελίες βασίστηκαν εξ ολοκλήρου, στα ΜΙΚΡΑ ΠΟΙΗΜΑΤΑ ΣΕ ΠΕΖΟ, σε Μετάφραση του Ζ. Δ. Αϊναλή από τις εκδόσεις oposito, τις οποίες και ευχαριστούμε. H συλλογή θα κυκλοφορήσει ψηφιακά από το bandcamp στις 11 Ιουνίου και επίσης θα τυπωθούν CD που θα συνοδεύουν το βιβλίο σε περιορισμένα αντίτυπα. Όλα τα έσοδα αυτής της κυκλοφορίας θα πάνε στην ομάδα Εμάντες, που υποστηρίζει ενεργά ΛΟΑΤΚΙ+ πρόσφυγες. Η Emantes παρέχει τόσο υλική βοήθεια (τροφή, καταλύματα έκτακτης ανάγκης, ρούχα, φάρμακα) όσο και άυλη (νομική βοήθεια και πρόσβαση σε ιατρικές και σε υπηρεσίες ψυχικής υγείας). Για περισσότερες πληροφορίες σχετικά με την ομάδα Emantes, επισκεφθείτε τον ιστότοπό τους στη διεύθυνση Emantes.com ή στη σελίδα στο Facebook.
  • Zounds formed in Reading in 1977 releasing their first single Can’t Cheat Karma on Crass Records in 1980. This early association with Crass meant they were key figures in the bourgeoning anarcho-punk scene along with The Mob, Poison Girls, Flux of Pink Indians and many others. Moving to Rough Trade Records the band released their first album The Curse of Zounds in 1982, recording and mixing the LP within five days. The cover art, by anarchist artist Clifford Harper, featured a painting of fire fighters apparently trying to put out a blaze at the Houses of Parliament in Westminster. However, the picture continued onto the back cover, which showed that in fact they are spraying the fire with petrol, thus feeding it. Someone must have slipped one of those post-anarcho-syndicalist pamphlets in with these guys’ Beano comics! This is sturdy, above-average English pop-punk with some surprisingly infectious hooks. But the foursome ain’t just disaffected youngsters lookin’ for a kiss (or any ol’ white riot) – they’re searching out the meaning of life in the post-industrial capitalist system. As long as you’ve got the tunes, fellas – go for it! – Trouser Press. "The curse of zounds" is now seen as a classic of the genre and one of the most inspirational albums of the post-punk period. (Overground Records)
  • France’s Syndrome 81 started gaining momentum in the Punk scene with their 2013 demo tape, drawing comparisons to the plethora of great bands that defined the French Oi sound of the 1980s with a heavy stomp culled from classic USHC. The band has progressed since then, and the sound is more diverse but also more defined, having filed off some of the American influences and moved in a darker, distinctly French direction that is both melancholy and anthemic, with lyrics being influenced by growing up in Brest, France. The band comes from this dark place and write songs about their personal struggles growing up and growing old. These are songs about watching your friends lose sight and move on while you question why you are still here, haunted by your past and having to look your former self in the eye while you apologize for who you’ve become. These are songs about trudging through a desert you built yourself. 18 songs from their Demo, Litovsk split, UVPR compilation song, Desert Urbain, BMAB single serie and Urban Savage split. It is coming in a gatefold jackets with awesome drawing by All Cats Are Grey. (Destructure Records / Sabotage Records)
  • Dopesick is the third studio album by American sludge metal band Eyehategod, released on April 2, 1996. After the release of Take as Needed for Pain, Eyehategod's previous album, the band recorded several demos, which were released on various 7" records and splits on various labels, before finally settling down in the fall of 1995 to record a full-length record, Dopesick.The album featured Billy Anderson and Pepper Keenan as producer and co-producer respectively and new bassist Vince LeBlanc.It was recorded at Side One Studios in New Orleans so Mike Williams had to travel often between there and Clinton Hill, Brooklyn in New York City, where he was living at the time. The recording sessions were infamously chaotic, and involved the studio owner reportedly calling Century Media to ask if the band was mentally unstable, and threatening to kick them out. This particular incident occurred after Mike Williams had attempted to record the sound of smashing glass for the introduction to the album, by smashing a bottle on the floor of the studio. In the process, he slashed open his hand and bled all over the studio floor; this recording did make it to the record as the introduction to the first track, "My Name Is God (I Hate You)." One of the band members then apparently smeared the words "Hell" and "Death to Pigs" in Williams' blood. The album's recording finished during the winter of 1995. After completion, Brian Patton and Joey LaCaze flew out to San Francisco to mix the album at Hyde Street Studio with Billy Anderson, who would also be the album's engineer. The album was finally released on March 25, 1996. Thanks to the LP, the band was able to embark on a United States tour in the spring of 1997, supporting White Zombie and Pantera, bringing their music to a far wider audience. The album opens with Mike Williams' screams and the sound of a broken bottle. It is somewhat diverse musically, but not in terms of mood. "Dixie Whiskey" has a main riff that sounds, reportedly, like a swamp-bred Black Sabbath.[citation needed] "Dogs Holy Life" and "Non Conductive Negative Reasoning" both feature inventive and ear-grabbing guitar parts before ending abruptly, according to William York of Allmusic. Songs such as "Peace Thru War (Thru Peace and War)" and "Lack of Almost Everything" alternate up-tempo hardcore punk sections with slowed-down grooves.[citation needed] Dopesick sounds slightly different from the band's previous records because it was produced to sound denser and heavier; with the drums more up front in the mix and the guitars sounding especially thick. Chronicles of Chaos' Gino Filicetti went so far as to describe Michael Williams' vocals as "puke-ridden" in a 1996 review of the album for the webzine. In 2009, the album was chosen as the number 2 sludge record by Terrorizer, which commented that "[v]icious hardcore punk, crushing metallic comedowns and wave upon merciless wave of feedback serve as both a harrowing soundtrack to their ruined lives and a doomed lovesong to the spirit of the South.". Licensed by Century Media, Throne Records presents the most thorough vinyl issue this Sludgecore classic has ever accomplished.
    • 180gr. heavy-weight vinyl
    • Extra-thick sleeve printed over 425gsm Frovi stock cardboard
    • Lyrics sheet printed over 180gsm art paper
    • Polylined white paper bag
    • Outer plastic bag
    (Throne Records)
  • Με καθυστέρηση σχεδόν 10 χρονών κυκλοφορεί σε βινύλιο το σπλιτ Τελευταίως Αιώνας/Επιθανάτιος Ρόγχος. Μέλη από της μπάντες συνεχίζουν/συνέχιζαν στους Καταχνιά και Ατόπια. (Self Released)
  • If the Misfits were one of the greatest punk bands then Walk Among Us released in 1982 is perhaps one of the greatest records in punk history. While Static Age and Earth AD showcased a band searching for an identity like a vampire for its next victim, Walk Among Us is almost sheer perfection. With a solidified lineup, fully grown-out devillocks (the Misfits trademark long spike of hair in the front) and the stabilizing presence of the somewhat pedestrian but agile arthur googy on drums, uber-misfit Glenn Danzig was finally able to match his zombie-elvis to a worthy musical foil. From the manic opening of 20 Eyes to the monster football chorus of Braineaters, there is nothing less than a sublime moment on this album from start to finish. Astro Zombies or I Turned into a Martian sound like songs to raise the dead by. a special bonus is perhaps the tenderest love song to decapitation (Skulls) in recent memory. Green vinyl. (Ruby Records/Unofficial)
  • Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Πρώτα κυκλοφόρησε σε κασέτα στην αρχή της χρονιάς και εξαφανίστηκε μέσα σε λίγες μέρες, τώρα επανακυκλοφορεί σε βινύλιο από την Αγγλική La Vida Es Un Mus. Οι Chain Cult είναι ένα τρίο από την Αθήνα με μέλη από μπάντες όπως οι Conspiracy Of Denial, Dirty Wombs, Lifewreck, Αρχή Του Τέλους κ.α. Μουσικά είναι κάτι ανάμεσα στους The Estranged και τους Joy Division.
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    The should have become as big as bands like JOY DIVISION, THE SOUND or THE CURE that come from the same scene, unfortunately the group first disband in 1993. - "In The Breeze" is a compilation originally released right after the breakup, a collection of previously unreleased recordings spanning their first lifetime. It features demos, alternate versions, recording outtakes, John Peel session... To many they are the best kept secret of the early British pos-punk! Taken from the liner notes on the back of the jacket... Sad Lovers And Giants fell apart at the end of 1983. This record is a collection of previously unreleased recordings spanning their lifetime. 50:50 and The Change (Tracks A1 and A2): Demos recorded at Pet Sounds in early 1981. Electronically 'tweaked' 1984. "50:50" was soon dropped from the set but "The Change" survived as an occasional encore. Interlude (Track A3): Recorded live at The Venue, September 1982. Electronically 'tweaked' 1984. This instrumental dates back to the group's early days and was phased out by 1983. Landslide and Echoplay (Tracks A4 and A5): Out-takes from the "Colourless Dream" sessions at Surrey Sound, Summer 1981. "Landslide" had already been released on the group's first single/EP, "Clé", and "Echoplay" was re-recorded for "Epic Garden Music". These versions were remixed at Alaska, summer 1984. Sex Without Gravity, There Was No Time, Clint and Alice (Isn't Playing) (Tracks A6 to B3): Radio One John Peel Session, late 1981. "Sex Without Gravity" was never performed anywhere else and "There Was No Time" was soon replaced by new material. "Clint" and "Alice (Isn't Playing)" were subsequently recorded for "Epic Garden Music", although another version of "Clint" had already appeared on the "The Thing From The Crypt" compilation. The producer for Radio One was Roger Pursey and these tracks are released by arrangement with BBC Enterprises Limited. 3 Lines (Track B4): Recorded live at the Brunel Rooms, Swindon, March, 1983. Electronically 'tweaked' 1984. "3 Lines" later metamorphosed into "Dividing Lines", an unfinished out-take of "Feeding The Flame". Imagination (Track B5): Out-take from "Feeding The Flame". Recorded at Spaceward, summer 1983. "Imagination" originally appeared as the A-side of "Clé", but the group wished to record a better version. (Restless Empire Records)  
  • Σε λίγες εβδομάδες θα κυκλοφορήσει το πρώτο μέρος της τριλογίας GameBook του Αιρετικού. Ενα βιβλίο παιχνίδι για όσους είναι μοναχικοί, δεν θέλουν να παίζουν με άλλους, τους αρέσει να παίζουν παιχνίδια ρόλων RPG, ακούνε Dungeon Synth, γουστάρουν να σκοτώνουν Τελώνια και Νεκρομάντες σε κατακόμβες και μπουντρούμια. Επίσης μέχρι το τέλος της χρονιάς θα είναι έτοιμη και η Αγγλική έκδοση του.
  • Absolutely classic punk album from Tim and the gang, released on Epitaph Records in 1995. About half of Rancid's present day live set is comprised of songs from this album. Singles at the time included Time Bomb, Ruby Soho, Olympia, WA and Roots Radicals. However, Journey to the End of the East Bay, The 11th Hour, Maxwell Murder and Old Friend have become Rancid classics in their own right. (Epitaph Records)
  • Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Out of stock
    M’lady’s Records is extremely excited to announce the reissue of DEAD MOON’s debut album classic, “In the Graveyard”. Highly sought by rock ‘n’ roll maniacs around the globe for its breathtaking songwriting and attitude, it’s also the first release in M’lady’s 2014 reissue series documenting many different timeless albums issued by Fred & Toody Cole (also of the Rats and Pierced Arrows). This record will NOT let you go once it’s made its way into your mind: every song is a classic, almost intimidating in its poise and strength. For the uninitiated, DEAD MOON come on almost like a hybrid of the most exciting elements of Love, AC/DC, the Weeds, and the Elevators. No joke. The group are also famous for operating extremely DIY, down to the recording and mastering of their albums (famously cut on the very same lathe that cut “Louie Louie” by the Kingsmen!). “In the Graveyard” was reissued on LP by our comrades at the estimable Mississippi Records in 2011, and we’ve teamed up with them to get this compact disc edition out to you, the bedroom rebel, the night time revolutionary, the romantic with a wake of destruction in your path. Also highly recommended for everyone with a beating heart and two ears. (Mississippi Records)
  • Mondo Bizarro (a misspelled version of "Mondo Bizzarro," meaning "Weird World" in Italian) is the twelfth studio album by the American punk band the Ramones, released in 1992. It is the first to feature their new bassist, C.J. Ramone, who replaced departed member Dee Dee Ramone. (Vatican Radio Records)
  • FINALLY!!! Re-released on vinyl after almost 40 years! "Originally released in 1982, History Is What's Happening features one of the most harrowing title/cover art combinations in recent memory. What at first glance looks like a firing squad is, upon closer inspection, a concentration camp orchestra. On their second album, The Ex advance into a distinctly more post-punk style: textural guitar shards and tumbling motorik drumming with Bas Masbeck's thunderous bass shouldering much of the melodic load. Railing against political duplicity and the illusory nature of "freedom" in an age of manufactured consent, G.W. Sok offers some of punk's most bracing and memorable agitprop lyrics. These twenty songs are a quick-moving and caustic trip, a DIY studio rendition of the band's explosive live set from this era. History Is What's Happening remains an important signpost in the history of both Ex-evolution and the cataclysmic '80s. With their sophomore LP, the group would put Holland on the underground music map. Indeed, many now-lifelong fans around the world were just beginning to take notice and get down with the mighty Ex." This first-time vinyl reissue comes with 23" x 16" poster and 24-page booklet. Terrie (guitar), G.W. Sok (vocals), Bas (bass), Wim (drums). Recorded at Joke's Koeienverhuurbedrijf, Schellingwoude, Netherlands. Produced by Dolf Planteijdt. (The Ex Records/Superior Viaduct Records)
  • Release from Cassette Store Day 2017. Limited edition of 349 hand-numbered copies. Includes two bonus songs: Track B6 - B-side of the 'No Monarchy' 7" (Fontana 6022-003 - 1978) Track B7 - Previously unissued 1977 studio track Hailing from Antwerp, Belgium, The Kids formed in 1976 to prove to the world that punk was more than just a London vs New York fashion contest. Originally released on the Philips label in 1978, and highly acclaimed as one of the best punk records EVER. This is pure and quintessential punk rock. (Radiation Records) https://thekids.bandcamp.com/album/the-kids
  • Limited repress on Restless Empire. Gold vinyl. Only Theatre of Pain is the debut studio album by American rock band Christian Death, released in March 24, 1982 by record label Frontier. The album was produced by Christian Death and Thom Wilson. It is considered by most critics to be the harbinger of deathrock. (Frontier Records)  
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    Finally a re-release of this classic album. Adding ENTOMBED guitarist Uffe Cederlund to a group that already features AT THE GATES singer Tomas Lindberg has created a death 'n' roll supergroup - and one of the best heavy records of 2008. For those who are unfamiliar with DISFEAR, it is basically a mix of a lot of hardcore with a lot of metal to create a product that is simply loud, in your face and unrelenting. "live the storm" is a 35min. assault of heavy power chords, pounding drums and bass, layered with southern sounding leads and throat wrenching yells. (La Familia Releases)
  • Out of stock
    Cro-Mags is one of the fundamental names for the birth of the so-called “crossover thrash” subgenre, which synthesized thrash metal and hardcore punk. Cro-Mags’ first full-length, “The Age of Quarrel”, released in 1986, is one of the first albums where the unadulterated energy of hardcore punk is filtered through the aggression and the fury of thrash metal. Limited to 3600 copies.
  • GRAUZONE | same title | LP

    25.00 incl. tax
    WRWTFWW Records is very happy to reissue Swiss cult band Grauzone’s self-titled album in an expanded 40 Years Anniversary Edition packed with the original 1981 album plus 9 extra songs, as well as extensive liner notes by Swiss music historian Lurker Grand. The 19-track album is available as a double LP vinyl in heavy 350gsm sleeve and a digipack CD, both sourced from the original reels and put together under the supervision of band member and all around legend Stephan Eicher. The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude". Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other. This extended version of their debut (and only) album beautifully crystallizes the Grauzone miracle/accident - where pop and youthful experimentation meet at (new/cold/no) wave and industrial crossroads, and where classic hits ("Eisbär", "FILM 2", "Raum", "Träume Mit Mir", "Der Weg Zu Zweit"…) flawlessly mesh with unconventional deep cuts ("In Der Nacht", "Film 1", "Maikäfer Flieg"…). Very simply put: GOOD timeless music with an edge. Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label. (WRWTFWW Records)