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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). -
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If the Misfits were one of the greatest punk bands then Walk Among Us released in 1982 is perhaps one of the greatest records in punk history. While Static Age and Earth AD showcased a band searching for an identity like a vampire for its next victim, Walk Among Us is almost sheer perfection. With a solidified lineup, fully grown-out devillocks (the Misfits trademark long spike of hair in the front) and the stabilizing presence of the somewhat pedestrian but agile arthur googy on drums, uber-misfit Glenn Danzig was finally able to match his zombie-elvis to a worthy musical foil. From the manic opening of 20 Eyes to the monster football chorus of Braineaters, there is nothing less than a sublime moment on this album from start to finish. Astro Zombies or I Turned into a Martian sound like songs to raise the dead by. a special bonus is perhaps the tenderest love song to decapitation (Skulls) in recent memory. Lp comes with double sided insert. (Ruby Records/Unofficial)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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The 1982 demos from Venice Beach legends Suicidal Tendencies available again on vinyl. Raw, fast hardcore, which became a blueprint for generations of bands that followed in their footsteps. A9 & A10 + B1 - B7: Unreleased Issued with a one-sided foldout with lyrics, credits and concert flyers. SIDE 1: 01. Suicide's An Alternative 02. I Shot Reagan 03. Suicidal Failure 04. Memories Of Tomorrow 05. I Saw Your Mommy 06. Fascist Pig 07. Possessed 08. I Saw Your Mommy 09. You Are Forgiven 10. War Inside Myself SIDE 2: 01. Stupid Genocide 02. Kill 03. Pseudo Mom 04. Two Sides Politics 05. You Are Forgiven 06. Burn The Constitution 07. Kill (Fan Club/Unofficial Release)
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Zounds formed in Reading in 1977 releasing their first single Can’t Cheat Karma on Crass Records in 1980. This early association with Crass meant they were key figures in the bourgeoning anarcho-punk scene along with The Mob, Poison Girls, Flux of Pink Indians and many others. Moving to Rough Trade Records the band released their first album The Curse of Zounds in 1982, recording and mixing the LP within five days. The cover art, by anarchist artist Clifford Harper, featured a painting of fire fighters apparently trying to put out a blaze at the Houses of Parliament in Westminster. However, the picture continued onto the back cover, which showed that in fact they are spraying the fire with petrol, thus feeding it. Someone must have slipped one of those post-anarcho-syndicalist pamphlets in with these guys’ Beano comics! This is sturdy, above-average English pop-punk with some surprisingly infectious hooks. But the foursome ain’t just disaffected youngsters lookin’ for a kiss (or any ol’ white riot) – they’re searching out the meaning of life in the post-industrial capitalist system. As long as you’ve got the tunes, fellas – go for it! – Trouser Press. "The curse of zounds" is now seen as a classic of the genre and one of the most inspirational albums of the post-punk period. (Overground Records)
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FINALLY!!! Re-released on vinyl after 40 years! "Disturbing Domestic Peace, The Ex's debut album, appeared mere months after their first single, 1980's All Corspes Smell The Same. Originally released on the band's own Verrecords (they made up different label names with each record), the LP falls squarely within a punk idiom and, at the same time, shows this influential Dutch group's restless energy. Terrie Ex's guitar serves up vectors of percussive pulse, fraying the edges of the music's squared-off rhythms. Vocalist G.W. Sok – an anarchist Dziga Vertov with a mic – observes, declaims and condemns across a set of interrelated political concerns that would return in Ex-music for years to come. While The Ex channel the poise and principled attack of Crass or Flux Of Pink Indians, they create a unique declamatory sound all their own – trailing brilliant flashes of color in the wake of punk's monochrome palette. Offering ten songs in only twenty-two minutes, Disturbing Domestic Peace lays bare a vivid snapshot of a truly singular band who (at the time) were just finding their feet." This first-time vinyl reissue comes with bonus 7-inch, inserts and 20-page booklet. LP Track Listing: The Sky Is Blue Again Map Outlook-Army Sucking Pig A Sense Of Tumour Meanwhile Rules Squatsong Warning-Shot New Wars Bonus 7-inch Track Listing: Introduction Human Car Punk Horse Terrie (guitar), G.W. Sok (vocals), Bas (bass), Ome Geurt (drums). Recorded at Joke's Koeienverhuurbedrijf, Schellingwoude, Netherlands. Produced by Dolf Planteijdt. (The Ex Records/Superior Viaduct Records)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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FALL OF EFRAFA follow up their 2006 album "Owsla" with "Elil", the second installment in the trilogy known as "The Warren of Snares". Elil is a maelstrom of crushing, epic, emotive crust hardcore, taking influence from the like of Neurosis, Remains of the Day, His Hero Is Gone, and Godspeed! You Black Emperor." (Alerta Antifascista Records) https://alertaantifascistarecords.bandcamp.com/album/aa44-fall-of-efrafa-elil-2xlp-cd
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Era Of Fear from Xanthi/Northern Greece play dark anarcho post punk with their own sound. Four new songs following their EP that was released two years ago. On the flip side we have Πανδημια from Athens. Unfortunately, these are the last four songs that they recorded just before splitting up. Great anarcho punk strictly inspired by early 80's Greek and UK punk scene. 500 copies on black vinyl. (Scarecrow Records) https://scarecrowrecords.bandcamp.com/album/split-lp
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Ratos De Porão's Crucificados Pelo Sistema (1984) contains all the fury, the frustration, the rage and the pain of four young ones against the system in a country that was in the midst of a change from Third World to trying to fitting into a new social order. The projected image of Brazil with its beautiful mulatas, exotic beaches and tropical fruit drinks filled them with disgust, living there in one of the most dangerous cities in Latin America. Their reality was brutal and they wanted to scream it at the entire world. Sixteen songs were formed on the same base as what would later be called "D-beat." The Finnish bands from the '80s were really important in the Brazilian punk scene, just as Discharge was. Simple, fast and straight to the point. Two classic songs have been added for this special occasion, recorded for the classic Ataque Sonoro compilation (which also contains Brazilian pioneers such as Virus 27, Colera, Armagedom or Lobotomia, amongst others). 180 gram vinyl. Housed in a gatefold with pics and musings by Gordo. (Beat Generation Records)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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The Offspring's metal-inflected punk became a popular sensation in 1994, selling over four million albums on an independent record label. While the group's credentials and approach follow the indie rock tradition of the '80s, sonically they sound more like an edgy, hard-driving heavy metal band, with their precise, pulsing power chords and Dexter Holland's flat vocals. Featuring Holland, guitarist Kevin "Noodles" Wasserman, bassist Greg Kriesel, and drummer Ron Welty, the Offspring released their self-titled debut album in 1989. Four years later, their second album, Ignition, became an underground hit, setting the stage for the across-the-board success of 1994's Smash, which still holds the record as the biggest selling indie release of all time. Label: Epitaph Records Barcode: 8714092686814
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Unofficial re-release their first LP from 1981. Glossy cover & 180g vinyl. (Dwed Wecords)
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MTJ Records present a reissue of Siekiera's Nowa Aleksandria, originally released in 1986. A classic record from the legendary '80s Polish post punk band. Originally released in 1986, Nowa Aleksandria caught brilliantly the cold, sultry atmosphere of the dark times of last years of communism in Poland. Influenced by British post punk heroes like Joy Division and Killing Joke, the album represents one of the most important records in the history of Polish rock. Graphic layout by Alessandro Adriani; Re-arranged from the original design cover by Alek Januszewski. Mastered by Damian Lipiński from the original analog master tapes. Edition of 500. (MTJ)
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In many ways The Mob were the archetypal anarcho punk band. Formed in Yeovil, Somerset in 1979 the band soon spent their time permanently on the road in a convoy of trucks before squatting in Brougham Road, Hackney – a street of houses that accommodated many punk and counter-culture types. Until their demise in 1983 they remained an integral part and a huge influence on the anarcho, traveller and free festival scenes. Their first release was the 1980 Crying Again single on their own All The Madmen label, followed later that year by the Ching cassette. 1981 saw another single the hugely popular and haunting Witch Hunt soon followed by their now legendary Crass single No Doves Fly Here, both taking anarcho punk into new musically unchartered waters. 1983 saw the release of their now legendary album Let The Tribe Increase, an album that saw them moving away from the constraints of the punk sound as they continued to push the musical boundaries. This trend continued in their epic single The Mirror Breaks. The Mob’s invlovement with the counterculture saw them playing gigs with archetypal hippies Here & Now and Androids of Mu as well as being actively involved in the Persons Unknown and Centro Iberico anarchist centres and the Black Sheep Housing Co-operative. Eventually The Mob dissolved with Joseph Porter joining Zounds before founding Blyth Power. Let The Tribe Increase includes the full album, both tracks from the Mirror Breaks 7″ and a previously unheard demo version of Stay, all professionally remastered. Packaged in a 12-page booklet it contains a band history and the events that surrounded the recording of the album by Kill Your Pet Puppy fanzine editor Alistair Livingston. (Overground Records)
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Always Was, Is and Always Shall Be is the debut studio album by American punk rock musician GG Allin, recorded and released in 1980 on Orange Records. (Fan Club/Records)
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Πρώτα κυκλοφόρησε σε κασέτα στην αρχή της χρονιάς και εξαφανίστηκε μέσα σε λίγες μέρες, τώρα επανακυκλοφορεί σε βινύλιο από την Αγγλική La Vida Es Un Mus. Οι Chain Cult είναι ένα τρίο από την Αθήνα με μέλη από μπάντες όπως οι Conspiracy Of Denial, Dirty Wombs, Lifewreck, Αρχή Του Τέλους κ.α. Μουσικά είναι κάτι ανάμεσα στους The Estranged και τους Joy Division.
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"Rage Against the Machine" (also known as American Composite) is the original demo tape by Rage Against the Machine, released in December 1991. The 12-track tape was recorded at Sunburst Studio in Los Angeles after drummer Brad Wilk joined the band but before they had played their first live show. When the band began performing live shows they sold the tape for $5, eventually selling approximately 5,000 copies. Shortly thereafter, the band was signed to a record deal with Epic Records on the strength of the demo's success. As well as being sold at early live shows, the demo tape was sent to a number of record companies to showcase the band. Atlantic Records was sent one and produced a number of copies which the label sold under its own name. The band later discovered this but decided not to take action. The Atlantic Records issued cassette tape features an entirely different cover than the band's self-released tape, with an artistic rendering of a man with a distorted and zippered face and the band's Rage Against the Machine moniker made apparently of lettering taken from different newspaper headlines. Seven of the 12 songs on the demo tape became part of the band's eponymous debut album. Of the five songs omitted—"Darkness of Greed", "Clear the Lane", "Mindset's a Threat", "Auto Logic", and "The Narrows"—the first 2 were eventually included as B-sides on the lead single from the debut album, "Killing in the Name", with the remaining 3 never seeing an official release. Several songs on the demo are nearly identical to the versions appearing on the debut album, but others have noticeable differences; the tempo of "Take the Power Back" on the demo, for example, is much slower and has a different final verse. The record is notable for the first appearance of the song "Bullet in the Head", which became a hit when reissued as a single later in the year after being transferred intact (with re-recorded vocals for the verses only) from the demo to the album. The song "Darkness of Greed" hails back to vocalist de la Rocha's previous band Inside Out, which broke up mid-1991. Inside Out performed the song on many occasions, and several RoIOs exist of those performances. (RATM later re-recorded the song for The Crow soundtrack.) Another significant indicator of Inside Out's influence on RATM's initial direction is the fact the name "Rage Against the Machine" is also the title of an Inside Out song. The main riff from "The Narrows" would later be reused as the main riff for "Fistful of Steel" and parts of "Mindset's a Threat" would later become a part of "Wake Up" and are present in "Freedom" and in the solo on "Bullet in the Head". The main riff for "Clear the Lane" is nearly identical to that used on their 2000 cover of The Rolling Stones' "Street Fighting Man". The songs "Darkness of Greed" and "Clear the Lane" were both digitally remastered and included as B-sides on the "Killing in the Name" single and have both been reissued on singles and promos many times since. Tracklist: Side A: Bombtrack Take The Power Back Bullet In The Head Darkness of Greed Clear the Lane Side B: Township Rebellion Know Your Enemy Mindset's a Threat Killing In The Name Side C: Audio Logic The Narrows Freedom Label: Fan Club/Unofficial Release
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Official reissue their second LP originally released in 1981, their first album with new girl singer Vim Cola. Different in style but has couple of great tunes. Magazine is probably a good comparison, although sometimes you can notice that this band played punk rock before this album. Recorded at studio Tivoli, Ljubljana, Summer 1981. Reissue on vinyl featuring 2 bonus tracks. (Dallas Records)
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Οι ΕΝΑΝΤΙΑ αποτελούνται από μέλη με πολύ μεγάλη ιστορία στο ελληνικό punk, καθώς οι Γιάννης S. (φωνή), Κώστας Mp. (κιθάρα), Κώστας A. (μπάσο) και Κώστας Μαυρ.(ντραμς) έχουν παίξει ζωντανά αμέτρητα live σε ολόκληρη την Ελλάδα σαν ΑΝΤΙΔΡΑΣΗ από το 1986 έως το 1999 και έχουν ηχογραφήσει δίσκους αναφοράς για το συγκεκριμένο ιδίωμα όπως τα «Αίμα στους δρόμους» (7’’ single / 1989), «Κατάσταση κινδύνου» (LP / 1990), «Ενάντια» (LP / 1991). Η παρέα των ΕΝΑΝΤΙΑ μας συστήθηκε στις αρχές του 2005 με το πρώτο demo τους «Για μια στιγμή / Διπρόσωπε». Στην πορεία προστέθηκαν ακόμη ο Σταύρος Δ. (ντραμς – ιδρυτικό μέλος των ΑΝΤΙΔΡΑΣΗ) και ο Γιώργος Geo Beo. Μετά από πολλά χρόνια αναμονής, το πρώτο album της μπάντας «Γιατί πολύ αφήσαμε τα ποντίκια να χορεύουν..» είναι επιτέλους έτοιμο. Κυκλοφορεί σε 500 αριθμημένα αντίτυπα βινυλίου από την LABYRINTH OF THOUGHTS records. Με υλικό που γράφτηκε από το μακρινό 1986 όπως το «Άγια Ανθρωπάκια» που παιζόταν τότε σε όλες τις πρόβες τους, μέχρι το 2022 και το ‘Πώς Γίνεται;’ που αναφέρεται σε έναν άλλον έναν Βρώμικο Πόλεμο που περνάει σαν ταινία μπροστά από τα μάτια μας! H μπάντα λοιπόν συνεχίζει από εκεί που μας άφησε, μιας και όπως μας λένε στο «1985» (ένα τραγούδι που ενώνει το τότε με το τώρα) “…χρόνια που είναι τόσο μακρινά, μοιάζουν τόσο ίδια, τόσο κοντινά…” Η ώρα επιτέλους έφτασε!! Πάμεεεεε!!! (Labyrinth of Thoughts)
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Reissue 1st album in Limited Black Vinyl (199 copies). (Punk 'n' Loud Records)
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How many hardcore, let alone metal, bands exceed all previous efforts on their third LP? Some might argue that ‘Feel The Darkness’ was Poison Idea’s prime. You could present ‘Master Of Puppets’ and ‘Reign In Blood’, if you’re so inclined. Let’s face it, these are a dying breed of exceptions to the rule. And yet, like an icepick in the eye socket of logic, here stands Foreseen with ‘Untamed Force’. In the landmine ridden field that is crossover, where bands can all too easily get it so wrong, Foreseen not only survive the death sentence of their sophomore record “Grave Danger” (2017), but head out on a blunt force killing spree. ‘Untamed Force’ indeed. Rarely has a record title been more fitting. Vocalist Mirko Nummelin sounds more pissed off than ever, 12 years on. Drummer Mårten Gustafsson’s arms and feet generate enough power to make Finland energy self-sufficient. And finally, pushing the band over the edge, separating Foreseen from us feeble bastards, we have new member Ville Valavuo joining Jaakko Hietakangas to form what is arguably the scene’s deadliest six string tag-team. Foreseen’s power is untamed but at the same time borne from hard work, a love for the craft and their musical community, and absolutely no excuses. Dig in, endure, stomp out, shoot to kill. Foreseen are for headbangers who haven’t been brainwashed by click tracks and digital recordings. Foreseen are for punks who can deal with a synth intro and harmonised solos. In 2022, ‘Untamed Force’ is the guiding principle that can inspire, but not be replicated, by the Kings of Hardcore Thrash. (Quality Control Records)
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High Vis were formed in 2016 from the ashes of some of the UK’s best hardcore bands. Gild-toothed frontman Graham Sayle’s anguished lyrics about life in working class Britain were familiar to fans of Tremors’ full-throttle thrash, but alongside his former bandmate Edward ‘Ski’ Harper and veterans of Dirty Money, DiE and The Smear, High Vis sought to transform that energy and intensity into something entirely new. Like scene-mates Chubby and the Gang did by pulling in unlikely source material from classic doo-wop or Micromoon have by combining everything from psychedelia and metal into their high potency mix, High Vis’ 2019 debut album, No Sense No Feeling showed the band were never going to be constrained by any sense of genre rules or regulations. Its claustrophobic rattle bore traces of Joy Division, Bauhaus, Crisis, The Cure and Gang Of Four lurking in the shadows. 2020’s synth-driven EP, Society Exists, was further evidence of the band’s restless creative MO. High Vis’ second album Blending sees them open their viewfinder wider than ever before. Alongside longstanding favourites such as Fugazi and Echo and The Bunnymen; Ride and even Flock Of Seagulls were shared reference points as the band worked on the album together. From the anthemic sweep of opener “Talk For Hours”, through the title track’s psychedelic swirl and “Fever Dream”’s baggy groove, it sees High Vis’ sound blossoming into something with an unlimited richness. The hazy drift of “Shame” or the melodic jangle of “Trauma Bonds” may take them until uncharted waters, but they still have all the power and bite that made No Sense No Feeling so remarkable. Lyrically, the album represents another leap forward too. Talking frankly about poverty, class politics, and the challenges of everyday life, Sayle’s lyrics have always addressed the downtrodden and discarded communities across Britain slipping below the waterline. This time around, Sayle’s lost not of that social consciousness, but he’s looked at himself and his own emotional landscape, and in the process created something that feels more universal, that reaches a hand-out to people and ultimately gives a message of hope. “To me, the lyrics are less selfish,” reflects Sayle. “In the past, I couldn’t see past whatever was going on with me. It’s about accepting things and being open to conversations and learning to talk to people rather than just thinking that we’re all doomed.” The song “Talk for Hours” is a prime example of that. Born out of an afternoon meeting up with an old group of mates “repeating the same thing and not actually learning anything about each other” it offers to actually break the cycle and to listen and speak frankly about shared feelings and experiences. “Trauma Bonds”, meanwhile, traces the broken lines of those living in lost communities, but ultimately realises that despite our shared scars, there’s still hope to move on to a better future. “The message of the album is you’re not who you’re told you are,” Sayle summarises. “You’re not your class background. Whatever it is, you’re not that. Don’t resign yourself to thinking you can’t be this and you can’t be that.” It's a vitally important message right now, and one that could be the motto for not only Blending, but for High Vis themselves. Label: Dais Records Barcode: 0683950555860
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Αποτελεί τη συνέχεια των βιβλίων Release the Bats και Return of the Bats. Το βιβλίο συνεχίζει από εκεί που έμεινε το δεύτερο μέρος, καλύπτοντας αναλυτικά τα τεκταινόμενα των τελευταίων ετών αλλά και με αναδρομές στο παρελθόν. Γίνεται αναλυτική παρουσίαση όλων των συγκροτημάτων, των συναυλιών και της νυχτερινής ζωής με πλούσιο φωτογραφικό υλικό. Αυτή την πρώτη μέρα κυκλοφορίας του βιβλίου θα διατίθεται ένας περιορισμένος αριθμός αντιτύπων, ευκαιρία για όσους επιθυμούν να το αποκτήσουν άμεσα τωρα το καλοκαίρι, πριν την κανονική διανομή από Σεπτέμβριο
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A re-issue of the skull-splitting debut full length from Britain's hardcore legends. Originally released in 1982, . Originally released on the CLAY record label in 1982, this masterpiece gave inspiration to literally hundreds in the extreme metal and hardcore punk areas for the subsequent four decades and its legacy remains invaluable to this day. This album is a hurricane of wall-of-sound brutality, delivered with D.I.Y. ethics and an apocalyptic and anti-establishment bravado All time hc/punk classic. (Radiation Records)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Tote bag. (100% cotton)
Πάνινη τσάντα από 100% βάμβακι.
Διαστάσεις: Ύψος 40.οο εκατοστά.
Φάρδος 37.00 εκατοστά. -
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It’s going off and The Chisel are back to cause a bit of bovver. Following a trio of explosive singles, the band finally bring us their debut full-length album, Retaliation, on the London-based punk institution La Vida Es Un Mus. Having formed in early 2020 and featuring a crew of members with long-term associations to the London punk scene, The Chisel quickly secured a reputation as one of the most exciting bands from a pool of contemporaries that includes Chubby & The Gang, Stingray and Big Cheese. Their sound is rooted firmly in Punk but with influences that run across the board to create a distinctive blend of Oi!, anarcho, UK-82 and hardcore. Retaliation is an unmistakably British record that draws a line from 1982 up to the present day, pushing its way into your collection and torching your stereo. Opening with the agitated force of ‘Unlawful Execution’, the tone is firmly set by a song that addresses the brutality of the Met Police (“Tell me what’s the difference between right or wrong / When a copper gets to blast a lad who did nothing wrong”). ‘Come See Me’ is a ferocious ode to camaraderie in the face of mouthy boneheads and bellends. ‘Shit Life Syndrome’ is a poisoned reference to the same cynical phrase used by physicians to describe the effects of people living under poverty and in the grips of substance abuse (“How can you expect people to act nicely, they’ve all been left on the edge of society”). It’s one of many songs influenced by singer Cal’s experiences of growing up in the working-class town of Blackpool. Cal states: “Blackpool as a town is often overlooked or even looked down upon, I wanted to write lyrics which gave the people of my town a voice”. With tunes like these The Chisel show that they’ll never pull any punches. However, beyond the fury and the swagger there’s another side that plays to an additional strength; the ability to write a memorable hook. Songs like ‘Retaliation’, ‘Tooth & Nail’ and ‘Not The Only One’ could be described as modern day anthems (the latter has become a fan favourite since the arrival of their first live shows) and cement their identity as a band not to be defined by their influences. Retaliation is 14 tracks of dance floor-stomping-working class Chisel-music. Here and now, The Year of The Chisel. (La Vida Es Un Mus Records)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Defined by constant movement and dedicated to personal freedom, Turnstiles challenged us to play according to "New Rules" in 2011; "Step To Rhythm" and "Keep It Moving" in 2013; "Nonstop Feeling" in 2015 and "Come Back For More" in 2015, the latter through their 2016 debut album "Move Thru Me". Always more incentive than invitation, more liberation than restriction, Turnstile stretch out their hand again in 2018 with "Time & Space". Recorded with producer Will Yip at Studio 4 in Conshohocken, Pennsylvania, "Time & Space" marks Turnstile's Roadrunner debut and shows a band that, with a tremendous amount of heart, doesn't shy away from even the biggest language images of hardcore. Brendan Yates (vocals), Franz Lyons (bass/vocals), Brady Ebert (guitar), Pat McCrory (guitar) and Daniel Fang (drums) make hardcore punk that is young in mind and driven by youthful furor. Which aims to break down boundaries, both sonically and ideologically. Always looking outwards, "Time & Space" is the work of a band that operates without borders, is constantly growing and always moving at high speed. Stereogum: "The biggest hardcore band of the hour could be Turnstiles", Thrasher Magazine: "These guys are powerful", GQ attested: "Turnstiles are more than a hardcore band - they have a whole movement behind them". (Roadrunner Records)
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Welcome DRAMACHINE! All the way from Athen Greece. A punk project involving analogue synths, a guitar, a bass, pedals, vocals, a drum-machine, nagging, gossip and drama- telling brought to you by 3 mortals trying to survive in a world of snake-eating bats, ex boyfriends, extreme weather conditions, self-improvement freaks and low wages. A fresh combination of synth-punk and post -punk / experimental music. Taking the drum machine beat arrangements and synth-heavy patterns of wave/ post-punk, but using those as the base coat in a sound that's much more informed by experimental and avant-garde music. This record is so much more than a genre exercise or a deft melding of influences. It’s an unadjusted highly experimental and totally addictive synth wave album with hints of minimal post punk. The music ranges from dirgelike chants to ethereal pop to haunting ballads. It’s pure melancholic beauty from start to finish. Even a retro, toxic synth pop that balances on a thin line between punk rock and cold-wave electronics. DRAMACHINE offer us a challenging sound, combining both electronics and instrumentation for a truly stunning musical hybrid. Just when you think you have this band figured out you get blasted with a coldwave influence! Edgy and recklessly punky with a dash of synthpop dropped in for good measure. It’s a wild ride, but somehow it hangs together and sounds like music rather than just aimless noise-making. If you crave music that both surprises and charms, I can’t recommend DRAMACHINE highly enough. So, if you want to enjoy this, don't concentrate on the any reference points, concentrate on how they push against and defy any expectations, and you'll see what a genuinely, thrillingly exciting band DRAMACHINE is. (Erste Theke Tontraeger)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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POISON IDEA's 1990 masterpiece is back!! This double-LP set is the first authorized reissue of "Feel The Darkness" in 15 years!! -Remastered from the original 24-track analog reels by Joel Grind (Toxic Holocaust)! -Includes the original 13-song LP, plus a bonus LP of singles, b-sides, outtakes and remixes that together comprise the entire FTD recording sessions!! Side A (Original Album) 1. Plastic Bomb 2. Deep Sleep 3. The Badge 4. Just To Get Away 5. Gone For Good 6. Death Of An Idiot Blues 7. Taken By Surprise Side B (Original Album) 1. Alan's On Fire 2. Welcome To Krell 3. Nation Of Finks 4. Backstab Gospel 5. Painkiller 6. Feel The Darkness Side C (Singles, B-sides & Outtakes) 1. We Got The Beat (the Go-Gos) 2. Discontent 3. Jail House Stomp 4. The Harder They Come (Jimmy Cliff) 5. Lawdy Miss Clawdy (Lloyd Price) 6. This Is It Side D (Alternate Mixes) 1. Plastic Bomb (Alternate Mix) 2. Death Of An Idiot Blues (Thee Idiot Mix) 3. Feel The Darkness (Remix 4. Crack Smoking Freak Label: TKO Records
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With My War, the true Henry Rollins era of Black Flag begins. He was brought in to sing Greg Ginn’s songs for Damaged and with My War became a fully integrated member of the band, nudging the band towards slower tempos that emphasized their atonal freakouts. This slide towards MC5, free-jazz bust-outs put them at odds with punk rock’s insistence on short, fast rules. But it made the group a distinctive entity at a time when most hardcore punk bands were passing in a blur. Only the title track ever gained true notoriety, but tracks such as “Can’t Decide,” “Three Nights” and the eternal trudge of “Scream” make the case for Greg Ginn as one of the era’s most important guitar players. His solos are off the wall, while his riffage brings back the ghosts of early Black Sabbath at a time when Sabbath was fading from view. Rollins’ throaty, guttural vocal stabs recast the band as a formidable live outfit whose concerts were true endurance tests for all involved. (EU-SST Records/Unofficial Release)
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"Crunchy grind is what comes to mind after listening to this 30 minute monster. I’ll be honest straight up. I’m a fan of selective grind and it so happens I love exactly this kind of grind, so imagine my drooling when I first heard this. Internal Rot embody the purest traits that quality grind contains – violence and freedom. ‘Mental Hygiene’ will grab you by the collar and throw you straight into a pit of wild boars. You will be shredded into pieces in the frenzy that ‘Mental Hygiene’ creates. Musically, it is infused with punk thrash elements and the guitar tone it carries is jagged edged similar to what Insect Warfare, Wormrot, Infanticide and Death Toll 80k employ; and that is saying “it slays”. So fans who have heard these bands before should know what to expect and be ready to lap it up. Right from the first track ‘Muciferous’, the album is a gateway to unbridled anger and consequently, freedom. The 30 odd minutes get over in a blink of an eye. After absolutely four murderous tracks, the band also manages to get some groove in via the aptly named ‘Sex Everywhere’! It obviously doesn’t make sense to distinguish between songs in a top grindcore album like this, but ‘Internal Rot’ insert some slight shifts in tempo; alternating between blazingly fast and slightly slower mosh ready parts. Albeit for a few seconds, this keeps the attention of the listener and gives some breathing room like midway through ‘Nose in Neck’ and ‘Hodgkinson St.’, in order to get ready for the next round of barrage that inevitably follows. The last and the longest track happens to be titled ‘Riddled with Rage’ and it pretty much sums up the sentiment of the whole album. There is a certain appeal for grind albums like these, whose expressiveness and production attracts fans from other extreme genres." -dipym666 500 copies on smoky grey vinyl. Remastered from the original files. This is a shared release with 625 Productions, a tuxedo among suits. (Iron Lung Records/625 Thrashcore)
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Fronted by lead singer Joey Shithead, D.O.A. is one of the most important North American band from the very early days of punk ! They are often referred to as the founders of hardcore punk along with Black Flag, Dead Kennedys, Bad Brains, Angry Samoans. « Something Better Change » is their ground breaking debut album recorded between 1977 and 1980 in their hometown vancouver, canada. This is revolutionary and highly political ! This limited 40 years anniversary vinyl repress includes a gorgeous poster and the bonus track "New Wave Sucks" from 2011 Sudden Death records repress ! High quality vinyl repress housed in black inner sleeve, thick outer sleeve and including D.O.A. Band logo poster ! (Restless Empire Records)
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Psalm 69: The Way to Succeed and the Way to Suck Eggs (or as simply referred to as Psalm 69) is the common title for the fifth studio album by industrial metal band Ministry, released in 1992 on Sire Records. The actual title of the album is ΚΕΦΑΛΗΞΘ, which is made up of κεφαλή (kephal), a Greek word meaning "head", and ΞΘ, the number 69 in Greek numerals. The title Psalm 69 is used for simplicity's sake. The album gave Ministry a more mainstream audience, with the track "Jesus Built My Hotrod" receiving major airplay on MTV and various other music stations. Psalm 69 also marked Ministry's first release with guitarist Mike Scaccia, who was recruited by band frontman and founder Al Jourgensen in 1989. Sealed brand new 180 gram vinyl, issued with a printed inner sleeve with credits. (Sire Records/Rhino Records/2011)
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M’lady’s Records is extremely excited to announce the reissue of DEAD MOON’s debut album classic, “In the Graveyard”. Highly sought by rock ‘n’ roll maniacs around the globe for its breathtaking songwriting and attitude, it’s also the first release in M’lady’s 2014 reissue series documenting many different timeless albums issued by Fred & Toody Cole (also of the Rats and Pierced Arrows). This record will NOT let you go once it’s made its way into your mind: every song is a classic, almost intimidating in its poise and strength. For the uninitiated, DEAD MOON come on almost like a hybrid of the most exciting elements of Love, AC/DC, the Weeds, and the Elevators. No joke. The group are also famous for operating extremely DIY, down to the recording and mastering of their albums (famously cut on the very same lathe that cut “Louie Louie” by the Kingsmen!). “In the Graveyard” was reissued on LP by our comrades at the estimable Mississippi Records in 2011, and we’ve teamed up with them to get this compact disc edition out to you, the bedroom rebel, the night time revolutionary, the romantic with a wake of destruction in your path. Also highly recommended for everyone with a beating heart and two ears. (Mississippi Records)
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Mondo Bizarro (a misspelled version of "Mondo Bizzarro," meaning "Weird World" in Italian) is the twelfth studio album by the American punk band the Ramones, released in 1992. It is the first to feature their new bassist, C.J. Ramone, who replaced departed member Dee Dee Ramone. Label: Expreso Monofonico Discos/Unofficial
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Sarabante is a hardcore/crust band from Athens, Greece. “Remnants” is the bands debut release. The band was brought to the attention of Southern Lord by Brad Boatright of From Ashes Rise. This makes perfect sense as Sarabante has a similar burning intensity that can be heard from those legends. One of the primary focal points of the group is their consistent execution of infectious melodies. This cd is limited to 1,000 machine numbered copies. For fiends of: Tragedy, From Ashes Rise, Neurosis. (Southern Lord Recordings)
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Edition on 180-gram vinyl. Nailbomb was a mid-'90s side project of Sepultura's Max Cavalera and producer/engineer Alex Newport. Originally issued in 1994 by Roadrunner, 'Point Blank' is their only studio album. It combines the thrash-metal fury of Sepultura with the robotic industrial clangor of Fudge Tunnel, an act that was a big hit on the festival scene of the era. Among the contributing guests are other Sepultura musicians (Andreas Kisser and Igor Cavalera), Dino Cazares of Fear Factory and Ritchie Bujnowski from Wicked Death. The track 'Wasting Away' appears in the 1995 film 'To Die For' while 'Exploitation' is a cover of the English crust punk band Doom (Music On Vinyl Records)
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This is a pretty good fanclub release that I've never seen around. All the songs are in chronological order and the insert shows all the original singles artwork. Tracks A1 & A2 originally from the Cough / Cool 7" Tracks A3 to A6 originally from the Bullet 7" Tracks A7 to A9 originally from the Horror Business 7" Tracks A10 to A12 originally from the Night Of The Living Dead 7" Tracks B13 to B14 originally from the Halloween 7" Tracks B15 & B17 originally from the 3 Hits From Hell 7" Tracks B18 to B20 originally from the Die Die My Darling 12" Track B21 from the unreleased Teenagers From Mars 7" Track B22 from the unreleased Who Killed Marilyn? 12" Track B23 from the Beware 12" (Fan Club/Unofficial Release) https://youtu.be/N__rhKw2UHU
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After the wildly successful debut full length album Satyagraha (2015) the Swedish d-beat punks embarked upon a 12-month project, with one new cover track appearing on the band’s Youtube channel each month. The results were also released as a limited tape edition, and now it is time to put this concoction of old-school true metal and raw hardcore crust on vinyl. This is a one-time pressing of 1000 copies and it comes with a gigantic poster and a 6 page insert. Cover of the month” Jan. [1] – Into the crypts of Rays (Celtic Frost) Feb. [2] – Punk is love (Pisschrist) March [3] – Don’t really care (The Exploited) April [4] – 2 Skott (Strebers) May [5] – Bloodthirsty system (State Of Fear) June [6] – Krossad dröm (Acursed) July [7] – Day of reckoning ((Pentagram) Aug. [8] – Skallra för döden (Totalitär) Sep. [9] – Natsit ja kommunisti (Kaaos) Oct. [10] – Arise (Sepultura) Nov. [11] – Too old too cold (Darkthrone) Dec. [12] – Criminal trap (Anti-Cimex) Label: Svart Records Barcode: 6430050669430
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Channel 3, aka CH3, was formed in 1980 in suburban Cerritos, about 20 miles southeast of Los Angeles, with frontman Mike Magrann, guitarist Kimm Gardener, bassist Larry Kelly and drummer Mike Burton. Signing to Posh Boy in 1981, their eponymous EP had the hit ‘Manzanar,’ which was championed by John Peel on the BBC. Posh Boy founder Robbie Fields was in the producer’s chair for their excellent debut, Fear of Life, a blistering punk assault on American values. Free from the heavy metal leanings of their later work, this no-holds-barred debut is a must for all fans of So-Cal hardcore. LIMITED TO 500 COPIES VINYL REISSUE WITH FULLY REMASTERED SOUND COURTESY OF GEZA X, REPRODUCTION OF THE ORIGINAL INSERT AND ONE BONUS TRACK! Tracklist Out Of Control Accident You Make Me Feel Cheap Catholic Boy Wet Spots Fear Of Life Life Goes On Manzanar Strength In Numbers Double Standard Boys You Lie I Wanna Know Why (Radiation Records Records)
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Available for the first time on vinyl, early raw versions of classic tracks from legendary NYC Anarcho punk band Reagan Youth. One of New York City's earliest Hardcore bands, forming in early 1980, hailing from Queens NYC where they attended Forest Hills High School the same HS as the Ramones. They shared the stage with many of the other 80s legends such as Bad Brains, MDC, Dead Kennedys and the Misfits.In 1984 they released their now classic album 'Youth Anthems For The New Order' on SF label R Radical Records home of Anarcho Hardcore Punks MDC. This album predates that LP, the recordings on this album have an amazing primitive raw in your face energy and feel. A true artifact of blistering punk from the early NYCHC scene. You also get them tearing through a cover of the motorhead classic 'Ace of Spades' along with all the deluxe packaging you've come to expect from Puke n Vomit Records. (Puke n Vomit Records)
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Αθήνα. Δεκαετία του '80. Οι κοινωνικοί αγώνες εντείνονται, το ρεύμα εναντίωσης στη σοσιαλδημοκρατική καταστολή διευρύνεται και με ορμητήριο την πλατεία Εξαρχείων, βάζει "φωτιά" στο κέντρο της μητρόπολης. Ο Γιώργος Νικολαΐδης, με μια φωτογραφική μηχανή στο χέρι και με την ψυχή στο στόμα, βρίσκεται εκεί όπου γράφεται η ιστορία. Και την αποτυπώνει σε άσπρο και μαύρο. Σήμερα, κι ενώ έχουν περάσει κάτι παραπάνω από τρεις δεκαετίες, ανασύρει από το αρχείο του και μοιράζεται μαζί μας το ακυκλοφορητο υλικό του, ενώ οι άνθρωποι που βρίσκονταν "ψυχή τε και σώματι" στο κάδρο των φωτογραφιών του, γράφουν για τα Εξάρχεια, τον "χώρο", την αντιεξουσία, το Χημείο, τη δολοφονία Καλτεζά, το πανκ ροκ, τις ανεξάρτητες μπάντες, τα στέκια, τις συναυλίες... Κείμενα - μαρτυρίες, τα οποία, μαζί με τις σκληρές φωτογραφίες, σκιαγραφούν εκείνες τις πολύ ζωντανές μέρες και νύχτες επιθυμίας και δράσης. Τότε που οι καταληψίες του Χημείου αποχωρούσαν νικητές από τη μάχη ενάντια στην κρατική μηχανή, τραγουδώντας πάνω από τα οδοφράγματα, "είμαστε τρελοί κι ευτυχισμένοι"... Εκδότης: ΕΚΔΟΣΕΙΣ ΣΤΟ ΠΕΡΙΘΩΡΙΟ Σελίδες: 192 Σχήμα: 21χ15
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The predecessor to "Smash", "Ignition" has sold 625K to date. Here it is re-mastered, with every metallic power chord and sing-along chorus the way it sounded in the studio. Contains digital download card for entire album. Label: Epitaph Records Barcode: 8714092686715
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"Hard Times And Nursery Rhymes" builds on singer Mike Ness' twin footings, one in the haunted American landscapes of Hank Williams and the other in the raw swagger of "Exile"-era Rolling Stones. While these twin pillars have always been behind Social Distortion's anthemic songs, on "Hard Times And Nursery Rhymes" they come roaring to the fore, in one of the hardest rocking, most soulful albums of Ness' career. For fans of The Gaslight Anthem, Rancid, Bad Religion, Tom Petty, Bruce Springsteen and Tiger Army. Vinyl version includes two additional tracks. (Epitaph Records)
