• This is the long awaited repress of the out of print 7" originally released on S.U.R. Records. These 2 songs from NY's All Out War were originally intended for an Astor Records NYHC compilation that never saw the light of day. All Out War is a punishing display of the aggression of hardcore crossed with the brutality of metal while avoiding the shortcomings of both genres. To get a taste of All Out War's musical style, envision Carcass colliding head on with "Age of Quarrel" era Cro- Mags. Two styles as different as they come but All Out War combines the two to form an attack unmatched by today's standards. (Trip Machine Laboratories)
  • ALPINIST is a dark hardcore four-piece from Münster, Germany. lichtlaerm/minus.mensch” is crushing yet beautiful – heavy and atmospheric crust- and post-hardcore, bringing to mind the likes of FROM ASHES RISE, FALL OF EFRAFA, early ENFY etc.. They’re definitely an apocalyptic journey of sound. MASAKARI got finally a new record! Close your eyes and imagine that His Hero is Gone and Amebix got together and had a child… got it? Ok, now imagine that that child grows up in a dank room full of teenage angst, listening to nothing but Death Side and Disfear records until he is 21 years-old. Now open your eyes and what you have is Masakari, a crust punk band from Cleveland, Ohio. (Alerta Antifascista ‎Records / Halo Of Flies ‎Records)
  • Orange vinyl. Originally issued as a limited pressing CD in the 1990's authorised by the band. First time on vinyl cleaned up and remastered with brand new artwork from Andy Lefton. (Amebix Records)
  • Out of stock
    Writing about punk, especially hardcore seems to be a topic that has been passed over by most music writers. You see tons of books about the early days of punk and bands like the Ramones, Clash, Sex Pistols etc..(if you believed what those books said or VH1, punk ended they day Sid Vicous died), but very rarely do groups like Black Flag, Dead Kennedys, Minor Threat, and the hundreds others that followed in their wake get any coverage from a mainstream media. American Hardcore sets out to fill the missing piece of history that was the hardcore scene. This is an oral history of the scene as told by the author, who was a D.C. promoter and played in a band called No Trend, and interviews done by the author with the people created hardcore. He talks with some of the biggest names in the scene including: Milo Aukermen, Brian Baker, Jello Biafra, Dez Cadena, Glenn Danzig, Greg Ginn, Greg Graffin, Jack Grisham, Brett Gurewitz, Ian Mackaye, Mike Ness, Henry Rollins, Mike Watt, and many more both of larger and smaller bands spread throughout country. This personal accounts and the telling of many private and unknown stories gives the book a very intimate feel and by the end, I felt as if I understood some of the frequent contributors better and was better able to understand some of their more personal lyrics and songs. The book is divided into four parts, each with its own chapters. The first part takes a look at why hardcore happened, what were the major influences within and around the scene that prompted it to react the way it did. It discusses topics such as violence at shows, the (rightful) hatred and distrust of the police, racism and sexism in scene or more specifically why it was predominately white and male. It also talks about some of the homosexual people that helped create hardcore. The book also talks about things like straight edge, anti-fashion, people coming from middle class suburbs and stuff like that. The second part is definetly the best part. This part was about the bands and the scenes from all over the country. The best thing is that this book isn't all about the west coast or the east coast, the author attempted and made a really good effort to cover every scene from every area around the country. Some scenes and bands get more attention than others; Black Flag, Misfits, and Bad Brains each got their own chapters, and California was divided into 3 chapters, while others barely get a paragraph. When he does do the chapters on the scenes, the author starts with the bigger bands from that scene and then moves down to the smaller groups. Which is cool that he names the smaller groups along with larger ones, it does get tedious after awhile when you have never heard of some of these bands and just want to skip to the next chapter. Also this is my pet peeve through out the book, when he talks about scenes in different towns he always mentions shows his band played, especially if they were with big bands. While that's cool and I would give my left nut to see the Dead Kennedys play in their prime, let alone open for them, it got really annoying after awhile. The third part tends to drag on bit as it talks about the formation of labels, artwork, the d.i.y ethic, and media portray in movies and TV. I did learn some interesting things in this section though. For instance Belushi was the person responsible for getting FEAR to play on SNL, one more reason he is a god, and if you look during the second performance at the end Ian Mackaye grabs the mic and yells "New York Sucks!" The fourth and final section is about the demise of hardcore and why after 86 or so it became irrelevant, at least in this author's eyes, as most of the good bands quit or started new projects that were labeled "post hardcore" or "emo". A really interesting part at the end has many of the big names from the scene discussing punk/hardcore and its relevance today, and how today's scene differs from then. While some comments sounded elitist, I will give them credit that being punk during the time period 80-86 was a lot more dangerous than it is now, I have never been beaten down for the way I looked, or had cops shut down a show with tear gas and billy clubs, in some ways I feel lucky for that. He also includes a discography at the end for almost every band that recorded something, but he limits it to stuff that was only recorded in-between those magic years, or stuff that was done after 86 that the author feels was relevant. Which to me is really heavy-handed, take Bad Religion for instance, under their discography it stops after the "Back To the Known" EP, I would have included "Suffer" which was done in 87 (I think). Same with Social Distortion, with them it seems like they must have quit after "Mommy's Little Monster". Overall this book offers a very intimate and personal account of hardcore punk between the years 1980-1986. Although at times the author and contributors sound heavy handed as we started this so we are more hardcore and what not, it still is a really enjoyable read, I couldn't put it down and finished it in about a week. If for nothing else the some of the pictures are worth the price of the book alone. Some great live shots and just pictures of people hanging out and being part of the scene are cool, along with the, at times, arty pictures at the beginning of each chapter. (My favorite is called "America" and is a picture of an old worn out chair sitting in front of a busted TV set in a vacant lot). I think that anyone who is a fan of older punk bands should check this out, it gives some great background on your favorite bands and introduces you to some that time has passed over. I know I have been trying to track down some of these bands after reading about them to listen to them.
    • Paperback | 410 pages
    • 178 x 254 x 24.64mm | 824g
    • English
       
  • Amyl and the Sniffers are a punk band possessed by the spirit of seventies Australian rock. Amy Taylor (vocals), Bryce Wilson (drums), Dec Martens (guitar) are former housemates who formed the band, wrote a handful of tunes and released their debut EP, Giddy Up, all in a span of twelve hours. Completing their line up with Gus Romer on bass, the band take their cues from a diverse bunch of legends including AC/DC, Cosmic Psychos, Dolly Parton and Die Antwoord, setting out to have as much fun as possible. Their 2nd EP, Big Attraction, was released in February 2017, kicking off a stellar year for these young punks. Growing buzz around their blistering live show made the band a hot tip at Bigsound in Brisbane, while the band was added to festival line-ups including Meredith and CherryRock17. The band and were invited to join the Cosmic Psychos on their forthcoming November/December tour and capped off the year with a sellout NYE show at the legendary Tote in their home town of Melbourne. 2018 sees Amyl And The Sniffers ratchet up another couple of gears with their first national headline tour in April followed by UK shows in May, and their first North American tour in June with fellow Melbournians King Gizzard And The Lizard Wizard. (Damaged Goods)  
  • White vinyl. Anchor is a hardcore band with members spread out all over Scandinavia, yet keeping up a relentless tour schedule, always with an urge to do and see more. I’ve know these guys for years and have the deepest respect for their message, passion, and integrity so I’m amped to have them on the label. Recovery is Anchor's second full length, and the band’s debut release on React! records. This is the North American version of the album, with the European version already out on Refuse Records. Call it 90's hardcore if you will, and you might be right, but there are hints here and there of the Scandinavian heritage. Weather it's a catchy melody a'la Millencolin, or a crushing riff flirting more with the Swedish death metal scene than anything else, Anchor is bringing it all together nicely on this LP. (Refuse Records) https://peerecords.bandcamp.com/album/recovery
  • Political Vegan Straight Edge Hardcore from Sweden. It's definitely one of the highlights of the Swedish HC scene in recent years, consist past and current members of such rad bands like DAMAGE CONTROL, SET MY PATH, SMACKDOWN, ANOTHER YEAR or GERILJA. Their sound is influenced by 90's sXe hardcore bands like Trial, Unbroken, Mouthpiece or Refused, but it can also appeal for fans of such current bands like Verse or Haveheart. They're definitely on their own terms with the sound and their message of compassion and awareness. Hard-working band with impressive amount of the shows on their backs. They can ranks high among the best european hardcore acts right now! (Refuse Records)  
  • From the ashes of Damage Control (Livewire Rec) and Set My Path comes ANCHOR! Hailing from Sweden, ANCHOR plays a heavy and aggressive blend of 90’s style metal / hardcore that brings to mind bands like TRIAL and REFUSED. ANCHOR can be seen on tour almost anywhere in the world, one of the hardest working bands in hardcore today. This record compiles 11 songs of passionate, straight edge, heart filled hardcore. For Fans Of: Refused / Judge / Trial / Snapcase (State of Mind Records) https://stateofmindrecordings.bandcamp.com/album/the-singles-collected
  • Teenage Warning is Angelic Upstarts' first album, released in August 1979. One of the best albums of UK punk's second wave-featuring the essential tracks 'Liddle Towers', 'The Young Ones', 'I'm An Upstart' etc. Produced by Jimmy Pursey of Sham 69!. (Fan Club/Unofficial
  • ANGRY SAMOANS | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
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  • ANGRY SAMOANS | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
    Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Out of stock
    There’s a part during “Too High to Die”, the third track on Annihilation Time’s classic album II, where Jimmy Rose screams, “I got blood pouring from my mouth and I like the taste of it”. Over massive guitar riffs and even a cowbell, it sounds like the perfect storm of greasy 70s rock, blazing thrash and urgent 80s hardcore. You can almost feel the crushed beer cans underfoot. II stands as an American power punk rock classic now repressed in limited PURPLE VINYL! on Tee Pee Records!! Recorded in 2004 at Motorwolf Studios in Holland while the band was on tour, the album brings together the riffs of Thin Lizzy and Motorhead with the snarl of Black Flag and Siege. Forming in Southern California in 2001, Annihilation Time were ferocious and constant touring (and partying) with bands like Municipal Waste and Caustic Christ earned them a cult like following across the US and Europe. Since the band split in 2009, members have gone on to play in numerous bands including Lecherous Gaze. (Tee Pee Records)  
  • Epic Neo-Crust like EKKAIA, ICTUS, old FALL OF EFRAFA of the amazing MADAME GERMEN!!! Anopheli is a project created between friends living in different countries. Jasmine, Brian and Josh all live in California and Alex (Light Bearer, Fall Of Efrafa...) lives in London. It started off as a lovely idea of immortalising a friendship with a musical project. Anopheli is taken from the word Anopheles, the greek scientific term for Mosquito, which means "good for nothing." Our first record is called "A hunger rarely sated." This is defintly a band that reminds to EKKAIA, ICTUS, old FALL OF EFRAFA of the amazing MADAME GERMEN! please check this out! (Alerta Antifascista) https://alertaantifascistarecords.bandcamp.com/album/aa102-anopheli-a-hunger-rarely-sated-lp
  • Second LP from Anopheli. This band features members of Fall Of Efrafa, Monuments Collapse, Light Bearer continue playing epic neo-CRUST with heaps of influences of their previous bands. Outstanding stuff! (Alerta Antifascista) https://alertaantifascistarecords.bandcamp.com/album/aa109-anopheli-the-ache-of-want-lp
  • DELUXE VINYL EDITION!!! "Anti Cimex" is the self titled 1986 EP by the Swedish, D-beat, tour de force ANTI-CIMEX. SIDE A 1.Prelude E-minor / Criminal Trap 2.Time To? 3.Make My Day 4.Smell Of Silence SIDE B 5.Painkiller 6.Set Me Free (Back on Black Records)  
  • ANTI CIMEX | T-shirt

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    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
    Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Out of stock
    DELUXE VINYL EDITION!!! Superb collection of Hardcore Punk/Metal Legends ANTI CIMEX. Featuring the classic EPs “Anarkist Attack” (1982), “Victims Of The Bomb Raid” (1984) and “Raped Ass” (1983). Without a doubt Anti–Cimex were the forefathers of the Scandinavian scene. This is a must have collection! SIDE A ANARKIST ATTACK (1982) 1.Svaveldioxid 2.Heroindöd 3.Drömmusik 4.Anti-Cimex RAPED ASS (1983) 5.When The Innocent Die 6.War Machine SIDE B RAPED ASS (1983) (contd.) 7.Total Silence 8.Cries Of Pain 9.Raped Ass VICTIMS OF A BOMB RAID (1984) 10.Desperate Hours 11.Game Of The Arseholes 12.Victims Of A Bomb Raid 13.Set Me Free (Back on Black Records)  
  • Following on from our releases of "AT WHAT PRICE IS FREEDOM" and "LIVE: IN DURHAM CITY", we are proud to present a double vinyl LP anthology of the 80s recordings by ANTI SYSTEM! With all tracks being remastered especially for vinyl, this compilation takes in all the tracks from the "NO LAUGHING MATTER" LP, "A LOOK AT LIFE" 12", "IN DEFENCE OF THE REALM" 7" EP and compilation tracks from the two PAX comp LPs. This is a band authorised double LP anthology of all the classic 80s recordings, sounding better than ever before!! (Boss Tuneage Records)
  • Back in stock

    Part of the late '70s/early '80s HC/punk explosion out of the Los Angeles area, where bands like Black Flag, Circle Jerks, Minutemen, and Bad Religion originated from, Anti formed in 1979 by a then teenage Danny Phillips, better known as Danny Dean, who was the bassist/guitarist and first original vocalist, primary songwriter, and sole continuous member throughout multiple lineup changes during the past 40 years. Their 1982 debut album, 'I Don't Want To Die In Your War', was recorded and mixed by legendary producer and sound engineer for Black Flag and Descendents, Spot. It is a major example of California hardcore from the early '80s. Despite having been completely underrated, Anti's 1982 debut paved the way for a lot of California punk to come. Available again for the first time after almost four decades on its original format, with its original artwork and complete with insert thanks to Radiation Records.
    (Radiation Records)

  • Limited edition vinyl reissue of the debut album by the Anti-Nowhere League, originally issued on WXYZ Records in 1982!. Despite the obnoxious band’s reputation and the legal persecution that the group suffered due to its obscene lyrics the album remained Nº 1 for many weeks in the independent charts and it became from its release day an instant UK Punk Rock Classic!!
    (Daily Records)

  • HC/punk απο Αθήνα. (Self Released)  
  • ANTISECT | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we use for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Hailing from London via Spain and Germany, Arboricidio play raging emo crust, a visceral pandemonium of weaving guitars over heavy d-beat, bringing to mind the legends of A Coruña, Ekkaia, Madame Germen and Ictus - with vocalist Amy’s venomous scream howling across desolate landscapes of collapsing pylons, bitter winds and withered trees. Featuring a member of Morrow, Guest vocals by Alex CF, for fans of Ekkaia, Madame Germen, Gattaca, Landbridge and Hyena. (Alerta Antifascista Records) https://alertaantifascistarecords.bandcamp.com/album/aa145-arboricidio-what-we-leave-behind-lp
  • The fourth instalment in Ian Glasper’s legendary journey into the heart of UK Punk and Hardcore, ‘Armed With Anger’” explores the transformation of the UK Punk underground as the gritty 1980s gave way to the 1990s and everything that came with it. Thought by many to be an absolutenadir in the history of punk, this overlooked era still spawned many important and intriguing bands, and, as per his previous works, Glasper leaves no stone unturnedwhen exploring the inspirations and motivations that drove the acts of the time. From the likes of Therapy?, Understand and Lostprophets, who all went on to major label success after starting in humble underground bands, through to groups who released just one demo or a lone 7″ single, ‘Armed With Anger’ examines almost a hundred bands, allowing them to tell their own stories in their own words, and is brimming with previously unseen photographs and long-lost memorabilia.
    No stone is left unturned as the many disparate sub-genres of the scene are examined, from pop-punk (Goober Patrol, Panic etc) and ska-punk (Citizen Fish, Spithead), through raging hardcore (Voorhees and Assert), militant SXE (Withdrawn, Ironside)and old school punk rock (Sick On The Bus and Police Bastard), on to the birth of metalcore (Stampin’ Ground and Above All) and, love-it-or-hate-it, emocore (Fabric and Bob Tilton). The leading lights (and many more) are explored and featured, along with the politics, underground fanzines and DIY labels which were synonymous with the scene.
    A must for anyone who enjoyed the first three books, all of which were hugely successful and have become cult classic must reads for anybody with an interest in the genre, this ‘fourth book in the trilogy’ pulls together many of the threads of those volumes and brings Glasper’s celebration of the UK’s underground punkheritage to a satisfying,
    • Paperback | 704 pages
    • 155 x 233 x 33.02mm | 915g
    • Cherry Red Books