• Live In Oakland is an unofficial release of the band performing live at Oakland Coliseum Arena on October 8th 1992. Tracklist A1 Dam That River A2 We Die Young A3 Them Bones A4 Would A5 Junkhead A6 God Smack A7 Put You Down B1 Sickman B2 It Ain't Like That B3 Angry Chair B4 Man In The Box (Radio Loop Loop)
  • This is the band’s 9th studio release and their first new music in 5 years. Produced and mixed by Cameron Webb, Is This Thing Cursed? is the first Alkaline Trio album written almost entirely in the studio. It’s when the songs began to come together that the band noticed the new material forming parallels with Maybe I’ll Catch Fire. According to the band, Is This Thing Cursed? is a cousin or sibling to Fire. Co-lead vocalist and bassist Dan Andriano explains, “the songwriting process is almost like what it was back in the day. We would just kind of write a song, be excited about it, then move on. We wrote in that spirit in the studio. I really feel like we made a record that the old school fans are going to dig.” European version on 180 gram vinyl. (Epitaph / Heart And Skull Records)
  • All Pigs Must Die is a new band that is rapidly and viciously taking the world by storm! Right off the bat, their pedigree gives them an advantage. Kevin Baker (The Hope Conspiracy) is the throat and Ben Koller (Converge) is the battery. Although the band s members hail from these known modern hardcore/metal acts, they turn their more crust punk/d-beat-driven aggression outward with this band. God Is War is the first full-length studio album by the American metalcore band All Pigs Must Die. It was produced by Kurt Ballou and released on August 16, 2011 through Southern Lord Records. The cover artwork was designed by German illustrator Florian Bertmer. (Southern Lord Records)
  • All Pigs Must Die are far more than the sum of their parts, and their fusion of crust punk, hard core and metal is more ferocious than ever before. The band return with Hostage Animal and an expanded lineup, thanks to the addition of Trap Them’s Brian Izzi. Bound by a shared sonic vision, APMD is comprised of some of the most well-seasoned musicians on the eastern seaboard —Kevin Baker (The Hope Conspiracy), Ben Koller (Converge), Matt Woods, and Adam Wentworth (both of Bloodhorse). Distilling aggressive music to its purest tenets, APMD craft songs that pulverize, gnash, and whirl with a punishing delivery. APMD unleashed their first full length with 2011’s God Is War. The 30-minute rip was a nod to primeval disdain and anger. Exploring facets of human conflict one track at a time, God Is War introduced the world to a whole new spectrum of rage. In 2013, APMD upped the ante with Nothing Violates This Nature. Honing their craft with more speed and filth, APMD pushed their sound closer to the edge of the cliff. 2017 sees the release of APMD’s third full-length, Hostage Animal. Like its predecessors, Hostage Animal was recorded at Kurt Ballou’s GodCity Studio. But that is where the similarities end; Hostage Animal ushers in the most concise, yet dynamic collection of work in the band’s catalog. As a 5-piece, APMD broadens their sound without abandoning any brutality. Drawing from inspirations as diverse as Slayer, Trouble, Morbid Angel (old), GISM, Jesus Lizard, Bathory, Ulver (old), Sepultura (old), Nietzsche, Heidegger, Darwin, pessimism, fear, hatred, paranoia, THC. This is a record that will leave you with whiplash of both body and mind. (Southern Lord Records)
  • All Pigs Must Die return with a new skull-crushing opus: NOTHING VIOLATES THIS NATURE. As with the debut album: “God Is War”, NVTN was recorded and mixed by KURT BALLOU at Godcity Studios. APMD is a band committed to uncompromising sonic warfare. Its sound and lyrics assault the listener in a fury of blackened death filled anthems. Owing as much to the Cro-Mags and Discharge as Entombed and Celtic Frost. APMD mix powerful riffs, relentless tempos and a dark presence to bulldoze a grim path of destruction. The NTVTN album contains 10 violence-inducing shredders steeped in utter filth. Aaron Turner (Isis) has lent his nihilistic hand, pen and mind to develop along with the band the dark iconic artwork contained within. (Southern Lord Records)
  • Release from Cassette Store Day 2017. Limited edition of 349 hand-numbered copies. Formed in London in 1977 Alternative TV was a post-punk group known for incorporating reggae rhythms and pushing the boundaries of the definition of punk towards the experimental and avantgarde. Their first album, The Image Has Cracked, came out originally in 1978 and is a wholly unique piece of British post-punk. Beloved by John Peel, and close confidantes of Throbbing Gristle, Alternative TV is one of the most original and beguiling groups of the era. (Restless Empire Records)
  • Out of stock
    Monolith was the second full-length album by West County punk-metal ’80s anti-heroes, Amebix. One of the best crossover records the UK ever produced. Originally released in 1987, with second rate Giger-style sleeve-art, on a dodgy heavy metal label (called Dodgy Heavy Metal Records). The Power Remains was a posthumous collection of live and demo recordings, that was originally released in 1993 (and done in a much more appropriate and enthusiastic fashion) by MCR and Skuld Records. This band-released reissue combines both LPs, with lavish new gatefold sleeve artwork (competently created by Andy Lefton of War//Plague and Tau Cross). And these copies are “special record store day 2016 limited editions. Limited to 1000 copies. Housed in a gatefold jacket with a round silver sticker stating "Special Limited Edition- Record Store Day 2016". Tracks A1 to B4 were originally released as the Monolith LP. Tracks C1 to D2 and D4 were originally released on The Power Remains LP. Track D3 is previously unreleased. Tracks A1 to B4 were recorded and mixed at Sam Studios Bristol in May / June 1987. Tracks C1 C2, and C3 are demo recordings. Recorded at Cabs Studios late 1987 in 10 hours. Track C1 is a demo recording. Recorded at O.O.C. Studios, Holland 1985. Tracks D1 to D4 recorded live in the Longrace Hall Bath September 1987. (Amebix Records/2016)
  • Out of stock
    Time comes in cycles sometimes what we thought we left behind suddenly catches up with us and changes the 'Plan'. Amebix vowed never to play again after the sad ending of the band in 1987, out of steam and with little support we simply drifted apart. It wasn't until the advent of the internet that it became apparent that we had left a wake in our passing, which had in turn passed the torch on to those who would follow. There was some satisfaction in that, and also some niggling feeling that we had never really had our 'day in the sun', but as I say, time comes in cycles.Stig, Roy & I all got together for the first time in 2008, I had not picked up a bass guitar for 22 years , whilst Stig had kept his hand in with his own projects , and Roy Mayorga has barely left a drum stool since his early days in Nausea, but it was the first time that we had all met , let alone played together. The brief was to try and re -visit three songs, to see what there was left of the music that had driven us so hard when we were just kids. If it didn't work, we would all have tried anyway and had a good experience along with it. But it did work, the first track we recorded was WINTER, the first take was the one we kept, and that is ultimately the version you hear. We all stood around a bit stunned, this is easy ..lets crack into Arise!...........nailed ! As the tracks came together, we realised that a door was opening, and that we had a choice, to walk along this road again or hang up the strap for good. Personally I am glad that we walked on, 2009 was a great year , a time of celebration and re-birth, and a vindication of the body of work that we had spent ten years on, which found a home within the souls of so many good people .NGNM. A.Arise! 6:45 B i.Winter 4:59 ii. Chain Reaction 5:47 All songs written by Amebix Recorded, mixed and Engineered by Roy Mayorga o Classic Amebix tracks re-recorded with the founder members The Baron and Stig and featuring multiple talents of Drummer/ Percussionist, Producer-Engineer (Sepultura) Roy Mayorga (Nausea/ Stone Sour ) (Easy Action)
  • Out of stock
    Silent since the late 80s, Amebix, a duo of the reclusive swordsmith Rob Miller and his brother Stig have had their lineup augmented with the addition of drummer Roy Mayorga (Soulfly, Stone Sour). Sonic Mass is their first album in over 20 years and their third in total. Deluxe gatefold sleeve with spot varnish front & back : stunning artwork by Andy Lefton : full colour printed inner sheet. (Amebix Records) https://amebix1.bandcamp.com/album/sonic-mass
  • Back in stock
    Writing about punk, especially hardcore seems to be a topic that has been passed over by most music writers. You see tons of books about the early days of punk and bands like the Ramones, Clash, Sex Pistols etc..(if you believed what those books said or VH1, punk ended they day Sid Vicous died), but very rarely do groups like Black Flag, Dead Kennedys, Minor Threat, and the hundreds others that followed in their wake get any coverage from a mainstream media. American Hardcore sets out to fill the missing piece of history that was the hardcore scene. This is an oral history of the scene as told by the author, who was a D.C. promoter and played in a band called No Trend, and interviews done by the author with the people created hardcore. He talks with some of the biggest names in the scene including: Milo Aukermen, Brian Baker, Jello Biafra, Dez Cadena, Glenn Danzig, Greg Ginn, Greg Graffin, Jack Grisham, Brett Gurewitz, Ian Mackaye, Mike Ness, Henry Rollins, Mike Watt, and many more both of larger and smaller bands spread throughout country. This personal accounts and the telling of many private and unknown stories gives the book a very intimate feel and by the end, I felt as if I understood some of the frequent contributors better and was better able to understand some of their more personal lyrics and songs. The book is divided into four parts, each with its own chapters. The first part takes a look at why hardcore happened, what were the major influences within and around the scene that prompted it to react the way it did. It discusses topics such as violence at shows, the (rightful) hatred and distrust of the police, racism and sexism in scene or more specifically why it was predominately white and male. It also talks about some of the homosexual people that helped create hardcore. The book also talks about things like straight edge, anti-fashion, people coming from middle class suburbs and stuff like that. The second part is definetly the best part. This part was about the bands and the scenes from all over the country. The best thing is that this book isn't all about the west coast or the east coast, the author attempted and made a really good effort to cover every scene from every area around the country. Some scenes and bands get more attention than others; Black Flag, Misfits, and Bad Brains each got their own chapters, and California was divided into 3 chapters, while others barely get a paragraph. When he does do the chapters on the scenes, the author starts with the bigger bands from that scene and then moves down to the smaller groups. Which is cool that he names the smaller groups along with larger ones, it does get tedious after awhile when you have never heard of some of these bands and just want to skip to the next chapter. Also this is my pet peeve through out the book, when he talks about scenes in different towns he always mentions shows his band played, especially if they were with big bands. While that's cool and I would give my left nut to see the Dead Kennedys play in their prime, let alone open for them, it got really annoying after awhile. The third part tends to drag on bit as it talks about the formation of labels, artwork, the d.i.y ethic, and media portray in movies and TV. I did learn some interesting things in this section though. For instance Belushi was the person responsible for getting FEAR to play on SNL, one more reason he is a god, and if you look during the second performance at the end Ian Mackaye grabs the mic and yells "New York Sucks!" The fourth and final section is about the demise of hardcore and why after 86 or so it became irrelevant, at least in this author's eyes, as most of the good bands quit or started new projects that were labeled "post hardcore" or "emo". A really interesting part at the end has many of the big names from the scene discussing punk/hardcore and its relevance today, and how today's scene differs from then. While some comments sounded elitist, I will give them credit that being punk during the time period 80-86 was a lot more dangerous than it is now, I have never been beaten down for the way I looked, or had cops shut down a show with tear gas and billy clubs, in some ways I feel lucky for that. He also includes a discography at the end for almost every band that recorded something, but he limits it to stuff that was only recorded in-between those magic years, or stuff that was done after 86 that the author feels was relevant. Which to me is really heavy-handed, take Bad Religion for instance, under their discography it stops after the "Back To the Known" EP, I would have included "Suffer" which was done in 87 (I think). Same with Social Distortion, with them it seems like they must have quit after "Mommy's Little Monster". Overall this book offers a very intimate and personal account of hardcore punk between the years 1980-1986. Although at times the author and contributors sound heavy handed as we started this so we are more hardcore and what not, it still is a really enjoyable read, I couldn't put it down and finished it in about a week. If for nothing else the some of the pictures are worth the price of the book alone. Some great live shots and just pictures of people hanging out and being part of the scene are cool, along with the, at times, arty pictures at the beginning of each chapter. (My favorite is called "America" and is a picture of an old worn out chair sitting in front of a busted TV set in a vacant lot). I think that anyone who is a fan of older punk bands should check this out, it gives some great background on your favorite bands and introduces you to some that time has passed over. I know I have been trying to track down some of these bands after reading about them to listen to them.
    • Paperback | 410 pages
    • 178 x 254 x 24.64mm | 824g
    • English
       
  • Out of stock
    The debut album from Amyl and the Sniffers is the sound of 21st century Australia recorded in Sheffield with producer Ross Orton. It's primal and explosive with a love of glam, the 70's Sharpie movement and good time rock n roll backed with lyrics that somehow are simultaneously bleak and nihilistic, yet humorous and celebratory. The album is full of beefy riffs and stomping drums that rages and rolls and lives up to all the hype. It has attitude, sass and Amy's sore throat howl. (Rough Trade)
  • Another quality reissue on Agipunk. Ipswich/UK Anihilated formed in 1980 as Prospex and deeply involved in the anarcho-punk scene. They soon started to add metal to their music, the first in UK playing this kind of crossover along with Onslaught, Sacrilege and Concrete Sox. This 12" EP has been originally released in 1986 and for the first time is re-released on vinyl. A true gem that you need to own next to "Behind the realms of madness and "Power from hell". Original cover artwork drawn back in the days by Mid/Deviated Instinct. Comes with original insert plus a new insert with a lot of never seen pictures, commentaries and lyrics. (Agipunk REcords)
  • Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Warning! Bent corner. This live LP contains songs previously available as: Tracks A1-B2, Anti Cimex - Made In Sweden, recorded live in Gothenburg, 01.06.1990. Tracks B3-B7, Anti Cimex - Fucked In Finland - Live 92, recorded live in Helsinki 24.01.1992. (New Prejudice a2o Records)
  • Formed in Derbyshire, in early 1978 by vocalist Martin Roper and guitarist Dugi Bell, Anti-Pasti were one of the big names of the 1980-1982 wave of UK punk, lagging only slightly behind The Exploited, GBH, and Discharge in terms of sales and leather-jacketed endorsements. Their debut album, which reached #31 on the UK charts, was originally released on the Rondelet label in 1981. That classic LP is faithfully reproduced here on vinyl with the addition of four bonus tracks from their first single, 1980s 'Four Sore Points'. A milestone in UK political punk!
    (Radiation Records)

  • Back in stock

    Part of the late '70s/early '80s HC/punk explosion out of the Los Angeles area, where bands like Black Flag, Circle Jerks, Minutemen, and Bad Religion originated from, Anti formed in 1979 by a then teenage Danny Phillips, better known as Danny Dean, who was the bassist/guitarist and first original vocalist, primary songwriter, and sole continuous member throughout multiple lineup changes during the past 40 years. Their 1982 debut album, 'I Don't Want To Die In Your War', was recorded and mixed by legendary producer and sound engineer for Black Flag and Descendents, Spot. It is a major example of California hardcore from the early '80s. Despite having been completely underrated, Anti's 1982 debut paved the way for a lot of California punk to come. Available again for the first time after almost four decades on its original format, with its original artwork and complete with insert thanks to Radiation Records.
    (Radiation Records)

  • The seventh full-length ANTI-FLAG album "The People or the Gun" is the first Anti-Flag release on SideOneDummy and starts off fast and furious as Chris #2 takes aim at those who use the Bible to control the masses. If the album's second track, "The Economy is Suffering. Let It Die," isn't nearly as reckless, it's just as impassioned, as Justin Sane weighs in on the government bailouts of 2008, asking "Where are all the bailouts for the homeless and the poor?" It's just the sort of question bands like Anti-Flag were born to ask. And there are plenty of those moments on "The People or the Gun." After fulfilling their two-record contract with a major, RCA Records, the band built a studio in Pittsburgh, Pennsylvania, their hometown, to cut their first release for SideOneDummy. By having their own studio and not having to work on any schedule but their own, they feel they're able to create statements and music that is relevant and timely - on their own terms. As much as Pittsburgh has defined them, though, they've always done their best to take their message to the world at large. Drummer Pat Thetic says "It's become a main priority to put the emphasis of our band and every show we play on community, whether it be canned food drives for local food banks, raising money to build wells in Africa, which we did on our U.S. tour, or clothing drives for the homeless on our Canadian tour." In addition to raising funds for those who need it most, they've created the non-profit organizations Military Free Zone (combating a provision in the No Child Left Behind act that invades students' privacy for Military Recruitment purposes) and Underground Action Alliance (a networking site for social justice). As Chris #2 says, "This is an extension of what our vision of punk rock is, was, and will always be." (SideOneDummy Records)
  • In 1991, APATIA is already a well-recognized band in Poland, regularly playing shows and often appearing in fanzines. Ready to take the next step, they work hard new and phenomenal material that is already presented at their shows. Before the band enters the studio for the first time, new songs appear on the "Live" cassette (also known as "Literature and art in the fight against fascism") and record a demo of 11 songs, which will then be used as promo material only and send to potential publishers - Pietia from QQRYQ and Uszaty from NNNW. This never published and unknown demo of the band is now being released on vinyl exactly 30 years after its recordings. Documents the band just before recording the first album for Nikt Nic Nie Wie. APATIA of the beginning of the 90s it was an absolutely new quality in the local hardcore scene with its own characteristic style and great lyrics. For the next 20 years, we were able to enjoy the work of these guys who created one of the strongest pillars in the history of Hardcore Punk in Poland. Demo 1991 LP comes out with the anthology of the fanzine "Greencore", published in Poznan by members of Apatia - Bulwa and Matol, in the years 1989-1990 (all in Polish!). During this period, four issues were published, which - as the name suggests, combined the subject of HC (interviews, reviews, reports) with ecology and also strongly promoted vegetarianism and took up current socio-political and anti-Nazi topics. The zine published columns and comics. "Greencore" has published interviews with the bands ORANGE WORLD, S.K.T.C., KANADA, STRAWBERRY, A.P.S.F., BLOCKADE, AGENT 86, INDIREKT, AHIMSA, DER PANIK TREIBRIEGEL and ASSASSINS OF GOD. This anthology reflects the spirit of the young DIY scene of that period - enthusiasm and activism on many levels. Graphic design of the album cover and anthology: Jaroslaw Skladanek. Mastering Smok (Studio As One). One-time pressing of 309 copies. (Refuse Records)
  • Vinyl reissue of their 1982 debut album. Finnish hardcore punk rarely gets any better than this. We are talking blistering, dark-edged punk, equally influenced by British d-beat hardcore bands such as Discharge and American bands such as the Germs. (Puke N Vomit Records)
  • ARMAGEDOM "Silêncio Fúnebre" remastered for the 1st time from the original tape that was recovered last year. Includes, two sided printed insert with lyrics and photos + an A4 300 gsm mini poster with lyrics explained in English by Javier. This record was originally released by Rainbow Records in 1986. (Punk Vortex Records)
  • Sweden’s Hardcore pioneers blast back after 23 years! “Död åt kapitalismen” is their first recording since 1994 and as expected it takes no prisoners… 10 songs of raw and brutal HC combing the traditional Scandinavian approach with a solid d-beat structure. It takes all the best features of their previous works to push them to a new devastating stage… speed, anger, vitriolic vocals and a solid production makes this a total scandicore headsmasher for fans of Anti Cimex, Crude SS, Totallitär, Avskum and so on. Comes in a gatefold sleeve. (F.O.A.D. Records)  
  • UK punk band from New Mills with Lindsay, sister of Mackie from Blitz, playing the drums. Limited repress of their classic 3 track EP originally released on No Future in 1982. Oi-influenced vocals grafted onto a typical punk background. (Mad Butcher Records)
  • AVENGERS | avengers | LP

    25.00 incl. tax
    In the late '70s, The Avengers established themselves as one of the US's preeminent punk bands. Fusing incisive guitar hooks, explosive rhythms and adolescent venom, the group forged some of the most in-your-face songs of the era. Their live shows were legendary, playing up and down the West Coast and even blowing Sex Pistols off the stage at the latter's final performance. As Byron Coley writes in the liner notes, "Of the best bands of San Francisco's first wave in 1977, The Avengers were by far the coolest and youngest sounding. They roared without irony, as though this were indeed Year Zero (and, for a moment, it was) with history being overwritten by the new. The honesty of their belief was carried by their sound. And it was convincing!" Originally released in 1983, four years after the band's dissolution, The Avengers' self-titled LP is often referred to as "The Pink Album" for its magenta-hued cover design. Frontwoman Penelope Houston's iconic voice and razor-sharp lyrics resonate on anthems "We Are The One" and "The American In Me," while penetrating ballads like "Corpus Christi" reveal a truly out-of-body euphony. The Pink Album remains The Avengers' definitive statement – collecting their classic Dangerhouse EP, sessions recorded with the Pistols' Steve Jones and a half-dozen revelatory demos. While much has been written about The Avengers in the past three decades, rock critic Greil Marcus puts it succinctly, "The word I always come back to is mystical, and that remains almost theirs alone." (Superior Viaduct Records)  
  • AXEGRINDER | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Axegrinder’s influential Crust Thrash Metal release from 1988 available on vinyl with its original artwork. Rise of the Serpent Men was recorded at Lion Studios in Leeds in 1988 and released the same year. Axegrinder’s strong AMEBIX-like grind sensibility appealed to Punks and Metal-Heads alike, and the band's first and only album Rise of the Serpent Men featured artwork contributions created by Jeff Walker (of UK Metal masters Carcass). The band has gained a strong cult following in countries such as Japan over the years and has lately seen a new period of activity, with a studio album in the offing, along with plans for extensive live work. This 2017 vinyl edition of ‘Rise of the Serpent Men’ marks 30 years of Peaceville and is released as part of the early classics selection to commemorate the occasion. (Peaceville Records)