• Dallas' POWER TRIP have been making waves over the past five years after their debut 7" Armageddon Blues came onto the scene. Since then, they have toured all over the world with some of metal and hardcore's biggest acts and made appearances at numerous festivals. This 12" EP features all six tracks recorded during the Armageddon Blues recording on the A-side with a special etching on the B-side. (Triple B Records) https://bbbrecords.bandcamp.com/album/the-armageddon-blues-sessions
  • Now grown out of the bedroom and operating as a fully functional band, London via Ukraine's POWERPLANT follow up last year's 'People In The Sun' LP with this new 5 track banger. The Devo / Tubeway Army / Screamers / Lost Sounds comparisons are still there but also the weirder tracks are weirder, the faster tracks are faster and is Theo fucking crooning on the opener? One way to find out. To better days! Limited to 500 copies pressed on clear vinyl. Shoved inside a reverse board sleeve complete with lyric sheet. (Static Shock Records) https://staticshockrecords.bandcamp.com/album/a-spine-evidence
  • Out of stock
    Primal Rite is the shot in the arm the hardcore and metal scenes need. With 7"s already on Revelation Records, Grave Mistake Records, and Warthog Speak Records, plus a cassette on Pop Wig Records, the band is unleashing their debut full-length with Revelation this January. Guitars scream and solo, mixing the speed and chaos of Japanese hardcore, the crunch of Cleveland hardcore, the riffing and solos of thrash metal, and the pure, crushing power of the Floridian death-metal scene of the '90s. (Revelation Records) https://primalrite.bandcamp.com/album/dirge-of-escapism
  • Out of stock
    Again and again...after a couple years a new repress. Released initially as a one-time 7" pressing of 500 in 1988, "straight edge revenge" was released as a supplement to hardcore fanzine, Schism issue #7. PROJECT X featured members of JUDGE, YOUTH OF TODAY, SIDE BY SIDE, GORILLA BISCUITS and WARZONE! Tongue in cheek lyrics set to classic NYC-hardcore from these youth-crew allstars. Colored (red) vinyl includes a digital download card. (Bridge 9 Records)
  • Repress on classic swedish 7“ originally released via Röj records in 1985. Protes Bengt was a blast off hardcore project by Åke from Mob 47 and Per Thunell from Filthy Christians and was basically Mob 47 with Per on vocals. The band was mainly formed to break some guys who did a tape with loads of songs. Protes Bengt never rehearsed but made two recordings. The first recording contains 74 "songs" of which 32 were released as this "In Bengt We Trust" EP. Most of the lyrics are really stupid but some have serious contents. The second recording was a 12-track demo called "Bengt e sänkt", the style had change to more one beat hardcore like Heresy, D.R.I, Lärm. (Insane Society Records)
  • Washington DC is not only one of the places where USHC started , but also a place where over the next 35 years there were outstanding bands that kept the high reputation of the local scene. Protester appeared out of this vibrant local scene, firstly as a one-man project, which quickly turned into a real band and immediately become one of the best and hard hitting bands we could hear. These guys know their history and brought elements of early Boston, NYC, DCHC and late'80's Clevo or Seattle to their sound (think Confront , Brotherhood , SSD or early Agnostic Front) but they were smart enough to avoid the "retro" tag and smart enough again to make it sounding like it's now but being far from polished, overproduced and pleasant sounding. This release documents the first period of the band and it's coming out to support their European tour with Red Death (May/June 2016). It contain 15 songs (incl. Last Rights and Agnostic Front covers) that originally were released on demo tape, first 7", limited promo tape and "The Red Line" tape comp so everything right before their "No identity" 7" on Triple B records. (Refuse Records) https://refuserecords.bandcamp.com/album/the-first-two-years
  • Out of stock

    PSI COM | psi com | LP

    16.00 incl. tax
    Repress of the only EP released by the band, in which the later Jane's Addiction singer Perry Farrell played from 1983 to 1985 as a singer. Post punk at its best! (Survival Research)
  • PUNCH | push pull | LP

    17.50 incl. tax
    The Bay Area mosh-bringer unit known as PUNCH delivers their second LP - chock full of 1000mph pissedness with hammers-of-justice mosh-trocious breakdowns that can get even the the longest of the long-hairs starting the mower. A great combination of good people, intelligent and insightful lyrics, and fucking full-on pissed and fast hardcore. One of the best around. Gatefold cover and colored vinyl. The most limited color is black, followed by white/black swirl and clear black. (Assault Records)  
  • Out of stock
    Punch is a socially conscious hardcore band from San Francisco, California. They carry a recognizably spastic sound with pulverizing breakdowns, intelligent song structures, and brutal vocals. Their debut EP, "Eyeless" (2008), "Self Titled" LP (2009) and second LP "Push Pull" (2010) were joint releases on record labels 625 Thrashcore and Discos Huelga. Their 2011 EP "Nothing Lasts" was released by a partnership of 625 Thrash, Discos Huelga, and Deathwish Inc. Recorded by Jack Shirley at Atomic Garden Studios (Deafheaven, Joyce Manor, etc.) "They Don't Have To Believe" is a monster of an album. Fifteen songs that blur the lines of hardcore and grind. All of them personal, political, and uniquely unapologetic. Buzzing with an electricity that is rare to experience in today's world of heavy music. No polish, just pure rage. (Deathwish Records) https://punchcrew.bandcamp.com/album/they-dont-have-to-believe
  • Beat Generation presents a reissue of Pure Hell sole full-length album, recorded in 1978 but not released until 2006. In 1974, on the streets of Philadelphia, a band unlike any other was formed. They called themselves Pretty Poison. They had a sound so ahead of its time that the music industry was not yet ready for it. They coupled the punk sound of the New York bands of the time with a harder, faster heavy metal edge unheard before. Their unique sound was a result of Kenny Gordon's berserk choreography and Preston Morris's needling guitar riffs, while Steel and Spider added synchronized barrage with no nonsense execution to the arsenal. Inspired by the famous fuel-altered dragster, they changed their name to Pure Hell in 1975. Soon after, they moved to New York City where they played with bands like the New York Dolls, Sid Vicious, Wayne County and the Electric Chairs, The Dead Boys, The Stimulators, Richard Hell, The Germs, The Nuns, The Cramps and more. In 1978 Pure Hell headlined a tour of the UK, with bands like the UK Subs, Wilko Johnson, Vermilion & the Aces and more opening for them. While in the UK, their only original record was released. It was a single released by their manager Curtis Knight on his label, Golden Sphinx Records. The songs on the single were "These Boots Were Made for Walking" and "No Rules." The single charted in the top 40 charts in the UK. During the same year, a full length album was recorded but was never released. It did not surface again for 28 years. (Beat Generation)
  • Postpunk απο Αθήνα για οπαδούς Gang Of Four/Abwarts. 100 κοπιες μονο. (Self Released)
  • RAKTA | falha comum | LP

    17.00 incl. tax
    With a slight line up change in the drum department we see RAKTA tighten up their more tense, soundtrack natured developments alongside their more sparse and vulnerable elegance. They consistently manage to create a tripped out creep chamber with room to explore as the aura builds to nightmare crescendos juxtaposed with shaking silences. Simultaneously eerie and serene. With each new release we see more and more of what makes this group so essential in the canon of modern music. 300 copies on black vinyl and 100 on bone colour vinyl housed in a beautiful printed inner sleeve inside a heavy duty reversible cover with a vellum insert. Recorded by Fernando Sanchez. Mastered by James Plotkin. Art by André Penteado, Karlla Giratto and Rakta. Includes digital pre-order of Falha Comum. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.  USA press on Iron Lung Records. Brazilian press on Nada Nada / Dama da Noite. (La Vida Es Un Mus Records)
  • Out of stock
    Fan club repress of one of the hardest to find RAMONES LPs.
  • 40th anniversary edition on limited Blue vinyl. The Ramones' fourth studio album from 1978, Road to Ruin. Originally released on Sept. 22, 1978, Road to Ruin—at the time—was a chronicle of the Queens quartet's most dynamic sonic shift to date. With Bell rechristened as Marky Ramone and Tommy splitting his production duties with Ed Stasium and managing the group, the fourth Ramones LP boasted a much looser grip on the relentless machine gun punk that defined the New York City punk rock sound in the mid-70s, featuring complex chord changes and a closer reach towards the '60s pop feel which was always at the core lead singer Joey Ramone's rebel heart. Featuring the iconic cover art of Punk Magazine founding editor John Holmstrom based on a fan-made drawing, not only does Road contain one of the Ramones' most enduring street hits "I Wanna Be Sedated," the original 12-track mix also featured maneuvers that were aimed directly at attaining the group more radio airplay, including a pair of ballads in the heartbreaking lament "Questioningly" and a sincere rendition of the 1963 Jack Nitzsche and Sonny Bono composition "Needles and Pins." The fire of the Gabba-Gabba-Heyday was present in the kinesis of blistering tracks like "I Wanted Everything," "I Just Wanna Have Something to Do" and "Bad Brain" (where the legendary DC hardcore band got its name, btw). But it's the lean towards the Ramones' affinity for Phil Spector's Wall of Sound that makes Road such a vital title in the group's canon. (Ron Hart)
    • 180g Vinyl LP • Superior 2017 remastered audio
    (Rhino Records)
  • Despite carrying on the celebratory tone of The Ramones' debut and Leave Home in the likes of Sheena Is A Punk Rocker, Cretin Hop a tribute to dirty Rockaway Beach and covers of The Trashmen and Do You Wanna Dance? Their third LP from 1977 displays a dark humour that's less jokey than the previous releases' goofs on bad mental health and dysfunctional relationships. the group's best-produced of its first three releases, rocket achieves an almost smooth texture thanks to a clean mix and increased use of Beach Boys-inspired vocal harmonies.
    The Ramones ignited the punk-rock movement with their eponymous 1976 debut album, revitalizing rock and roll at one of its lowest ebbs with attitude, energy and a loud, fast new sound. By cutting music down to its bare essentials – four chords; a simple, catchy melody; a sped up tempo and irresistibly inane lyrics, the Ramones blazed the trail for thousands of bands that followed, influencing everyone from The Clash and The Sex Pistols to Green Day and The Offspring. Although The Ramones never achieved mainstream financial success, they released 21 live and studio albums, had a devoted fan base and were inducted into the Rock & Roll Hall of Fame in 2002. • 180g Vinyl LP • Superior 2017 remastered audio
    (Rhino Records)
  • RAMONES | same title | LP

    19.00 incl. tax
    The Ramones are the first punk rock band. Other bands, such as the Stooges and the New York Dolls, came before them and set the stage and aesthetic for punk, and bands that immediately followed, such as the Sex Pistols, made the latent violence of the music more explicit, but the Ramones crystallized the musical ideals of the genre. Pressed on 180-gram vinyl with all original replica packaging, including printed inner sleeves. Lacquers cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. (Sire Records)
  • 20th Anniversary Edition. Audiophile 180 gram vinyl. Remastered from original tapes. Includes giant poster + lyric sheet. Absolutely classic punk album from Tim and the gang, released on Epitaph Records in 1995. About half of Rancid's present day live set is comprised of songs from this album. Singles at the time included Time Bomb, Ruby Soho, Olympia, WA and Roots Radicals. However, Journey to the End of the East Bay, The 11th Hour, Maxwell Murder and Old Friend have become Rancid classics in their own right. (Epitaph Records)
  • RANCID | let’s go | CD

    8.00 incl. tax
    Rancid's second LP, released in 1994, is disarmingly good from start to finish. With roots set firmly in their Berkeley punk rock origins, on Let's Go Rancid set out with heart, soul and vehemence to reach new heights in their music. Some of the highlights are "Salvation," "Radio," and "Nihilism," but all the of the songs bristle with the unmatched signature of Tim Armstrong's intensely evocative writing style. Recorded in their hometown of Berkeley CA, at legendary Fantasy Studios and mixed in Los Angeles at Westbeach Recorders, Let's Go foreshadows the ground breaking success that would be found on their next record, And Out Come the Wolves. (Epitaph Records)
  • RANCID | same title | CD

    8.00 incl. tax
    From its ominous, xeroxed album cover, to the barely legible lyric sheet to the sheer chaos invoked by the music, Rancid 2000 (as the second self-titled LP has come to be known) is "paint-peeling punk rock of the highest order." Produced by long-time friend and producer Brett Gurewitz, most of the 22 songs clock in at well under two minutes, and there are absolutely no ballads. Guitars are driven to within inches of meltdown, the bass burns with the signature maniacal virtuosity of Matt Freeman, and the vocals are delivered with raging conviction. Rancid's hardest, fastest record to date! (Hellcat Records)
  • Like a steel girder to the forehead, incomes SCREAMS FROM THE CAGE. 19 minutes of brutally up front and relentlessly rowdy hardcore punk, that slams a firm British stamp on the classic Swedish Hardcore blueprint. This wrecking ball sits somewhere between the 80’s Hudiksvall sounds of MISSBRUKARNA, the damaged NO FUTURE confessions of THE PARTISANS and the sheer rock and roll audacity of the SKITKIDS. Back to back riffs that’ll stick to your brain like the glue at the bottom of your bag and steaming drums blasts that’ll plough through your skull like a juggernaut driven by a maniac high on amphetamine. Mylo Oxlo provides the artwork once again, perfectly capturing the claustrophobic animosity of the Rat’s latest 12 song romp and rampage. Fittingly dropping on the year of the Rat while the Tory’s take a strangle hold of the U.K for another 4 years. Hold onto your seat, feel the burn and don’t you dare turn this fucker down. (La Vida Es Un Mus) https://lavidaesunmus.bandcamp.com/album/screams-from-the-cage
  • Less than a year and a half after their debut Rata Negra from Madrid release their sophomore album. Made up of members from Juanita Y Los Feos and La URSS this trio have a strong work ethic and deal in super catchy and upbeat punk. On Justicia Cósmica, Rata Negra have upped the pop element in the songs and the production is stronger and chunky, without losing any of the raw elements. Again the whole sound is immersed in the darker and morbid side of post punk but mixed with the uptempo nature and tunes and of La's X and Gorilla Angreb. Like on their debut, it's love at first listen. Justicia Cósmica was recorded and produced by the legendary Paco Loco and as in previous releases the sleeve was designed by the band’s guitarist Fa Feo who also took care of the lyric insert. (La Vida Es Un Mus) https://lavidaesunmus.bandcamp.com/album/justicia-c-smica-lp
  • One year after their “Justicia Cósmica” LP RATA NEGRA are back with a two song single of dark pop perfection. On the A side the Madrid power trio puts music to a poem of José María Gabriel y Galán (1870-1905) turning its melancholic prose into a mid tempo punk beauty with surf guitars and deep bass tones bringing to mind the almighty GOLPES BAJOS on speed. A chance meeting of Spanish Costumbrism and kitsch as seen on the song’s video. The flip side “Problemas, No” brings back to life VIDEO’s minor hit from 1983 updating the Synth Pop of the original to a sharp upbeat punk jam which will have you dancing your shoes off. Recorded in Madrid at Metropol and mastered at London’s Finyl Tweek La Hija Del Sepulturero comes housed in a sleeve designed by the band’s Guitarrist Fa with help from Vocalist Violeta and includes a lyric insert. (La Vida Es Un Mus Records) https://lavidaesunmus.bandcamp.com/album/la-hija-del-sepulturero-e-p
  • Out of stock
    One of the greatest albums by these iconic Brazilian Thrash/Punk champions back on vinyl after more than 20 years from its original pressing... Brutal, aggressive Hardcore/Crossover from South America's finest, kicking asses since 1981! Produced by Billy Anderson (Neurosis, Sleep, Brutal Truth, Melvins, Fantomas etc) in 1997 now specially remastered for vinyl to ensure the best dynamic impact and enriched with 1 exclusive bonus track that was previously appearing only on the CD version. Restyled sleeve + insert with lyrics and never seen before photos of that time. If you got the previous RxDxPx releases on FOAD ("Periferia", "Descanse em paz", "Feijoada acidente", "No money no English") you know you can't go wrong with this! (FOAD Records)
  • Out of stock
    Ratos De Porão's Crucificados Pelo Sistema (1984) contains all the fury, the frustration, the rage and the pain of four young ones against the system in a country that was in the midst of a change from Third World to trying to fitting into a new social order. The projected image of Brazil with its beautiful mulatas, exotic beaches and tropical fruit drinks filled them with disgust, living there in one of the most dangerous cities in Latin America. Their reality was brutal and they wanted to scream it at the entire world. Sixteen songs were formed on the same base as what would later be called "D-beat." The Finnish bands from the '80s were really important in the Brazilian punk scene, just as Discharge was. Simple, fast and straight to the point. Two classic songs have been added for this special occasion, recorded for the classic Ataque Sonoro compilation (which also contains Brazilian pioneers such as Virus 27, Colera, Armagedom or Lobotomia, amongst others). 180 gram vinyl. Housed in a gatefold with pics and musings by Gordo. (Beat Generation Records)