• Out of stock
    “BEER CITY SKATEBOARDS AND RECORDS is proud to reissue THE FACTION – Epitaph 12”. This is the fifth FACTION record ever released. Originally coming out in 1986. This reissue has been restored and remastered for a louder, better sound then ever before! This features a brand new front and back cover as a sick inner sleeve complete with lyrics! To top it all off only 1500 of these will be pressed and on clear vinyl for RSD 2016. Featuring legendary pro skater (and founding member) Steve Caballero! Hear THE FACTION blaze through 7 classic songs that helped to define what would become known as Skate Rock. Just give this a listen and you can hear why THE FACTION is legendary and a pioneer of the Skate Rock genre. This is the band that was on the Skate Rock cassettes. This is the band that’s song “Skate and Destroy” was in the opening of the first Bones Brigade skateboard video. This is the band name and logo 100,000’s of skaters world wide would write and paint on their decks, grip tape, school folders and skate spots! Even today their music is featured in many skateboard documentaries and was even used in a commercial that aired during Superbowl 49. THE FACTION are quit alive and well and still playing out to this day!”
    • Vinyl Color: clear
    • Pressing Qty.: 1500
    (Beer City Records)  
  • The Fix was one of the earliest hardcore bands in the Midwest and one of the first to release a record for Touch And Go. Blazing away with the Necros and the Meatmen, The Fix is part of the foundation of what would become Touch And Go. This collection of recordings will be released on both CD and vinyl and includes both early Touch And Go singles, the track from the "Process Of Elimination" track, a few demo tracks from the "Jans Room" sessions and live tracks from a 1981 tour. (Touch & Go Records)
  • Out of stock
    Finally available again Texas punk classic ‘Panacea’ 12” plus four unreleased tracks! This is the secret story of this crazy record… “Originally, the 12” was recorded in 1981 at Wells Sound in one day, & mixed on the next. The band leader, guitarist Christian Arnheiter decided to record “Houston”, originally done by Dean Martin, in direct response to Wendy O. Williams’ amazing cover of Bobby Darin’s “Dream Lover”. It turned out to be one of the better decisions he’s made over the decades; people still ask to hear it at shows. And besides, what could possibly be a better tribute to the city that is the home of The Hates? Christian penned “Also Watched” specifically for this album, thinking along the Big Brother lines of spy satellites watching us as if we were the enemy. He was really proud of Lawrence’s drumming for that song.“Nuclear Age”, “Science’s Fiction”, “Punk 1301”, “This Year’s Model”, & “What Am I Living For?” rounded out the recording. As an experiment for this 12”, Paul suggested that they slow down the tempo on “This Year’s Model” even though they never played it that way live. And here’s an interesting note: this record was pressed in the same plant in Florida that helped to put out the Bee Gees & Eric Clapton albums the year before. Because Paul left to fulfill his psychiatry internship in Austin & Lawrence went on to get a higher education as well, Panacea was released without that lineup to represent it. While the record was being pressed by one company, the sleeves were printed by another company, & a third company printed the lyric sheets. When everything arrived, what could have been a boring job putting all those discs into sleeves turned into a little fun. Christian’s mother’s boyfriend, Lazaro, ended up helping out; he even took the finished 12” to a company down the street to get them shrink-wrapped. In fact, they actually put him in front of the machine & had him do it. How punk rock is that? Literally putting together your own album!” (Christian Arnheiter) So… after this… are you ready to get his album?! (Rave Up Records) https://thehates1.bandcamp.com/releases
  • Out of stock
    The Hives’ 1997 debut “Barely Legal”made available on vinyl again. After being out of print for years, we celebrate the 20th anniversary of the landmark album by releasing it on heavy quality black vinyl. The Hives’ debut shot thru the punk community like a runaway locomotive, with faster-than-fast blistering punk that had the punks cheering and raising bottles and cans, but left most of the mainstream going “oh...wel...uhm what?” (Burning Heart Records) https://vimeo.com/73582300
  • Veni Vidi Vicious re-released on silver vinyl. Rousing, stompin' garage rock from these Swedes, with plenty of mod and frantic punk energy to keep you grooving along. Party Party! they seem to be saying, and you just want to join. This is definite change-up from the usual hyperspeed pop-ska-punk dross offered on Epitaph. Perhaps this arises from the fact that these guys are only distributed on Epitaph and yet are actually on the Burning Heart imprint. Plenty of fuzzed, struttin', propulsive guitar work on this disc to assault your ears. Well worth your time to take a spin. More records like this need to exist. (Burning Heart Records)  
  • Out of stock
    While Montego Bay natives Jackie Bernard, his brother Footy Bernard and cousin Lloyd Kerr recorded under various guises in the early '60s, their collective arrival as The Kingstonians in 1967 marked a sea change not only in the vocal trio's productivity and popularity, but also in the emerging Reggae sound. The Kingstonians made several chart-topping singles between 1968 and 1970, including the massive hit "Singer Man" whose success ultimately led to the release of their sole LP, Sufferer. Originally issued on Trojan, Sufferer collects a dozen of The Kingstonians' best-known songs. Produced by Derrick Harriott, these truly boss sounds would pack dancehalls on the island as well as become the soundtrack for working-class youth across '70s Britain. The title track remains a classic of the early Reggae era with impeccable arrangements, stuttering organ and soul-steeped lyrics. The Kingstonians' shift away from Rocksteady modes is perhaps most apparent on the aforementioned "Singer Man" – an irresistible forward groove, prompting a deeper danceability that is rightly centered on real feeling. Antarctica Starts Here presents the first-time domestic release of Sufferer. Reproducing the original sleeve design, this reissue is part of an archival series that focuses on Trojan's essential '60s and '70s catalogue. Liner notes by Laurence Cane-Honeysett. (Antarctica Starts Here Records)  
  • Out of stock
    Black leather, spikes and chains, The Lewd is, as Dirk Dirksen put it, "One of them kind of acts." Their 1982 album, "American Wino," is violent, ugly, perverse and frightening. The songs betray a bleak and ominous vision of American life seen through the eyes of youth without hope of a future. This is not the San Francisco sound of the '60s, but rather the belligerent sounds of these Seattle transplants' fight for survival on the gritty streets where the dejection of last generation's Utopian failures meets the stark realities of economic deprivation. This is fast, jarring and furious punk rock at its finest. Long languishing in obscurity due to its rarity, the reissue of this seminal LP makes it a compulsory component of any punk rock record collection. (Fan Club)  
  • THE MOB | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
  • Rave Up records is proud to announce an LP of one of the greatest US punk bands of early days… THE MOLLS, from Boston!
    Led by an electric bassoonist who looked like a cigar-smoking Fidel Castro and spouted lyrics like modern poetry, the Molls were a free-minded group from Boston, playing everything from jazzed rock and punk to space junk. Scream Baby Scream, an anthology, features Molls’ recordings from 1976-1979. The vinyl collection surveys the band’s stylistic battles and includes tracks from their unreleased album for Rat Records, live dates, basement studio, and their still-sought-after, punk-blitz of a single, “Black Sheets, White Stains” – the Molls only previous release. (Rave Up Records)
  • Οι Mushrooms δημιουργήθηκαν σε μια περίοδο που τα πάντα στη χώρα μας, βιωνόντουσαν ακραία και διαφορετικά, κάπου στα μέσα της δεκαετίας του ’80. Μας άφησαν κληρονομιά δύο δίσκους πραγματικά rock ‘n’ roll διαμάντια. Bουτηγμένα στο punk, τη ψυχεδέλεια και το garage, δεν άφηναν κανένα περιθώριο αμφισβήτησης. Στίχοι και κιθάρες, λεπίδια κοφτερά μέσα σε μία άκρατη ευγένεια, τα “Taste of” (1986) και “Scarecrow Princes” (1989) υπήρξαν δίσκοι ορόσημα για την ελληνική ανεξάρτητη σκηνή. Aν και η μπάντα συνεχίζει να δουλεύει σε νέα κομμάτια, περνάει μια παρατεταμένη περίοδο αδράνειας που τα μετέπειτα γεγονότα την έκαναν οριστική. Το "Sinner" περιέχει 4 demo κομμάτια γραμμένα το 1991 στο studio "Αγροτικόν" (Sinner - As tears go by - Eyes wide open - In true mental). Στο μπάσο ο Argy (Eκτός Ελέγχου - Blackmail). Scarecrow Princes: 300 αντίτυπα σε μαύρο βινύλιο. (Labyrinth Of Thoughts Records)
  • Οι Mushrooms δημιουργήθηκαν σε μια περίοδο που τα πάντα στη χώρα μας, βιωνόντουσαν ακραία και διαφορετικά, κάπου στα μέσα της δεκαετίας του ’80. Μας άφησαν κληρονομιά δύο δίσκους πραγματικά rock ‘n’ roll διαμάντια. Bουτηγμένα στο punk, τη ψυχεδέλεια και το garage, δεν άφηναν κανένα περιθώριο αμφισβήτησης. Στίχοι και κιθάρες, λεπίδια κοφτερά μέσα σε μία άκρατη ευγένεια, τα “Taste of” (1986) και “Scarecrow Princes” (1989) υπήρξαν δίσκοι ορόσημα για την ελληνική ανεξάρτητη σκηνή. Aν και η μπάντα συνεχίζει να δουλεύει σε νέα κομμάτια, περνάει μια παρατεταμένη περίοδο αδράνειας που τα μετέπειτα γεγονότα την έκαναν οριστική. Το "Sinner" περιέχει 4 demo κομμάτια γραμμένα το 1991 στο studio "Αγροτικόν" (Sinner - As tears go by - Eyes wide open - In true mental). Συνολική διάρκεια 18 λεπτά σε 12'' βινύλιο. Στο μπάσο ο Argy (Eκτός Ελέγχου - Blackmail). "Sinner": 300 αντίτυπα σε μαύρο βινύλιο. (Labyrinth Of Thoughts Records)
  • Οι Mushrooms δημιουργήθηκαν σε μια περίοδο που τα πάντα στη χώρα μας, βιωνόντουσαν ακραία και διαφορετικά, κάπου στα μέσα της δεκαετίας του ’80. Μας άφησαν κληρονομιά δύο δίσκους πραγματικά rock ‘n’ roll διαμάντια. Bουτηγμένα στο punk, τη ψυχεδέλεια και το garage, δεν άφηναν κανένα περιθώριο αμφισβήτησης. Στίχοι και κιθάρες, λεπίδια κοφτερά μέσα σε μία άκρατη ευγένεια, τα “Taste of” (1986) και “Scarecrow princes” (1989) υπήρξαν δίσκοι ορόσημα για την ελληνική ανεξάρτητη σκηνή. Aν και η μπάντα συνεχίζει να δουλεύει σε νέα κομμάτια, περνάει μια παρατεταμένη περίοδο αδράνειας που τα μετέπειτα γεγονότα την έκαναν οριστική. Το "Sinner" περιέχει 4 demo κομμάτια γραμμένα το 1991 στο studio "Αγροτικόν" (Sinner - As tears go by - Eyes wide open - In true mental). Στο μπάσο ο Argy (Eκτός Ελέγχου - Blackmail). Taste of: 300 αντίτυπα σε μαύρο βινύλιο. (Labyrinth Of Thoughts Records)
  • Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
  • Nipple Erectors (and their more politely named abbreviation, the Nips) their first ever legitimate LP vinyl. To be fair, we've been asked many times to do reissue the Nips on vinyl down the years. So, what you get on this new Nipathon LP are both sides of each of the group's three Soho singles, each one a perfect example of Great British Punk. Plus you have two tracks - again from the first sessions - that saw light of day for the first time on the vinyl BBB+B. You also get the young Shane MacGowan in fine growling form, a young and renowned punk about town and still very much the "King Of The Bop" rather than the "King Of The (alcoholic) Pop" that he later became in his years as a Professional Irishman and frontsperson of Pogue Mahone/The Pogues. (Now there's a good bit of trivia for you - Shane might well be the only person in the world to have fronted two bands that have had to shorten their name to avoid public outrage, and to get their records played on the radio!). You also get Shane's then best gal Shanne Bradley, fresh from being preserved for posterity (allegedly) as the subject of the Sex Pistols' mighty Satellite and learning to become the pretty good bass player that she eventually did become as a member of the Pogues' 80s contemporaries the Men They Couldn't Hang. You get 20-odd minutes of uproarious music that has stood the test of time rather better than has a lot of 1978's 'new wave' outpourings - including at least two undisputed genre classics in the anthemic (Gab-gab-gab) Gabrielle and the wild garage riffola of All The Time In The World. And, most of all, you get the musical answer to Mr MacGowan's time-honoured question that's been baffling music historians for a quarter of a century, "Why do - theycallmethekingofthabop?" No need to bother with the answers on a postcard. They're all here. Still want bovver? Then you're in the right place for it. Come and have a go if you think you're hard enough... (Ace Records)
  • The predecessor to "Smash", "Ignition" has sold 625K to date. Here it is re-mastered, with every metallic power chord and sing-along chorus the way it sounded in the studio. Contains digital download card for entire album. (Epitaph Records)
  • THE OFFSPRING | smash | LP

    20.00 incl. tax
    The Offspring's metal-inflected punk became a popular sensation in 1994, selling over four million albums on an independent record label. While the group's credentials and approach follow the indie rock tradition of the '80s, sonically they sound more like an edgy, hard-driving heavy metal band, with their precise, pulsing power chords and Dexter Holland's flat vocals. Featuring Holland, guitarist Kevin "Noodles" Wasserman, bassist Greg Kriesel, and drummer Ron Welty, the Offspring released their self-titled debut album in 1989. Four years later, their second album, Ignition, became an underground hit, setting the stage for the across-the-board success of 1994's Smash, which still holds the record as the biggest selling indie release of all time. (Epitaph Records)
  • Out of stock
    Finally reissued on vinyl! For their second album, first wave U.K. punks the Outsiders decided to move on from the home-recorded D.I.Y. sound of their first LP and ventured into a proper recording studio for the first time. However, they didn't use the occasion to slather gloss on their music, and while 1978's Close Up does sound cleaner, richer, and more precise than 1977's Calling on Youth, the production is admirably lean and straightforward, and if anything, the arrangements are less tricked up than on the group's debut, with fewer acoustic guitar overdubs and a sleek, speedier approach that makes room for Adrian Borland's guitar heroics. By this point in the Outsiders' career, Borland was reportedly growing tired of the confines of the punk template (he'd break up the band to form the Sound before the year was out), and in many respects, Close Up sounds as much post-punk as punk; there are a few straightforward pogo rockers like "Vital Hours," "Count for Something," and "Out of Place," but the phase-shifted atmospherics and anti-racist lyrics of "White Dept." point to a more musically ambitious vision, while the slower, blues-infused "Keep the Pain Inside" snubs its nose at punk orthodoxy, and the nervous social commentary of "Semi-Detached Life" and "Conspiracy of War" are short on sloganeering and long on thoughtful observations of an off-kilter world. While Borland was clearly feeling his oats as a soloist, his melodies here are smart, strong, and to the point, while his vocals are effective and free of pretense, and bassist Bob Lawrence and drummer Adrian James are a splendid rhythm section, adding just the right amount of texture and color while driving the songs with authority and no-frills style. Close Up hardly sounds like the work of a band on its last legs; this is powerful, efficient rock & roll that has aged far more gracefully than most of the bands in the U.K. punk class of 1978. (Mad Butcher Records)
  • Long time unavailable debut album of The Restarts is now again on vinyl! Fast and energetic punk + excellent lyrics, that is The Restarts. (Papagájův Hlasatel Records) https://www.youtube.com/watch?v=hf6SyjnHxMg
  • The sixth album from UK based politically charged punk band The Restarts. Their time, toil and devotion to empowering and improving the lives of people, locally and globally - both as a band, and as individuals in the work they do outside of the band is something not to be ignored. Their usual brand remains solid relentless thrash punk, ska anthems and back to basics old school punk. (Pirates Press Records) https://therestarts.bandcamp.com/album/uprising
  • Drawn up by some of the most unsavory souls in the Boston, MA underground hardcore scene and reinforced by members who have done time in infamous area bands like Mind Eraser, Righteous Jams, Mental, XfilesX and many others, The Rival Mob have become the darlings of the current hardcore scene, inspiring shameless violence and playing high on the bill at the most important hardcore festivals in America: This Is Hardcore in Philadelphia, Sound And Fury in California, and Chaos in Tejas in Austin, TX. In between serving time with their current other projects World War 4, Give, No Tolerance, and Boston Strangler, the band will be playing on both coasts highlighted once again by the big summer festivals as well as their first-ever trip across the Atlantic to Europe. The band's Revelation Records debut picks up right where their previous EP, "Hardcore For Hardcore," left off, with vocalist Brendan Radigan spewing venom at the ills that plague both the outside world and the scene itself, all delivered over fast, stage dive-inspiring hardcore that brings to mind the best of mid-to-late '80s New York hardcore bands like Youth Of Today, Warzone, and Breakdown. Vinyl version includes digital download. (Revelation Records)
  • The Ruts are an English reggae-influenced punk rock band, notable for the 1979 UK Top 10 hit "Babylon's Burning". This release compiled two The Ruts albums: - "In a Can" (2000) album of demos from three sessions in the period before they signed to Virgin. Fox, Jennings and Ruffy compiled and remastered this release, and also supplied liner notes. The sessions date from 25 April 1978 (8-track Fairdeal Sessions), 20 February 1979 (Underhill Studio) and Mystery Studio Sessions (early 1979). - "Live & Loud" originally released in 1987 as part of the Link Records Live & Loud series. Deluxe Double LP package on Limited edition coloured vinyl. (Let the Eat The Vinyl)
  • THE SAINTS | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
  • IN THE SUMMER is a collection of eight songs recorded on four track reel to reel during 1977, and then four more during 1978. They were a band that came together in the early Toronto punk/new wave scene, fronted by dual excellent singer-songwriters, and became a great band that was even more underground than the others there at that time. This legendary anthology includes fan-favorites “Do The Wait,” “O Boy,” “Wild Trout,” “I Killed Marx” and the title track. (Rave Up Records) https://thescenics.bandcamp.com/album/in-the-summer
  • Out of stock
    Back in stock
    Compiled by Ben Blackwell of Third Man Records, previously only available as a limited edition at the TMR record stores in the US only. The Stooges first LP with a bonus LP including tracks lifted from the deluxe Stooges CD box. Includes some tracks appearing on vinyl exclusively for the first time. Record Store Day 2018 exclusive "The Detroit Edition" with bonus LP of alternative versions, extended jams and unused mixes. Limited edition of 8'000 copies, 180 Gram Vinyl, Gatefold. (Elektra)
  • THE SUBHUMANS | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.