• THE SUBHUMANS | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
  • THE UNDERDOGS were a crackin' UK82 band from Leeds. Fans of their single on Riot City will be pleasantly surprised by the more melodic tracks from their two brilliant demos recorded between 1982-83. Some of these might even rival their most famous tune "East of Dachau". 34 years later Common People Records proudly presents for the first time on vinyl these two demos and the Riot City single. All tracks were remastered in 2015. Limited edition to 520 copies - Spanish Import. (Common People Records) https://commonpeoplerecords.bandcamp.com/album/cpr011-the-underdogs-the-punk-demos-collection
  • "Double Seven, released by Trojan in late 1973, was the last album Lee 'Scratch' Perry would release on the label for some considerable time, and it was essentially the final album project he put together before establishing his own Black Ark studio. Opening track 'Kentucky Skank' sets the tone with a slow creeper whose frying sounds underscore its role as a praise song to the Colonel's KFC recipes; the cosmic Moog blips come courtesy of Ken Elliott at Camden's Chalk Farm studio, also prominently featured on U-Roy's double-tracked, stereo-panned gambling ode 'Double Six.' David Isaacs' 'Just Enough' was cut a few years prior, which makes it slightly out of phase with the rest of the set, though the enigmatic 'In The Iaah' sounds mightily fresh, with its uncredited chorus said to come courtesy of the Wailers. Perry's own 'Jungle Lion' has hilarious roars from the maestro at the start, strangely grafted atop a reggae re-make of Al Green's 'Love and Happiness.' (Antarctica Starts Here Records)  
  • "The inventive record producer and vocalist Lee 'Scratch' Perry was involved in every musical shift of note in his native Jamaica, from the rhythm and blues that pre-dated the arrival of ska in the early 1960s through the slower and more spacious rocksteady style that appeared mid-decade and, of course, the frenetic sound of reggae, which he helped to birth as an independent producer during the late 1960s. Operating as 'The Upsetter' from his base in a downtown Kingston record shop, Perry found his greatest success with instrumental music during this phase, the organ and saxophone re-castings of standard vocal issues proving exceptionally popular overseas. "Scratch The Upsetter Again surfaced early in 1970 as a largely instrumental set, but with dreamy reverb a hefty feature and keyboards veering away from standard organ motifs. Dave Barker, who was soon to hit the pop charts as part of Dave & Ansel Collins, tackles The Shirelles' 'Will You Still Love Me' in soul reggae mode, only for Perry to shift things towards the emerging dub spectrum with 'Take One.' "As Perry inched ever closer to the dub experimentation he would turn into an art form at his own Black Ark studio later in the decade, Scratch The Upsetter Again shows him moving away from the standard approaches of his competitors in his quest to test the very limits of recorded sound. And reggae was all the richer for it." – David Katz (excerpt from the liner notes) (Antarctica Starts Here Records)  
  • The Varukers… this band is a legend. If you’ve never heard about them, please do your homework. Originating long back in 1979, Varukers, along with Discharge, were the first to pummel the d-beat style of hardcore punk we know today. This is the raw and aggressive, fist-pounding sound that made punk loud and political. With its intensely raging guitars and galloping drums, everything these guys have ever produced is a staple in UK punk that deserves our attention. Damned and Defiant is the first new VARUKERS since 2005. The album features the seminal line up that was part of the hugely successful "Nothings Changed" era of the early 90s. Rat Martin, Biff Smith, Brian Ansell & Kevin Frost. (Nunny Dave Records)  
  • Legendary The Vibrators and their Energize album from 2002 are now available for all collectors and vinyl lovers. 16 great songs of traditional Vibrators pop-punk.
    (Papagájův Hlasatel Records)
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    Punk music, at its most effective, its most important, exists at a nexus of a few simple but important ideas. Punk needs to be youthful, it needs to be reactionary, it needs to be short-lived and it needs to be controversial. So for a group of twenty-something Australians, excitable as the frontline first wave of kids responding to both the Ramones and the Sex Pistols (yet still influenced by the New York Dolls and Stooges and Flamin’ Groovies), who existed for but barely for a year from 1977-1978 and wrote songs about serial killers, high school girls and hating disco…well, I’d argue they are the most perfect punk band ever. The band was Dave Flick (aka Dave Faulkner later of the Hoodoo Gurus) on guitar and vocals, Rudolph V (Dave Cardwell) on bass and James Baker on drums. Best known for their classic “Television Addict”, that song is but the tip of the iceberg of the band’s powers. Having self-released two godhead 7-inches during their brief existence, the seven songs on those singles are absolute cannon at this point. Quintessential, pure, unfuckwithable. Of particular note is the blast beat, proto-hardcore velocity of “Perth Is A Culture Shock” an ode to the band’s isolated hometown, unreleased at the time, which presages the vibes that would emanate from Black Flag, Minor Threat and Negative Approach in just a few years. And all that is just side one of the LP. Side two contains a bounty of unreleased-for-decades demos of nine otherwise undocumented Victims originals. Demos in name alone, these properly recorded songs brim with all the identifying marks of the known Victims classics…irreverence, taking the piss, murderers and an invigorating youthful attitude. The sheer perfection of songs like “Horror Smash” and “I Wanna Be With You” only further cements how essential the Victims were…that even their outtakes are A+ prime material. -Ben Blackwell The LP comes in a handsome gatefold foil-stamped cover. (In The Red Records)  
  • Gloom Ballet delivers twelve infectious tracks drenched in the band’s ‘80s UK post-punk (Death Cult, Killing Joke, Chameleons) and SoCal deathrock (T.S.O.L., Samhain) influences. Recorded by Puscifer guitarist/producer Mat Mitchell, Gloom Ballet was mastered at Audiosiege by Brad Boatright (From Ashes Rise, Tragedy, Alaric, Arctic Flowers) and the artwork by Rebecca Sauve. Convulsive & chaotic LA Death Rock. (Southern Lord Records)  
  • Formed in 1976, the Zeros were one of the pioneers of the Southern California punk scene that included bands such as the Germs, X, and the Weirdos. They released their now classic first singles 'Wimp' b/w 'Don't Push Me Around' and 'Beat Your Heart Out' b/w 'Wild Weekend' on Bomp in 1977 and 1978. This album includes all their vintage studio recordings, singles and demos. (Bomp! Records)  
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    Few bands in the past three decades have proven as affecting or exciting as the Misfits, the ferocious horror punk outfit that lurked in the shadows of suburban New Jersey and released a handful of pivotal underground recordings during their brief, tumultuous time together. Led by Glenn Danzig, a singer possessed of vision and blessed with an incredible baritone, the Misfits pioneered a death rock sound that would reverberate through the various musical subgenres that sprung up in their wake. This Music Leaves Stains now presents the full story behind the Misfits and their ubiquitous, haunting skull logo, a story of unique talent, strange timing, clashing personalities, and incredible music that helped shape rock as we know it today. James Greene, Jr., maps this narrative from the band's birth at the tail end of the original punk movement through their messy dissolve at the dawn of the 1980s right on through the legal warring and inexplicable reunions that helped carry the band into the 21st century. Music junkies of any stripe will surely find themselves engrossed in this saga that finally pieces together the full story of the greatest horror punk band that ever existed, though Misfits fans will truly marvel at the thorough and detailed approach James Greene, Jr. has taken in outlining the rise, fall, resurrection, and influence of New Jersey's most frightening musical assembly. Format Paperback | 208 pages Dimensions 154 x 228 x 15mm | 299g Language English
  • Nothing to prove, nothing to gain, exorcising our demons, baring our pain. UKHC veterans Tied Down hail from the North East of England and feature ex and current members of Voorhees and Break it Up. This is their debut release of 6 songs of old school hardcore that features aggression, rawness and melody all put into a musical blender and spat out into your face. FFO early NY and Boston hardcore punk with a distinct UKHC feel. Hardcore punks never die they just get angrier with age!! Co-release between Refuse Records and Sakari Empire. https://refuserecords.bandcamp.com/album/s-t-7ep-2
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    'Tommy McCook' or, as it was known on its initial release in 1969, 'The Skatalite', is a collection of some of the greatest ska tunes ever put to tape. Recorded By Arthur "Duke" Reid at his legendary Treasure Isle Studios - named after the family run liquor store that the studio was above on Bond St. in Kingston, Jamaica - these classic recordings feature Roland Alphonso, Don Drummond, Rico Rodriguez, and all the original Skatalites. Also including some classic vocal appearances from some of the biggest names in ska history: Justin Hines, Stranger Cole, and Millicent "Patsy" Todd, the album is a perfect blend of Skatalites instrumentals and vocal tracks. Ska is the heartbeat that created the worldwide cultural phenomenon that is reggae music and at the very center of the ska universe you will find Tommy McCook and The Skatalites; dig here on some of their most historical and influential recordings, and start skanking! (Radiation Roots)  
  • There's not really that much to say about Sweden's Tortyr other than if you like your crust bassy and dirty as hell then you'll love them. Musically, they're a mix of punk and crust with a tiny hint of death metal that goes a long way to surpassing the likes of genre luminaries Skitsystem in the heaviness stakes. As with a lot of this type of music, however, it tends to get a bit samey after a few tracks. Thankfully, Tortyr do offer a little in the way of variation, although not nearly enough. "De blindas lakej" kicks off like an oldschool Swedish death metal effort, and doesn't sound a million miles away from something you'd expect from an early-90s Entombed. For me, at least, it's the track of the album and showcases an aspect of this band that they should really explore. Vocally, there's some work to be done here. It's just too shouty-screamy and, although that's the style generally used for this type of music, it's clear that these guys would benefit greatly from the odd death-growl passage here and there. It's more of this type of variation -- both musically and vocally -- that could elevate Tortyr to greater recognition and see them output a truly monstrous album. Here's hoping for next time... (D-Takt & Råpunk Records)
  • Finally, a new deep cut from Melbourne’s visceral post-punk band Total Control. Typical System, their second LP, was written, recorded, created over the past two years and is set for US/Worldwide release via Iron Lung Records on June 24th and self-release in Australia/New Zealand on June 20th. Total Control emerged from Australia’s dynamic punk scene in ’08, releasing a succession of 7”s that developed from an aggressive post-punk band sound to studio forays into electronic forms from minimal wave to house. Their debut LP, Henge Beat, was commended as one of the few records released in 2011 that evaded the ease of classification and competent tribute act status of most modern bands. Subsequently, they have released three very different records: a split 12” with Thee Oh Sees, a 7” single on Sub Pop and a house remix 12”. Typical System develops on the incongruent demands of their debut LP and ensuing releases, a further development on their continually evolving sound. (Iron Lung Records)
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    Give Praise Records is psyched to release #USA4TFD, the new album on all formats from TOTAL FUCKING DESTRUCTION! 13 nihilistic tracks of utter disbelief! Musical ritualizations of aggression! Catchy blasts of sound falling off the edge of the world into a chaotic abyss of unique and original grind! Jazz/noise chaos that thinks fast and speaks to the slow motion apocalypse we are all now living. Says Hoak: "We live in the future now, an instant forever. We gotta stay loud...". (Give Prise Records)
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    TOTALITäR | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we use for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
  • TOXIC HOLOCAUST | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
  • TOZIBABE | dezuje | 7”

    10.00 incl. tax
    Black vinyl limited to 150 copies + big 24-page booklet with interviews, reviews, photos, etc. TOŽIBABE was one of  the best thing that could happen to the HC/punk scene in the eighties. They were not only the first HC girl band in ex-Yu and one on the few in the world, but they were also a really good gang with something to say and had fun doing it. This can be seen in their low-budget music videos which in some of the freshest and best played in ex-Yu during that period. They were probably seen as pretty weird by a lot of folks when they started out but grew to be both loved and appreciated. Their only EP is called "Dežuje" and was released in 1986. With it's somewhat simply musical style, dark tones and introverted lyrics it stands strong even today. After nearly 30 years NE! Records in collaboration with FV Records, who released the original EP, are releasing a this pearl once again. This time a little bit more exclusive and with a 24-page booklet. Limited ptessing of 600 copies on black vinyl. This release is very deluxe and took a real labour of love!!! (NE! Records)
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    TRAGEDY | vengeance | LP

    14.00 incl. tax
    Official Repress of the second TRAGEDY Album on Skuld Releases, this time in the original package of the US Pressing (Tragedy Records) - This is the sound of impending doom! The songs are epic, melodic, powerful and crushing - all at once!! Tragedy is fast and extremely heavy hardcore with melancholic melodies and pissed off as fuck vocals. I would say that this record is even better than their first one, even when I thought that this is not possible. You can taste the athmosphere of the songs, while the music crawls under your skin - awesome! (Skuld Records)
  • Traitre are a Oi Punk band from Lille, France. Unique, melancholic, Oi-tinged punk-rock and grim, radical political lyrics. Two new songs. (Self Releasesd)  
  • Widely known for their full-length record “Are These Our Lives?” TRIAL was a band who, at the time they were coming up from 1995-1998, were largely ignored and underappreciated. These were not the years of big shows and epic photographs. These were the years of five to thirty people at each show, and long drives motivated by a love of hardcore. During the mid 1990’s, there were hundreds of bands with a message and it was easy to get lost in the sea of them all, but TRIAL was one of the few who stayed true to what they had to say. On these recordings, their earliest material leading up to the recording of their LP, TRIAL formed the foundation of what was to come. These early songs are raw and forceful, each making a statement about an issue, cause, or emotion which the band felt was important to share on behalf of all listeners. As was true throughout their time together, TRIAL always had other people in mind, and these songs, infused with both a love of hardcore and a passion for social involvement, were their statement on behalf of those people everywhere. This double LP contains songs that originally appeared on their demo (1995), "Through the darkest days" 7" (1996), and "Foundation" 7" (1997), "I'm still screaming - live" 7" (1999), as well as two cover songs - one of them for a first time on vinyl. In addition, for the first time ever in print, the release contains a 28 page booklet featuring singer Greg Bennick’s tour journals from that time which document the experience of touring in the 90’s along with insight into the internal workings of the band. (Refuse Records) https://refuserecords.bandcamp.com/album/the-early-years-2xlp-2
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    TURBONEGRO | apocalypse dudes | LP

    22.0024.00 incl. tax
    The classic Turbonegro albums, re-released on Indie Recordings; first out Apocalypse Dudes, originally released in 1998. Apocalypse Dudes is the fourth album by the Norwegian band Turbonegro. It is the first studio album with Euroboy as the lead guitarist and the last before the band disbanded in December 1998. Released in early 1998 in Norway and Germany, the album was a huge success for the then underground band. The legendary Turbonegro played their first ever concert in Copenhagen in February 1989, so this year sees the 30th anniversary of this extraordinary band. Indie Recordings are immensely proud to announce that we have obtained the rights to release the Turbonegro catalogue on limited edition coloured vinyl (on never before released vinyl colours), standard vinyl and CD. (Indie Records)
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    TURBONEGRO | ass cobra | LP

    22.0024.00 incl. tax
    The classic Turbonegro albums, re-released on Indie Recordings; Ass Cobra is their third full-length. It was first released on Boomba Records in Germany May 1996 and in 1997 on Sympathy for the Record Industry in the United States. The legendary Turbonegro played their first ever concert in Copenhagen in February 1989, so this year sees the 30th anniversary of this extraordinary band. Indie Recordings are immensely proud to announce that we have obtained the rights to release the Turbonegro catalogue on limited edition coloured vinyl (on never before released vinyl colours), standard vinyl and CD. (Indie Records)
  • Party Animals is an album by the Norwegian band Turbonegro released in April 2005. It is the final album in the Apocalypse trilogy. The bonus DVD contains the Hank von Helvete workout video (Hank in a gym, showing how to lift weights etc.): 'A guide to the perfect deathpunk body'. (Abacus Records)
  • TURBONEGRO | retox | CD

    10.00 incl. tax
    Retox is the Norwegian band Turbonegro's 7th album. This is the first release under the band's newly created Scandinavian Leather Recordings. The album was released on June 11, 2007. (Cooking Vinyl Usa)