• Out of stock
    Philadelphia’s DEVIL MASTER’s roots in ritual magick have never been more prominent than on their highly anticipated new album Ecstasies Of Never Ending Night. Recorded live to analog tape by Pete DeBoer (Blood Incantation, Spectral Voice), Ecstasies expands on the warped riffing and dark atmospheres that have already propelled DEVIL MASTER as one of the underground’s most unique and unfettered bands. From the band’s blackened punk maelstrom of “Acid Black Mass” to the spiraling death rock of “Abyss In Vision” and the layers of refined atmosphere on the closer “Never Ending Night”, lead guitarist Darkest Prince of All Rebellion shines across a collection of fiery, tumultuous riffs - Lyrically, vocalist Disembody Through Unparalleled Pleasure laces Ecstasies with life-affirming blasphemy and existential dread. Ecstasies of Never Ending Night witnesses DEVIL MASTER at its core. Vocalist Disembody Through Unparalleled Pleasure has assumed the role of bassist, strengthening the songwriting alongside Darkest Prince and founding member/rhythm guitarist Infernal Moonlight Apparition. Fresh blood was required and found in drummer/keyboardist Festering Terror in Deepest Catacomb (a.k.a. Chris Ulsh of Power Trip and Iron Age). Ecstasies of Never Ending Night proves to be a crucial addition to the pantheon of evil satanic metal. In the end, magick reigns! Comes in single-pocket jacket with fold-out insert. Violet Vinyl. (Relapse Records)
  • One of all time great albums. ''Searching For The Young Soul Rebels' captures the original eight-piece group infusing passionate self-belief into songs based on 60s mentors Geno Washington and Jimmy James. Rowland's expressive voice is perfectly matched by pumping horns and punchy rhythms, but the intensity of their performance ensures the set never falls into pastiche. Each song bears the stamp of a manifesto, one that was largely Rowland's, a myopic vision that brought this line-up to an acrimonious, premature end. Celebrating it’s 40th anniversary this year, this is the debut album from new-wave band Dexy’s Midnight Runners. The album has a surprising history, with band members stealing the original tapes and only returning them once EMI raised their royalty rates. The album received widespread critical acclaim and is featured in The Guardian and NME’s 100 Best Albums lists. (Parlophone)
  • This is the second vinyl edition of Dezerter seventh album, originally released in 1994. "Ile procent duszy" is probably the best, and surely the most popular record the band made in the 90s. As usually, very inspirational and packed with their bold punk message. ‘Originally released in 1994. I vaguely remember this coming out, as Dezerter were on my radar due to my association with Maximum Rocknroll, who released some Dezerter material stateside. Unlike a lot of stuff that was being passed off as punk from that time period, Dezerter were definitely punk, not emo, not “pop punk,” not crust, not jock metal. Punk. They didn’t sound like anyone else, either, in an era where bands were formed to sound as much like other bands as possible (think of all the Born Against, Nation Of Ulysses, NOFX, and Fugazi clone bands from the time; check your local cut out bin for proof). The songs are mainly mid-tempo, often catchy, and they experiment with reggae in the song “Ostatnia Dub.” They vary the tempos and moods, making for an interesting listen the whole way through. This was the work of a band that spent time thinking about their music and how they wanted to present it. My favorite track on here is “Dezerter.” The tempo is more aggressive, varied, and it’s a more powerful song as a result. Plus, it stands head and shoulder above the rest due to how much variation they have in the song. It’s more raw and primal. “Underz w Polityke (Strike the Politics)” is a tense cooker as well. The steady beat with the snarled vocals over the top is a winner.’ Razorcake (Pasazer Records)
  • Out of stock
    Full recording of the legendary gig of Dezerter from Jarocin Festival 1984! One of the most important documents of the golden years of Polish punk rock on double vinyl! The material was carefully reconstructed from two sources (console and recording from "air") and includes all 26 songs played that day by the band, a row with the organizers, elements of a hot happening appearing on stage and electrifying , though sometimes the ambiguous atmosphere of the festival at that time. A total of over 70 minutes of audio material. "Still Living Man" had its premiere in 1984 on a cassette tape, released by the illegal publisher Tank Records, established by the band. Although it was not available in any store, the team produced several hundred of the cassette. The next copies were made by the supporters of the band. In fact, this is Dezerter's first full-length material. Fully showing the energy and rebellious intelligence of Polish punk rock. In spite of the limitations of censorship, Dezerter skillfully scored the system's abnormalities. Despite how deeply rooted these pieces are in the realities of the communist PRL, it is impossible to take away their universal qualities. For some, this album will be a fascinating document, for others a hint on how to treat contemporary reality as well. (Pasazer Records)
  • Out of stock
    Another MUST have! Polish all time punk classic a debut Dezerter "Underground Out of Poland" album. At first this album was released on vinyl only by Maximum Rock'N'Roll in U.S.A. in 1986. "Spytaj milicjanta" song has appeared at "World Class Punk" compilation released by Roir in U.S.A. Joe Shithead from D.O.A. helped to release this album and wrote a liner notes. The band decided not to change the music, no remasters, no fancy tricks. BUT - most of the cover and the inlay have been reworked, which includes: proper lyrics and translations, gatefold inlay poster and new design. No collection is complete without this one and I'm not too nerdy to say something like this out of the blue. (NNNW Records) https://www.youtube.com/watch?v=VUIreyP9llE
  • Years in the making, the follow-up or maybe even companion piece to 2015's "Positive Energy", "Positive Disintegration" sees the band with a bit more of a pop zap to the ever present post punk dreariness of modern Berlin life... Or even modern life at large as most of the lyrical content has to do with the monotony of barely getting by or trying to have a meaningful exchange with a remotely interesting person. These things are hard to come by most of the time and this music eats at that very feeling. It's almost enough to make you wanna throw in the towel and move to Spain without a care in the world to haunt your remaining days. You probably won't though, you'll most likely listen to this record while you sip your overpriced room temperature coffee drink whilst ordering new bulbs for your anti depression lamp from a major online retailer. It just feels like life is getting away from you, ya know? Dark. 200 copies on translucent orange, 550 on black 140gr vinyl housed in a 24pt reverse board jacket with lyric sheet, poster and download card included. Recorded at DongXuanProductions. Mastered by Daniel Husayn. Art by Yuta Matsumura and Made Ollosp. (Iron Lung Records)
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    The long awaited debut full length has finally arrived. And the wait was well worth it. Diät have worked, worked and reworked these 8 songs until they were perfect. Who is this band you ask? Let us introduce you: "Brought together by a shared enthusiasm for bleak UK punk and a history of playing in hardcore bands, Berlin based DIÄT have created a sound that they have described, perhaps not entirely seriously, as ‘tough new wave’. Fans of Crisis, Killing Joke and The Mob (UK) should be pleased by the band’s unlikely synthesis of depressive drift and cranked, accelerated energy. ‘Positive Energy’ was recorded last Winter while huddled in a practice space overlooking the industrial landscape of frozen East Berlin, the album finds Diät reining in the threads of malignant enthusiasm still peppered throughout their earlier recordings (both 7"s previously released on this fine imprint) to focus on the cynicism and dejectedness that binds them as a band." Packaged in a high quality reverse board jacket with a 12 page lyric booklet only available in this version of the LP. All copies on black vinyl. The download comes with the "Hurricane" video as well. (Adagio830 Records/2015)
  • Hyperactive Ramones-influenced cartoon punk rock from Los Angeles, 1979. One debut LP that made the history in the genre. Frantically fast and short versions of Black Sabbath's 'Paranoid', " the Monkees' "She," and Barry McGuire's "Eve of Destruction" along with a few unforgettable hits like 'You Make Me Ape (You Big Gorilla)' and 'Give It Back'. A must for all California Punk completists! (Survival Research Records)  
  • Out of stock
    Throughout the 80s and into the 90s, Milwaukee’s Die Kreuzen challenged audiences by pushing the boundaries of what a hardcore band could do, experimenting with sounds far removed from the constraints of the genre. The band broke up in 1992, leaving behind four full lengths, a slew of singles and compilation appearances and an incredible amount of influence. For the remainder of the decade, its members went on to pursue other projects, both musical and otherwise. Meanwhile, the band’s legendary status began to quietly grow amongst musicians and music fans alike. Two classic LP on one CD. 1 - 14 October File, LP (1986) recorded at Multi-Track Studios, Detroit, October, '85. 15 - 34 Die Kreuzen, LP (1984) (Touch And Go Records)
  • DIE KREUZEN | T-shirt

    14.00 incl. tax
    Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
  • Radiation Roots presents a reissue of Dillinger's Marijuana In My Brain, originally issued in 1977. In the early 1970s, top-ranking toaster Lester Bullock got his start on the El Paso sound system in the mean streets of western Kingston. Initially known as Young Capone, since he was a protégé of the better-established Dennis Alcapone, he was renamed Dillinger by Lee 'Scratch' Perry, the first producer to record a significant number of tracks with the youth. "Dub Organiser" and "Tighten Up Skank" were somewhat popular when released in 1973 and there were individual tracks cut for Phil Pratt, Augustus Pablo, Prince Tony Robinson, and Joe Gibbs, as well as Studio One, who issued his debut LP, Ready Natty Dreadie, in 1975. By then, Dillinger was recording a series of singles for hit-making producer Bunny 'Striker' Lee, particularly on Johnnie Clarke's rhythms, though recordings for Channel One and the CB 200 album were what catapulted him into overseas consciousness in 1976, once the outstanding single, "Cocaine In My Brain," reached the European pop charts. Marijuana In My Brain dates from 1977 and placed the toaster over some of the Striker's hottest rhythms, previously utilized for Clarke scorchers like "Satta" and "Poor Marcus" (along with the odd Ronnie Davis track); Clarke's reading of "Going To A Ball" is here transformed into an ode to the Bouncing Ball, then one of the most popular clubs for black Londoners, and his "African Roots" anthem gets the Dillinger treatment too. Of course, the title track was the biggest hit of the bunch, an ode to the 'wisdom weed' driven by cosmic space synth overdubs. (Radiation Roots)
  • Jagjaguwar is honored to reissue the band's first three albums, Dinosaur, You're Living All Over Me/i> & Bug, on vinyl. Originally released on the venerable Homestead and SST labels in the 1980's, the reissues stay true to form and include the cardinal track lists. (Jagjaguwar/2020)
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    From start to stop this is pure rage in the truest sense. The Denver Wolfpack has been running strong for a while now and if the likes of ASBESTOS, SNARLING HATE, CITY HUNTER, PITBUL, COMBAT FORCE or VEIL II have caught your ear in recent times, then you need this in the arsenal as well. The sound of boots crushing skulls. No frills, no nonsense hardcore punk. Recorded by James Trejo. Mixed/mastered by Will Killingsworth. Art by Sam. The pack is small but the bite is hard. European edition comes with different artwork by Brett E. USA edition out on Iron Lung Records (Quality Control Records)
  • Back in stock
    In 1994 punk rock fanzine writer Welly Artcore jumped in the van with legendary British punk band CHAOS U.K. for a two month tour around the U.S. Four years later he did it all again with his own band, FOUR LETTER WORD, this time also travelling across Canada. From the impossible drives, to scrapes with the authorities, and the bands they shared stages and floors with along the way, often with nothing more than the name of a club on a scrap of paper that turned out to be a disused unit in an industrial estate, they somehow made most of the gigs. All the while, he did something so many others don’t, he wrote it all down. 'Directions to the outskirts of town' is a candid and humorous account of life on the road packed into a 6” x 9” paperback with over 300 pages, over 250 unpublished colour photos, flyers and illustrations, and a foreword by Kaos of CHAOS U.K. This great new punk rock tour diary, packed with anecdotes and photos, comes with a poster and bookmark. The first printing of the books are shipping out right now. “Initially I gave Chaos U.K. a five year shelf life. Twenty five years later and I am still screaming” -Kaos of Chaos UK. Format Paperback | 328 pages Dimensions 156 x 234 x 23mm | 617g Publication date 28 Jun 2021 Publisher Earth Island Books Language English While still in high school, after finding out what a fanzine was from the pages of Maximum Rock’n’Roll he began creating his own, Artcore, in late 1985, printing a few dozen copies of the first issue on the high school photocopier in January 1986. He continues to publish Artcore to this day with 40 issues and 16 vinyl fanzines released to date. From 1991 he was in numerous punk bands and has 20 releases and numerous tours under his belt. He also ran two D.I.Y. punk rock record shops/stalls, Damaged Records (2004-2008) and the aptly named Ghost Town Records (2012-2014) in Cardiff, Wales, and was involved in promoting and making flyers for gigs and all-day charity benefits in Cardiff and Newport from the 1980s onwards. After the tours he visited the U.S. numerous times with his family before relocating to Arizona in 2018.
  • The entire discography of this shortlived but influential early nineties anarcho punk band from Glasgow, Scotland. This is fast-paced and shredding anarcho punk with little excursions into the crust-punk genre here and there. Dual fe/male vocals and alot of (sadly still) lyrical topics of todays society. DISAFFECT releases most their material via NABATE RECORDS from Belgium as well as FLAT EARTH RECORDS from the UK. Both labels were pioneering the nineties DIY punk wave alot with bands like ONE BY ONE, HIATUS, SEDITION, UNHINGED etc etc. DISAFFECT stopped playing in 1994 and members moved on to other projects such as SCATHA and QUARANTINE. In 2019 the band reformed with a new rhythm section to play occassionally the one or the other festival. The DISAFFECT discography includes the "An Injury To One..." 7" EP from 1992, the split 7" with SEDITION from 1993, the "Home Of The Brave" 7"EP from 1993 (reissued 3 times!) and their 1994 released debut LP "Chained To Morality" as well as the ultra rare split 7" with BIZARRE UPROAR also from 1994. As a bonus you will find the best tracks of the 1991 "Demotape" with the missing tracks available as download. Housed in a beatifully crafted Gatefold-sleeve with additional 16 pages booklet including lyrics and linernotes. THIS PRESSING IS LIMITED TO 550 COPIES (Ruin nation Records) https://ruinnationrecords.bandcamp.com/album/still-chained-discography
  • A re-issue of the skull-splitting debut full length from Britain's hardcore legends. Originally released in 1982, the album is a hurricane of wall-of-sound brutality, delivered with D.I.Y. ethics and an apocalyptic and anti-establishment bravado. All time hc/punk classic. (Radiation Records)
  • Out of stock
    A re-issue of the skull-splitting debut full length from Britain's hardcore legends. Originally released in 1982, the album is a hurricane of wall-of-sound brutality, delivered with D.I.Y. ethics and an apocalyptic and anti-establishment bravado. All time hc/punk classic. Tracks 15-23 are bonus single versions not on the original release. Tracklist 1 Hear Nothing See Nothing Say Nothing 2 The Nightmare Continues 3 The Final Blood Bath 4 Protest And Survive 5 I Won't Subscribe 6 Drunk With Power 7 Meanwhile 8 A Hell On Earth 9 Cries Of Help 10 The Possibility Of Life's Destruction 11 Q: And Children? A: And Children 12 The Blood Runs Red 13 Free Speech For The Dumb 14 The End Bonus Tracks 15 Never Again 16 Death Dealers 17 Two Monstrous Nuclear Stockpiles 18 State Violence State Control 19 Dooms Day 20 Warning 21 Where There Is A Will There Is A Way 22 In Defence Of Our Future 23 Anger Burning (Captain Oi/2007)
  • The Nightmare Continues' was recorded at Tunstall Town Hall, Stoke-on-Trent in 1983 by legendary hc punk rock band DISCHARGE. Originally issued by Clay Records in 1990, it features Discharge favourites such as 'Never Again', 'Decontrol', 'Why', 'realities Of War', plus many more! (Let Them Eat Vinyl Records)
  • DISCHARGE | why | CD

    16.00 incl. tax
    A No.1 Indie chart topper when originally released in 1981, this was a 10 track mini LP first issued by collectable Clay Records. We’ve added 14 bonus including the Indie Chart hit singles ‘Realities Of War’ (No.5, 44 weeks), ‘Fight Back’ (No.4, 46 weeks) and ‘Decontrol’ (No.2, 44 weeks) to what has already been generally acclaimed as THE UK Hardcore Punk record. The influence this album and Discharge have had on the world-wide Punk movement is impossible to measure – they started a whole genre of “Discore” bands and have been covered by so many Punk and Metal bands (Metallica, Sepultura, Machine Head, Soulfly and Anthrax to name a few) – Punk Rock does not get rawer then this! Tracklist 1 Visions Of War 1:39 2 Does This System Work 1:16 3 A Look At Tomorrow 1:55 4 Why 1:10 5 Maimed And Slaughtered 1:06 6 Mania For Conquest 1:15 7 Ain't No Feeble Bastard 1:29 8 Is This To Be 1:31 9 Massacre Of Innocents (Air Attack) 1:23 10 Why (Reprise) 1:49 Bonus EP Tracks 11 Realities Of War 1:09 12 They Declare It 1:12 13 But After The Gig 1:15 14 Society's Victim 1:14 15 Fight Back 1:17 16 War's No Fairytale 1:17 17 Always Restrictions 1:18 18 You Take Part In Creating This System 1:16 19 Religion Instigates 1:38 20 Decontrol 2:35 21 It's No T.V. Sketch 1:33 22 Tomorrow Belongs To Us 1:33 23 Maimed And Slaughtered (Live - Apocalypse Punk Tour 1981) 1:21 24 Decontrol (Live - Apocalypse Punk Tour 1981) (Captain Oi/2007)
  • Out of stock

    DISCHARGE | why | LP

    16.00 incl. tax

    Released in 1981 and packed with amazing anthems like "ain't no feeble bastard" DISCHARGE struck the middle ground between the dark, angry worldview and raw emotion of underground punk and the rowdy rock'n'roll of the better metal bands - when told DISCHARGE sounded like MÖTÖRHEAD, they replied, "they sound like us".
    (Radiation Records)

  • Legendary Disbeat band from Japan. Split up after the death of the band's leader Kawakami from an overdose of alcohol and sedative. Live and demo recordings. Tracks A1-A9: live at C.S. Kochi-City 4/11/'98. Tracks A10-A14: Total Dis-Lickers demo '98. Tracks B1-B13: live at unknown place, December '92. 304 copies made. Hand-numbered. Comes with insert. Tracklist A1 Fear Of The War A2 War Is Insanity A3 In Agony A4 Future Extinction A5 The Aspects Of War A6 Why Isn't There War A7 Endless War A8 Torture 2 A9 Conquest A10 War Is Insanity A11 In Agony A12 Future Extinction A13 Despair A14 Standard B1 Never B2 No Religion B3 Terror Struck B4 Explosion B5 It's No TV Sketch B6 Destroy B7 The Report Of... B8 Horrendous B9 Nightmare B10 Conquest B11 Attack The Enemy B12 Anti-War B13 Victims (Liberation Records/Unofficial Release)
  • 20 Track 2LP compilation remastered and pressed on Colour Vinyl. Presented in gatefold sleeve with printed inner sleeves and poster. It was 1977, there may well have been “knives in West 11”, but at a student’s hall of residence in Leicester, a packed room of cross legged intellectuals were about to witness the debut of The Disco Zombies; Andy Ross on vocals and guitar, Geoff Dodimead on bass, Johnny ‘Guitar’ Hawkins on guitar and Andy Fullerton on drums. They were loud, fast and they had some witty one-liners. The four-piece became five with the addition of Dave Henderson from The Blazers, a chirpy power pop punk quintet, who were part of a burgeoning scene in the city that included The Foamettes, Dead Fly Syndrome, Wendy Tunes, The RTRs, Robin Banks And The Payrolls and many more. Wine bars, canteens and bowling alleys in pubs were the home of this phenomenon until Subway Sect and The Lou’s arrived for The Great Unknown Tour. They needed a local band for support and the Disco Zombies obliged. Record Shop owner - and now Mayor Of Mablethorpe - Carl Tebbutt was keen to ride the punk rollercoaster and decided to launch Uptwon Records with a Disco Zombies EP. Recorded in Chester in one four hour session, it included The Blazers’ ‘Top Of The Pops’ and Andy’s ‘Time Will Tell’, ‘Punk A Go Go’ and ‘Disco Zombies’. Carl had done a deal with a one-stop music production company who went bust almost immediately and the record was shelved. Unperturbed the band pressed on and recorded a session at the local radio station, ‘TV Screen Existence’ being the only track that survived. A tour of Leicester – five pubs in five days – was the end of that era and the band without Johnny ‘Guitar’ who had another year to do at Uni, relocated to London taking with them The Foamettes’ guitarist Steve Gerrard who wisely returned to Leicester and become part of The Bomb Party. Steve was replaced by Mark Sutherland in what was to become the recognised line up of The Disco Zombies for several years, playing lots of London gigs from The Hope And Anchor to The Moonlight Club, North London Poly to the Scala. By 1978, there was an eruption of small DIY indie labels and Andy Ross launched South Circular Records to release the band’s debut single, ‘Drums Over London’ - an ironic stab at people’s hostility to the arrival of other cultures, a piss-take of Spear And Jackson-wielding Tory attitudes. John Peel played it regularly until Rock Against Racism complained even though Peel explained that it was actually supporting their views. Ho hum. South Circular wasn’t to last but Dave Henderson launched Dining Out. Dave and Andy journeyed to Ipswich to record the debut EP from the Peel-approved Adicts, the plan being to follow it with a Disco Zombies’ single and regain momentum. ‘Here Comes The Buts’ was the second Dining Out release, featuring the breakthrough Dr Boss drum machine; it was greeted with great enthusiasm in some quarters, although strangely it was likened to The Cramps meets Neil Young in NME. Dining Out was always just one step ahead of going out of business and even though the follow up had been recorded - ‘The Year Of The Sex Olympics’, backed with ‘Target Practice’ and ‘New Scars’ – it never saw the light of day as the money finally ran out. Somehow, Dining Out had a second lease of life and Andy wanted to record a new track for a new release amid 45s from The Sinatras, New Age and Spit Like Paint. By now, the Zombies had been through their dark post punk phase and ‘Where Have You Been Lately Tony Hateley’ was a clever upbeat anthem which told the tale of the nomadic footballer. The test pressing gained many Peel minutes but by the time it was ready to release, the band had finally split up. It eventually saw the light of day on the Cordelia label’s ‘Obscure Independent Classics’ album. Very fitting. So, it was 1980: Mark Sutherland opened a studio in Bow, Dod got a day job, Andy Fullerton already had one. Andy and Dave went a bit experimental in Club Tango; Andy eventually discovering Blur for Food which he started with The Teardrop Explodes’ David Balfe, while Dave flirted with Worldbackwards. In 2011, the drum machine line up descended on Mark’s studio, rehearsing for a show at the Bull And Gate. They recorded two of their lengthier tracks – ‘Night Of The Big Heat’ and ‘LHO’ powered by a waning Dr Rhythm – these were pressed as an extremely limited edition ten-inch. A few years later Andy Fullerton returned to the fold recording three more originals ‘Hit’, ‘Lenin’s Tomb’ and ‘Paint It Red’ for an even more limited edition ten-inch in 2018 and a show in October that year at The Dublin Castle. Since then, meandering lunchtime discussions in restaurants that were popular in the ‘70s (Joe Allen, Café De Pacifico, etc) have led to arguments about the lost tracks – ‘Man From UNCLE’, ‘I Need You Like I Need VD’, ‘Throwaway Line’, ‘I Thought You Were Only Joking’, ‘London Nights’, ‘Cosmetics For China’, ‘When Doo Wop Hit Hampstead’. It’s only a matter of time. Until then..... Tracklist: Tracks A1 to A4 were recorded in April 1978 in Chester, UK. Released 1979 as The Invisible E.P. on Uptown Records. Track A5 was recorded in Leicester sometime in 1978 and is an unreleased demo track. Tracks B1 + B2 were recorded in SGS Studios, London in February 1979. Released 1979 as "Drums Over London" 7'' on South Circular Tracks B3 and B4 were recorded at Alvic Studios, Wimbledon, London in February 1980. Released 1980 as "Here Come The Buts + Mary Millington" 7'' on Dining Out. Tracks B5 to C4 were recorded at Alvic Studios, Wimbledon, London in 1980 and remained unreleased till now. SIDE ONE A1 Top Of The Pops A2 Time Will Tell A3 Punk A Go Go A4 Disco Zombies A5 TV Screen Existence SIDE TWO B1 Drums Over London B2 Heartbeats Love B3 Here Come The Buts B4 Mary Millington B5 Where Have You Been Lately, B6 Tony Hateley? SIDE THREE C1 The Year Of The Sex Olympics C2 Target Practice C3 New Scars C4 Greenland C5 Paint It Red SIDE FOUR C1 Night Of The Big Heat C2 LHO C3 Paint It Red #2 C4 Lenin’s Tomb C5 Hit. (Optic Nerve Recordings)
  • Crust punk από Πάτρα/Αθήνα . A3 [Διασκευασμενο ποίημα του αντώνη Στασινόπουλου ''Εκπέμπουμε στους αναρίθμητους σκλάβους ανα δευτερόλεπτο''.] Β5 [ποίημα του Αντώνη Στασινόπουλου] Inner sleeve with lyrics. Limited to 300 copies. (Food Waste Records ‎– FWR007, Scull Crasher Records ‎– SCR023, Pasidaryk Pats Records ‎– PP074, Now Or Never Records ‎– NON008)
  • Comes in 350 gram inside/out sleeve with 400 gram lyric sheet and 180 gram vinyl! There is no need for any introduction with a band like DISFEAR! With a DIS in the name is very clear what these dudes are about: on "A Brutal Sight Of War" they deliver nine tracks of Discharge-ish d-beat crust hardcore with harsh toxic vocals, discore riffs and fast tempos. The record contains both, their "s/t" EP from 1992 and the all-time classic "A Brutal Sight Of War" EP from 1993! Finally, after 14 years available on vinyl again through La Familia Releases! (La Familia Releases)
  • Out of stock
    Finally a re-release of this classic album. Adding ENTOMBED guitarist Uffe Cederlund to a group that already features AT THE GATES singer Tomas Lindberg has created a death 'n' roll supergroup - and one of the best heavy records of 2008. For those who are unfamiliar with DISFEAR, it is basically a mix of a lot of hardcore with a lot of metal to create a product that is simply loud, in your face and unrelenting. "live the storm" is a 35min. assault of heavy power chords, pounding drums and bass, layered with southern sounding leads and throat wrenching yells. (La Familia Releases)

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