• Out of stock
    Debut album from swedish d-tatk/raw punk band with Makabert Fynd/Passiv Dödshjälp members. Unpolished and raw Swedish D-Beat/Käng!
    Only 200 pressed. Colored vinyl. (Phobia Records) https://phobiarecords.bandcamp.com/album/kronisk-misantropi-masshypnos-lp
  • European pressing limited on 300 copies! Finland’s d-beat hardcore punk band Kürøishi is finally dropping their monster second LP “Sound The Alarm”. While the sold-out first LP "Poverty. Ignorance. Greed. Slavery” stemmed from a traditional Scandinavian style of "Tragedy via Wolfbrigade", "Sound the Alarm" LP leans a lot more on a tasteful Japanese hardcore influence. The Tragedy heaviness and bleak atmosphere is still prevalent, with crushing dirges and desperate melodic riffing, but here the songs are more guitar-focused, with blazing guitar leads and huge epic guitar solos pumping adrenaline to the extreme. Set that to high-charge tempos and throw in some big gang choruses with guest appearances from bands like Think Again/ Systematic Death, NoLA, No Excuse, Vivisektio and Rotten Sound, and you've got your winter soundtrack all sorted out. Powerhouse shit, one of the best records in my life right now. Patience paid off. Recorded and mixed by Antti Lindholm at Boat Island Studio April - July 2019 and mastered by Jack Control at Enormous Door Mastering (Martyrdöd, Forward, Framtid etc.). "Sound The Alarm" comes with a sleeve drawn and painted by none other than the true japanese artist and legend Akihiko "Sugi" Sugimoto himself. (Fight Records)
  • One of the driving forces behind the resurgence of gothic rock and post punk in Finland in the new millennium, Kuudes Silmä have kept a long break from recording. Previous works have appeared on the sadly defunct Combat Rock Industry label, and Svart Records welcomes the group into the fold with their 2nd full length album Pelko. Although expressing themselves in their native tongue, Kuudes Silmä’s music is very much part of the greater global post-punk underground. Formed, suitably enough, in Berlin in 2009, the band have played several tours around Europe, America and Russia, and appeared on Maximum Rock’n’Roll’s Sound the Alarm -compilation. On Pelko the band takes a small step towards gothic maturity, with some of the most abrasive tones giving room for a more new wave pop approach. (Svart Records)
  • L7 | l7 | LP

    20.00 incl. tax
    Coming up in the late 80’s in Los Angeles’ Silver Lake/Echo Park scene, L7 drew from a diverse set of in uences: Motörhead, Ramones, feminist Bay Area punks Frightwig. They made fun of the Sunset Strip’s bouffants and machismo while playing the same kinds of ying-V guitars. They also had no patience for grunge’s gloom, even though their friends were in bands like Nirvana, Mudhoney and Soundgarden. A raunchy punk stampede that predated both grunge and girlpower, L7’s self-titled debut is proof that chicks can rock just as hard, if not harder, as any guy. A surplus of rockin’ punk/metal guitars and driving drums equal 11 tracks to remind yourself that it1s ok to bang your head, HARD. L7 is the band’s debut album, released in 1988 and produced by Brett Gurewitz. (Epitaph Records/2018)
  • L7 is an American punk rock band from Los Angeles, often associated with the grunge movement of the late 1980s and early 1990s. They released their fourth studio album Hungry for Stink in 1994. Album's single “Andres” charted in the UK, USA, and Australia. Vocalist Donita Sparks' growls and howls were at their prime on this record. Their music is fast, dirty, and profound. 180 gram audiophile vinyl Insert (Music on Vinyl Record)
  • "No Stranger To Danger" is the 2nd full-length studio album by US, San Francisco, California based heavy/thrash metal act Lääz Rockit. The album was released through Target Records in 1985 and it´s the successor to "City's Gonna Burn" from 1984. (Massacre Records)  
  • Nearly four years after delivering a handful of demos along with a live tape then seemingly dropping off the radar release wise, Bloomington's LAFFING GAS swing back at any and all credulous hardcore punk enthusiasts who might have forgotten about them or thought they'd just run their course and faded into obscurity as so many tend to do. "It's a Beautiful Day in the Gulch" showcases 10 blazing tracks of classic Midwestern hardcore punk, the vibe of which is more in debt to the revolutionary aural offerings of the early Touch and Go and/or Version Sound labels or even Kick N' Punch Records as a slightly more modern reference than what the region has become synonymous with in more recent times. Each record comes in a stunning glossy jacket featuring art and layout by the band's guitarist Kora Puckett. (Beach Impediment Records)  
  • Finnish punk/hardcore mixing melodies and anger. Influenced by Lama and early Appendix to give you the name of the game. This is a compilation of partly sold-out material recorded so far (1997-2013) including the first EP, the first LP, 2nd LP “Wahlroosin unelma”, HC’013 -compilation track and the songs from the split EP with Pää Kii. 27 songs in a nice digipack with 12-page booklet! (Kamaset Levyt)
  • Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
    Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • There is most certainly something in the water in Portland, Oregon. From the elder gods—Poison Idea, Final Warning, The Wipers—to the massive rumblings over the last few years—Tragedy, Warcry, Hellshock, From The Ashes Rise—there is arguably more seething, intensified crust/d-beat/punk bands in the Rose City than anywhere in the world. LEBANON features both BRAD BOATRIGHT and DEREK WILMAN from From Ashes Rise. The band’s music is reminiscent of FAR, but with a decidedly NWOBHM injection to the sound. Two blasting tracks released in an edition of 1,000 copies. (Southern Lord Records)
  • New LP by the noisiest band in the world! Hailing from Portland and featuring members and former members of Atrocious Madness, Bellicose Minds, Hellshock, The Estranged and Warcry, this masterpiece of eardamaging distorted and reverbered noise will make your turntables bleed. Released on time for their summer 2017 European tour, here are a bunch of copies who have survived the merch table battle after each show. Get it before it's too late!!! (Self Released) ecords)
  • LEBENDEN TOTEN is one of the greatest punk bands to ever exist and this 12min one song e.p. proves the they can still do no wrong. When we asked them if they wanted to "get weird" with a single they, albeit very slowly, jumped at the idea. We had no idea what we were in for. It blows the mind all the way open. How do they keep getting better? "Static" is a perfectly wild and superbly crafted sheet of chaotic noise with a pounding goth backbone all jacked up on Hawkwind freakout space jams. Just try and imagine what that sounds like. America's best band. Cut and paste artwork with heavy subconscious symbology laced in printed on heavy duty old world 12" single style top loading sleeves house a Chanel etched 12" single mostly on black vinyl. There may be a couple migraines in there. (Iron Lung Records)
  • When Iron Lung Records hosted a weekend of shows to celebrate our 10 years of being a label we secretly recorded a bunch of the sets hoping to catch some magic. We knew LT would be a highlight (they always are) but we had no idea they would kill it this hard. Pure green lighting, swirling sirens and strobes set the room into a tense, disorienting spin. With the click of the stick a blanket of pure noise and pummeling beat came at us like a canon blast pushing the whole experience into a perfect frenzy. Seriously, there is not a single discernible mistake during the entire 25 minutes except one tiny moment where we could tell the guitar was out of tune - yeah we listened to it THAT closely, because their music deserves that kind of attention. 750 copies on black, 200 on splatter and 50 on Re-Animator Green 150gr vinyl housed in a 24pt jacket with a custom die cut Halloween decoration and lyric insert included. Recorded live at The Vera Project in Seattle WA. Mixed and mastered (very hot) by Will Killingsworth. Artwork by Lebenden Toten with layout assistance by A.K. Wilson. (Iron Lung Records)
  • New York ska-punks Left ver Crack and their British counterparts Citizen Fish band together for the split release Deadline, and really, what a perfect pairing of groups. Both are vehemently pissed off at the government, suspicious of authority, and ready to throw two middle fingers at basically anything that promotes greed or control, or tries to hold them down. And both also favor upbeat ska grooves and lively melodies to get their points across -- although the melodies are laced with such acerbic vocals, crusty hardcore attitude, and razor-sharp social commentary that the music would be better served at an urban protest rally (Jello Biafra fittingly guest rants on "Baby-Punchers") than as the catalyst to any sort of happy-go-lucky skanking. Citizen Fish's half to things is relatively more upbeat -- though both singers are equally outraged and largely unintelligible -- and excellent cuts like "Working on the Inside" and "Join the Dots" seem borderline friendly with their bouncy basslines if you disregard lyrics that, among other things, name the government as the true drug lords ("Even as you talk of a war on drugs/The name on the cheque says C.I.A"). Citizen Fish have been at this a while, but their frustrations and pleas for improvement are no less pressing. Same goes for the relatively younger Left ver Crack, whose lead rager Stza has one of the snottiest deliveries around; if you're not used to his voice, it can take some acclimation, but it's a voice with a lot of character that gets the job done effectively. Alternating like they do between scrappy ska-punk and faster hardcore-leaning complaints, these songs are also not exactly uplifting ("World War 4" gets closest -- with a chorus that's actually sung, no less -- if that's any indication of track positivity levels), but as always, there's no shortage of hot-blooded passion and sincere conviction. Left ver Crack have a twisted sense of humor that wants to push buttons (i.e., titles like "Baby-Punchers" and the Rancid poke "...And Out Comes the N-Bomb!"), but they really seem to want to spur people to think for themselves more than anything else. The bleeding urgency that both bands discharge with such directed force and street-level ferocity is truly refreshing, even if you don't always agree with their rallying cries to such extreme levels. And overall, especially considering how incensed both groups are, Deadline is surprisingly still incredibly accessible and even poppy. It's the perfect album not just for the converted, but also as an introduction for those looking to add a little anarchistic punk spice to their lives. ~ Corey Apar, Rovi (Alternative Tentacles Records)
  • Oh, you thought the raw d-beat craze was just a fad? - piss off, poser! These halifax punks are the real deal and their 2nd 7" continues their manic assault against common decency. While the vocals draw an easy comparison to LEBENDEN TOTEN, these tracks are equally influenced by d-beat heavy weights of old and continue the ferocity of modern acts like PERDITION, FERMIZA 10, or SUDOR. Hell, they even throw in an ICONS OF FILTH cover just to kick you when your down - 6 songs, 10min. - not for cowards.
    (Imminent Destruction Records ‎/ Konton Crasher)
  • Life Force is a straight-edge hardcore band out of Texas/Oklahoma. The group was formed in 2018 with a clear focus: the mission of paying homage to the sound, aesthetic, and spirit of classic youth-crew inspiration, albeit with a darker modern twist, while expressing pertinent socio-political themes and opinions through engaging lyrical content and a poignant on-stage message. With these combined elements, Life Force strives to forge a bond between band and audience, whether that means in a live setting or otherwise, that reinforces the core idea that a scene, a city, and even the world can be changed for the better through critical thought, persistence of will, and an ongoing commitment to first embodying this positive change at a personal level. Vinyl version includes digital download. This is the cyan and orange swirl vinyl version, limited to 300 copies.
    Track Listing :
    • 1. Higher Standards
    • 2. It's Time
    • 3. Spark Of Dissent
    • 4. Out Front
    • 5. State Of Control
    • 6. Bed Of Stone
    • 7. Milestones
    • 8. Elevate (New Age Records)
  • LIFE’S BLOOD | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
    Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Out of stock

    LIFEWRECK | st | 7″

    6.00 incl. tax
    Powerviolence/Hardcore από Αθήνα. (Self Release) https://lifewreck.bandcamp.com/
  • LIMP WRIST | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
    Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • The cutest band in Hardcore is back with a slice of paint peeling hardcore punk loud and ugly enough to destroy your closet. European press of their recent one sided 12″ including seven new tracks in the A side and their Want Us Dead 7″ on the flip. Includes insert and poster. (La Vida Es Un Mus) https://lavidaesunmus.bandcamp.com/album/want-us-dead-lp
  • Out of stock
    Repress of Lion's Law debut LP. Lion's Law is able to combine the seminal melodic sounds of the "Chaos en France" era French bands with 80's style UK Oi! resulting in a sound that is like a skinhead album straight out of a Richard Allen book! This music is wild and aggressive, with passion from the heart – from the backstreets of Paris. (UVPR Vinyles)
  • Having formed only about 2 years ago, LION'S LAW have quickly established themselves as one of the elite modern skinhead streetpunk bands alongside BOOZE & GLORY, EVIL CONDUCT, BISHOPS GREEN and THE TEMPLARS. From their debut show in a squat in Paris in the summer of 2012, LION’S LAW are now consistently playing to (and even headlining) full rooms all over Europe! Formed by members of the popular French band MARABOOTS, LION’S LAW took a direction equally as influenced by classic UK Oi! bands like LAST RESORT as much as classic French bands like WARRIOR KIDS and CAMERA SILENS. This fusion creates a unique sound that has met with success not only across Europe, but also here in the US and elsewhere. (UVPR Vinyles)
  • Originally released in 1987, an absolute classic of Japanese HC Punk. First vinyl reissue ever. LP with OBI strip. Chaotic, raging hardcore from this legendary Japanese band that existed throughout most of the 80's. This band and LP came to define the Japanese sound along with Gauze, Death Side etc. Essential.
  • Awwwwwww its been so damn long that I got a record that blasts so fast and furious that you get a whoppin’ twenty-eight songs on one chunk of vinyl. This is fun punk, snappy, stabby guitars and drums, singing about what really matters with songs “I Really Don’t Know and I Really Don’t Care,” “I’m a P to the I Ending Up With the G” and “Nature Boy Strut,” about the professional wrestler Ric Flair. It’s not even sloppy, really, because you’d have to be shooting for high quality in order to slouch. No, this is raw for raw’s sake and the Oafs picked their name good. Band has two of The Manikins, probably pushing the stuff too fucked up for that band. A split release between P.Trash Records, Wasted Sounds, and Cage Match Federation. For the snot-nose in all of us. Razorcake. (P. Trash Records / Cage Match Federation) https://localoafs.bandcamp.com/album/too-dumb-to-reason-too-fucked-up-to-dream
  • "Ο LOGOUT είναι τραγουδοποιός και ο παραγωγός που συνδυάζει παραδοσιακές αναφορές με lo-fi indie, ηλεκτρονικά και πειραματικά στοιχεία. Σε ζωντανές εμφανίσεις, το LOGOUT συνδυάζει φυσικά όργανα με live-looping, sampling και digital video art. Εκτός της τραγουδοποιίας έχει επίσης συμμετάσχει εκτελώντας τη μουσική σε θεατρικές παραστάσεις των Abovo και του Ηλία Καρελλά. Η πρώτη του κυκλοφορία ήταν το Paper Plane Flight Recorder (Inner Ear Records, 2011), ένα album που βασίστηκε σε folk ενορχηστρώσεις εισάγοντας και κάποιες πρώτες παραδοσιακές ελληνικές αναφορές στην παλέτα του. Το δεύτερο άλμπουμ του Little Things Buried in Concrete (Inner Ear Records, 2013) ήταν σε παραγωγή του Χρήστου Λαινά, η οποία έντυσε τα κομμάτια με πιο εναλλακτικούς και indie ήχους. Το τρίτο άλμπουμ του ήρθε 6 χρόνια αργότερα. Το N91° κυκλοφόρησε τον Μάιο του 2019, μέσω της ολλανδικής ετικέτας Indie Tiny Room Records και τον βρήκε να πειραματίζεται ακόμη περισσότερο με ήχους synthesizer ως την κύρια βάση των ενορχηστρώσεων του. Τον Σεπτέμβριο του 2019, οι ηχογραφήσεις που έκανε με το συγκρότημα The Place Within πριν από τα σόλο του έργα κυκλοφόρησαν επίσης ψηφιακα. Το τέταρτο άλμπουμ του ΕΔΩ / ΕΚΕΙ κυκλοφορεί στις 16 Οκτωβρίου 2020. Είναι η πρώτη του κυκλοφορία με στίχους στη μητρική του γλώσσα, τα ελληνικά. Το ΕΔΩ / ΕΚΕΙ είναι η πρώτη απόπειρα του LogOut με ελληνικό στίχο και οι ηχογραφήσεις του μοιράστηκαν σε Αθήνα και Άμστερνταμ. Ακούγοντάς το ήταν σαν να παρακολουθώ ταινία. Από το πρώτο κομμάτι, τα lo - fi στοιχεία είναι εμφανέστατα, όπως και οι επιρροές από Radiohead αλλά και από ελληνική μουσική. Υπάρχουν τραγούδια που έχουν τόσο ξεκάθαρα ελληνικά στοιχεία, όπως τα "Καταρράκτης", "Φίλη", "Αερικό" και Τρίτες, που σκέφτηκα ότι to άλμπουμ αυτό αναδρομικά θα μπορούσε να είναι το soundtrack μιας ταινίας της Φίνος Φιλμ. Ξεχωρίζουν σίγουρα οι συνεργασίες με τη Nalyssa Green στα φωνητικά στα "Γκρι", "Κώστας" και "Παράθυρα". Επίσης, το "Κύματα" με έκανε να νιώσω σαν να κρυφοκοιτάω από τις τρύπες των πατζουριών τη βιαστική καθημερινότητα σε κάποια μεγάλη πόλη της Ευρώπης. Προσωπικά μου αγαπημένα υπήρξαν, όμως, το "Παράθυρα" (μου θύμισε πολύ έντονα το "No Surprises" των Radiohead), αλλά και το "Πλατεία". Τα μελαγχολικά φωνητικά, η νοσταλγική διάθεση και τα φουτουριστικά synths, μου έδωσαν την εντύπωση ότι ο LogOut προσπαθεί να απεικονίσει μια εβδομαδιαία καθημερινότητα, παρατηρώντας τους ανθρώπους με ένα τηλεσκόπειο από λίγο πιο δίπλα αλλά προσπαθεί και να αποτυπώσει πολύ λυρικά την απομόνωση της ξενιτιάς. Πολύ ιδιαίτερο είναι το ροζ εξώφυλλο, με τις ανθρώπινες σκιές που αχνοφαίνονται. Μου έβγαλε μια πίκρα και θα μπορούσε και αυτό να είναι το artwork μιας ελληνικής ταινίας. Αναμφίβολα, το Εδώ / εκεί είναι ένα άλμπουμ που διεκδικεί επάξια θέση στην ελληνόφωνη indie σκηνή της χρονιάς!" deBop (B-otherside Records)