• Out of stock
    This is a pretty good fanclub release that I've never seen around. All the songs are in chronological order and the insert shows all the original singles artwork. Tracks A1 & A2 originally from the Cough / Cool 7" Tracks A3 to A6 originally from the Bullet 7" Tracks A7 to A9 originally from the Horror Business 7" Tracks A10 to A12 originally from the Night Of The Living Dead 7" Tracks B13 to B14 originally from the Halloween 7" Tracks B15 & B17 originally from the 3 Hits From Hell 7" Tracks B18 to B20 originally from the Die Die My Darling 12" Track B21 from the unreleased Teenagers From Mars 7" Track B22 from the unreleased Who Killed Marilyn? 12" Track B23 from the Beware 12" (Fan Club/Unofficial Release) https://youtu.be/N__rhKw2UHU
  • MISFITS | T-shirt

    18.00 incl. tax
    Official t-shirt. Gildan Heavy Cotton.
  • Broadcast live on WCBN radio in 1983, on their US tour, appearing at The University of Michigan’s Union Ballroom, this is Danzig and crew at the peak of their raw and visceral talents, in the classic lineup. Featuring tracks from their first two LPs, this is absolutely shredding, no holds barred essential early Misfits. Tracklist A1 Intro A2 I Turned Into A Martian A3 Skulls A4 All Hell Breaks Loose A5 Mommy, Can I Go Out And Kill Tonight? A6 London Dungeon A7 Horror Hotel A8 Ghoul's Night Out A9 Wolfs Blood A10 Last Caress A11 Demonomania A12 Devil's Whorehouse B1 Horror Business B2 Astro Zombies B3 Violent World B4 Hate Breeders B5 Who Killed Marylin? B6 Nike A Go-Go B7 Attitude B8 Night Of The Living Dead B9 Vampira B10 Devilock (Mind 740/Unofficial Release)  
  • Back in stock
    Glenn and the gang at the On Broadway in San Francisco in 1981 on the A side, plus the full 'Why Be Something You're Not' TV show, recorded live in Detroit, 1983. Classic Misfits, a must for the fans! (Mind Control Records)
  • Out of stock
    And here we have another reissue of Sweden's MOB 47 debut 7". Previously reissued via Havoc Records (USA) now as European reissue via Insane Society. Classic Swedish hardcore punk from 1984. Nine fast and angry songs! Hand screened cover + insert. This time w/Uproar cover artwork. (Insane Society Records)
  • ΠΡΟΠΑΡΑΓΓΕΛΙΑ: ΔΙΑΘΕΣΙΜΟ ΑΠΟ 16 ΝΟΕΜΒΡΙΟΥ 2020 Monument is a fitting title for the third album by Belarusian trio Molchat Doma. Indeed, it stands as a monument to everything they’ve achieved in their short time as a band, from whispered-about unknowns, to enigmatic underground icons, to legitimate viral sensations with hundreds of thousands of TikTok videos using their music. Monument sees them return as conquering heroes, expanding on the minimalist greatness of S Krysh Nashikh Domov and Etazhi to fully realize a more maximalist vision of their crystalline post-punk sound. Written and recorded while the band was quarantined in their hometown of Minsk during the COVID-19 pandemic, Monument is a conscious step up in songwriting and fidelity, and it reveals a band preternaturally comfortable in its own skin. Whether playing to the dancefloor, as they do on the synthpop anthem “Discoteque,” or working more introspectively on pre-pandemic live favorites “Otveta Net” and “Ne Smeshno,” Molchat Doma are in complete control. Their greatest strength has always been their songwriting, and they’ve only gotten better. As the band’s arrangements have grown more sophisticated, so too have the sounds they use to bring them to life. Roman Komogortsev and Pavel Kozlov’s gear arsenal has grown to include an extensive range of synthesizers and drum machines, all of which they deploy with precision. Egor Shkutko’s vocals move fluidly between his familiar deadpan monotone and an expressive croon, his beautifully delivered Russian lyrics at turns bleak and romantic. Shkutko has often been compared to Ian Curtis, but here, he outgrows the comparison. With Monument, Molchat Doma have done one of the hardest things to do as a band. They’ve greatly expanded the scope of their music while retaining everything that made them great in the first place. Black or Blue vinyl. (Sacred Bones Records)
  • Out of stock
    Reissued in a run of 500 copies, this legendary Dutch punk single from '78 is now available again. (Mad Butcher Records)
  • MOOD OF DEFIANCE | now | LP/Black or LP/Color

    16.0018.00 incl. tax
    Southern Los Angeles experimental punk band Mood of Defiance was formed inHermosa Beach in 1981, spinning off from a short-lived synthesizer project called Kindled Imagination, formed in nearby San Pedro (home to The Minutemen) with drummer Richie Wilder of Saccharine Trust. Teenaged lead singer and band originator Rachel Morgan, who was known as “Screaming Bitch Rachel” and later, Hatha Watha, formed MOD with Wilder, recruiting initial guitarist TA Black and bassist Kevin Ball from a music press advertisement. Debut demo recordings (eventually issued as In A Box) featured this line-up but after Black and Ball quit the band, they were replaced by Danny Dean Philips and Gary Kail from the band Anti, moonlighting in this side project for debut album Now, released on Philips’ and Kail’s aptly-titled New Underground label in 1982; other band members featured on the disc include drummer Thaddeus. Opener “Divided States Of America” set the disc’s defiant punk tone, though “Sticky Lips” and “Girl In A Painting” are less caustic, with broader musical dexterity and post-punk rhythmic references. An important piece of southern Calfornia punk history back on vinyl after 38 years. (Radiation Records)  
  • Reissue of 1990 album by US thrash metal Band Morbid Saint on transparent blood red vinyl, limited to 350 copies. Including insert and poster. All tracks remastered. (High Roller Records)  
  • One of the first austrian punk bands ever. a rocknroll band with a perfect dose of punk – attitude. Formed in 1978 they were, along with Chuzpe, the most essential band of the viennese punk scene.
    They appeared of famous compilation ‘Wiener Blutrausch’ compilation wth three tracks. Ths antholgy contains their first single from 1979, the tracks from Blutrausch compilation, two unreleased tracks, and 2nd and 3rd singles and two tracks got from their album “Angst vorm Rock´n Roll?” LP Essential euro punk lp! Ltd 350 copies on green slyme vinyl!! (Rave Up Records)
  • Out of stock

    MORNE | rust | LP

    15.00 incl. tax
    This record contains their older material previously released as a split LP with Warprayer (Songs on A-Side) and the s/t EP (Songs on B-Side), both out of press. Now both releases are available on one full length LP, color and black. Remastered and redesigned. (Alerta Antifascista Records) https://alertaantifascistarecords.bandcamp.com/album/aa146-morne-rust-lp
  • Brooding, dark and sombre melodic crust in the vein of Ictus and Fall of Efrafa, vast resonant guitars and cello over thundering D-beat, invoking mythologies of remnant cultures amongst the ruins of our civilisation, the earthen liturgy of forests and ice scapes. Morrow are a collective of friends from all over the world, and features guest vocals from members of Masakari, Monachus, Wildspeaker, Archivist and Anopheli (Alerta Antifascista Records) https://alertaantifascistarecords.bandcamp.com/album/aa116-morrow-covenant-of-teeth-lp
  • MORROW | fallow | LP

    15.00 incl. tax
    Morrow are a violin and cello driven atmospheric crust band, in the vein of Ictus, Fall of Efrafa and Remains of the day. They began their post civilisation odyssey in 2016’s “Covenant of Teeth” the somber string laden D beat, seated in the forests and ice scapes of future primitive cultures. “Fallow” picks up where their debut ended; following the same protagonists as they leave the safety of the forests in search of knowledge amongst the sweltering, vibrant and violent carcass cities in the desert south. It is a far more raucous record; a pandemonium of drums and throaty cello as our characters face a chaotic, terrifying and majestic landscape, one of bared teeth amongst the sand storms and screaming voices. Fallow features guest vocals from members of Gattaca, Monachus, Autarch, Wildspeaker, Hyena, Sol and Fall of Efrafa. (Alerta Antifascista Records) https://alertaantifascistarecords.bandcamp.com/album/aa132-morrow-fallow-lp
  • Third studio album of MOSCOW DEATH BRIGADE! Each of the 11 tracks on the new record takes a unique form inspired by various genres from Punk Rock and Black Metal to Drum & Bass, Techno, EDM and more. The machine gun rap flow of the band’s two MC’s can be heard on all tracks, rapping in English on a variety of topics, from pressing social issues to more light hearted ones, such as graffiti and touring.

    Boltcutter Vlad: „‘Bad Accent‘ in the record’s name stands for what we see as an internationally recognizable dialect shared by those not afraid to expand their horizons, travel to new places, meet new people so they can get things done, survive, stand for the right things. A lot of times the society unjustly labels them as ‚undesirable elements‘ or ‚suspicious foreigners‘. This album is a collection of Anthems for the Bad Accent brother and sisterhood to bang their heads to.“

    Ski Mask G: „On the new album we are combining the sound of previous two records while adding new vibes. We are bringing back punk and hardcore beats with beloved ‚heavy metal guitars‘, but many tracks will still retain heavy electronic elements, and all of that with a twisted flavor of Moscow Death Brigade. We call it Circle Pit Hip-Hop.“ (Fire and Flames Music)

  • Third studio album of MOSCOW DEATH BRIGADE! Each of the 11 tracks on the new record takes a unique form inspired by various genres from Punk Rock and Black Metal to Drum & Bass, Techno, EDM and more. The machine gun rap flow of the band’s two MC’s can be heard on all tracks, rapping in English on a variety of topics, from pressing social issues to more light hearted ones, such as graffiti and touring.

    Boltcutter Vlad: „‘Bad Accent‘ in the record’s name stands for what we see as an internationally recognizable dialect shared by those not afraid to expand their horizons, travel to new places, meet new people so they can get things done, survive, stand for the right things. A lot of times the society unjustly labels them as ‚undesirable elements‘ or ‚suspicious foreigners‘. This album is a collection of Anthems for the Bad Accent brother and sisterhood to bang their heads to.“

    Ski Mask G: „On the new album we are combining the sound of previous two records while adding new vibes. We are bringing back punk and hardcore beats with beloved ‚heavy metal guitars‘, but many tracks will still retain heavy electronic elements, and all of that with a twisted flavor of Moscow Death Brigade. We call it Circle Pit Hip-Hop.“ (Fire and Flames Music)

  • Moscow Death Brigade are finally catching on: After numerous tours and concerts here comes “Boltcutter”, the first regular MDB album. The infamous circle pit-hip-hop-Crew from Moscow expands its unmistakable mix of punk, hardcore, rap and metal in Europe with elements from drum’n’bass, dancehall, techno and grime. The result is a genre and scene-spanning explosive musical statement that speaks out against racism, fascism, sexism and bigotry and for rebellion, subversion, respect and unity and has the goal to get the various subcultures together on the streets and in the clubs to break the stagnancy. (Fire and Flames Music)
  • Third pressing of the legendary first ever vinyl release of MOSCOW DEATH BRIGADE. Eight masterpieces of strictly antifascist circle pit rap directly from the streets of Moscow. Includes the 5-track “Hoods Up” EP and three bonus songs, two never released anywhere before. A blasting and unique mixture of rap vocals, hard beats, hardcore riffs and DIY punk attitude. A real killer! (Fire and Flames Records)
  • Maybe Movie Star Junkies most acclaimed record. The sound is pretty far from the chaotic vehemence of their early works, it has more in common with the intense, touching, dark atmospheres of songwriters like Nick Cave, Neil Young and Leonard Cohen with a little twist of frisky rhythm n blues. A long tale in William Faulkner‘s style told in ten songs, a long journey where ancestral rites and religious superstitions take place, around three main characters: a stranger, a priest and a farmer. ‘Son Of The Dust’ is a man trying to defeat the drought, in the landscape of a country village, surrounded by ancient legends and traditions, opposing pagan rites to the fear of divine punishment. Records like this are musical movies of the mind, records the listener must decipher and make his own. The Movie Star Junkies’ ‘Son Of The Dust’ is no more and no less than a musical continuation of William Faulkner’s quest of transcendental bliss in a world made of bone. (Wild Honey Records/2012) https://wildhoneyrecords.bandcamp.com/album/son-of-the-dust
  • Tragedy like hardcore crust punk from Nagoya, Japan. Originally released only on cd in 2008. (7 Inch Distro)
  • Twelve inch vinyl pressing of this 2012 release from the two bands that brought Thrash back from the punk basements to the big stage. Two tracks each, exclusive to this vinyl split and amazing cover art by Andrei Bouzikov too. Speed Metal Punx! (Tankcrimes Records)
  • 'Harder, Faster, Louder' is the perfect description of Municipal Waste's new album, entitled "Massive Aggressive"! Building on the now classic "Hazardous Mutation" and "The Art Of Partying", Municipal Waste have crafted the bottom line in Crossover Thrash and Speed metal, banishing comparisons of old by becoming the pinnacle of their genre and releasing the essential all round metal release of 2009! With "Massive Aggressive" Municipal Waste have upped the ante and pushed crossover thrash to it's ultimate limit! Aggressive, diverse and damn catchy, this album is unlikely to leave your CD or record player until Municipal Waste can produce something to top it!
  • Back in stock

    During the early 1980s, when heavy metal was defined by MTV and mile-high hair, San Francisco’s small community of dedicated headbangers scorned image and instead risked life and limb in search of the ultimate in musical thrills. Locals Exodus and Los Angeles transplants Metallica reigned in small clubs like the Old Waldorf, The Stone, and the infamous East Bay bastion of heaviness, Ruthie’s Inn. Thrash metal upstarts Slayer and Megadeth found a second home in the Bay Area, while a homegrown breed of tempo-crazed teenagers like Legacy, Possessed, Death Angel, Heathen, and Vio-lence brought Bay Area thrash metal to critical mass.
    Photographers Harald Oimoen and Brian Lew were dodging bodies from the very start, in front of the stage, backstage, and on the stage itself. They captured the public victories and private parties of a scene where fans and musical idols were equally hellbent on faster, heavier music and endless outrageous fun. Oimoen and Lew fought on the frontline of a war for individuality, snapping frame by frame as thrash metal was born, along with stagediving, crowd-walking, and countless other magical moments filled with key local personalities. Somewhere along the way, Oimoen and Lew’s friends in Metallica, Slayer, and Megadeth became legends.
    Today, the Big Four thrash metal bands pictured in this book are the reigning elder statesmen of heavy metal. Their fellow ragers in Exodus, D.R.I., Testament, Death Angel, Possessed, and Forbidden remain ambassadors of a Bay Area metal scene that continues to thrive and command fascination around the world. This stunning volume collects over 400 amazing color and black-and-white photos, plus passionate personal accounts by Bay Area veterans Harald Oimoen, Brian Lew, Ron Quintana of Metal Mania, Gary Holt of Exodus, Alex Skolnick of Testament, and Robb Flynn of Machine Head. From DIY origins to world domination, the Bay Area thrash metal scene screams to life in these fearless pages.
    “This will not be a history book, but rather a time machine back to the ‘bonded by blood’ days of the original Bay Area Metal scene. Before they played the Bay Area, Slayer wore makeup onstage—after that first Bay Area show they never wore makeup again. This book will show people why.”—Brian Lew
    • 272pp full-color hardcover
    • Dimensions: 9.25″ x 11.5″ x 1″ (235mm x 292mm x 25.4mm); 4 lbs. (1.8 kg)

  • Aborted Society is proud to present the debut LP from Portland’s MURDERESS. Dark, brooding metallic d-beat crust punk with spine-tingling screaming vocals, this is an up and coming female-fronted group that falls somewhere in between the 80′s metallic punk style of groups like SACRILEGE (UK) and melody-driven crust akin to ZERO HOUR. This release comes with a poster/lyric insert, black paper inner sleeves, a nice matte-finish jacket, and a free download card of the record for MP3 players. (Aborted Society)
  • Out of stock
    Back in stock

    MURO | pacificar | LP

    16.00 incl. tax
    The 2nd 12″ by Bogotá raw punkers MURO. Taking their primitive yet complex hardcore punk in new yet familiar directions. Inspired by international hardcore and punk from all ages – for ALL AGES! Comes with a poster and an insert. In the US – please get your copy from the always amazing BEACH IMPEDIMENT Recs. – as Mark is handling the North American edition. Here’s what Mike Thorn had to say about Muro: Muro is a special band. Sure, I was missing Texas hardcore masters the Impalers but I had to process everything I had just taken in—how was it real? Walking calmly onto the stage there was no indication as to the level of ferocity and unbridled passion Colombia’s Muro would unleash and the more they would give the more the swirling mass gathered before them would give back. So here I am—stone cold sober wandering Kensington just absolutely bewildered as to what I just witnessed. One of the things I’ve always appreciated and loved about hardcore punk is its international nature. When I was younger I would send envelopes filled with hidden cash away to the far corners of the world in hopes of obtaining a seven inch piece of plastic that would sometimes show up, that would sometimes blossom into a pen pal that I’d consider a friend though I’d never dream of actually meeting them let alone having the sounds blasting out of my stereo speakers translate to a live experience. I know things have changed a bit but it still thrills me to have the manifestation of names to actual faces—of recordings turned to bodies piling on each other in a fit of sweat and spit. Colombia has a long tradition of ripping hardcore. From bands such as IRA, Imagen, Herpes, Ataque de Sonida, Anti-Todo, Polikarpa Y Sus Viciocas, and Eskoria to more current bands like Lupus, Final, Secta Suicida, and Primer Regimen the nation has a long tradition of producing rampaging blasts of punk fury which serves as a counterweight to the reality of unemployment and violence which has plagued the nation for so long. Hailing from Bogotá, Muro come out of the gates just blasting. Primitive, primal, raw hardcore comes pouring out of the speakers but this isn’t just all go, no slow. There is a certain consciousness to the need for hooks and melody and at times a certain angular nature to their song structures that really just sets them apart. At times, there is a certain vibe to their music that hints of the herky-jerky tension present in the finest Gauze or Wretched tracks—you think you know the journey riffs are taking you on but suddenly you are just shoved off a cliff of discomfort. It is this sense of unease present in the music when paired with vocalist’s snarling, rabid street dog attack against the world, which really pushes this over the top. Live, Muro is unstoppable—just totally relentless to the point of almost being surreal, hence me wandering aimlessly around Toronto trying to process having just seen the best live band of my life. They just wrapped up a tour of Canada and before that, Europe so here’s hoping that the USA is next—finger’s crossed. As a side note, while you are checking out Muro, be sure to look into Bogotá’s Rat Trap collective, a sort of artist group that does amazing design work and silk-screening and which also released 2017’s Fuerza Ingobernable compilation featuring some incredible hardcore bands from Colombia. All super worthwhile. https://www.noecho.net/features/muro-colombian-hardcore – but don’t just take our word for it – google the fuck out them and watch the many youtube clips and then come back for the vinyl, eh? (Adult Crush Records, 2020)
  • Bogotá’s MURO and Mallorca’s ORDEN MUNDIAL have been flattening audiences all over the world with their unrelenting passion and energy. Now, one of the mightiest of all possible pairings in todays already delectable world of HC/Punk is available for the worldwide community of underground music. Recorded in Berlin in the icy grips of winter 2017, ORDEN MUNDIAL devastate the A-Side with a uniquely southern Spanish take on some classic American HC tropes like the buzzsaw sensibility of Boston Not LA era JERRY’S KIDS, part noisecore a la CONFUSE, all blended with a dirgey desperation that “Side B” era BLACK FLAG would leap upon with utter enthusiasm. MURO follow with an equally massive grip of songs in their uniquely “Muro” style. This is punk music only they could have made. Bursting with aggression and sadness, this is manic and dynamic hc at its best. As wonderful as it is, this record is the last recorded output of ORDEN MUNDIAL. This project is in memory of the passing of Martí, bassist of ORDEN MUNDIAL, who outside of their duties in OM played bass in MURO on their tour of Europe, and on one of the MURO tracks on this record. Wild HC will keep us all. (Jonah Falco) Sleeve designed by Sebastian Rosillo with a 8 page booklet by Bernat Mundial. Mastered by Jonah Falco. (La Vida Es Un Mus Records) https://lavidaesunmus.bandcamp.com/album/sonido-de-la-negaci-n