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This is the new release of The Science Of Words. Two brand new hits ready to hit the Indie discos around the world. It will be limited to 150 copies, on solid white vinyl including a sticker. This is the single for you if you were into the Rosehips, Tallulah Gosh, The Fat Tulips, and all those beloved punk pop bands with girlie vocals. Both songs recorded, mixed and mastered by Tom Bath at UTC studio, Stoke-on-Trent. Artwork by Jon Aldersea. All paintings by Corinne. Members of the band are : Corinne (Jack in the Green) - Lead Guitar and vocals Dave : Rhythm Guitar Pete (The Rosehips, The Total Rejection, Horowitz, The Blanche Hudson Weekend, etc.) : Rhythm Guitar and Drums programming Ian (Horowitz, Red Fox Labrador) : Bass Guitar and Extra Guitar Label: Old Bad Habits Label -
ΠΡΟΠΑΡΑΓΓΕΛΙΑ: ΔΙΑΘΕΣΙΜΟ ΑΠΟ ΔΕΚΕΜΒΡΙΟ 2020 After recently covering the UK thrash metal scene of the last forty years with ‘Contract In Blood: A History of UK Thrash’ (2018), Glasper has finally now deemed it time to bring his coverage of the ever-evolving UK punk scene to a triumphant conclusion, rounding up the last two decades with ‘The Scene That Would Not Die: Twenty Years of Post-Millennial Punk In The UK’. An awful lot has happened since 2000 – not least of all the advent of the internet and social media, which has changed the way we create and listen to music, and how we interact with our favourite artists. For many, punk has become a nostalgic pastime, annual festivals like Rebellion giving them chance to reminisce about their youth, but for a new generation it is still a vital voice for protest, a way to rally against the inequality and injustice that remains a tragic constant in society. In more recent years, Brexit and coronavirus have blighted both the political landscape and the live music scene, but punk continues to adapt and survive, and ‘The Scene That Would Not Die’ captures the fierce determination to create vital music in the face of adversity that has epitomised the punk scene since its inception. Teaming up with new collaborators, Earth Island Books, themselves veterans of the underground music scene, Glasper brings his series of books documenting UK punk to a close in fine style, undertaking in-depth interviews with 111 essential bands from the last twenty years, discussing the challenges they’ve faced, the obstacles they’ve had to overcome, and how they think they still need to evolve to stay relevant in these troubled times – by the end of it, you will understand exactly why UK punk is the scene that will not die. Although the official launch of the book isn't until 7th December, the book will be at the printers in late October and should be with us for reviewers and pre-orders in November. Keen souls may go ahead and pre-order the book now, and we will ship it out as soon as possible, also rewarding the first 100 copies ordered with signed editions by the author and a limited set of four 'The Scene That Would Not Die' bookmarks too. (Earth Island Books) -
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First full length of this outstanding Punk'n'Soul band from Paris. 11 multifaceted songs, musically between classic french Streetpunk and Redskin-like Soul, plus higly political lyrics in french and english language. Comes with beautiful illustrated 16 page fanzine booklet including all lyrics. Released in collaboration with Dure Réalité, Kanal Hysterik, Discos Machete, Rudy's Back, Rumagna Sgroza and Rusty Knife.
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Originally released on New Rose in 1983, also known as 'Casablanca,' this is the fifth album by Australian punk rock band The Saints. Lead by singer Chris Bailey, The Saints were one of the most important Australian punk/rock bands of the '70s and '80s. Label: Tiger Archive Records
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The Ruts were formed in west London in 1977, but guitarist Paul Fox and vocalist Malcolm Owen were schoolfriends who had already been in several bands ? meeting with drummer Dave Ruffy and bassist John 'Segs' Jenning - The group played many Rock Against Racism benefit concerts and rose to prominence supporting The Damned in early 1979 - A contract with Virgin followed, and by June of that year, the group were in the UK Top 10 with Babylon's Burning. The Crack followed in September, benefitting a crystal-clear production from Mick Glossop. Reaching No 16 in the UK, it sounds as vibrant and pugnacious as it did on its first release. Representing the very apex of politically conscious British punk, The Crack stands as a perfect snapshot of the inner-city temperature of the late 70s. This re-issue faithfully replicates the original 1979 Virgin Records UK release and is pressed onto high quality 180g vinyl. Label: Virgin – UMCLP031 Barcode: 805520240314
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"In a Rut" is an album of demos from three sessions in the period before they signed to Virgin. Fox, Jennings and Ruffy compiled and remastered this release, and also supplied liner notes. The sessions date from 25 April 1978 (8-track Fairdeal Sessions), 20 February 1979 (Underhill Studio) and Mystery Studio Sessions (early 1979). Tracklist Underhill Studio Sessions - 20 February 1979 A-1 Babylon's Burning A-2 Babylon's Burning (Version) A-3 Blackmans Pinch (aka Give Youth A Chance) A-4 Babylon´s Burning(Underhill Studio Version #2) Fair Deal Studio Sessions - 25 April 1978 A-5 Society A-6 H-Eyes A-7 In A Rut A-8 Peel Speak A-9 H-Eyes (Fair Deal Studio Version #2) Mystery Studio Sessions - Early 1979 B-1 Something That I Said B-2 Criminal Minds B-3 Babylon's Burning B-4 Stepping Bondage (aka Gotta Little Number) B-5 You're Just A... B-6 Savage Circle B-7 Blackmans Pinch (aka Give Youth A Chance) (Mad Butcher Records)
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Released in 1979, and long out of print on vinyl, The Rude Kids' 'Safe Society' is a classic banger of Euro punk that needs to be heard to be believed. Hailing from Hagsätra (Sweden) these 4 punks manufactured an abrasive Stooges influenced noise that made them the first punk band in Sweden to be released by a major label. Covered and referenced by luminaries like Turbonegro, the 14 songs included in this monster are sure to please the most skeptical of punk connoisseurs, play loud! Labe: Electroluted Records
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Formed in 1976 in Edinburgh, Scotland, John Peel favourites The Rezillos were viewed as a punk act simply because they emerged at a specific time in the history of rock. But there was so much more to The Rezillos and their music. Branding themselves a “new wave beat group”, The Rezillos’ music lacked the nihilism and social commentary of many of their counterparts, replacing this with an irreverent glam rock image and a love of science fiction, B-movie, comic book and campy girl group iconography that set them apart from their musical peers. Initially performing mainly ‘50s and ‘60s rock ‘n’ roll covers at their live shows, Rezillos guitarist and future Human League band member – Jo Callis – began penning their own original songs, and soon after came the release of their highly acclaimed debut LP, Can’t Stand The Rezillos, contained here. This classic album is now available in this collectable 2CD digipack release, together with their famous live recording from the Glasgow Apollo on 23rd December 1978 – released at the time under the name of “Mission Accomplished… But The Beat Goes On”. Not only does Flying Saucer Attack contain these two great recordings, but the package also includes all the B-sides and rarities from the band’s first stint as The Rezillos between 1977 and 1979. Includes the hits ‘(My Baby Does) Good Sculptures’, ‘I Can’t Stand My Baby’, ‘I Wanna Be Your Man’, ‘Destination Venus’, ‘Top of the Pops’, plus many rarities not included on the band’s initial two albums, such as live versions of ‘Flying Saucer Attack’, ‘Twist and Shout’, and alternative versions of ‘(My Baby Does) Good Sculptures’ and ‘Getting Me Down’. Everything contained has been freshly re-mastered especially for this release. Can't Stand The Rezillos 1-1 Flying Saucer Attack 1-2 No 1-3 Somebody's Gonna Get Their Head Kicked In Tonite 1-4 Top Of The Pops 1-5 2000 A.D. 1-6 It Gets Me 1-7 I Can't Stand My Baby 1-8 Glad All Over 1-9 (My Baby Does) Good Sculptures 1-10 I Like It 1-11 Getting Me Down 1-12 Cold Wars 1-13 Bad Guy Reaction Bonus Tracks 1-14 I Can't Stand My Baby (7" Version) 1-15 I Wanna Be Your Man 1-16 (My Baby Does) Good Sculptures (7" Version) 1-17 Flying Saucer Attack (7" Version) 1-18 Top Of The Pops (7" Version) 1-19 20,000 Rezillos Under The Sea 1-20 Destination Venus 1-21 Mystery Action Mission Accomplished... But The Beat Goes On (Live In Glasgow) 2-1 Top Of The Pops 2-2 Mystery Action 2-3 Somebody's Gonna Get Their Head Kicked In Tonite 2-4 Thunderbirds Are Go 2-5 Cold Wars 2-6 Teenbeat 2-7 No 2-8 Land Of A Thousand Dances 2-9 I Need You 2-10 Culture Shock 2-11 Getting Me Down 2-12 Ballroom Blitz 2-13 (My Baby Does) Good Sculptures 2-14 Destination Venus Bonus Tracks 2-15 Cold Wars (Live In Glasgow 7" Mix) 2-16 Flying Saucer Attack (Live In Glasgow) 2-17 Twist And Shout (Live In Glasgow) 2-18 Good Sculptures (Alternative Version) 2-19 Getting Me Down (Alternative Version) (Cherry Red Records)
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Formed in 1976 in Edinburgh, Scotland, John Peel favourites The Rezillos were viewed as a punk act simply because they emerged at a specific time in the history of rock. But there was so much more to The Rezillos and their music. Branding themselves a “new wave beat group”, The Rezillos’ music lacked the nihilism and social commentary of many of their counterparts, replacing this with an irreverent glam rock image and a love of science fiction, B-movie, comic book and campy girl group iconography that set them apart from their musical peers. Initially performing mainly ‘50s and ‘60s rock ‘n’ roll covers at their live shows, Rezillos guitarist and future Human League band member – Jo Callis – began penning their own original songs, and soon after came the release of their highly acclaimed debut LP, Can’t Stand The Rezillos released in 1978. The album includes the UK top twenty hit "Top Of The Pops", as well as several cover versions of 1960s songs: "Glad All Over" (Dave Clark Five), "Somebody's Gonna Get Their Head Kicked In Tonight" (Fleetwood Mac), and "I Like It" (Gerry and the Pacemakers). It was produced by the acclaimed Bob Clearmountain in collaboration with Tony Bongiovi. Label: Survival Research
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In this book Mr. Stuart expresses great indignation at the state of our nation, sharing with us his laconic thoughts on an array of topical issues, including the monarchy, government, religion and hereditary privilege, among many others for your consideration. His ire may be fierce and his passion strong but it is tempered with witticisms and progressive thoughts to make a most enjoyable and discursive read. If the power isn't in your hands, then whose is it in? Discuss, debate, cooperate, organise and rise up. The revolution will be televised. Don't forget to smile. Reviews: Suspect Device - "This is a collection of essays, put together to make a coherent rant against the capitalist system and the way the rich and privileged control our lives for their own gain. It does read like a series of fanzine columns on a central theme, but then I like fanzine columns, and I’m down with any anti-capitalist rant. In the intro Ray says “You probably won’t agree with some of the arguments and observations…” And I didn’t, but for the most part what you’ll read here is a common sense argument for improving the lives of the many, not just the few, and a call for more collectivism, more co-operation and less fawning over those who’ll have you believe they are better than us because of the families they were born into or the schools they attended. Because of the way it is written, it’s an easy read and not without humour, and it is hard to disagree with paragraphs like “We need to grab the attention of our overlords by chucking a few more statues of Victorian racists into the harbour, hurling a few cobblestones though plate glass, choosing our own pronouns (that really seems to hack them off) and then stop supplying them with our labour until they agree to reform.” Of course it’s not that simplistic, and this book doesn’t pretend it is, but that gives you an idea of where Ray is coming from. Give it a read and see how much you actually do agree with Ray’s point of view. If you need any further persuading, the forward is written by James Domestic." Publisher : Earth Island Books Language : English Paperback : 170 pages. ISBN : 978-1-7393638-7-1 Dimensions : 13.00 x 1.20 x 20.00 cm
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This is the second release of Jonny Kinkaid through our label, after the 1st sold-out single. Eight new revolutionary tracks of the fuzzed folk punk troubadour from Bristol. With some special guests. This time is Ruth Cochrane on bass, accordion and piano, of the Blue Aeroplanes and Tim Rippington. Tim has also make the production and mixing. Mastering by Jez Butler. This is the personal project of Jon Kent, who's playing music in UK pop underground bands for almost forty years now (The Groove Farm, Beatnik Filmstars in the past and Arrest! Charlie Tipper now). Limited edition of 250 copies on transparent natural vinyl. Label: Old Bad Habits
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THE RESTARTS best material at a glance! Raw and punchy punk rock with brain and humor from the London based Trio. Includes the "Frustration" 7" EP - "Just Gets Worse" 7" EP their amazing "Job Club" Demo and "State Rape" Split LP. All remastered. Label: Active Distribution
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Commercial Album is an album released by art rock group the Residents in 1980. It is commonly considered a follow-up to their 1978 album Duck Stab/Buster & Glen, in that it retains the former album's pop-oriented song structures. The album contains 40 songs, each lasting exactly one minute - a deliberate allusion to Top 40 mainstream radio. The album's liner notes state that, to form a complete pop song, tracks from the album should be played three times in a row. The album features a number of guest musicians, notably drummer Chris Cutler and guitarist Fred Frith of the recently disbanded Henry Cow. The credits mention Frith as an "Extra-Hard Working Guest Musician." Frith told author Cole Gagne that he recorded parts for around 25 tracks and was later told by a band member that he appeared on at least 15 of the released cuts, but that he could only identify himself on three tracks where he played bass. Other guests are credited under pseudonyms, such as Andy Partridge of XTC (as "Sandy Sandwich") and Lene Lovich (as "Mud's Sis"); Brian Eno and David Byrne appear on the album uncredited. As a promotional stunt, the Residents purchased 40 one-minute advertising slots on San Francisco's most popular Top 40 radio station at the time, KFRC, such that the station played each track on the album over the course of three days. This prompted an editorial in Billboard magazine questioning whether the act was art or advertising. Issued with a folded 12" glossy printed inlay featuring the song lyrics on the inner. Label: La La Records/Unofficial
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Mandatory live show in New York city from the heyday of Paul Westerberg band. Tracklist A1 Gary's Got A Boner 2:18 A2 Run It 1:21 A3 Color Me Impressed 2:10 A4 Lazy, White & Stupid 2:21 A5 Takin' A Ride 2:19 A6 I Will Dare 3:19 A7 Unsatisfied 3:31 B1 Johnny's Gonna Die 4:24 B2 Favorite Thing 2:18 B3 20th Century Boy 3:06 B4 Go! 2:31 B5 I'll Be There 2:27 B6 Kids Don't Follow 2:32 B7 Black Diamond 2:53 B8 Kansas City Star 4:13 (Mind Control/Unofficial Release)
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The Pleasure Is All Yours: The Pleased to Meet Me Outtakes & Alternates is a collection of material from The Replacements sessions for their critically acclaimed fifth studio album Pleased to Meet Me. Recorded at Ardent Studios in Memphis over a three month period in 1987 - with legendary producer Jim Dickinson - Please To Meet Me was the only album recorded by the band as a trio, after original guitarist Bob Stinson acrimoniously left the band. This Record Store Day exclusive release features an entire LP of outtakes and alternates which have never been released on vinyl before. Tracks include outtakes of Birthday Gal, Beer for Breakfast, plus, alternate versions of Alex Chilton and Can't Hardly Wait amongst others. All audio has been remastered by Justin Perkins. Limited Edition pressing. Tracklist: Side A: 01 Birthday Gal 02 Learn How to Fail 03 Run for the Country 04 Can't Hardly Wait (Alternate Version) 05 All He Wants to Do Is Fish Side B: 01 Alex Chilton (Alternate Version) 02 I Can Help (Studio Outtake) 03 Lift Your Skirt 04 Till We're Nude 05 Beer for Breakfast 06 Trouble on the Way 07 I Don't Know (Out Take) (Rhino/Sire/2021)
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5CD set, in card LP replica sleeves. Collects "Sorry Ma, Forgot To Take Out The Trash" (1981) ; "Hootenanny" (1983) ; "Let It Be" (1984) ; "Tim" (1985) and "Pleased To Meet Me" (1987). (Parlophone/2012)
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For the very first time, London Records reissue the 1986 debut album - and only studio album – by Redskins, Neither Washington Nor Moscow, on vinyl and 4CD Boxset. The reissue comes complete with new sleeve notes by Redskins bassist Martin Hewes, and the CD boxset includes a 68-page booklet with liner notes from Hewes and Redskins drummer Paul Hookham (who replaced original drummer Nick King in 1985) and renowned contemporaries including Billy Bragg and Paul Morley. Redskins were formed in York in 1982 by Chris Dean (vocals / guitar), Martin Hewes (bass / backing vocals) and Nick King (drums), with the ambition to “sing like The Supremes and walk like The Clash”. Dean and Hewes were members of the Socialist Workers Party and politics guided the music created by Redskins, their soulful songs brimming with righteous passion. Six tracks on Neither Washington Nor Moscow were released as singles, including the band’s only Top 40 “Bring It Down! (This Insane Thing)” and the prophetic “Kick Over The Statues”. Redskins split in late 1986, leaving a legacy and influence that stretches far beyond their short recording career. CD Info and Tracklist: 4 discs- 67 tracks. The reissue comes complete with new sleeve notes by Redskins bassist Martin Hewes, and the boxset will include a 68-page booklet with liner notes from Hewes and Redskins drummer Paul Hookham (who replaced original drummer Nick King in 1985) and renowned contemporaries including Billy Bragg and Paul Morley. Plus photos, lyrics and essays. A1 The Power Is Yours A2 Kick Over the Statues! A3 Go Get Organized! A4 It Can Be Done! A5 Keep On Keepin’ On! A6 (Burn It Up) Bring It Down! (This Insane Thing) A7 Hold On! A8 Turnin’ Loose (This Furious Flames) A9 Take No Heroes! A10 The Crack A11 Let’s Make It Work! A12 Lean On Me! A13 Lean On Me! (Reprise - ‘The Return Of The Modern Soul Classic’ A14 16 Tons (Coal Not Dole) A15 Reds Strike The Blues (Take 4) A16 99 And A Half Won’t Do (with Reprise) A17 You Want It? They Got It! A18 A Plateful Of Hateful A19 Take Your Gods And Bury Them (‘Take No Heroes’ - Alternative Version) B1 Bring It Down! (This Insane Thing) - 12” Version B2 Keep On Keepin’ On! (Die On Your Feet 12” Mix) Produced by Ted de Bono, Mixed by Redskins B3 The Power Is Yours (MGM Mix by Stephen Street) B4 Keep On Keepin' On (Original March ’84 - 12” Mix) B5 It Can Be Done! 7” Version (Additional Recording and Mix by Stephen Street Alternate Mix) B6 You Want It? They Got It! (Alternate Jammin’ Magazine Mix) B7 Bring It Down! (This Insane Thing) (7” More FX Mix) B8 Keep On Keepin’ On! (Live in ’85 from the ‘Kick Over Apartheid Tour’) B9 Let’s Make It Work! (Live in ’85 from the ‘Kick Over Apartheid Tour’) B10 Bring It Down! (Live in ’85 from the ‘Kick Over Apartheid Tour’) B11 Kick Over The Statues! (Live in ’85 from the ‘Kick Over Apartheid Tour’) B12 Tracks Of My Tears (Live in ’85 from the ‘Kick Over Apartheid Tour’) with Billy Bragg B13 Back In The USSR (Live in ’85 from the ‘Kick Over Apartheid Tour’) w/ Billy Bragg + Jerry Dammers B14 Skinhead Moonstomp (Live in ’85 from the ‘Kick Over Apartheid Tour’) with Jerry Dammers B15 Keep On Keepin’ On! (Live in ’85 from the ‘Kick Over Apartheid Tour’) - Speech Version with Bruce George, South African Activist C1 The Power is Yours (Live At The Town And Country Club, 22nd Apr, 1986) C2 Kick Over the Statues! (Live At The Town And Country Club, 22nd April, 1986) C3 Hold On! (Live At The Town And Country Club, 22nd April, 1986) C4 The Crack (Live At The Town And Country Club, 22nd April, 1986) C5 99 And A Half Won’t Do (Live At The Town And Country Club, 22nd April, 1986) C6 Let’s Make It Work! (Live At The Town And Country Club, 22nd April, 1986) C7 Unioinize / Pickin’ The Blues (Peel Session, 9th Oct, 1982) C8 Reds Strike the Blues (Peel Session, 9th Oct, 1982) C9 Kick Over the Statues! (Peel Session, 9th Oct ’82) C10 The Peasant Army (Peel Session, 9th Oct ’82) C11 Young And Proud (Peel Session, 8th Aug ’83) C12 Hold On! (Peel Session, 8th Aug ’83) C13 99 And A Half Won’t Do (Peel Session, 8th Aug ’83) C14 Take No Heroes! (Peel Session, 8th Aug ’83) C15 A Plateful Of Hateful (Kid Jensen Session, 16th Jan ’84) C16 It Can Be Done! (Kid Jensen Session, 16th Jan ’84) C17 Keep On Keepin’ On! (Kid Jensen Session, 16th Jan ’84) D1 Lev Bronstein (CNT 7”, 1982) D2 The Peasant Army (CNT 7”, 1982) D3 Lean on Me (Original CNT 7” Single) D4 Unionize (CNT 7”, 1983) D5 Move / Let My Words Be Bullets (Live in Munich, 1986) D6 Don’t Talk To Me About Whether (Live In Munster, 1986) D7 Levi Stubbs Tears (Live in Munich, 1986) D8 The Most Obvious Sensible Thing (Unissued Session, 1986) D9 Lean On Me (Northern Mix, CNT 12”, 1983) D10 Unionize (Break Mix, CNT 12”, 1983) D11 Stickies (Demo, 1981) as ‘No Swastikas’ D12 Strike (Demo, 1981) as ‘No Swastikas’ D13 Unnamed (Demo, 1981) as ‘No Swastikas’ D14 Anglo-Irish Summit Tapes: Interview with Redskins, 1986 D15 I Can’t Stand The Boss (Live Bootleg, ICA, London, 1986) w/ introduction from Martin Hewes D16 Names Were Named (Live Bootleg, SWAPO Festival, Italy, 1986) (London Records)
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For the very first time, London Records reissue the 1986 debut album - and only studio album – by Redskins, Neither Washington Nor Moscow, on vinyl and 4CD Boxset. The reissue comes complete with new sleeve notes by Redskins bassist Martin Hewes, and the CD boxset includes a 68-page booklet with liner notes from Hewes and Redskins drummer Paul Hookham (who replaced original drummer Nick King in 1985) and renowned contemporaries including Billy Bragg and Paul Morley. Redskins were formed in York in 1982 by Chris Dean (vocals / guitar), Martin Hewes (bass / backing vocals) and Nick King (drums), with the ambition to “sing like The Supremes and walk like The Clash”. Dean and Hewes were members of the Socialist Workers Party and politics guided the music created by Redskins, their soulful songs brimming with righteous passion. Six tracks on Neither Washington Nor Moscow were released as singles, including the band’s only Top 40 “Bring It Down! (This Insane Thing)” and the prophetic “Kick Over The Statues”. Redskins split in late 1986, leaving a legacy and influence that stretches far beyond their short recording career. (London Records)
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The second full-length album of Danish Fifties/Psych Pop duo The Raveonettes was released in 2005. On Pretty In Black, Sune Rose Wagner and Sharin Foo abandoned the strict recording rules the band laid upon themselves on their preceding efforts. Instead, the group further expand on their signature sound of Fifties inspired Rockabilly Noise Pop with the eerie feel of a thriller movie soundtrack. Special appearances on this album are made by Maureen Tucker of Velvet Underground on drums, Martin Rev on drum machine and Ronnie Spector, also known as Veronica Bennett of the fabulous Ronettes on backup vocals. Non-numbered, black vinyl edition. Comes with 4-paged insert with lyrics and credits. 180 gram audiophile vinyl 4-page insert Hype-sticker Guest appearances by Maureen Tucker (Velvet Underground), Ronnie Spector (The Ronettes) and Martin Rev (Suicide) Limited 15th-anniversary edition of 1500 individually numbered copies on crystal clear (transparent) vinyl (Music on Vinyl/Columbia/2013)
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Danish indie rock duo The Raveonettes first met in Copenhagen in 2001, after which they quickly began recording their first EP Whip It On. Their first full album Chain Gang of Love followed in 2003, and it quickly gained recognition as lead single “That Great Love Sound” was featured on the soundtrack of FIFA 2004. Upon release, Pitchfork complimented the album for its high-quality production, tightly controlled melodies and called the album a glorious buzz. Mixing raw garage rock with catchy, sweet lyrics, Chain Gang of Love demonstrates The Raveonettes' knack for crafting compelling songs. Chain Gang of Love is available as a limited edition of 1500 individually numbered copies on translucent red vinyl. 180 gram audiophile vinyl Critically acclaimed 2003 debut album Featuring the singles “Remember”, “Heartbreak Stroll” and “That Great Love Sound” as featured on the OST of FIFA 2004 Limited edition of 1500 individually numbered copies on translucent red vinyl (Music on Vinyl)
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Originally released on the legendary ‘Lookout!’ record label in 1993, ‘Love Songs For The Retarded’ is the first Queers‘ album with the Joe/Hugh/B-Face line-up, and one of the true milestones of 90’s punk rock. Recorded at the Sonic Iguana studios by Mass Giorgini and produced by Ben Weasel. Limited ‘color in color’ yellow/green vinyl reissue, with double sided lyrics insert included. Due to some shortage of material at the pressing plant, all copies are actually ‘color in colour’ yellow/green rather than orange/black as previously announced! One time press of 500 copies! (Hey Suburbia Records)
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Don't Back Down is the sixth studio album by the American punk rock band the Queers, released in August 1996 by Lookout! Records. Probably The Queers best album. If you like Ramones, surf and pop punk then this is perfect record for your ears. Official reissue on Hey Suburbia Records. (Hey Suburbia Records)
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Another repress of this nice one originally released in 2000. True skinhead-rock’n’roll from the streets of Montréal. But … what should we do with the drunken skinhead ? Label: Mad Butcher Records
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The Proletariat are a punk rock band from Southeastern Massachusetts, whose heyday was during the 1980s, when they were active in the early Boston hardcore scene, sharing the bill with many of the best punk and hardcore punk acts of the time, despite their recorded output having a decidedly non-hardcore aesthetic; the Proletariat show more strongly the musical influences of early British post-punk bands such as Wire and the Gang of Four in their fractured guitar sound and Marxist-themed lyrics. Indifference is their second studio album from 1985. The record was named after its opening song, which was inspired by the photography of David Henry of the homeless in Boston, Massachusetts. One of Henry's photos serves as the album's front cover. In 1984, the Proletariat returned to Radiobeat Studios to record another album with Dufour and Giordano, assisted by Josiah McElheny. An early version of "An Uneasy Peace", a song composed for the upcoming album, brought the band international attention via its inclusion on the P.E.A.C.E. compilation, a hardcore punk collection released on Dave Dictor's R Radical Records label that included more well known bands like the Dead Kennedys, Crass, and MDC. On June 30, 1984, the Proletariat performed what would be their final show with their original lineup at Chet's Last Call in Boston, sharing the bill with the Volcano Suns and fellow Radiobeat labelmates Sorry. Later that year, before their second album was completed, Brown quit the band, as did McKnight who was studying engineering at Bristol Community College. The two would be replaced by female singer Laurel Ann Bowman and drummer Steve Welch; both of whom performed on recordings of two songs for the new album. This lineup was short-lived, and the Proletariat disbanded shortly after performing a pair of shows on July 1, 1985 with Italian band Raw Power and the local act Rash of Stabbings, at the Living Room rock club in Providence, Rhode Island. The band's new recordings were released as the album Indifference and its lead single titled "Marketplace" on Homestead Records in 1985. Both the album and single showed another side of the band, including layered melodies and featuring a guest appearance by Roger Miller of Mission of Burma playing piano on an updated version of "An Uneasy Peace", as well as Laurel Bowman's soft-toned voice in sharp contrast with Brown's staccato pronouncements. Label: Restless Empire REcords
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The Proletariat are a punk rock band from Southeastern Massachusetts, whose heyday was during the 1980s, when they were active in the early Boston hardcore scene, sharing the bill with many of the best punk and hardcore punk acts of the time, despite their recorded output having a decidedly non-hardcore aesthetic; the Proletariat show more strongly the musical influences of early British post-punk bands such as Wire and the Gang of Four in their fractured guitar sound and Marxist-themed lyrics. Indifference is their second studio album from 1985. The record was named after its opening song, which was inspired by the photography of David Henry of the homeless in Boston, Massachusetts. One of Henry's photos serves as the album's front cover. In 1984, the Proletariat returned to Radiobeat Studios to record another album with Dufour and Giordano, assisted by Josiah McElheny. An early version of "An Uneasy Peace", a song composed for the upcoming album, brought the band international attention via its inclusion on the P.E.A.C.E. compilation, a hardcore punk collection released on Dave Dictor's R Radical Records label that included more well known bands like the Dead Kennedys, Crass, and MDC. On June 30, 1984, the Proletariat performed what would be their final show with their original lineup at Chet's Last Call in Boston, sharing the bill with the Volcano Suns and fellow Radiobeat labelmates Sorry. Later that year, before their second album was completed, Brown quit the band, as did McKnight who was studying engineering at Bristol Community College. The two would be replaced by female singer Laurel Ann Bowman and drummer Steve Welch; both of whom performed on recordings of two songs for the new album. This lineup was short-lived, and the Proletariat disbanded shortly after performing a pair of shows on July 1, 1985 with Italian band Raw Power and the local act Rash of Stabbings, at the Living Room rock club in Providence, Rhode Island. The band's new recordings were released as the album Indifference and its lead single titled "Marketplace" on Homestead Records in 1985. Both the album and single showed another side of the band, including layered melodies and featuring a guest appearance by Roger Miller of Mission of Burma playing piano on an updated version of "An Uneasy Peace", as well as Laurel Bowman's soft-toned voice in sharp contrast with Brown's staccato pronouncements. Label: Restless Empire REcords
