• ARMIA | legenda | LP

    23.00 incl. tax
    Legenda is their second studio album that was released in 1991. Official reissue on limted 180 gr black vinyl with printed inner sleeve. "Legenda" is an ambitious musical project, a multilayered masterpiece that is meaningful on many levels and escapes easy categorization. The production is fantastic: the sound is dark and monumental but unpretentious, powerful but relying on the strength of the composition rather than on petty heaviness, it is also cold and yet organic and epic. In addition to the classic punk instruments, there are some flute, French horn, acoustic guitar, clarinet, trumpet and synth on "Legenda". The horns increase the epic, monumental quality of the album, possibly even casting an almost ironic, self-reflexive light upon it, and add a subtle moodiness when needed. The synth is very much an atmospheric tool and offers a postindustrial reading of the Soviet epics. For what it is worth, and as irrelevant as it might be, "Legenda" blends the distinctively Polish punk sound of Dezerter (noticeably in the riffs' structure) with the awe-inspiring power of "In darkness"-era Antisect in order to get the perfect ink with which Armia are going to write a darkly ironic, multi-instrumental story about madness and alienation. "Legenda" is incredibly difficult to describe but listening to it as a story is probably the most relevant stance. There are interludes that give fluidity to the album and confer meaning to what precedes or follows. The Don Quijote metaphor that pervades the aesthetics of the Lp tends to indicate that "Legenda" could be a contextualized rewriting. A blinded man living in denial, obsessed with ideas but discarding reality, as pathetic as he is heroic, the Quijote prism can be meaningful on many levels. It could be a comment on post-Soviet Poland (debunking the mythical representation), or on punk-rock, or on the shibboleth of ideology, or on the creative act itself. (Terminal Sound Nuisance) (Metal Mind Production)
  • “Armia” is the band’s debut studio album from 1988. First time official reissue of this highly influential Polish punk classic . Limited 180gr red vinyl with printed inner sleeve. Armia started at the end 1984 after Tomasz Budzynski left Siekiera for whom he was singing (it was over a matter of musical direction, and Siekiera went new-wave after the departure of Tomasz) and founded Armia with guitar-player Robert Brylewski (died in 2018 after beaten up), who had been part of the legendary, mood-defining Brygada Kryzys and of Izrael, a very popular reggae band (reggae has always been hugely popular in Poland). On the drums was also a former Izrael, Tomasz Kozuchowski, and on the bass was yet another Tomasz (they almost could call themselves "Tomasz Army" really). From the beginning, there was something unique and compelling about Armia. Although the band obviously built on the peculiarly intense Polish punk sound of bands like Dezerter, TZN Xenna, Moskwa, Abaddon and indeed Siekiera, as the texture and the structure of the riffs could attest, there was a different feel, a creative intent that was new, conceptual, almost metaphysical and could be seen in the aesthetics of Armia as much as in their music and words. The use of horns and other "non-punk" instruments gave the band a unique sound and pointed at their desire to create a unique soundscape (the fact that some members had already played in the horns-using Izrael also helped). The first 1987 Lp confirmed the band's amazing potential. Although it lacks the awesome power of "Legenda" and is still quite close to the classic Polish punk sound, some songs hinted at the songwriting tour de force that was to follow. But more important, the first album showed something central to Armia: the narrative intent. If you listen to it closely, there is a storytelling quality to the Lp, albeit in a still imperfect form. Taken individually, for all their undeniable quality as hardcore-punk numbers, the songs don't have the same strength and are not as meaningful as when the Lp is seen as a whole. A feeling of dementia and insanity floats over the album but it can only be heard when you listen to the whole work. (Terminal Sound Nuisance) (Metal Mind Production)
  • Upcoming

    ART TELEPATHS | freak όνειρα | LP

    16.5018.50 incl. tax
    "Το 2013 κυκλοφόρησαν με την Geheimnis Records ένα 10-ιντσο EP βινύλιο με τίτλο “Heaven Up There ! ...Red Carpets Down Here...” σε ύφος post punk και dark electronic, με αρκετά πειραματικά στοιχεία. Σήμερα οι ART Telepaths, έχουν μετασχηματιστεί σε live μπάντα με line-up: Γιώργος Σκαρλάτος - μπάσο & φωνή, Στάθης Παπανδρέου (ex ΑΔΙΕΞΟΔΟ & Split Image) – τύμπανα και Ηλίας Ράπτης (Scoria – Haunted Mirror) - κιθάρα. Το 2019 έκαναν τα πρώτα live παίζοντας με μερικές από τις καλύτερες μπάντες της Αθηναϊκής- και όχι μόνο-σκηνής, και συμμετείχαν στο απόλυτο πάρτυ των 40 χρόνων των Magic de Spell. Οι ART Telepaths έχουν ήδη ηχογραφήσει τα πρώτα τραγούδια της νέας μορφής τους και αναμένεται η κυκλοφορία δίσκου EP στο προσεχές διάστημα από την B-otherside records. Μουσικά επεξεργάζονται μελωδίες και ρυθμούς dark alternative post-punk με συμπαγή και εκρηκτικό ήχο, παίρνοντας σαφή θέση και στάση στην κοινωνική κατάσταση των καιρών. Η θεματολογία τους έχει επίκεντρο τον Άνθρωπο, με κατανόηση της υπαρξιακής και συνειδησιακής του κατάστασης. Στα τραγούδια τους προβάλλουν την εκμετάλλευση και την εξαπάτηση του ατόμου, μέσα από τον πόλεμο, την βία, τον κοινωνικό αποκλεισμό, την απαξίωση, αλλά και την εργαλειοποίησή του από τις δράσεις των συστημάτων εξουσίας. Νιώθουν δίπλα σ’ αυτούς που προσπαθούν να κρατήσουν ζωντανή την ψυχή τους, τα όνειρά τους, αλλά και την έκφρασή τους για ένα καλύτερο κόσμο." Avopolis (B-otherside Records)  
  • ARTCORE ISSUE 39 WITH MYDOLLS 7” ARTCORE #39 In this issue of the long running UK punk zine you’ll find in depth interviews with legendary UK punks SUBHUMANS, LA’s TOTAL MASSACRE, Amsterdam’s OPEN WOUNDS, South Wales’ DRUNKEN MARKSMAN, The North East’s TIED DOWN and London’s GAME. While the historical ‘Vaultage’ section of the zine features interviews with original LA punk zine FLIPSIDE, London anarcho post-punks PART 1 and Stoke’s EXIT CONDITION. On top of this are the articles: ‘Death to the Sickoids’ a 10,000 word history of Canadian punk in the 70s and 80s, ‘Punks in Parkas’ on the ‘79 mod revival by ace face Neil Cox (Shutdown, Thirty Six Strategies, Diaz Brothers) and ‘Ragin’ Full On In Early 80s Southern California’ featuring the hardcore memoirs of Andy Nystrom (Sorex, There’s Something Hard In There). There are also over 100 reviews and zero advertising, all jammed into 40 litho printed A4 pages. MYDOLLS 7” This three song 7” featuring ‘Nova Grows Up’, ‘The/Rapist’ and ‘In Technicolor’ is an enhanced reissue with new artwork of the Mydolls 1981 debut release on C.I.A. Records (run by Linda of the band along with her husband U-Ron Bondage of REALLY RED). From Houston, Texas, this male-backed feminist art-punk four piece followed their own path, creating a unique post-punk sound that would’ve fitted right in on Rough Trade’s roster of bands of the day alongside THE SLITS and THE RAINCOATS. The band travelled to London not longer after this 7” was released in 1982 to promote the record and were interviewed by John Peel. They went onto release another 7” and a mini-album in the 80s, appeared in Wim Wenders’ film Paris, Texas, as well as playing gigs along side touring bands like MINOR THREAT, THE CRAMPS and SIOUXSIE AND THE BANSHEES, as well as locals BIG BOYS, REALLY RED and THE DICKS. The 7” (with some additional audio) comes on green/grey marble vinyl and is housed in an eight page lyric and photo booklet.
  • Solid black vinyl version limited to 300 copies - LP+CD. Torino, Northern Italy, is with no trace of doubt one of the areas that gave birth to some of the most important Italian Hardcore bands of all eras… NEGAZIONE, DECLINO, CONTR-AZIONE, 5# BRACCIO, ROUGH just to mention a few. And the great thing about this city is that all this did not only last in the ’80s but had a solid continuation in the decades to follow. Bands like ARTURO, CRUNCH, FRAMMENTI, BELLI-COSI, C.O.V. took the legacy of the giants that came before and ruled the ’90s reinventing Hardcore with creativity, passion and a flash of genius in song-writing. ARTURO were certainly the fastest and those that have been more pristine in sticking to the total Hardcore formula, especially in their early years with Alfo on vocals. So this anthology is all focused on that time, the early years of one of the most furious Italian Hardcore bands of the Nineties… fast, top adrenalinic Hardcore that gives no time to breathe from start to finish! It includes their debut CD “Ar-cor” (1995), the two Ep’s “Isterico” (1997) and “Topo volante” (1998) plus a bonus CD with the impossible to find first demo and an unreleased soundboard live at El Paso (Torino), 1996 opening for CRIPPLE BASTARDS (actually at that time ARTURO shared their drummer and bass-player with CB!). 63 songs of manic fast TORINO HC!!! Double insert with lyrics, original artworks and photos. (F.O.A.D. Records)
  • Solid black vinyl ltd. to 350 copies - 19.00 The masters of complete Hardcore Mangel are back with a vengeance! 12 songs of crushing Swedish Hardcore from these timeless legends mangling ears since the early ’80s!! Two years after “Död åt kapitalismen“, a new menace of uncompromised fury is ready to endanger your cardiac stability… Not only these guys were pioneers of the fastest and rawest ’80s Hardcore ever spawned from the freezing North, but they are among the few that kept the same level of intensity and anger with their recent reunion. All the greatest features for a brutal Swedish Hardcore record are pushed to the top on this new full length, vitriolic vocals and vicious discharged riffs picturing the most apocalyptic war scenarios, solid scandicore/d-beat drumming and a kick-in-the-face production giving to all their rawness and distortion an even sicker and cruder feeling. Correct us if we fail to say that with this record we are closing the year with the best Swedish Hardcore album of 2019 and who knows for how much time more. (F.O.A.D. Records)
  • Black vinyl limited to 200. The third and final installment that completes the ASOCIAL vinyl reissues to make their entire 1982-1994 easily available for all you Scandicore psychos. This LP collects the following: “How could Hardcore be any worse” (split tape with The Bedrövlers, 1984… THEIR FASTEST RECORDINGS EVER!) plus some extra unreleased stuff, songs from “Hardcore for the masses” and “Attack is now suicide” v.a. LPs (both from 1988), the “House of gore” 7″ (1992) and their songs from “Distortion to hell” v.a. CD (1994). All this stuff has been mastered from the original reels and mastertapes. This collection shows the band’s progression from the early, out of control ultra Hardcore annihilation to a more d-beat paced (as a matter of fact, a Discharge cover is included) and even metallic HC approach, still keeping the aggression and power that has always been a trademark in their sound. 25 tracks. Housed in a glossy gatefold sleeve with silver hot-foil stamping. (F.O.A.D. Records)  
  • Out of stock
    Limited on 300 copies! Mexican Raw Punk D-Beat Holocaust. Completely noisy Raw Punk Madness straight from America Latino/Mexico. 7 own crashers and a cover of Histeria ("Nunca Cambiare"). Total raw-punk, hellmangel, d-beat massacre!!!! With killer-artwork from Ali Ripper!!! (Rawmantic Disasters Records) https://assassini.bandcamp.com/album/ep
  • Swedish punk legends 40 year anniversary edition on yellowcolored vinyl. Re-issue of the seminal 1st full-length by Sweden's legendary melodic-punk band, ASTA KASK from 1986. 1978 saw 4 boys, that would become ASTA KASK, in a basement in the small town of Töreboda, Sweden. It was there, that the unique sound was created that would come to leave a mark on Swedish and international punk bands for generations. This re-issued 19 track records comes with a new alternate cover and extensive remastering by the band. Fast, pissed off and still contagiously melodic punk. Colored (yellow) vinyl is limited and includes a digital download card. (Gaphals Records/Kloakens Alternativa Antiproduktion)  
  • Swedish punk legends 40 year anniversary edition on white colored vinyl. Re-issue of "en för alla ingen för nan", originally released by Burning Heart in 2006. 1978 saw 4 boys, that would become ASTA KASK, in a basement in the small town of Töreboda, Sweden. It was there, that the unique sound was created that would come to leave a mark on Swedish and international punk bands for generations. This re-issued 19 track records comes with a new alternate cover and extensive remastering by the band. Fast, pissed off and still contagiously melodic punk. Colored (white) vinyl is limited and includes a digital download card. (Gaphals Records/Kloakens Alternativa Antiproduktion)
  • Swedish punk legends ASTA KASK are celebrating their 40 year anniversary with the release of "historien dömer oss alla ("history will judge us all), along with reissues of 3 classic records. ASTA KASK have succeeded with something very few bands from the first wave of swedish punk have: to maintain their fans while still making their way into the hearts of young punks. The new record "historien dömer oss alla" consist of 4 songs that brings up hate, fear and the normalization of surreptitious racism that is spreading around the globe. The material covers the different strengths of the bands longevity: the speed of 2-beat drums, echos of raw 80's chord progression and the never ending thirst for singalong-friendly melodies. Limited to 1000 copies on black vinyl. Poster of cover and digital download card included. (Gaphals Records) https://gaphals.bandcamp.com/album/asta-kask-historien-d-mer-oss-alla
  • Back in stock
    Swedish punk legends 40 year anniversary edition on red colored vinyl. "Med is i magen" is the 1st MLP by Sweden's legendary punk band ASTA KASK. A cornerstone of Swedish punk-rock and it's "trallpunk" genre - where lightning fast delivery of unrelenting melodic and upbeat punk is delivered hardcore tempo. Featuring many of the bands classic tracks - this was the band's best selling release, though it has become a sought after collector's item since it's release in 1985. Colored (red) vinyl is limited and includes a digital download card. (Gaphals Records/Kloakens Alternativa Antiproduktion)  
  • Austria’s Astpai play punk rock with a healthy dose of Kid Dynamite snarl. It’s melodic, it’s loud, and most of all, it wants to be heard. Think of all those bands in the mid-naughties who started drawing on the melodic side of hardcore and post—Make Do And Mend, Title Fight, and Hostage Calm, to name a few—bands that took to the musicianship of Hot Water Music and Fugazi but kept their feet firmly in the world of traditional songwriting. Astpai is a step once more removed from those post-hardcore roots, but it’s hard for me not to think of them as kin. True Capacity is melodic punk that wants to hit hard, to give you all its got, and have you singing along with every word. A more direct comparison for Astpai would be something like The Flatliners. They have a similar feel of heightened melodic punk, where they take from hardcore sounds but not structures. Here, there are songs with big choruses and competent arrangements delivered with an emotional range in line with what we expect from today’s melodic punk. (Shield Recordings) https://shieldrecordings.bandcamp.com/album/astpai-true-capacity
  • This here is an extreme Grindcore band from the german North Sea coast:, ATTACK FROM THE AXEMAN from Hamburg, including almighty Ralf Bock (ex-MY OWN LIES, ex-PRONE, ex-STACK, ex-CHOREA, ...), play very brutal Old School Grindcore: punishing blastbeats, hard hitting guitars, exploding bass and bonerattling vocals will bring every fan of loud and extreme music into their own kind of heaven. You like REPULSION, PHOBIA, CATHETER and TERRORIZER ??? Then you will like ATTACK OF THE MAD AXEMAN too !!!
    This here is the fourth album of the band offering twenty-six songs of extreme Animal Grind, songs titled "Arachne Of Death", "Kings Of Animalgrind", "Spider Attack", "Rich Dogs On LSD", "From Whom The Cowbell Tolls", ... seem to sound very funny, but the lyrics are very critical, yes sarcastic but in the end very political, a little bit more cryptically than standard political songs. During their live gigs the band members are wearing freaky animal customs so that the audio terror gets completed with visual entertainment. (Regurgitated Semen Records)
  • Out of stock
    1986’s “American Paranoia” was a California thrash bash from the Bay Area’s Attitude Adjustment. Along with bands like Excel, Cryptic Slaughter, and Hirax, Attitude Adjustment helped bridge the gap between blazing fast hardcore and speed metal, a sound that was duplicated many times over but rarely with the ferocity found here. This LP was originally pressed on the legendary Pusmort Records (run by famed artist Pushead) and has not been in print on vinyl since that initial pressing. LP includes DVD and is limited to 500 copies. (Taang! Records)  
  • Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
    Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • AUKTION | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we use for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
    Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Aurora was cold wave band from Rzeszow/Poland made up of former members Noah Noah and One Million Bulgarians in 1986. Their performance at the Jarocin 1987 festival was a real sensation and the band received an audience and journalistic award. From the beginning, the band had huge problems with the communist regime and censorship because of harsh anti-communist lyrics. "Nyet nyet soviet" was released as a demo tape in 1988 and includes their Jarocin 1987 performance and studio recordings from same year. After over 30 years, the cassette finally appears on vinyl. - Edition of 120 copies pressed on black vinyl. - Record comes with a 4-page insert with photos, lyrics and newspaper clippings about the band from the 80s. (Fan Club)
  • LIMITED SPLATTER VINYL EDITION - ONLY 200 MADE.
    The second studio LP from AUS-ROTTEN, originally released in 1998, is back in print on PROFANE EXISTENCE! Considered by many to be the highlight of AUS-ROTTEN’s discography, “And Now Back To Our Programming” is an absolutely essential anarcho-punk LP, and the rapid fire delivery of righteous political anger AUS-ROTTEN are famous for is just as prevalent on this release as it is on all AUS-ROTTEN records. From the second the needle drops this LP challenges you to be the change you want to see in the world. 7 songs in total including the epic 16-minute title track. 
    (Profane Existence Records)

  • Out of stock

    AVENGERS | avengers | LP

    25.00 incl. tax
    In the late '70s, The Avengers established themselves as one of the US's preeminent punk bands. Fusing incisive guitar hooks, explosive rhythms and adolescent venom, the group forged some of the most in-your-face songs of the era. Their live shows were legendary, playing up and down the West Coast and even blowing Sex Pistols off the stage at the latter's final performance. As Byron Coley writes in the liner notes, "Of the best bands of San Francisco's first wave in 1977, The Avengers were by far the coolest and youngest sounding. They roared without irony, as though this were indeed Year Zero (and, for a moment, it was) with history being overwritten by the new. The honesty of their belief was carried by their sound. And it was convincing!" Originally released in 1983, four years after the band's dissolution, The Avengers' self-titled LP is often referred to as "The Pink Album" for its magenta-hued cover design. Frontwoman Penelope Houston's iconic voice and razor-sharp lyrics resonate on anthems "We Are The One" and "The American In Me," while penetrating ballads like "Corpus Christi" reveal a truly out-of-body euphony. The Pink Album remains The Avengers' definitive statement – collecting their classic Dangerhouse EP, sessions recorded with the Pistols' Steve Jones and a half-dozen revelatory demos. While much has been written about The Avengers in the past three decades, rock critic Greil Marcus puts it succinctly, "The word I always come back to is mystical, and that remains almost theirs alone." (Superior Viaduct Records)  
  • AVIADOR DRO Y SUS OBREROS ESPECIALIZADOS formed in the Prosperidad Neighbourhood of Madrid in 1979. Influenced equally by Dadaism and Futurist ideas as by the contemporary sounds of bands such as DEVO, THROBBING GRISTLE or CABARET VOLTAIRE, they started creating their own brand of electronic music. Soon after the band won the third prize of a local Battle of The Bands show and were given a record deal as a prize that resulted in La Chica De Plexiglás 7” (Movieplay-1980) and La Vision 7” (Movieplay-1981) both of which were recorded at the same session with a third 7” recorded but not released at the time. Faced with the total lack of interest showed by the label and feeling alienated in a Music World which wasn’t the one they dreamed of, they decided to do what dozens of their peers were doing worldwide; They started their own label, Discos Radioactivos Organizados (DRO) following the steps of Factory or Industrial Records. Faced with the exit of three members who left the band to form a more radical band (ESPLENDOR GEOMETRICO), AVIADOR DRO entered Doublewtronix studios to record Nuclear Sí, marking the birth of the Independent Music Industry in Spain. The four tracks on the EP became instant classics with Nuclear Sí being the absolute standout track, while Varsovia en Llamas, Sintonia Del Refugio Atomico and Godzilla were perfect nuggets of Synth-punk who remain amongst the greatest Spanish Pop songs ever. Originally hand-assembled, hand-coloured, self-released and distributed in the total DIY spirit, the first release of DRO remains a perfect example of what a bunch of teenagers can achieve armed with just their youthful energy and idealism. Nuclear Si, was repressed three times and has been out of print since the early 80’s. This reissue of 500 radioactive green vinyl comes out in the year that AVIADOR DRO celebrates its 40 anniversary with a book released and an anniversary tour. (La Vida Es Un Mus Records) https://lavidaesunmus.bandcamp.com/album/nuclear-s
  • AVSKUM | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we use for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
    Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Out of stock

    AXEGRINDER | satori | LP

    21.00 incl. tax
    You can feel it as much as hear it: the sound of crust-punk, scabrous and bleak – a soundtrack for the slow, painful disintegration of society and perhaps even humanity itself. A jolting, icy blast of reality through the world’s shattered windows. The sound of despair turning to defiance. Formed in London in 1986, Axegrinder arrived as the ongoing post-punk melting pot began to conjure ever-heavier new hybrid strains of the hardcore punk and underground metal scenes that were still only a few years old. Following in the groundbreaking footsteps of peers like Amebix and Sacrilege, the band swiftly established themselves as one of the most musically adventurous and hair-raisingly intense bands the UK had to offer. Renowned as an explosive live band, whether playing in a rot-infested squat or venturing into bigger, shinier venues, Axegrinder cemented their burgeoning reputation with their monstrous debut album The Rise Of The Serpent Men. The follow-up to a trio of widely hailed demos, it was released in 1989 via legendary British metal imprint Peaceville Records and was heralded as an underground classic. A brave, belligerent album that aggressively filtered Killing Joke’s pulsing nihilism through a prism of post-thrash grinding power, it was years ahead of its time. Unfortunately, the first chapter of the Axegrinder story came to an abrupt halt not long after the release of ...Serpent Men. After years of hard slog around the squats and pubs of the UK, both guitarist Steve Alton and vocalist Trev found themselves becoming increasingly disillusioned with the scene that they had helped to forge. Newly signed to Rise Above Records, Axegrinder will release Satori into a world that seems every bit as fucked up and bleak as the one they angrily assailed first time round. In reality, the anti-authoritarian message that burned at the heart of the crust-punk scene three decades ago has never lost its relevance or its power. From the crushing, slow-burn assault of Halo (Snakes For The Breeding) to the warped, nihilistic balladry of epic closer Too Far From Home, this is music that screams its righteous fury and creative clout from the rooftops. (Rise Above Records)
  • Mention the name Bad Brains to any music fan today and you will get a jaw-dropping response! Considered by some to be the holy grail' of punk rock, Bad Brains are one of the definitive American punk groups who garner the same respect as the Sex Pistols, Black Flag, The Ramones and the The Clash. The Bad Brains iconic legacy brought a new dimension to music by melding punk and reggae into a innovative style that has yet-to-be copied. And with this new studio album, Bad Brains essentially returns to their core wit a raw analog-driven chaos produced by MCA (aka Adam Yauch) of the Beastie Boys.Build a Nation has clearly brought out the best in the band. All original members, Dr. Know, Darryl Jennifer H.R. and Earl Hudson, deliver an explosive arsenal of riffage and bad ass bag of voices. Producer MCA recorded the album at the Beastie Boys' Oscilloscope studio in NYC. It is the first studio album released by the Oscilloscope laboratories, outside of Beastie Boys' albums. Sometimes reactionary, sometimes volatile, Bad Brains simply define the American punk experience. (Megaforce)
  • Hardcore punk pioneers Bad Brains released their sixth full-length God Of Love in 1995. The original line-up was back together and the album was promoted with a big tour and concerts on the Beastie Boys’ Ill Communication tour. The album consists of a mix of reggae, hardcore, punk, and hard rock tracks. The band continued to evolve and created such a versatile album that people from different backgrounds felt attracted to it. God Of Love is available as a limited edition of 1000 individually numbered copies on coloured (transparent green & yellow mixed) vinyl and the package includes an insert. • 180 GRAM AUDIOPHILE VINYL • INSERT • LIMITED EDITION OF 1000 • INDIVIDUALLY NUMBERED COPIES ON COLOURED (TRANSPARENT GREEN & SOLID YELLOW MIXED) VINYL (Music On Vinyl)