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Finally available this classic of 2000, reedited by anagram records. 21 tracks of raging hardcore punk from the disorder legend. Label: Helvetet Records -
Finally the official reissue of the "Violent world" album originally released in 1989 by Disorder records. Then in 1994 Anagram records made a simple cd edition, which included the Live in Oslo album. now Helvetet records presents this great edition 33 years after its original release. Come digipack cd, insert and obi strip. Killer classic! Label: Helvetet Records -
Among the kings of the late '80s UK hardcore scene, EXTREME NOISE TERROR, indisputably deserve their name to be written in big black capitol letters. After speeding up, together with Napalm Death, Doom, Hellbastard and the likes, what Discharge created back in the early Eighties and inspiring a whole generation of crust bands, EXTREME NOISE TERROR are back in 2015 with a new full length recorded last year. It's hard to believe this new masterpiece doesn't come from the same 1991 sessions as this is totally Phonophobia-core. This new self titled record sounds exactly as the old E.N.T. tunes we all fell in love with, so what you have to expect is the usual overdose of throat-cutting double vocals, thrashy heavy rotten sounding guitar riffs, helicopter-ish bass and turbo aggressive fast beats. For those who still don't believe it, I'm reporting what Dean Jones wrote us introducing the record: "The new album is back to total old school ENT (Earslaughter, Holocaust, Phonophobia) No Metal, No Blasts. Total pure ripping, ultra fast H/C Punk the way it originally was". And this is what their new singer Ben wants to state about his feelings towards the record: "I was a big fan of ENT as a teen, long before I joined, specifically of A Holocaust In Your Head and Phonophobia. If I was going to compare this new album to anything the band’s done before I’d say it sits nicely with those two. Catchy as fuck aggressive ultra hardcore punk riffs, fast frantic drumming and mental vocals; I don’t think Dean’s ever sounded as insane as he does on this one! It’s raw as fuck too, no click tracks or fixing-in-the-mix type shit, instead the drums, bass and guitars were done live with the leads added after and me and Dean sharing a mic going through a 76 year old analogue valve amp. We’re all hugely proud of this album, its a proper call to arms and a brutal statement that the band’s music and message is every bit as relevant today as when it was formed 30 years ago”. This record is totally in memory of their beloved singer Phil Vane who sadly passed away in 2011. Rest In Peace Phil and long live EXTREME NOISE TERROR! Housed in a digipak. Carries an 8-page booklet. Label: Criminal Attack Records
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Just one year after the release of their highly acclaimed "Mainstream View," Grade 2 dropped this incredible record, "Break The Routine." The band amazingly managed to further mature their sound and songwriting ability, thickening their intense barrage on the scene, and quickly bringing this band into everyone's sights. The memorable choruses, catchy guitar riffs, groovy bass lines, and the powerful drumbeats show that the boys clearly have a new and brilliant understanding of how to make great music. Label: Demons Run Amok Entertainmet, Pirates Press Records Barcode: 4260161861582
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Although it was never released outside of Germany, "Mainstream View" was a huge success and a big step forward for Grade 2, featuring the popular music video single "All I Know." With more complex songwriting, catchier melodies, and a new, professional sound, this album put Grade 2 on everyone's radar. Pirates Press Records is proud to reintroduce "Mainstream View" to the world, making sure that as Grade 2 continues to grow and climb to new heights, these early albums are still easy to get your hands on. Label: Pirate Press Barcode: 4260161861568
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American thrash metal band from Berkeley, California formed in 1984. Originally known as Sacrilege, they added B.C. to their name in 1986 to avoid confusion with UK Sacrilege after being signed to Alchemy Records. Sacrilege B.C. played Bay Area thrash metal with a huge dose of punk and crossover influences. The band featured vocalist Strephon Taylor, guitarists Gary Wendt and Tim Howell, bassist Sean Smithson, and drummer Matt Fillmore. Maybe slightly overlooked amidst the era's tidal floods of '80s speed metal talent, the band only recorded two, curiously named albums in 1986's ‘Party With God’, and 1988's ‘Too Cool to Pray’ . Guitarist Wendt would later help found post-death outfit Skinlab. With this re-issue 'Party With God' finally emerges from obscurity with demo 1985 as bonus. A classic and a raging thrashterpiece that delivers in spades on the promise of TRUE metal/punk crossover! The band was disbanded in 1991. Limited edition vinyl version of the legendary debut album from the ultra-cult 80s’ Bay Area Thrash band: Sacrilege B.C. Also contains the 1985 demo pressed on vinyl for the first time! Double vinyl w/silk-screen printed on side D. Liner notes by Ron Quintana. 8 -page comic book/liner notes. One of the best ever thrash albums to ever come out of the Bay Area. For fiends of: Exodus, Metallica, Possessed, Vio-lence. Communion Blood + White vinyl version limited to 500. Label: Southern Lord
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THIS IS A PRE-ORDER! YOUR ORDER WILL SHIP ON/OR AROUND MARCH, THANKS! Southern California hardcore punk band Virulence was originally formed in 1985. They were heavily influenced by Black Flag, the Melvins, & BL’AST!. After the bands’ demise in 1990, the members reformed under the moniker: FU MANCHU The bands’ debut and sole release “If This Isn’t A Dream…” is an exercise in slow, crushing minimalism. Originally released by Alchemy records circa 1989 and has been out of print/unavailable until now! A very worthy induction into the chapter of early heavy music recordings. Limited edition Black Vinyl. Label: Southern Lord
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One man dissonant black/death unit KVADRAT is unleashing debut long player «The horrible dissonance of oblivion» on April, 2024 In the span of 44 minutes, Kvadrat is unraveling a documentation of collective and individual downfall in the form of a musical work. A monument built to remind, provoke, traumatize and disturb, to fuel and awaken the nauseating sensations of uncertainty, alienation, hatred and pain. 7 chaotic compositions create images, sounds, shapes, scent, temperature, form and dimension to a world of meaninglessness, in an insane exploration for a purpose. “The same song keeps playing over and over, same darkness, same horrors feeding of souls. Same heartbeat and agony, in an insane search for a different exit. Horrible images, nightmares, cacophonous voices, catastrophe, pain and violence, all gathered, feasting and, dancing around the fire. All life numbed and locked in the maze. Burying all will of staying awake, under the horrible dissonance of oblivion”. All music & lyrics, instruments & vocals, drum programming, recording/mixing, cover art & graphic artworks, logo and layouts, animation and video by I.A (KVADRAT). Mastered by Dan Lowndes at Resonance Sound Studios, USA For fans of: Ulcerate, Hate Eternal, Deathspell Omega Blue/black galaxy vinyl, exclusive Nuclear Winter Records version, limited to 166 copies. Label: Nuclear Winter Records
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One man dissonant black/death unit KVADRAT is unleashing debut long player «The horrible dissonance of oblivion» on April, 2024 In the span of 44 minutes, Kvadrat is unraveling a documentation of collective and individual downfall in the form of a musical work. A monument built to remind, provoke, traumatize and disturb, to fuel and awaken the nauseating sensations of uncertainty, alienation, hatred and pain. 7 chaotic compositions create images, sounds, shapes, scent, temperature, form and dimension to a world of meaninglessness, in an insane exploration for a purpose. “The same song keeps playing over and over, same darkness, same horrors feeding of souls. Same heartbeat and agony, in an insane search for a different exit. Horrible images, nightmares, cacophonous voices, catastrophe, pain and violence, all gathered, feasting and, dancing around the fire. All life numbed and locked in the maze. Burying all will of staying awake, under the horrible dissonance of oblivion”. All music & lyrics, instruments & vocals, drum programming, recording/mixing, cover art & graphic artworks, logo and layouts, animation and video by I.A (KVADRAT). Mastered by Dan Lowndes at Resonance Sound Studios, USA For fans of: Ulcerate, Hate Eternal, Deathspell Omega Label: Nuclear Winter Records
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The Balkan’s finest & the ugliest, under influence of 80′s stench/ 90′s black/ 00′s sludge. “I am very impressed, i like the subtle touches of melody you have added to songs. There is a very different feel, somethig you have brought to the songs, i have to really congratulate you on such good work. The release looks really well put together, you have done a great job. It is a real compliment to our work.” – ROB MILLER aka The BARON Tracklist: A1 J.W. Pozoj– The Moor A2 Panikos– Beyond The Sun A3 Hellstorm– Slave A4 Sun Of Nothing– Drink And Be Merry B1 True– I.C.B.M. B2 Terrarium– Axeman B3 Motherpig– Promazin B4 MOR– Zima Label: World's Appreciated Kitsch, Scream Records, Gasmask Records, Obskure Sombre Records, Punk.gr, Front Rock, PMK Records
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2nd full length.
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Eternally shrouded in complete mystery and anonymity, the entity calling themselves Toadliquor has returned with its first recorded offerings in over 25 years. Violently bleeding out into the early-90s with their lone LP Feel My Hate – The Power Is The Weight – R.I.P. Cain, Toadliquor followed that with a few comp tracks and a single before completely disappearing into the ether. Southern Lord compiled most known recordings in 2003 on the Hortators Lament compact disc. Then, on the occasion of the label’s 20th anniversary in 2018, Southern Lord released these recordings plus one newly-received cryptic distress signal from deep space on the limited edition 2xLP set Cease & Decease. And now, in 2024, Toadliquor return, to continue their decades-long onslaught of desolation, despair and damaged vocal cords with Back in the Hole. Seven prize picks for the communal trough. Strap in and feed. On LP and digital formats only. For fans with a penchant for pain, misery, and destruction. Label: Southern Lord
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Eternally shrouded in complete mystery and anonymity, the entity calling themselves Toadliquor has returned with its first recorded offerings in over 25 years. Violently bleeding out into the early-90s with their lone LP Feel My Hate – The Power Is The Weight – R.I.P. Cain, Toadliquor followed that with a few comp tracks and a single before completely disappearing into the ether. Southern Lord compiled most known recordings in 2003 on the Hortators Lament compact disc. Then, on the occasion of the label’s 20th anniversary in 2018, Southern Lord released these recordings plus one newly-received cryptic distress signal from deep space on the limited edition 2xLP set Cease & Decease. And now, in 2024, Toadliquor return, to continue their decades-long onslaught of desolation, despair and damaged vocal cords with Back in the Hole. Seven prize picks for the communal trough. Strap in and feed. On LP and digital formats only. For fans with a penchant for pain, misery, and destruction. Label: Southern Lord
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Αν ο πρώτος ομώνυμος δίσκος από τα Μωρά στη Φωτιά που κυκλοφόρησε το 1987 θεωρείται (και είναι) ένας από τους σημαντικότερους της ελληνικής ανεξάρτητης σκηνής, για εμάς, το δεύτερο album του group, οι “Θεατρίνοι” που κυκλοφόρησε το 1999, είναι ακόμα πιο σημαντικό. Για τον απλούστατο λόγο πως βγήκε μόνο του και τα έβαλε με όλους και όλα, σε μια εποχή που σε τίποτα δεν θύμιζε την μουσική άνοιξη που επικρατούσε στο ελληνικό ροκ 12 χρόνια νωρίτερα. Σε συνδυασμό βέβαια με το γεγονός πως περιείχε συνθέσεις, γεμάτες ενέργεια, λυρισμό, χωρίς κανέναν απολύτως μουσικό συμβιβασμό. 3 από αυτές σε ποίηση των Ελύτη, Καρυωτάκη, Σεφέρη. Τα Μωρά είχαν πλέον μεγαλώσει και παρουσίαζαν τον πληρέστερο (πάντα κατά τη υποκειμενική μας άποψη) δίσκο τους. Αξίζει πάντως να σημειωθεί πως αρκετές από τις συνθέσεις, πάντα σε στίχους και μουσική του Στέλιου ” Σαλβαδόρ” Παπαϊωάννου, ήταν ήδη έτοιμες και παιζόταν στα live της μπάντας, από τα τέλη της δεκαετίας του ’80. Η Labyrinth of Thoughts κυκλοφορεί στις 5 Απριλίου το album σε μια ειδική έκδοση 330 αριθμημένων αντιτύπων βινυλίου 150 gr, σε κόκκινο χρώμα. Label: Labyrinth of Thoughts
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The garage punkrock lieutenants of Sweden are back with a bang! The Manikins has joined Lövely Records for the release of their, sixth studio album ”Swedish Woods”. Formed in 1999, this high energy garage punk outfit is known for their intense live shows, having frequently toured Europe and even making it across the pond for a US tour in 2009. Now they’re back and ready to unleash a raw and primitive explosion of Swedish rock music. The album features 12 brand new tracks, clocking in at 31 minutes, where the band explore the more traditional sounds of rock’n’roll while keeping the energy and volume levels cranked to the max. Label: Lovely
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Acid Eaters is the thirteenth studio album by American punk rock band Ramones. Released in 1993, towards the end of the Ramones' career, the album is the band's first and only album entirely composed of covers. Acid Eaters forms a musical tribute to the Ramones' favorite artists of the 1960s and highlights the influences the Ramones took from garage rock bands like the Seeds and the Amboy Dukes, as well as from popular bands such as the Beach Boys, the Who and the Rolling Stones (all of whom are covered on this album). (Myebika Records/Unofficial Release)
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The 2nd album from the legendary From Ashes Rise available on special edition vinyl. Remastered by FAR guitarist: Brad Boatright. 11 searing tracks of ultra-intense, ripping HARD FUCKING CORE! Stoughton printing single pocket tip-on jacket. OBI with liner notes. Label: Southern Lord Records
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The debut album from the legendary From Ashes Rise available on special edition vinyl. Remastered by FAR guitarist: Brad Boatright. 13 raging tracks of ultra- intense, urgent HARD FUCKING CORE pressed on black vinyl. Stoughton printing single pocket tip-on jacket. OBI with liner notes. Label: Southern Lord Records
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For the past thirteen years, XIBALBA has been dedicated to carving a sound which combines unadulterated aggression booming out of the vocals, an ultra-heavy low-end frequency, colossal death metal riffs, brutal hardcore breakdowns, and a trademark groove now synonymous with the group. Años En Infierno takes these conventions and finds a new way of expression that the band defines as, "more harsh, brutal, and creative in a metaphorical sense." Some aspects of this album remain consistent, such as the album?s cover artwork once again being handled by longtime collaborator Dan Seagrave (DISMEMBER, ENTOMBED, SUFFOCATION). However, the production of this album was handled by Arthur Rizk (CRO-MAGS POWER TRIP, INQUISITION) whose handiwork pushes XIBALBA's sound to epic proportions. Label: Southern Lord Records
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For the past thirteen years, XIBALBA has been dedicated to carving a sound which combines unadulterated aggression booming out of the vocals, an ultra-heavy low-end frequency, colossal death metal riffs, brutal hardcore breakdowns, and a trademark groove now synonymous with the group. Años En Infierno takes these conventions and finds a new way of expression that the band defines as, "more harsh, brutal, and creative in a metaphorical sense." Some aspects of this album remain consistent, such as the album?s cover artwork once again being handled by longtime collaborator Dan Seagrave (DISMEMBER, ENTOMBED, SUFFOCATION). However, the production of this album was handled by Arthur Rizk (CRO-MAGS POWER TRIP, INQUISITION) whose handiwork pushes XIBALBA's sound to epic proportions. Label: Southern Lord Records
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Madre mía gracias por los días is the debut album by the hardcore band Xibalba, originally released in 2010 by the band itself and Beatdown Hardware Records. Xibalba from Southern California effectively fuse death metal influences like Sepultura and Obituary with more modern and 90's hardcore as well a healthy dose of Crowbar! Xibalba's downtuned, heavy as fuck music is a SEVERE force to reckoned with. The old world influence is only evident to the trained eye, but Xibalba gives nods not only to the hardcore bands they were raised on, but to the culture which spawned them. Xibalba not only know their roots, but make sure you won't forget them either. The Madre Mia Por Los Dias cd contains not only the s/t debut album from Xibalba but also the material from the Earthquake comp cd. The vinyl version of this album was released by A389 records (Ringworm, Integrity, Pulling Teeth). Label: Southern Lord Records
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Formed in Southern California in 2001, a ferocious storm of greasy 70s rock, blazing thrash and urgent 80s hardcore, like B’last! meets ZZ Top! They toured (hard) with bands like Municipal Waste and Caustic Christ and since splitting up in 2009 – a year after the release of this, their third full-length – members have gone on to play in numerous bands including Lecherous Gaze. Label: Tee Pee Records
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Though the Beacon Of Faith album is densely-packed, BAPTISTS’ sound is far from claustrophobic. There is melody amongst the dissonance, as the band more deeply explore the noise rock vistas that have always underpinned their sound. The album broadly follows the same trajectory as its predecessors —Bushcraft(2013) and Bloodmines (2014) – combining the style of raw adrenaline-fueled emotion, venomous vocal delivery, gigantic guitar sound, and a visceral rhythmic propulsion; a sonic manifestation of desolate rage, bolstered by a palpable sense of urgency. The lyrics on Beacon Of Faith are drawn from the members’ direct experience of a broken society and general discontentment with everyday life. A multitude of issues are in the firing line, from the Canadian court system, issues surrounding substance abuse, mental health, and how the more fortunate tend to dismiss people who have been dealt a less-fortunate hand. Beacon Of Faith was recorded at Godcity in Salem, Massachusetts with Kurt Ballou in July 2017, and mastered by Brad Boatright at Audiosiege in Portland, Oregon. Vinyl is housed in a Stoughton printing old style-tip on gatefold jacket. Southern Lord 20th anniversary silver vinyl is limited to 500 copies total pressed Label: Southern Lord Records
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Though the Beacon Of Faith album is densely-packed, BAPTISTS’ sound is far from claustrophobic. There is melody amongst the dissonance, as the band more deeply explore the noise rock vistas that have always underpinned their sound. The album broadly follows the same trajectory as its predecessors —Bushcraft(2013) and Bloodmines (2014) – combining the style of raw adrenaline-fueled emotion, venomous vocal delivery, gigantic guitar sound, and a visceral rhythmic propulsion; a sonic manifestation of desolate rage, bolstered by a palpable sense of urgency. The lyrics on Beacon Of Faith are drawn from the members’ direct experience of a broken society and general discontentment with everyday life. A multitude of issues are in the firing line, from the Canadian court system, issues surrounding substance abuse, mental health, and how the more fortunate tend to dismiss people who have been dealt a less-fortunate hand. Beacon Of Faith was recorded at Godcity in Salem, Massachusetts with Kurt Ballou in July 2017, and mastered by Brad Boatright at Audiosiege in Portland, Oregon. Label: Southern Lord Records
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Vancouver’s BAPTISTS recently completed work on their second full-length album, the follow-up to their 2013 debut Bushcraft. Entitled Bloodmines, the new album (like the debut) was recorded at Godcity Studios in Salem, Massachusetts with with Kurt Ballou Like its predecessor, Bloodmines is a fast, exhilarating album of rage, oozing with genuine raw emotion and punk rock fury. Shards of feedback make way for fast powerful riffs and savage vocals, whilst explosive drumming pumps blood around the band’s beating heart. On album tracks like “Vistas”, “Calling” and the title track, “Bloodmines”, the pace changes, revealing powerful, almost anthemic, jagged noise rock akin to influential San Diego post-hardcore band Drive Like Jehu and similar acts which go beyond the two minute mark. Discordant guitar melodies and abrasive vocal passages are elongated, still volatile but perhaps allowing for further contemplation of the band’s underlying message. BAPTISTS continually find new ways to express their rage and with Bloodmines they have created a memorable and commanding album. Label: Southern Lord Records
