• BLITZ | killing dream | LP

    17.00 incl. tax
    This is nothing like the old Blitz, because its a record entirely played by the only original Blitz member, guitarist Nidge on bass and guitar, Gary Bassnet from Attak on vocals. The result is an interesting post-punk sounding album, more relaxed and everything but OI ! sounding, with characteristic Nidge guitar playing plus a second guitar of basic but excellent riffling and soloing. "Well, Mackie wasn't interested, and Carl was living in Australia at the time, but Link offered me th opprtunity to do another Blitz album, and I wanted to do it. The song "Killing Dream" was actually written in 1983 and intended as a Blitz song anyway; it would've been the follow-up to "New Age" if things had been different. But it was an odding time, there was very little going on in the punk scene, and of course, we didn't have a drummer,se we had to use this horrible drum machine,which was the main drawback. But the album did pretty well for Link here, and it came out in America through Cleopatra." Nidge died in 2007, aged 48, shortly after a reunion tour. Originally released in 1989 on Link Records. This is high quality fan club release. (Skunx Records)  
  • Out of stock
    Released a year after their much hearled debut album 'Voice of a Generation' , 'Second Empire Justice' features half the members from the original line-up and with a new sound. While initially being an Oi!/Skinhead Punk band, on 'Second Empire Justice' they not only changed members and their look but also their sound and released a Post-Punk classic with a heavy dose of Joy Division worship, produced by Chris Nagle. While Nagle had also produced their debut album, he had also engineered the Joy Division and New Order albums under Martin Hannett and had also engineered various other post punk albums of the day from the likes of The Durutti Column, A Certain Ratio and Magazine. Together the band and Nagle created a masterpiece while not appreciated at the time, especially by their original skinhead/Oi! fanbase. The album would go onto influence tons of post-punk/darkwave bands that sprouted from the ashes of punk/hardcore bands decades later and become one of the most sought after albums of the golden age of post-punk.. So sit back and listen to these beautiful moody haunting guitars, dancing basslines and emotionally fragile vocals all the while retaining a punk ferocity. For Fans of : Joy Division, Magazine, Red Lorry Yellow Lorry, Killing Joke, The Middle Class Limited repress on Restless Empire. (Restless Empire Records)
  • Back in stock
    Raw, violent and catchy, Blitz's 1982 debut album sounded like a shot of pure rock and roll through the violence of the English working class. Made up by two punks and two skinheads, with a lot to say about violence and football, Blitz appealed to all kinds of lowlifes, who finally had a voice for their generation. 180 gram vinyl reissue with printed inner sleeve, contains 3 bonus tracks: Voice of Generation from V/A Total Noise, Nation on Fire and Youth from V/A "Carry on Oi". Total classic. (Radiation Records)
  • Easily one of the greatest roots reggae albums of all time, 1970's 'Soul Rebels' resulted from the intensive partnership brokered by the group and maverick producer, Lee "Scratch" Perry. It was the first Wailers 'concept' album, conceived as a long-player based on a rebellious theme, rather than a collection of isolated singles, and the presence of the Barrett Brothers in the rhythm section pointed the way for greater glories to come. (Radiation Roots)  
  • Body Count is the eponymous debut studio album by American crossover thrash band Body Count, released on March 31, 1992 by Sire Records. 2014 official reissue by Warner Music/Rhino Records.  
  • Out of stock
    D-beat Hardcore Punk the classic Discharge way with vicious female vocals - Members of GASMASK TERRÖR, MONARCH!... - Bordeaux. (Destructure Records) https://bombardement.bandcamp.com/album/bombardement
  • BROMURE | same title | LP

    15.00 incl. tax
    Does French oi! have a typical sound, a unique attitude? Today it is difficult to say when you see so many different bands in this scene. But everybody would agree: Bromure have the french oi! sound and attitude. And this first album will soon be a reference in the style. (Une vie pour rien Vinyles) https://uneviepourrienvinyles.bandcamp.com/album/bromure-lp
  • BRONCO LIBRE from Leipzig, Germany deliver ass-kicking punk-hardcore on their debut full-length. The band perfected their brand of fast, melodic hardcore like YOUTH AVOIDERS or CAREER SUICIDE meets the hook-driven punk of the RED DONS or ROTTEN MIND. "This album is dedicated to native Americans, to their History and their fight. Our lyrics talk about their History but also their stories, and about their extermination under colonisation. We can't pretend knowing or even imagining what this people endured, what they've been through and what their descendants still experience nowadays. Also we don't think that this album will change anything. But we hope that through our simplified, romanced and vulgarized lyrics, we could take part (at our scale) in getting this topic (often forgotten and deliberatly avoided or turn into derision and entertainment) better known. It is also possible to read in between our lines a reflection on our nowaydays society, and this feeling of fury and despair that a lot could feel facing the today's world and its progress and development by any means necessary. " (Destructure)  
  • One Law For Them...Another One For Us is a CD by The Bruisers that was released in 1999 by Lost & Found Records. The album features the Lost & Found releases Still Standing Up [EP, 1997], Up In Flames (LP, 1996), Cruisin' For A Bruisin [LP,1993], Intimidation (EP 1989), Independence Day (Cassette 1990) & American Night (EP, 1992). (Lost & Found Records)
  • BURNING LOVE | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we use for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
  • Buzzcocks’ seminal third album, lovingly restored and re-mastered from its original ¼ tapes for the first time since its original release. Newly curated booklet featuring an essay from cultural commentator Jon Savage & previously unseen images. Packaged in its original Malcolm Garrett designed sleeve. Dispatched with ltd edition ‘Product’ carrier bag. Comes with an MP3 and WAV download card. (Domino Records)
  • Buzzcocks’ career defining compilation Singles Going Steady, lovingly restored and re-mastered from its original ¼ tapes for the first time since its original release.
    • Newly curated booklet featuring an essay from punk authority Clinton Heylin & previously unseen images
    • Packaged in its original Malcolm Garrett designed sleeve
    Comes with an MP3 and WAV download card. (Domino Records)
  • Time's Up is a reissue of Buzzcocks' 1976 album of demos, recorded with founder & singer Howard Devoto and originally released as a bootleg. In 1981, with disco medleys of former pop hits like “Stars on 45” climbing the charts around the world, a cluster of British punk rockers recorded their own medley of old favorites. The Friendly Hopefuls’ Tribute to the Punks of ’76 begins with the standard looped clap track and a slick, professional-sounding chorus singing: “Hey hey/Remember that day / In 1976 / When the music scene was boring / Until along came - this!” And the guitar riff from the Buzzcocks’ “Boredom” kicks in. Spiral Scratch - the four-song debut EP on which “Boredom” appeared - was a revelation. British punk rock was brand new at that point: when Spiral Scratch was released on January 29, 1977, the Sex Pistols’ “Anarchy in the U.K.” was barely two months old, the Damned, the Vibrators, and the Stranglers had some singles out, and that was it. All those bands were signed to at-least-sort-of-legitimate record labels. Meanwhile, the Buzzcocks scraped together the funds to have 1000 copies of Spiral Scratch pressed themselves, and called their otherwise nonexistent label New Hormones. The masterminds behind the band at that point - singer/guitarist Howard Devoto and guitarist Pete Shelley - weren’t Londoners like the earliest wave of UK punks. They were from unfashionable Manchester, a couple of hours’ train ride north. In the fall of 1975, Devoto and Shelley read about the Sex Pistols, traveled down to London to see them, and came back inspired to start a band of their own. The Buzzcocks’ first complete set was opening for the second of two legendary Pistols shows in Manchester during the summer of 1976. Time’s Up - initially a bootleg in 1978, and officially released in 1991 - is an invaluable document. It's the demo Buzzcocks recorded on October 18, 1976 - all snarls, yelps, and distortion, while also sounding entirely joyful. They revel in rock bands’ newly-won right to present themselves as mean and aggressive and to say "fuck" out loud. Devoto sings as if Johnny Rotten is the only other vocalist he’s ever heard, and always seems about to break into giggles. “You tear me up, you bloody swine!” he yells with adenoidal delight. “Orgasm Addict,” which they’d re-record as a single a year later, isn’t quite fully formed yet, but Devoto’s rhymes about stained jeans, as well as his whining gasps, were genuinely transgressive for their moment. The band is still finding its feet on Time’s Up, especially as teenage drummer John Maher slowed down the tempo every time he attempted to play a fill. Still, they worked out how to vigorously shove their songs forward. The two covers that were part of their live set at the time revealed a bit about where Buzzcocks were coming from: A sped-up version of the Troggs’ “I Can’t Control Myself” anticipates the love of popcraft that would shortly surface in their own songs and a heavily rewritten take on Captain Beefheart’s “I Love You, You Big Dummy” (which Devoto would take with him to his subsequent band Magazine) hints at the odder, artier side of their later records. Two months after the Time’s Up demos, they re-recorded four of those songs with producer Martin Hannett as Spiral Scratch. A few more weeks of practice had done wonders for the Buzzcocks’ sound: now they were fast, strong and acrobatically tight. They powered through “Breakdown” in two minutes flat and started to sound more like themselves than like the Pistols or the Ramones. In fact, the Ramones would ape the two-note guitar solo gag in “Boredom” for their own on “I Wanna Be Sedated.” The great joke of Devoto’s performance here is that, on the first record by a new band at the vanguard of a new musical movement, he presents himself as utterly over everything—including punk in general. “I’m already a has-been,” he sneers. “You know the scene is - very humdrum!” He wasn't kidding because less than a week after Spiral Scratch’s release, Devoto quit the Buzzcocks, and Shelley took his place as the band’s frontman. By the time they stopped re-pressing the EP in the summer of 1977, Buzzcocks had sold 16,000 copies of it. In its way, Spiral Scratch was at least as important to punk as the Sex Pistols’ rise, because it was the first record of its kind to erase the axioms that the art and business of pop music were necessarily separate, and that a band could never be important until it signed to a “real” record label. Buzzcocks said fuck it and decided to just do it themselves. (Domino Records)  
  • French Oi! classic! The debut full length by Bourdeaux` Camera Silens contains 10 kick ass street bouncer with the "Chaos en France" trademark, angry & anthemic. Before being re-recorded for this LP, an earlier version of their classic song "Pour La Gloire", was the opening track on the now seminal French punk compilation "Chaos in France. Originally released in 1985 on the band owns label, "Realite" is sold out since many years and unfortunately a wet dream for the collector nerds. So this is a really great re-issue! Limited to 500 copies, comes with original artwork, lyric sheet and huge A2 poster! (Euthanasie Records)  
  • Out of stock
    Classic NYC hardcore circa 1983. This is real hardcore: speed, power and fun. Re-enter the circle pit. Out-of-stock for ages - now available again. Colored vinyl includes a digital download card. (Victory Records)
  • It'S 1984 and, after the break/up of Hellhammer, the newly formed Celtic Frost are shaping what would become their punishing sound. Recorded just one month after the birth of the band at one of their very first rehearsals, "Procreation of the Wicked" presents Celtic Frost at their rawest, wildest embryonic stage. 8 tracks of pure unaltered mayhem, everything that would make them legendary is already here, proving once again why they've been such a huge influence for countless Black, Death, Thrash, Heavy Metal and Punk bands all over the planet. SIDE A> Return to the Eve Messiah Into the Crypts of Rays Visions of Mortality SIDE B> Procreation of the Wicked Morbid Tales Dethroned Emperor Nocturnal Fear (Mortal Shock Records)  
  • 8 tracks of Copenhagen based international hardcore punk stomp. Like a brickwall colliding with a face! Recorded @ Blakklodge mastered by Brad Boatright @ Audiosiege. Artwork by Nicky Rat. (Adult Crash Records) https://cesspoolhc.bandcamp.com/album/we-hide-among-you
  • Athen’s CHAIN CULT return with their first full length following a great Demo and 7” from last year. Recorded at Ignite Music by George Christoforidis during May and July of 2019, Shallow Grave shows the progression of a band who have played non-stop for two years, covering pretty much all of Europe. CHAIN CULT’s post punk is anthemic, militant and idealistic, putting music to a very dark and bleak time and place. You can hear echoes of early THE CURE, THE SOUND, Second Empire Justice era BLITZ or WIPERS in their music but also the passion and conviction of locals METRO DECAY, STRESS or ANTI… Very much a perfect reflection of what springs to mind thinking about the current Athens scene.

    Shallow Grave comes housed in a reverse board sleeve including a printed inner sleeve with lyrics, all  designed by CHAIN CULT’s collaborator Aris Panagopoulos of A.D. Visions. (La Vida Es Un Mus Records) https://lavidaesunmus.bandcamp.com/album/shallow-grave-lp

  • Out of stock

    CHANNEL 3 | ch 3 | LP

    16.00 incl. tax
    Originally released on venerable Posh Boy Records in 1981, and reissued on the legendary UK label No Future to support their ever-growing European fan base, the "CH3" EP started the long and twisted career of one of the longest running bands among the prime movers of California Punk Rock. Hailing from the thriving community of Cerritos, whose frantic rhythms provided a natural soundtrack for boredom and outrageous alcohol abuse, Channel 3 were was formed by friends-since-third-grade Mike Magrann and Kim Gardener in 1980. Even though after their 'CH3' 12" and the seminal "Fear Of Life" LP the band kept moving towards a more technical approach, experimenting with other forms of music, their early production remains an archetype of young, angry, desperate suburban California punk rock. This enhanced reissue on Radiation also features their "I'll Take My Chances" 7", tracks from compilations, as well as the group’s 'lost' anthem: "Indian Summer". File next to: Adolescents, Black Flag, TSOL and Social Distortion. (Radiation Records)
  • Originally released on RIOT CITY RECORDS in 1983. This is a re-issue from Czech label PHR Records in 2016. Contains printed innersleeve with band informations and photos.
    (Papagájův Hlasatel Records)
  • CHAOS Z was a german hardcore-punk band from Stuttgart. They were founded in 1980 and renamed 1983 in FLIEHENDE STÜRME. However, in 1995 another album, "45 jahre ohne bewährung", was released. The band's style was raw and very dismal. CHAOS Z was one of the most influential early german hardcore bands ever. Comes in gatefold sleeve. Lyrics on the inside of gatefold. This double vinyl compiles the following releases. Tracks A1 - B4 taken from Ohne Gnade album (1982 ROR) Tracks B5 - B9 taken from Abmarsch 7" EP (1981 Mülleimer Records) Tracks C1 - C3 taken from Various - Underground Hits 1 compilation ( (1982 AGR) Tracks C4 - C7 taken from Various - Ultra Hardcore Power compilation (1983 Mülleimer Records) Tracks C8 - D10 taken from "Chaos Z - Demo MC" (1980) (Major Labels)
  • Hailing from Beith, Scotland, Chaotic Youth are still one of the best kept secrets of 80’s uk punk. Their long out of print and extremely rare E.P. from 1982, “Sad Society”, is an abrasive gem of pure UK82 sound… raw, angry, mean and catchy in all the right proportions, the powerful testament of a band that broke up too soon, disappearing not long after its release. It finally gets a well-deserved first vinyl reissue here, gathered with the tracks the band released in two compilations, ‘A Country Fit For Heroes’ and ‘Total Anarchy’ and making it the definitive collection of a great band that could stand proud next to the big names. 7 tracks of pure and glorious Uk82 mayhem! (Vomitopunkrock Records) https://vomitopunkrock.bandcamp.com/album/chaotic-youth-sad-society-e-p
  • CHARLES BRONSON | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we use for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
  • CHELSEA formed in 1976 by singer Gene October. He kept the band alive with a harder political edge while three of the four original band members went on to found GENERATION X. This compilation contains 14 tracks taken off their early singles 7". It includes Punk classics like “War Across The Nation”,  “Urban Kids”, “Evacuate”, and “Right To Work”, the band's debut single, which is still considered as one of the best punk rock singles of all time. CHELSEA is one of englands Punk’s founding fathers. (Restless Empire Records)