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Ένα από τα συγκροτήματα που καθόρισαν την ελληνική ροκ σκηνή στον 2ο δίσκο του. Το άλμπουμ «Κάτι Σαράβαλες Καρδιές» κυκλοφόρησε τον Απρίλιο του 1998, με αφομοιωμένα στοιχεία από αρκετούς διαφορετικούς χώρους. Ψυχεδέλεια, ροκ, dark wave, ευαίσθητοι στίχοι, ρομαντικές νότες κάποια από τα χαρακτηριστικά των τραγουδιών τους. (Wipe Out Records) -
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Ένα από τα συγκροτήματα που καθόρισαν την ελληνική ροκ σκηνή στον 2ο δίσκο του. Το άλμπουμ «Κάτι Σαράβαλες Καρδιές» κυκλοφόρησε τον Απρίλιο του 1998, με αφομοιωμένα στοιχεία από αρκετούς διαφορετικούς χώρους. Ψυχεδέλεια, ροκ, dark wave, ευαίσθητοι στίχοι, ρομαντικές νότες κάποια από τα χαρακτηριστικά των τραγουδιών τους. 24 χρόνια μετά την πρώτη του κυκλοφορία, η MLK και η WIPE OUT RECORDS επανεκδίδουν το ιστορικό άλμπουμ σε ΕΙΔΙΚΗ ΣΥΛΛΕΚΤΙΚΗ ΕΚΔΟΣΗ ΔΙΠΛΟΥ ΒΙΝΥΛΙΟΥ 180 γρ. + ΕΝΘΕΤΟ (Music Links Knowledge) -
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A re-release of the band's two sole LP albums plus bonus tracks and new artwork. Tracks 1 to 6 and 8 to 12 are the 1st album "Γενιά Του Χάους" (1986). Tracks 13 to 18 and 21 to 25 are the 2nd album "Ρέκβιεμ" (1989). Track 7: is a previously unreleased recording from 1983. Track 19: is a previously unreleased version of 25. Track 20: is previously unreleased. Οι Γενιά του Χάους, γνωστοί και ως ΓΤΧ, ήταν ελληνική πανκ μπάντα που δημιουργήθηκε το 1982 από τους Νίκο Βοσδογάννη (κιθάρα, φωνή και στίχους), τον ξάδερφο του Νίκο Βοσδογάννη (μπάσσο) και τον Θοδωρή Ηλιακόπουλο (ντραμς). Το πρώτο όνομα της μπάντας ήταν "Αντικουλτούρα". Το 1983, ο κιθαρίστας Βοσδογιάννης αποχώρησε και αντικαταστάθηκε από τον Κώστα Χατζόπουλο. Έπειτα, μέλος της μπάντας έγινε ο Άρης Λαμπρίδης (φωνή). Η μπάντα μετονομάστηκε σε "Chaos Generation" και το '84 σε "Γενιά Του Χάους". Αν και κάποιοι θέλουν τους Γενιά Του Χάους με τους Αδιέξοδο να έχουν αντιπαλότητα, στην πραγματικότητα τα δυο συγκροτήματα είχαν πολύ στενές σχέσεις, καθώς παίζανε σε κοινά στέκια και συναυλίες στην Αθήνα και την επαρχία. Το γκρουπ διαλύθηκε το 1989. Μέχρι τότε, είχαν κάνει αρκετές αλλαγές και είχαν περάσει αρκετά άτομα από το συγκρότημα (οι Δημήτρης Παππάς κιθάρα και φωνητικά, Άκης Αμπραζής μπάσο και φωνή, Γιώργος Δρακόπουλος πλήκτρα, Αλέξης Αλιφέρης μπάσο και πλήκτρα). Label: Wipe Out Records
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«Το “Από τους Velvet στους Voidoids” είναι το πρώτο βιβλίο που ασχολείται με το ροκ εν ρολ και σε αφήνει με την εντύπωση ότι οι ήρωές του -οι μουσικοί και οι ερμηνευτές- είναι στην πραγματικότητα ευφυείς άνθρωποι. Αυτό και μόνο αρκεί για να δικαιολογήσει την ύπαρξή του και να το κάνει σημαντικό… Δεν έχω συναντήσει κάποιο βιβλίο ή κάποια άλλη περιγραφή που να καταφέρνει να αναβιώσει με τόση ακρίβεια μια εποχή. Με γύρισε πίσω στον χρόνο. Αυτή η καταγραφή της αλήθειας με γέμισε χαρά». (Richard Hell) «Ο Clinton Heyllin φτιάχνει μια λεπτομερή αναπαράσταση της επίθεσης που δέχτηκε το ροκ εν ρολ τη δεκαετία του ’70 από την αμερικανική οπτική. Σε αυτή τη χειμαρρώδη αφήγηση, της οποίας μόνο αποσπάσματα έχουν δει το φως στο παρελθόν, ξεδιαλύνει τις συγκρούσεις και τις εκρήξεις με κριτική ματιά και καρδιά φανατικού οπαδού». (Lenny Kale) «Για μια απάντηση στο ερώτημα τι μουσική ακριβώς ήταν το πανκ ροκ, «α πρέπει να καταφύγετε στο… “Από τους Velvet στους Voidoids”». (Robert Christgau, New York Times) «Το βιβλίο του Heyllin καταφέρνει να δείξει πώς ένα τσούρμο ροκ εν ρολ απόβλητοι στα μέσα της δεκαετίας του ’70 διεκδίκησαν για τον εαυτό τους μερικά μπαρ της Νέας Υόρκης και του Κλίβελαντ και κατάφεραν να αλλάξουν το πρόσωπο της ποπ κουλτούρας… Συνιστάται ανεπιφύλακτα». (Musician) «Το βιβλίο του Heyllin είναι μια εύγλωττη μαρτυρία για την αμερικανική εκδοχή του πανκ… Συναρπαστικό… ένα απολαυστικό, προκλητικό βιβλίο». (Goldmine) Πρόλογος: Τα του καίσαρας τω καίσαρι – Η οικειοποίηση της ιστορίας του πανκ Οι προάγγελοι 1. Η ευτυχία είναι ένα ζεστός βόμβος (1961-65) - The Theatre of Eternal Music – The Primitives – The Velvet Underground 2. Όλες οι βελόνες στα κόκκινα! (1965-70) - Exploding Plastic Inevitable – The Velvet Underground – Nico 3. Ένα απρόσμενο ξέσπασμα αχαλίνωτης ενέργειας (1968-71) - MC5 – The Stooges 4. Αυτός είναι ο μοντέρνος κόσμος (1970-73) - The Modern Lovers 5. Τα τζουκ μποξ του αντεργκράουντ (1972-74) - Cinderella Backstreet – Mirrors – The Electric Eels 6. Η αυτοκτονία είναι ανώδυνη (1970-73) - Suicide 7. Σκουπίδια! (1971-75) - The New York Dolls – Wyne Country - Το πρώτο κύμα 8. Από τους οριζόντιους εμπρηστές στα αγόρια από νέον (1967-73) - The Neon Boys 9. Ο Ιησούς πέθανε για τις αμαρτίες κάποιου άλλου (1966-73) - Patti Smith 10. Τα αγόρια από νέον φωτίζουν τη Νέα Υόρκη (1973-74) - Television 11. Η Cadillac βγαίνει από το νεκροταφείο (1974-75) - Patti Smith – Television 12. Κλίβελαντ, τον νου σου! (1974-75) - Mirrors – The Electric Eels – Rocket from the Tombs 13. Στη σάρκα (1973-75) - Blondie 14. Gabba Gabba Hey! (1974-75) - The Ramones - Το δεύτερο κύμα 15. Στο ροκ εν ρολ κλαμπ (1974-76) - CBGBs – Max’s Kansas City – Club 82 – Performance Studio – Mother’s 16. Ακούτε Ράδιο Αιθιοπία (1976) - Patti Smith Group 17. Ζω σε κινέζικα βράχια (1975-76) - The Heartbreakers 18. Οι «καλλιτεχνικοί» φτάνουν στην πόλη (1975-76) - The Artistics – Talking Heads 19. Ένα βλέμμα στην καρδιά του σκότους (1975-76) - Rocket from the Tombs – Pere Ubu 20. Να πάει να γαμηθεί η τέχνη, ας ροκάρουμε! (1972-77) - The Dictators – Dead Boys – Johnny Thunders’ Heartbreakers 21. Μια παρέλαση από πανκ ρόκερ (1975-76) - Η σκηνή του πανκ ροκ – New York Rocker Hit Parader - Νο γουέιβ: Ο αποχαιρετισμός! 22. Στιγμιαίοι γεννήτορες από ιδιωτικό απόθεμα (1976) - Blondie – The Ramones – Talking Heads – Television - Richard Hell and the Voidoids – Suicide 23. Η τελευταία περιπέτεια (1977-78) - Television 24. Το τελικό κύμα (1977-79) - Patti Smith Group 25. Μέσα στο κενό (1977-79) - Richard Hell 6 – The Voidoids – Suicide 26. Τα βήματα του μοντέρνου χορού (1977-79) - Pere Ubu – Friction – Devo 27. Η παρουσία σου με συγκινεί (1977-80) - Blondie – Talking Heads – The Ramones 28. Παλεύοντας με τα κύματα (1978-80) - DNA – The Feelies – The Contortions – Lydia Lunch – The Plasmatics - Καταχλείδα: Μετά το γεγονός/τα γεγονότα Παράρτημα 1 Ένα χρονολογία της σκηνής του CBGBs Παράρτημα 2 Βιβλιογραφία Παράρτημα 3 Μορφές του δράματος Ευχαριστίες Σημειώσεις του μεταφραστή Ευρετήριο Συγγραφέας: Heylin Clinton Εκδοτικός οίκος: Κουκκίδα Μετάφραση: Καλοφωλιάς Αλέξης Έτος έκδοσης: 2022 Σελίδες: 564 ISBN: 97861820803444
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12-page booklet with lyrics & credits. Label: Wipe Out Records
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ARE YOU STUPID? Get ready to find out! This DC group of young guns are taking the IQ lower than a limbo pole. Playing punk hardcore inspired by greats such as Cülo and School Jerks, they are part of the new wave putting a capital P in punk. And to top it off with is the deranged leads played by inimitable Daniel Peña (of Rashomon, Kombat and Pure Disgust nonetheless) This seven inch is a wild ride, so hold on and get ZTUPED. (11PM Records)
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Relapse Records, in a collaboration with Cherry Nishida, are proud to present AGONY憎悪REMAINS, a collection unearthing all of the material from Nishida's legendary Japanese hardcore band ZOUO, as well as 4 死 Death, a brand new album from Nishida's current outfit, S∴h∵i. Originally formed by friends of a local skateboard crew in the early 80's, ZOUO quickly became torchbearers for Japanese hardcore punk at the time. The band's music was a direct reflection of their collective frustrations and takes on their culture; the lyrics detailed the bands hatred for "societal hypocrisies and existing religions." ZOUO's debut The Final Agony 7" remains a landmark release to this day - tracks such as "Sons of Satan" and "Making Love with Devil" showcase some of the most raw and evil punk to ever emerge from the underground. Following ZOUO's releases, mastermind Cherry Nishida delved deeper into Japanese hardcore, forming DANSE MACABRE - a band solely dedicated on honing into the psychology of a serial killer. Nishida now returns with S∴h∵i (Struggling Harsh Immortals). Wishing to break from the genre's confines. S∴h∵i's new discordant take on rock, metal, and punk, infuses industrial elements and noise with a stark audio/visual presentation. An evolution of his prior material, S∴h∵i is directly correlated to Nishida's views on the human condition and the human minds he finds to be "unconsciously derived and mutated." For Nishida, S∴h∵i represents the struggle and search for the free spirit. (Relapse Records)
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Legendary English underground band Zounds returns with their first new recording in nearly 30 years! Growing out of the squatter communities of London in the early 80's, Zounds quickly became a key figure in the burgeoning anarcho-punk/DIY scene. Notoriously reclusive singer/songwriter Steve Lake has crafted ten new songs for The Redemption of Zounds; all retain the hallmarks of the band's classic template with incisive lyrics, sharp guitars, satirical overtones, emotional terror and great, memorable tunes. Lake notes, "it is as bewildering, absurd, tragic and joyful as it ever was." In his book History of Rough Trade, Rob Young described Zounds music as, "a distinctively paranoid and claustrophobic sonic crush that avoided formulaic protest song." The band's Rough Trade album, The Curse Of Zounds, is now seen as a classic of the genre and one of the most inspirational albums of the post-punk period. Label: Overground Records
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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The second release on Sealed Records is a 14 Track round up of the five singles by Zounds. The debut single from 1980 Can't Cheat Karma was released on Crass Records and 39 Years later still stands as one of the finest singles both politically and musically. For the next three singles Zounds released them on Rough Trade Records, along with their debut album The Curse of Zounds. 1981's Demystification was a tense and stark masterpiece. It was followed by the haunting Mikey Dread-produced Dancing and then the more straight up pop of More Trouble Coming Everyday. The final single of Zounds Mark 1 was La Vacht Qui Rit released on Belgium label Not So Brave in 1983 and was originally supposed to be a split single with The Mob but ended up with two scratchy studio tracks and two rough and raw live tracks recorded in Holland in 1982. Every home should have these essential Zounds recordings. Label: Sealed Records
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Finally, the long-awaited debut album from Philadelphia’s Zorn. While Zorn’s theatrical, (literally) scorching live shows are the stuff of legend, it would be a grave mistake to think the chaos they summon is all about the flaming swords, makeup, and leather corsets. Like Alice Cooper and David Bowie before them, Zorn knows you gotta have the songs to back up the image. Zorn’s metal-punk draws on death rock melody, intricate thrash riffing, and the bulldozing power of Discharge-inspired hardcore bands, but the songs are as infectious as they are intense. As with early Metallica, tracks like “Already Dead” and “Delco Devil Mosh” are built on memorable melodies that, in another time and place, might have formed the backbone of a killer glam rock single. I’m happy with my current reality, though, where Zorn is the kind of band who puts a devil standing atop a pile of flaming skulls on the cover of their album. Label: Sorry State Records
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Brace yourself for the re-reissue of a true Dutch hardcore punk classic: the debut and sole EP by Zmiv. Originally self released in 1982, this EP is nowadays one of the most sought after punk 7 inches from Holland and collectors all over the world easily lay down out a week’s salary to seize this little beast. This new edition features a mini-magazine with vintage photo galore and more to even make the most diehard punkrocker smile. Zmiv hailed from Meppel, home also of the Milkcow label, not exactly the walhalla for punkrock back in the day. Fueled by the likes of GBH, Sex Pistols and Discharge, boredom and puberty, it balances on the edge of fast paced punkrock and raw hardcore. On this EP you’ll find no less than 7 pieces of fast, angry, distorted, furious and mindnumbing punkhits. Special German Edition has the normal stuff + the following points: - black front - different back cover - inside the restored original insert - poster cover 14" x 14" - sticker Label: Milkcow Records
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Intense old school Japanese Hardcore attack, hailing from Oita – ZIGAI is another well-kept-secret from the legendary Kyushu Punk scene that even in recent times has kept on delivering bands of incredible quality, unique in their sound. Their style combines a solid UK82 influence with the distinctive imprint of their area’s roots, let’s say more leaning towards KURO‘s school rather than the total Noisecore approach of other well-known glories. Complete studio recordings (flexi disc and demo) + 6 live tracks, two of which are completely unreleased up to now. Gatefold LP with OBI strip and a stunning 20 page photo-booklet. In memory of the band’s iconic singer Kabuto. Diehard splatter vinyl (black splattering on grey) limited to 100 copies. (F.O.A.D. Records)
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Intense old school Japanese Hardcore attack, hailing from Oita – ZIGAI is another well-kept-secret from the legendary Kyushu Punk scene that even in recent times has kept on delivering bands of incredible quality, unique in their sound. Their style combines a solid UK82 influence with the distinctive imprint of their area’s roots, let’s say more leaning towards KURO‘s school rather than the total Noisecore approach of other well-known glories. Complete studio recordings (flexi disc and demo) + 6 live tracks, two of which are completely unreleased up to now. Gatefold LP with OBI strip and a stunning 20 page photo-booklet. In memory of the band’s iconic singer Kabuto. Solid black vinyl limited to 200 copies. (F.O.A.D. Records)
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After a well received demo, ZIG ZAG has been making waves at shows around America as well as their home ground of South Florida. Playing punk hardcore that is as akin to Germs and Blatz on "Gets Worse", Zig Zag showcases their sassy, sardonic take on the genre. Ranging from short and speedy hardcore bursts to mid tempo punk masterpieces, their newest release has all in store. All songs are dedicated to the loving memory of their deceased guitarist, Austin, whose final recordings are on this release. 500 seven inches pressed with 100 limited on black and white mix. (11PM Records)
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Zero Zero: a sadly unlamented 1990s anthology comic series published by Fantagraphics, which published some of the most batshit underground cartoonists of the time, as well as some of the smartest satirists and grossest gross-out artists. It was briefly incredible; it stopped before it ran out of steam; it was punk as fuck. Zero Zeroes: just one of those ungoogleable band names, scuppered a tad by the existence of Californian ‘70s punkas The Zeroes. But this German band are definitely their own beast - OK, there are touches of San Diego legend John Reis in their DNA (the garage-centric power chords are pure Rocket From The Crypt; the relentless drive of the guitars calls to mind the wild focus of Hot Snakes), but they’re here to make a racket their own way, and it’s scintillating. So why mention the comic? Well, aside from the similarity in the names, there’s something about this gleefully menacing racket that just feels like it draws from the same well; equal parts smart, serious, cartoonish, and drawn to a devilish sense of reckless abandon that you’ll only find if you really know where to look for it. Whether making fist-clenching punk anthems from unsolved murder cases (as they do on the rollicking ‘Tamam Shud’) or simply slapping you in the face with killer riffage and even better tunes (‘Mouth Full Of Snakes’, ‘Dark Thoughts’... actually pretty much every cut here), they’re here to make you surrender to that sweet sweet rock’n’roll. Not to labour the point about what a crappy year 2020’s been, but thanks to… well, you-know-what, I think we could all do with a bit of that in our lives right now, huh? (Drunken Sailors Records)
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It came out of nowhere in 1982, this punk rock/hardcore fireball with the bright yellow sleeve. In one sense, The Zero Boys' Vicious Circle was yet another example of how U.S. punk seemed to peak coast to coast that year. But unlike most coastal punk, the Zero Boys were pointing the way to a scene that could accommodate heaping helpings of melody, intelligence, and rock 'n' roll, not just turbo-charged ferocity. Vinyl version contains a coupon that for a limited time allows you to download MP3 audio files of the recordings. "From 1979 into ‘83, the Indianapolis based ZBs were the finest hardcore blitz in the Midwest if not all the lower 48 states. Proof is Vicious Circle and the two decades since of copyists, bootleggers, practitioners and reunion concert pogoers. Though before and after that LP’s 1982 release they recorded the Livin’ in the 80’s 7”, songs for three comps and released the post-mortem History Of... cassette revealing their transformation into a toured band warming to the metaphysical and their demise while still waving torches of rock ‘n’ roll panache. When the Ramones lost it, the Zero Boys found it; Adding a slam brigade fist to the Blitzkrieg Beat. The Zero Boys managed to come with one of the best early 80's punk records, or one of the best records ever, period. Between Vicious Circle and History Of, the entire recorded output of this legendary Midwest punk band’s original line up is, finally, collected." -Culminated from liner notes written by Jack Rabid and Eric Weddle Label: Secretly Canadian Barcode: 8435008876333
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It came out of nowhere in 1982, this punk rock/hardcore fireball with the bright yellow sleeve. In one sense, The Zero Boys' Vicious Circle was yet another example of how U.S. punk seemed to peak coast to coast that year. But unlike most coastal punk, the Zero Boys were pointing the way to a scene that could accommodate heaping helpings of melody, intelligence, and rock 'n' roll, not just turbo-charged ferocity. From 1979 into ‘83, the Indianapolis based ZBs were the finest hardcore blitz in the Midwest if not all the lower 48 states. Proof is Vicious Circle and the two decades since of copyists, bootleggers, practitioners and reunion concert pogoers. "Though before and after that LP’s 1982 release they recorded the Livin’ in the 80’s 7”, songs for three comps and released the post-mortem History Of... cassette revealing their transformation into a toured band warming to the metaphysical and their demise while still waving torches of rock ‘n’ roll panache. When the Ramones lost it, the Zero Boys found it; Adding a slam brigade fist to the Blitzkrieg Beat. The Zero Boys managed to come with one of the best early 80's punk records, or one of the best records ever, period. Between Vicious Circle and History Of, the entire recorded output of this legendary Midwest punk band’s original line up is, finally, collected." -Culminated from liner notes written by Jack Rabid and Eric Weddle (Secretly Canadian Records)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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From 1979 into 1983, the Indianapolis based Zero Boys were the finest hardcore blitz in the Midwest if not all the lower 48 states. Proof is "Vicious Circle" and the two decades since of copyists, bootleggers, practitioners and reunion concert pogoers. Though before and after that LP's 1982 release they recorded the "Livin' In The '80s" 7", songs for three comps and released the post-mortem "History Of..." cassette revealing their transformation into a toured band warming to the metaphysical and their demise while still waving torches of rock 'n' roll panache. Those tracks not on the "Vicious Circle" LP all appear on this collection. Vinyl version includes a coupon that for a limited time allows you to download MP3 audio files of the recordings. Label: Secretly Canadian Records <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=1317788977/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://zeroboys.bandcamp.com/album/history-of">History Of... by ZERO BOYS</a></iframe>
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Seattle punk legends ZEKE return with the first new recordings in over 4 years. "Ride Hard Ride Free" contains two tracks laced with ZEKE's signature mix of turbo-charged thrash-punk and Motörhead possessed rock n' roll and provides the first taste of ZEKE's new album, which will be released later this year. In 2022, ZEKE was unexpectedly reborn with founding members Blind Marky Felchtone (vox/guitar) and Donny Paycheck (drums) returning to the drum kit after 18 years. They went into the studio with Jason Freeman (bass) and Jeff Hiatt (guitar), they were with ZEKE before and got back in, to record a new album. The first single "Ride Hard Ride Free" is everything you've come to expect - or want to hear from ZEKE. A full-on thrasher celebrating speed in more ways than one, "Ride Hard Ride Free" has a very sharp style, with the band takes cues from old Motörhead rlffs, then fusing it with hardcore punk roughage. A modern ZEKE classic. They tie in here stylistically with "Death Alley". Produced by Jeff McNulty (Screamers, Blöödhag, Hell Bent For Letters) at Soundhouse in Seattle, WA, and mastered by Joe Bozzi at Bernie Grundmann in Los Angeles, CA Cover photo by Mike Mitchell. The tracks are not available on Spotify, Apple Music and other digital platforms. ZEKE recently completed a successful West Coast tour. The band also has a number of high-profile European performances scheduled in the coming months, including Sjock Festival in Belgium and appearances at Pitfest in the Netherlands and Sardina Fest in Spain. The group will return to America later this year. Ride with ZEKE! - Zeke are the dive bar that's survived onslaughts of gentrification, knowing that the charm of lawless riffing and broken bottles never fades. - Pichfork Label: Hound Gawd! Records
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First time on vinyl ever, remastered in 2023. This LP shows Zeke live ... raw, wild, untamed and uncensored. If you’ve seen Zeke before, you know that these guys can be a total beast on stage. This LP offers a bunch of killer live recordings to make it sound like the band is playing in your kitchen: loud, fast and furious. You know that Zeke are the real purveyors of speed rock and roll and that can’t be better heard than here. The LP includes some of their their best songs including tracks from ‘Super Sound Racing’, ‘Flat Tracker’, ‘Kicked in the Teeth’, ‘Dirty Sanchez’ and ‘Death Alley’ recorded in different venues from Seattle to Las Vegas to Minneapolis. One of the other special treats this LP offers is it includes two very rare studio tracks that are pretty hard to find. 26 tracks in all with top not production. 1. Kill The King 2. Let's Go 02:22 3. Season Of The Witch 01:21 4. Devils Island 5. Ramirez 6. Mert 7. King Of Lynnwood 8. Malibu 9. Highway Star 10. West Seattle Acid Party 11. Twisted 12. Slut 13. Overkill 14. Flat Tracker 15. Automatic 16. Fuck All Night 17. Revolution 18. Dogfight 01:06 19. Wanna Fuck 20. Out Of Love 21. Holly 750 / T-500 / Mainline 22. Slut / Mountain Man / Arkansas Man / Eyes Of Satan 23. Don't Give A Fuck 24. Schmidt Value Pack 25. 302 Cubic Inch V-8 Powered Blues 26. Ride With Zeke / Lawson Label: Improved Sequence
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Μπάντες σαν τους Zegota αποτελούν το αίμα του hardcore της επόμενης γενιάς: η μουσική τους είναι επιβλητική και εμπνευσμένη, με κοφτερές αιχμές και αρκετά πρωτοποριακή ώστε να εντάσσει το συγκρότημα σε καινούρια μουσική υποκατηγορία. Οι στίχοι, ομοίως, πολιτικοποιημένοι και έντονοι, ειλικρινείς και γεμάτοι θετικά μηνύματα. (Stonehenge)
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ZBOMBARDOWA LALECZKA, a band from Poznań,active in the years 1983-1986 and emerged from the earlier formations of MAŁY BRZYDAL and KBW. It was one of the few groups operating in Poland whose character clearly indicated inspiration from British peace-punk. Echoes of Poison Girls, Crass or Flux Of Pink Indians penetrated their own view of music and message. Another characteristic element that distinguished the band was its composition, which differed from the standard of the time. In the first half of the 1980s, there were only a few punk or post-punk bands with women in the line-up (including FORNIT, ATAK, TILT, BIALE WULKANY, BIKINI, KONTROLA W., DZIECI KAPITAN KLOSS and the aforementioned KBW). For many people, the performances of ZOMBARDOWANA LALECZKA with the vocalist Gertruda were the first contact with strong female vocals in a native punk band The group's message was no less important than the music. It was a direct protest against war, militarism and violence. As reality shows, today, unfortunately, it will again sound exceptionally up-to-date and shocking. The band's poignant lyrics and music were complemented by graphic accents created by them - collages, posters or the band's fanzine distributed at concerts. Unfortunately, despite the huge potential, the band never managed to enter the studio. They did not live to see any record or cassette release, and the only trace they left behind was the cassette compilation "Róbrege '85", which included the song "Children die first". The same number, registered during the performance in Jarocin '85, was used in Piotr Łazarkiewicz's film "Wave". Both festivals were certainly the most important events in the history of the band, and thanks to them, the memory of the group had the opportunity to survive despite the lack of releases. A photo session for one of the first issues of the "Wprost" magazine from 1983 is also worth noting. In addition to the aforementioned cassette compilation and recording in the legendary film "Wave", poor quality concert recordings were also circulating among the fans. This release double fills an important gap in the history of punk in the 80s. The band Zbombardowana Laleczka not only debuts on the album, but also after 37 years, their full material will sound in good quality, previously unavailable, for the first time. Recordings recorded during a performance on the big stage (for which the band qualified without sending an application cassette!) are 95% recordings from the console, and with the transfer from the original reel-to-reel tape and mastering in the invaluable Studio As One, the whole thing sounds great and we are sure,that this disc will give the band, their rightful place in the history of the Eastern Bloc punk movement. Due to the historical value, we decided to include the band's full performance on the album, also with the song interrupted by the organizers due to fights in front of the stage. After about an hour's break, the band managed to present the entire programme. Traditionally, like the rest of the series of punk recordings from the festival in Jarocin presented by Warsaw Pact Records/Archiwum Trasa W-Z, the album is released with a gatefold cover and this time with two additional booklets: one with the history of the band, photos, collages and graphics and the other with a faithful reproduction of a zine released by the band in the 1980s. Comes with a 24-page booklet with information about the band and a reproduction of a zine released by Zbombardowana Laleczka in 1985. (Warsaw Pact Records)
