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ANTISEEN is an American punk rock band formed in Charlotte, North Carolina by Jeff Clayton and Joe Young in 1983. The name "Antiseen" serves as a deliberate deviation of the phrase "anti-scene" - the group not wishing to adhere to standard perceptions of punk rock in specific and rock music in general. Musically, Antiseen is influenced by groups such as the Ramones and Stooges, employing short, heavily distorted power chord-driven songs largely free of guitar solos or advanced musicianship. “Eat more possum” is their most acclaimed álbum, originally released in 1993 and row remastered for this vinyl reissue. Years after crawling from the primordial ooze of rural North Carolina, Antiseen proceed to bulldoze through the nineties with one quality release after another. Eat More Possum is one of the greatest specimens of gun totin’, meat eatin’, society rejectin’ punk rock the Young / Clayton posse ever laid to wax. Young’s guitar tone is particularly grinding, heartwarming like steelcutting machinery buzzing in your ear, capped by Jeff Clayton’s trademark ursine raving. Speedballs like “Star Whore” and “Storm Trooper” are like chopper territory fights set to music, while anthropological studies on southern attitudes like “Trapped in Dixie” offer miles of perspective to the unfamiliar. The vegetarian torturing anthem “Animals (Eat ‘em)” may be the tastiest nugget in this pannikin of dixie nihilism, and the boys nail one hell of a Ramones cover along the way. This is an absolute must for fans of extreme punk rock ala GG Allin, Dwarves, Poison Idea, etc. Label: Bang! Records Barcode: 8435008871772 -
Compilation LP of this British Punk-Rock band, active between 1982 and 1983. On side A we have their first demo from 1983 and on side B songs recorded in rehearsals. (Vomitopunkrock Records) -
Voltage records delivers another great re-edition of Nordic noise. The unjustly neglected band that brought this great six-song single to the world, If you're a fan of Kaaos, Riistetyt, Mellaka or Svart Framtid, you'll be thrilled. As is customary at Voltage, we do our re-issues with the utmost fidelity to the original, and here we've thought of everything, from the engraved lyrics on the record, the weight of the paper, or even such madness as the custom-made adhesive wings that bind the cover to make everything look like it's '85. There's also a limited edition version available on clear vinyl in special packaging. The re-issue was released with the band's permission. (High Voltage Records)
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In 1991, APATIA is already a well-recognized band in Poland, regularly playing shows and often appearing in fanzines. Ready to take the next step, they work hard new and phenomenal material that is already presented at their shows. Before the band enters the studio for the first time, new songs appear on the "Live" cassette (also known as "Literature and art in the fight against fascism") and record a demo of 11 songs, which will then be used as promo material only and send to potential publishers - Pietia from QQRYQ and Uszaty from NNNW. This never published and unknown demo of the band is now being released on vinyl exactly 30 years after its recordings. Documents the band just before recording the first album for Nikt Nic Nie Wie. APATIA of the beginning of the 90s it was an absolutely new quality in the local hardcore scene with its own characteristic style and great lyrics. For the next 20 years, we were able to enjoy the work of these guys who created one of the strongest pillars in the history of Hardcore Punk in Poland. Demo 1991 LP comes out with the anthology of the fanzine "Greencore", published in Poznan by members of Apatia - Bulwa and Matol, in the years 1989-1990 (all in Polish!). During this period, four issues were published, which - as the name suggests, combined the subject of HC (interviews, reviews, reports) with ecology and also strongly promoted vegetarianism and took up current socio-political and anti-Nazi topics. The zine published columns and comics. "Greencore" has published interviews with the bands ORANGE WORLD, S.K.T.C., KANADA, STRAWBERRY, A.P.S.F., BLOCKADE, AGENT 86, INDIREKT, AHIMSA, DER PANIK TREIBRIEGEL and ASSASSINS OF GOD. This anthology reflects the spirit of the young DIY scene of that period - enthusiasm and activism on many levels. Graphic design of the album cover and anthology: Jaroslaw Skladanek. Mastering Smok (Studio As One). One-time pressing of 309 copies. (Refuse Records)
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A concept of ultimate finality doused in cosmological inevitability. A sound of world-building/destroying immensity shrouded in otherworldly dissonance and suffocating atmospherics. Visions of eons ahead, evoking the ultimate fate of matter and as such of existence. All this is the “Abyssgazer”, the immense debut album by Italian atmospheric post-death/doom metal oracle Aphotic. The four piece from northern Italy which features current and past members of bands like Fuoco Fatuo, Blasphemer, and Ekpyrosis, has set out to create the ultimate extreme metal clairvoyance into the death of our universe, through an audio, visual and conceptual experience of unparalleled evocative power. According to the eschatological tale and astrophysical prediction, the most absolute Omega possibly conceivable will materialize as aeons ahead, on timescales almost impossible to imagine, an inexorably inflating universe made only of exhausted and degenerate stellar remnants will reap apart the fabric of spacetime itself until matter will start decaying, and even every black hole singularity will be evaporated, due to quantum effects, into radiation emanating in nothingness. And so, as maximum entropy will be reached, time will become meaningless. In this frame, the album title-track reflects on how, in remote times and places, inert matter can shape into living beings, then evolve into sentient creatures who might become able to stare into the unknown and wonder about the true nature of time and space – by gazing into the abyss. The Abyssgazers, will become the self-consciousness of the Universe. Then come the medium: dark, imposing, colossal atmospheric death metal to disintegrate the fabric of perception, reality, and time itself, and to soundtrack the universe’s last vision and final breath. A nebulous, churning cosmic abyss evoking the destruction of worlds through masterful sonic synthesis: the necromancing twisted dark death metal of Incantation and Immolation, the expansive and morphing storytelling of Triptykon, Neurosis, Evoken and Bolzer, and the suffocating coldness and dissonance of Godflesh. And finally, the visuals by Chilean abstract painter Rodrigo Pereira: an otherworldly vision unto the abyss sealing this eschatological journey towards the eons to come. Analog mixing meticulously crafted under the expertise of audio engineer Greg Chandler from Esoteric (Priory Recording Studios, UK) and mastering by Colin Marston from Gorguts etc. (The Thousand Caves Studio, NYC), complete an unheralded debut album of immense, imaginative, consciousness-expanding avant-garde death metal crafted to glorify and reimagine the immensity and inevitability of death far beyond this carnal plain. Label: Nuclear Winter Records
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Vinyl reissue of their 1982 debut album. Finnish hardcore punk rarely gets any better than this. We are talking blistering, dark-edged punk, equally influenced by British d-beat hardcore bands such as Discharge and American bands such as the Germs. (Puke N Vomit Records)
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Vinyl reissue of their 1984 second album. Finnish Hardcore Punk legends. Taking off from where their debut left off, we are talking kore blistering dark edged punk, The record is full of fifteen fantastic catchy melodic songs, most clocking in under two minutes. Taking things, a bit further the faster hardcore songs alternate with slower songs and there are even some post punk influences starting to creep into their distinct sound. (Puke N Vomit Records)
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Clocking in at a formidable sixty-eight minutes in length, Construct is the second album from Austrian/English/German collective Archivist, consisting of ten intricately composed tracks of audacious, atmosphere-drenched Post-Black/Post-Metal/Post-Rock proggery designed to infiltrate and stimulate both the body and the mind. Label: Alerta Antifascista Records
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One of the most well known of Portland’s fertile post punk influenced scene, Arctic Flowers follows up their well received debut EP and split with Spectres. Their sound builds on the foundation of UK anarchopunk meeting their previous work with such bands as Signal Lost and The Observers. This 12-inch has 8 songs leaning more towards the hardcore end of the spectrum while throwing in the occasional Mob influenced bit of melodic punk. (Sabotage Records)
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Who knew it was possible to hear in monochrome? Arctic Monkeys’ 5th studio album is a wickedly seductive record, draped in black leather and wielding a switch-blade. Alex Turner and co. had spent years shapeshifting from pointed indie, to sun-stroked desert rock to whimsical psychedelic pop. It wasn’t until AM that they created a sound so assured and so spellbinding. The thick grooves underpin the album. Unfaltering drumbeats and dark bass-lines dripping with fuzz leave you with a sense of dread and paranoia. That chest rattling dread associated with the likes of Black Sabbath. The haunted atmosphere is compounded by Jamie Cook’s guitar, flexing its muscles over the hip swaying rhythm. Even through the familiar Motown swing of 'Snap Out Of It', the bubbling G-Funk of 'Why Do You Only Call Me When You’re High' or the Velvet Underground melodies on 'Mad Sounds', you feel violated. Turner’s sinister overtones are palpable. His voice is demonically possessed. On songs like 'R U Mine?', 'One For The Road' and 'I Wanna Be Yours' he is joined by a chorus of fellow doomed souls. His fresh-faced cheek is dead. He retains his humour but the lines linger for longer, your hair stands up straighter and just like Turner, you can’t help yourself crawling back. AM is darker, sexier and better than anything Arctic Monkeys have done before or since. Play it after midnight. Turn off the lights. Watch your back. Label: Domino – WIGLP317 Barcode: 887828031719
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The Car is the seventh studio album from Arctic Monkeys. Featuring ten new songs written by Alex Turner, produced by James Ford and recorded at Butley Priory, Suffolk, La Frette, Paris and RAK Studios, London. Buy and receive an instant download of the tracks I Ain’t Quite Where I Think I Am, Body Paint and There'd Better Be A Mirrorball and the full release now. Comes with an MP3 and WAV download card. Label: Domino – WIGLP455 Barcode: 887828045518
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The debut Arctic Monkeys album is, as we all know, one of the finest debut statements in rock history. It marries the youthful exuberance of a band about to embark on a long career with the tunes of experienced songwriters. Truly one of the best and eternally most relevant albums in the British rock canon. Label: Domino – WIGLP162 Barcode: 5034202016212
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“Ancestral Cult” is the amazing second full-length studio album by the brand new atmospheric black metal phenomenon, the Berlin-based band Arde, but with important roots in the Spanish metal scene, featuring members from bands like the mighty Ancient Emblem or Death Above... To find some references in this genre is so easy, you only have to name bands like Wolves in the Throne Room, Fen or Wodensthrone... but there is something distinctive in the music Arde plays which makes it absolutely different and exceptional, call it anger, call it wrath, maybe call it frustration or just simply disappointment... the truth is that you will not find easy or hopeful tunes here, but the fury and passion of a band that, literally, is exploding from the inside out like a newborn star... (Alerta Antifascista Records)
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Arkangel's "Prayers Upon Deaf Ears", is a milestone in the European metalcore scene which set new standards. Definitely one of the best metalcore records ever written. Album remastered by Igor Wouters (Backfire! - Gold) Limited to 300 copies (GSR)
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Arma X burst onto the hardcore scene in 2019 with a demo that made people take notice from day one, seemingly coming out of nowhere, along with a whole host of new bands from Madrid. Taking the best of heavy hardcore styles, whether it’s Cleveland Straight Edge or NYHC Beatdown, Arma X are making it their own with tunes breathing new life into the genre in their debut album, Violento Ritual. Not for the faint of heart, the band are also redefining just how many dive bombs and breakdowns you can have in one song thanks to guitarists Yoshi and Rodri, and we are here for it! Vocalist Leo sings in Spanish, because there will be no appeasing to the English speaking hardcore masses here and rightly so. The result is vocals that just get taken to another level, delivered with Leo’s huge rasping voice not too dissimilar to Integrity’s Dwid, commanding over what sounds like a straight up war zone. Lyrically Arma X rock about the Straight Edge, naturally, as a true form of outsider behaviour within punk and also dark moments of anger in one’s personal life through occult imagery. Meanwhile drummer Tania and bassist Iker waste no time in pummelling out beats you want to smash heads to in the pit. The group are all hard working members of the Madrid hardcore community keeping their local scene vibrant and inclusive for all, reflected in the band themselves. Thanks to that hard work, along with many others from this new generation, the Madrid scene has been growing from strength to strength for the past 3 years. Arma X are part of this new wave of bands and DIY ethic that is selling out local only shows and making a community that stands strong. XXX Label: Quality Control Records
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ARMAGEDOM "Silêncio Fúnebre" remastered for the 1st time from the original tape that was recovered last year. Includes, two sided printed insert with lyrics and photos + an A4 300 gsm mini poster with lyrics explained in English by Javier. This record was originally released by Rainbow Records in 1986. (Punk Vortex Records)
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This is the brand-new album of Arrest! Charlie Tipper. 19 tracks recorded during lockdown. Once again, the Tippers are magnificent, and it will be one of the best underrated albums of 2022. A masterpiece that should be owned by all music lovers of the alternative pop underground. Limited to 175 numbered copies. Label: Old Bad Habits, Breaking Down Records
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Formed by Edwin Pouncey in the Spring of 1977 “because there was a talent night at the Royal College Of Art”, their first gig ended (like so many of their other gigs) in a fight, to disguise their lack of material. Someone there offered them a gig for money so a set of 10 songs was quickly cobbled together. More gigs followed. Ricky Slaughter left to join The Motors, Robert Gotobed went to Wire and the line-up stabilised to include the nucleus of Edwin Pouncey, Steve Spear and Marion Fudger. A hippie guy and his stripper girlfriend who ran a record shop in the basement of Kensington Market decided to start a label and approached the Art Attacks. They released the 7,500 selling “I Am A Dalek” b/w “Neutron Bomb” single, but the relationship terminated when the stripper appeared on stage semi-naked and decided to whip an unamused Edwin. Their next foray into the studio was to record the classic “Arabs In ‘Arrads” for the first ever punk rock compilation album, “Streets” on Beggars Banquet. Suffering from stage fright, Edwin would only appear on-stage when inebriated. Each performance was unpredictable. Aside from the frequent fights, there was one occasion when Edwin climbed inside the kick drum and refused to perform, and once when he invited a tramp to ramble meaninglessly into the microphone, rather than sing himself. Tours with The Lurkers, Generation X, The Motors and Rock Against Racism followed, as did two live tracks “Animal Bondage” and “Frankenstein’s Heartbeat” on the “Live At The Vortex” album. The pressures of finishing their degrees terminated the band and the posthumous “Punk Rock Stars” b/w “Rat City” single was released. On 16th January 1979 the Art Attacks released their second and sadly posthumous single ‘First and Last’ on Fresh Records. The A side was “Punk Rock Stars” and featured the drumming of Robert Gotobed from Wire. The B side was “Rat City“. The A side was recorded in 1978 before they split in March of that year, while the B side was recorded in 1977. The artwork was designed by Edwin Pouncey aka Savage Pencil, lead singer of the band. After they split Edwin Pouncey, Marion Fudger and Steve Spear would form The Tagmemics who released one single ‘Chimneys’ on the Index label in 1980. Unquestionably a punk rock classic, the single is now highly collectable, has featured on many official and unofficial punk rock compilations and has been long overdue an official reissue so in 2022, in conjunction with the band, Overground Records have released a limited reissue of 500 copies on silver vinyl which losely reproduces the original sleeve and label artwork. Label: Overground Records
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Formed by Edwin Pouncey in the Spring of 1977 “because there was a talent night at the Royal College Of Art”, their first gig ended (like so many of their other gigs) in a fight, to disguise their lack of material. Someone there offered them a gig for money so a set of 10 songs was quickly cobbled together. More gigs followed. Ricky Slaughter left to join The Motors, Robert Gotobed went to Wire and the line-up stabilised to include the nucleus of Edwin Pouncey, Steve Spear and Marion Fudger. A hippie guy and his stripper girlfriend who ran a record shop in the basement of Kensington Market decided to start a label and approached the Art Attacks. They released the 7,500 selling “I Am A Dalek” b/w “Neutron Bomb” single, but the relationship terminated when the stripper appeared on stage semi-naked and decided to whip an unamused Edwin. Their next foray into the studio was to record the classic “Arabs In ‘Arrads” for the first ever punk rock compilation album, “Streets” on Beggars Banquet. Suffering from stage fright, Edwin would only appear on-stage when inebriated. Each performance was unpredictable. Aside from the frequent fights, there was one occasion when Edwin climbed inside the kick drum and refused to perform, and once when he invited a tramp to ramble meaninglessly into the microphone, rather than sing himself. Tours with The Lurkers, Generation X, The Motors and Rock Against Racism followed, as did two live tracks “Animal Bondage” and “Frankenstein’s Heartbeat” on the “Live At The Vortex” album. The pressures of finishing their degrees terminated the band and the posthumous “Punk Rock Stars” b/w “Rat City” single was released. This 13-track compilation features all their recorded tracks that appeared on vinyl, plus the post-Art Attacks project The Tagmemics single. Packaged in a sleeve designed by Edwin Pouncey (AKA Savage Pencil) there’s a bonus insert packed with information and memorabilia. Black vinyl edition of 250 copies. Label: Overground Records
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ARTCORE FANZINE ISSUE #42 - AUTUMN 2023 WITH “THE IRON CURTAIN ISN'T SOUNDPROOF - PUNK ROCK IN EIGHTIES POLAND” 7" EP “THE IRON CURTAIN ISN'T SOUNDPROOF - PUNK ROCK IN EIGHTIES POLAND” 7" EP: A six band, six song Artcore Vinyl Fanzine 7” EP of prime eighties Polish punk featuring: ABADDON SIEKIERA TZN-XENNA MOSKWA DEZERTER DEUTER ...in conjunction with Warsaw Pact Records on concrete grey vinyl and fold out poster insert. Artcore Issue 42: Forty page litho printed zine featuring interviews with: CIVIC OFF! STRAW MAN ARMY ARCHERS OF LOAF HAMMERED HULLS PEZZ NIGHTFEEDER SHARP CLASS FEAR OF THE KNOWN INNER CONFLICT LONG KNIFE Plus ‘Vaultage’: An in depth look at Polish Punk Rock history by Robert of Refuse and Warsaw Pact Records to accompany this issue’s Artcore Vinyl Fanzine featuring interviews with: ABADDON SIEKIERA TZN-XENNA MOSKWA DEZERTER DEUTER BRYGADA KRYZYS TILT THE CORPSE ...and more. To finish off there are 90 releases reviewed, some featuring Artcore reviewer Tim Brooks (Young Offenders, Stockholm Syndrome, Maximum Rock’n’Roll, Razorcake etc.)
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This album features the entire session that Artificial Peace recorded in November 1981. At the time, A.P. were on of the leading bands in the D.C. hardcore scene. Three of these songs were initially released on the "Flex Your Head" compilation, but the rest were shelved when the band unexpectedly broke up after playing for barely over a year. Three members went on to form Marginal Man, who would have a very successful run well into the late 80s. (Dischord Records)
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The second full length of these pioneering Tokyo crusties for the first time on vinyl! Originally released on CD only by Decontrol records in 1996 and never reissued to this day.. Gloomy, metallic hardcore blended with a strong crustpunk imprint.. if you enjoyed their classic debut “…the final solution” (also reissued by F.O.A.D. one year ago), “Agonized cry” picked up where they left off adding an even darker edge and adding some heavy Amebix/Antisect influences.. Viciously addictive riffs and vitriolic vocals alternating their trademark hoarse tones with full strength shouts. 14 SONGS! Double LP with OBI strip and insert with lyrics and original artworks. Black vinyl limited to 250 copies. Label: F.O.A.D. Records
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The return of this veteran metallic hardcore unit, detonatic ears with their thrash-fueled aggression since 1988! 10 songs, brand new studio recordings from 2022. One of the earliest Japanese HC bands to introduce crust elements in their sound combining them with a solid metal/punk edge… this new album, following their classic debut “The final solution…” (1989) recently reissued by FOAD Records and mid 90’s opus “Agonized cry” (more leaning towards Amebix/Antisect influences), keeps their banner high with viciously addictive riffs and vitriolic vocals that bring memories back to their early days. The band features Noboru “Jero” Sakuma of Abigail/Gorgon on 4-string artillery. LP with OBI strip and insert. Black vinyl limited to 250 copies. (F.O.A.D. Records)
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The Swedish hardcore punk scene of the early 1980s was vibrant and wide, with underground movements yielding surprising extremities. This ultra-scarce cassette-only release, limited to 300 copies in 1984, was the first of the legendary Uproar label, pitting the blast-beat proto-grindcore of Asocial, from the small town of Hedemora, against the classical thrash of Bedrövlers, from the equally small town of Fagersta, whose name roughly translates to Miserablerz, a term assigned them by a bus driver that disliked their discordant noise. Subverting Bad Religion’s How Could Hell Be Any Worse for their own purposes, Asocial’s tracks are blindingly fast and Bedrövlers’ down and dirty-rare Swedish hardcore, at its best! (Radiation Records)
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LIMITED WHITE VINYL VERSION. The Swedish hardcore punk scene of the early 1980s was vibrant and wide, with underground movements yielding surprising extremities. This ultra-scarce cassette-only release, limited to 300 copies in 1984, was the first of the legendary Uproar label, pitting the blast-beat proto-grindcore of Asocial, from the small town of Hedemora, against the classical thrash of Bedrövlers, from the equally small town of Fagersta, whose name roughly translates to Miserablerz, a term assigned them by a bus driver that disliked their discordant noise. Subverting Bad Religion’s How Could Hell Be Any Worse for their own purposes, Asocial’s tracks are blindingly fast and Bedrövlers’ down and dirty-rare Swedish hardcore, at its best! (Radiation Records)
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Considering that The Saga of Nemesis came out in April 1986, meaning just about three months after Assassin´s debut demo Holy Terror, the group had taken a big leap forward – not least regarding its production values, making the four songs plus intro an abrasion-proof set of thrash from a time when the German scene was maturing at a frantic pace. High Roller Records, 2nd pressing, black vinyl, ltd 200, insert printed on uncoated paper, 350gsm cover with inside out print, Original tape transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in August 2020. (High Roller Records)
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Built upon the crushed dreams of many aspiring country singers off music row, some local Nashville dudes accidentally formed the satanic thrash-rock juggernaut ASSCHAPEL. Only to find themselves self destructing into hell 7 years later without a trace. Behold the only remaining relic of their existence with these 31 wretched tracks of "total destructuion (1999-2006)" - includes 13 song "live through destruction" DVD ASSCHAPEL was born out of the extremely important '90s Nashville hardcore scene along bands like: HIS HERO IS GONE. Lead Guitarist: Dallas Thomas now plays in legendary instrumental behemoth: PELICAN. 2xLP housed in double-LP deluxe stoughton gatefold-jacketed package with a poster insert and 13-song “Live Through Destruction” DVD. (Southern Lord Recording)
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Anticapital from 1991 by Florida's Grindcore kings ASSUCK. Assück was an American grindcore band from Saint Petersburg, Florida, active from 1987 to 1998. The band proved influential, with their album Anticapital (1991) voted number 4 in the Terrorizer list of their top 20 US grindcore albums, who described it as a "low-calibre battery of brooding, malicious, doom-ridden grind pitched somewhere between early Napalm Death and even earlier Bolt Thrower. Label: Fan Club/Unofficial Release)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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It's always a big pleasure for us to announce the release of an Italian new band. ASTIO come from Trento (veeeeryyyy Northern Italy) and have members who already destroyed our eardrums with bands like Left In Ruins, Impulso, Tuono and so on. This brand new combo delivers something really far from the fast/crusty/old schoolish noise we were used to, indeed this is totally catchy Peace/Post-Punk sung in Italian with hints of saxophone here and there. Imagine Wipers playing Gang Of Four (or vice versa) after having listened all day to Chain Cult. The record will be a one sided 12" on White vinyl with one screen-printed side, limited to 300 copies. Also the cover will be screen printed by the band itself. Label: Agipunk
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Astrud Gilberto born Astrud Evangelina Weinert; March 29, 1940 – June 5, 2023) was a Brazilian samba and bossa nova singer and songwriter. She gained international attention in the mid-1960s following her recording of the song "The Girl from Ipanema". The Astrud Gilberto Album (with Antonio Carlos Jobim) is the debut studio album by Astrud Gilberto. With Antonio Carlos Jobim on guitar and the arrangements by Marty Paich, it was released via Verve Records in 1965. It peaked at number 41 on the Billboard 200 chart. In 2017, NPR placed it at number 73 on the "150 Greatest Albums Made by Women" list. Label: Endless Happiness Barcode: 5060672888882
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Astrud Gilberto born Astrud Evangelina Weinert; March 29, 1940 – June 5, 2023) was a Brazilian samba and bossa nova singer and songwriter. She gained international attention in the mid-1960s following her recording of the song "The Girl from Ipanema". 'Gilberto With Turrentine' is an album by Brazilian samba and bossa nova singer Astrud Gilberto and American saxophonist Stanley Turrentine featuring performances recorded in 1971 released on the CTI label. The album can be described as a blend of jazz, pop, and tropicalia. It was arranged by Eumir Deodato and features appearances by A-list jazz performers including Airto Moreira, Ron Carter, Sam Brown, Hubert Laws, and Toots Thielemans Label: Endless Happiness Barcode: 5060672888943
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Astrud Gilberto born Astrud Evangelina Weinert; March 29, 1940 – June 5, 2023) was a Brazilian samba and bossa nova singer and songwriter. She gained international attention in the mid-1960s following her recording of the song "The Girl from Ipanema". With her tenure on Verve drawing to a close, Astrud Gilberto steps further away from her bossa nova roots with 'I Haven't Got Anything Better To Do,' an intimate, nocturnal set closer in scope and spirit to the Baroque pop of Burt Bacharach, whose 'Trains And Boats And Planes' is beautifully rendered here. In the liner notes Gilberto dubs it "my fireplace album," and indeed the record is immediately warm and comforting, despite the melancholy that colors all of the selections. Albert Gorgoni's arrangements are sumptuously romantic, perfectly complementing the simple, poignant vocals. Mistakenly considered a minor entry in the Gilberto canon, 'I Haven't Got Anything Better To Do' is instead a minor masterpiece Label: Endless Happiness Barcode: 5060672888899
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Formed in 1981 by a crew of hardcore punx and skins from Stoke-on-Trent in the industrial Midlands of England, Asylum fully embraced the ‘Noise Not Music’ rallying call. The missing link between Discharge and Japanese Noisecore, their sound is characterised by detuned ear-piercing distortion: buzzsaw guitars, fuzzed bass, charging drums and gargled vocals battle each other in a maelstrom of lo-fi production murk that reflects the bleak outlook of their lyrics. Only existing for a brief moment in time (playing a handful of mainly local gigs and releasing one demo tape and the occasional track on compilation tapes) and obscure even during their existence, Asylum were nonetheless influential, their ‘1,000 M.P.H. Hardcore Punk’ inspiring other U.K. groups such as Skum Dribblurzzzz and Napalm Death. (Nic Bullen) This release contains the 6 Track demo Is This The Price? Which was originally released as a tape only EP on Retaliation Records. The tracks have been remastered and mark the first time Asylum have released anything on vinyl. (Sealed Records)
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Complete recordings 1985-1989 of these criminally underrated, blasting fast UK hardcore maniacs! 26 SONGS, collecting the following works: – the legendary “From within” demo for the first time on vinyl, mastered from the band’s 1st generation tape as you’ve never heard it before! – unreleased demo 1985 – Life during wartime 7″ – Equilibrium 7″ – complete compilation tracks 1987-1989 Ripping fast, full throttle hardcore from the highly influential 80’s “Britcore” scene that gave birth to speed obsessed thrash classics such as Electro Hippies, Ripcord, Heresy, Intense Degree, Unseen Terror, Satanic Malfunctions and countless more! Double LP with 24 page horizontal book including liner notes, scans of the original releases, inserts, complete “From within” booklet, photos and more.. Solid black vinyl limited to 200 copies. Label: F.O.A.D.
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Let The Blind Lead Those Who Can See But Cannot Feel is the 2007 debut album from Atlas Sound, the solo moniker of Deerhunter frontman Bradford Cox. Citing the “ideas that I can't make work with a rock band,” the record is a beautiful and unparalleled meld of garage rock and ambient electronics. Now included on the album is the 2008 six-track EP, Another Bedroom. (4AD – DAD 2811)
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Atoxxxico was a thrashcore/hardcore punk band from Mexico active from 1987-1995. This full length was released in 1990 by Puro Pinche Ruido Records. Recorded and mixed within 24 hours at Area Studios, Mexico D.F., 1990. Produced by Atoxxxico & Puro Pinche Ruido Records. LP contains a bothsided printed lyricsheet. This is official reissue. (Puke N Vomit Records)
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Solid black vinyl ltd. to 120. The debut tape (1989) by these long running Peruvian blasting noise maniacs for the first time on vinyl! Sourced from the band’s master and totally kept in its pristine original form. 100 tracks of pure unadulterated NOISECORE NIHILISM!! No riffs, no slowdowns, no fucking music – just brutal, raging NOISECORE at the rawest stage! The absolute feeling of despair, no fun and mental aberration unleashed by the sonic hecatomb of this recording frames the crude and hopeless reality in which it was made, in an extremely impactful way! Booklet with lyrics, old fanzine excerpts and rare drawings. (F.O.A.D. Records)
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UK punk band from New Mills with Lindsay, sister of Mackie from Blitz, playing the drums. Limited repress of their classic 2 track EP originally released on No Future in 1982. Oi-influenced vocals grafted onto a typical punk background. (Mad Butcher Records)
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UK punk band from New Mills with Lindsay, sister of Mackie from Blitz, playing the drums. Great vinyl reissue of this classic punk album originally released on NO FUTURE RECORDS back in 1983 and now re-issued by Italian RADIATION RECORDS. (Radiation Records)
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Julian Isaacs aka Auntie Pus, made a bet with his childhood friend Chris Millar (Rat Scabies of The Damned) that one of them would have a top ten record within 3 years. He of course lost that bet in less than a year as The Damned took the world by storm. Isaacs carried on with his own brand of punk and Syd Barrett inspired songs, playing with the best of the first wave of UK punk bands, and becoming frequent tour partners of bands like The Damned and The Ruts. In 1978 he finally recorded a single, featuring Rat Scabies on drums, which was eventually released with some help from the Ruts management, and did make not just into the weekly top 10 in Sounds, but "Single of the Week", and in a top 10 in Record Mirror when the Damned were pulling the reigns that week. Since then, the single has become a staple of conversations covering under the radar 70s UK DIY punk and "messthetics" type singles. This 7" is a deluxe edition with an unreleased track, artwork faithful to the original, with an accompanying insert that includes an in depth interview which should be fascinating to any fan of 70s UK punk, or fans of the Damned, photos, and more. TRACKLIST A Half-Way To Venzuela B1 Marmalade Freak B2 Fight The Good Fight Label: General Speech
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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How does something so vintage sound like such a breath of fresh air?! Berlin's AUS tap into the Heimatland's heritage of notoriously cold and humorless nihilism to produce a danceable sense of dread. When the rhythm section isn't driving us closer to armageddon it's providing a pounding tribal backdrop for brooding and disaffected witchy incantations. Distant guitars cut like broken glass and the synth rises up through the cracks like a blend of cigarette smoke and fog machine. Collectors take note!: Comes in a heavy 320g sleeve with band photo in handstamped wax envelope. Night time only record. (Static Age Music)
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The world is in deep and dark disturbing times and Berlin’s AUS are the soundtrack to this apocalypse. This new three track EP has everything you loved from their second album from 2020 and more. It’s full of ice cold and stark future post punk gems.The drums drive the tracks with tom tom heavy rhythms next to a thunderous, melodic and locked in bass whilst the minimal synth and scatchy guitars add to the cold atmospherics. The vocals are the icing on top and move between Siouxsie and Anja from Xmal Deutschland with an added extra portion of boredom and disdain. If this was an obscure 7” from 1979 it would be on everyone’s wants list, but luckily for everyone it’s a 2024 release. ( Sean Forbes - Rough Trade ) Label: Static Age Music
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Their 2nd album! All Girl Post-Punk from Berlin. Cool and sinister, definitely and positively sounding like a modern reincarnation of X-MAL DEUTSCHLAND! In the recently massive wave of bands being influenced by the early 80s Post-Punk sounds, AUS are still an outstanding appearance, with their icey synth-sounds, minimalistic guitar and bass, and almost tribal (or industrial?) drum beats. And their german lyrics perfectly fit into the atmosphere created. (Static Age Music)
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Finally Re-issued after 20 years! - Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho-punk masterpiece back in circulation. In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably. We feel that those that would charge over exorbitant prices on eBay or Discogs have forgotten the message. PROFANE EXISTENCE has worked this out to ever last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE! Label: Profane Existence Records
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Austin Lucas' release of Stay Reckless marks an important moment for this young troubadour who has amassed fans from Bloomington, IN to Prague. Inspired by X, producer Mark Nevers (Lambchop, Jason Isbell) captures an Alt-Country album brimming with Punk Rock energy and heartland earnestness. In 2007 Lucas began to entwine his Punk Rock nature with his Bluegrass upbringing eventually collaborating and touring with Chuck Ragan of Hot Water Music and traveling the country on the Warped Tour, Willie Nelson's Country Throwdown Tour and the Revival Tour. (New West Records – NW5077)
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This record was written and recorded DIY in 2020. While the world fell apart around us. While the so called "world leaders" actively worked to violently put down popular dissent against their bigoted systems of imperialist control. While neighbors turned on each other and purposely breathed plague in their fellow humans' faces out of a misguided sense of rebellion. While the bosses forced us all back to work and the government shamed us for any social contact that didn't keep the gears of capitalist modernity turning. While millions suffered and died. While the world moved on. Pressing Details: 200 pro done Tapes (Alerta Antifascista Records)
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Rough, ultra-crude Mexican fuzzcore punks! Formed in the late ’80s in Mexico State, AUTARKIA were mostly active from 1990 to 1994 releasing 3 tapes, one of which would become their cult full length “Punk’s al slam”, later published on CD and LP. Here’s the official reissue of their debut demo 1993 originally entitled “Sociedad autosuficiente”, recorded prior to “Punk’s al slam”. For the first time on vinyl, mastered from the band’s tapes. Absurdly raw 2-chords tupa tupa hardcore in pure latino-american tradition, recommended if you also like M.E.L.I., MASACRE 68, KAGADA DE PERRO and similar. 16 TRACKS! Includes full colored booklet with lyrics, rare photos and flyers. Made in collaboration with Mierdas Production from Mexico. Solid black vinyl limited to 200 copies. (F.O.A.D. Records)
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THE LONG-AWAITED FULL-LENGTH RETURN OF THE US DEATH METAL PIONEERS FOR A NEW BOUT OF SUPREME SICKNESS. “Absolutely brilliant. "Morbidity Triumphant" is definitely one of the year's best death metal albums” - Blabbermouth Since first bursting onto the death metal scene with the now genre classic ‘Severed Survival’ back in 1989, and following up with the equally revered ‘Mental Funeral’ album, the influential US quartet has carved an unwavering legacy over three decades as masters and purveyors of the vile sides of the extreme metal spectrum. And now, Autopsy marks its reinvigorated return, presenting the first new full-length studio opus since 2014’s ‘Tourniquets, Hacksaws and Graves’ with ‘Morbidity Triumphant’; a savage offering of brutal death, showing the US legends still have an unbridled hunger for the sadistic, never reluctant to step beyond the threshold of decency. ‘Morbidity Triumphant’, the band’s eighth album, is truly a dark delight for seasoned and new listeners alike, with a raw organic sound perfectly encapsulating what makes Autopsy so distinguishable among its peers, for what could easily be considered one of its strongest offerings to date. The driving force of Autopsy as ever is the virtuoso guitar pairing of Eric Cutler and Danny Coralles, effortlessly trading off their schizophrenic leads and switching from all-out death metal madness to groove-laden heavy doom, with unmistakable drum/vocal legend Chris Reifert being master of proceedings, spewing his own infinitely creative maniacal musings. ‘Morbidity Triumphant’ also notably marks the first album to feature new bassist Greg Wilkinson, currently also seen in Static Abyss along with Chris. ‘Morbidity Triumphant’ was recorded at Opus Studios, with long-associated engineer Adam Munoz at the helm. Mastering was completed by Ken Lee. The cover artwork appears courtesy of Wes Benscoter (Slayer, Bloodbath), with a new work of twisted and sinister genius. Autopsy will be supporting ‘Morbidity Triumphant’ with a series of dates throughout the remainder of 2022. (Peaceville Records)
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AVIADOR DRO Y SUS OBREROS ESPECIALIZADOS formed in the Prosperidad Neighbourhood of Madrid in 1979. Influenced equally by Dadaism and Futurist ideas as by the contemporary sounds of bands such as DEVO, THROBBING GRISTLE or CABARET VOLTAIRE, they started creating their own brand of electronic music. Soon after the band won the third prize of a local Battle of The Bands show and were given a record deal as a prize that resulted in La Chica De Plexiglás 7” (Movieplay-1980) and La Vision 7” (Movieplay-1981) both of which were recorded at the same session with a third 7” recorded but not released at the time. Faced with the total lack of interest showed by the label and feeling alienated in a Music World which wasn’t the one they dreamed of, they decided to do what dozens of their peers were doing worldwide; They started their own label, Discos Radioactivos Organizados (DRO) following the steps of Factory or Industrial Records. Faced with the exit of three members who left the band to form a more radical band (ESPLENDOR GEOMETRICO), AVIADOR DRO entered Doublewtronix studios to record Nuclear Sí, marking the birth of the Independent Music Industry in Spain. The four tracks on the EP became instant classics with Nuclear Sí being the absolute standout track, while Varsovia en Llamas, Sintonia Del Refugio Atomico and Godzilla were perfect nuggets of Synth-punk who remain amongst the greatest Spanish Pop songs ever. Originally hand-assembled, hand-coloured, self-released and distributed in the total DIY spirit, the first release of DRO remains a perfect example of what a bunch of teenagers can achieve armed with just their youthful energy and idealism. Nuclear Si, was repressed three times and has been out of print since the early 80’s. This reissue of 500 radioactive green vinyl comes out in the year that AVIADOR DRO celebrates its 40 anniversary with a book released and an anniversary tour. Label: La Vida Es Un Mus Records
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Sweden’s Legendary D-Beat Band AVSKUM return with their first new album since 2008, “ En Annan Värld Ar Möjlig" ( Another World Is Possible). Their fifth album has 17 new tracks of rage filled D-beat hardcore supporting Indigenous rights, Self-determination and attacking Fascism, Militarism, Misogyny and political corruption. Avskum’s sound has it’s roots in their 1982 origins at the earliest stages of Swedish hardcore punk, with harshly screamed vocals and quick blasting songs, underlined over the ensuing decades by a rock driven heaviness with searing guitar solos, thundering bass lines and rampaging drum attack. Recorded by Kenko at Communichaos Studios, the album features guest vocals from Tompa from At The Gates / Disfear, TB from Asocial / Uncurbed and Mattis from Makabert Fynd. With two stunning cover illustrations by Jordan Barlow to hammer home their vision of empowerment and resistance. Label: Skrammel Records (Europe), Prank Records (US)
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F.O.A.D. Records celebrates its 200th release with the most extreme boxset in music history! The ultimate, most exhaustive collection of AxCx recordings from the band's early years: all their singles, split 7"s, comp. tracks, demos, the ultra-rare first tape 1988, rehearsals, unplugged, live... and the impossible to find "A head-shot for your thoughts" promo ltd. to 6 copies. More than half of the stuff included has never been released on vinyl to date or has been out of print for a long time. "When the band started the goal was to be the fastest, noisiest, shittiest band around and to have absolutely no trace of musicality at all.." (Seth Putnam). "We did it before you and we did it better" (Tim Morse). 6 x LP's housed in a deluxe box with AxCx logo printed in spot UV, 72 page book filled with never seen before photos, scans of the original releases, liner notes by Seth's mom, band members & friends, memorabilia from Seth's personal archives and a lot more! A monsterwork carefully assembled over the years, mastered from selected, best sounding sources. Without getting in lost in descriptions and labels, AxCx were the world's fastest and noisiest band and their status of genius and nihilism will never be beaten! Contents in detail: 1st demo / 47 song demo / 1988 rehearsal ("A head-shot for your thoughts" pt.1) / Very rare rehearsal from February 1989 / 88 song EP / split 7" with 7 MON / Stuff for Axction compilation / 5634 song EP / 5634 song EP outtakes / Master of noise compilation / Another EP / split 7" with Meat Shits / split 7" with Psycho / Unreleased sessions 1991 / Unplugged EP / Side one of Live EP (Houston, Texas - July 6th, 1991) / Side two of Live EP (Ybor City, Florida - July 13rd, 1991) / Unknown gig 1988 ("A head-shot for your thoughts" pt.2) / Basement show Dave Fitch's cellar in Milford, Connecticut - August 26th, 1988 / Live in Indiana - February 20th, 1989 / Live in Düsseldorf - April 15th, 1990 / Live in Enschede - April 16th, 1990 / Live in Schwabisch Hall - April 3rd, 1990 / Live in Berlin - April 20th, 1990 / Live in Betigheim - April 4th, 1991 Label: F.O.A.D. Records
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Nothing less. 5 new bangers from Stockholm HARDCORE power house Axe Rash! Frantic to say the least. This is the elephant in the china shop - with a baseball bat. (Adult Crush Records)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Axegrinder’s influential Crust Thrash Metal release from 1988 available on vinyl with its original artwork. Rise of the Serpent Men was recorded at Lion Studios in Leeds in 1988 and released the same year. Axegrinder’s strong AMEBIX-like grind sensibility appealed to Punks and Metal-Heads alike, and the band's first and only album Rise of the Serpent Men featured artwork contributions created by Jeff Walker (of UK Metal masters Carcass). The band has gained a strong cult following in countries such as Japan over the years and has lately seen a new period of activity, with a studio album in the offing, along with plans for extensive live work. This 2017 vinyl edition of ‘Rise of the Serpent Men’ marks 30 years of Peaceville and is released as part of the early classics selection to commemorate the occasion. (Peaceville Records)
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Axe Rash from Sweden and Therapy from San Diego are delivering this amazing split. (De Nihil Records)
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Axis of Despair features former and present members of such bands as Nasum, Coldworker, Infanticide, Volturyon, Livet som insats, Nervgift and Overtorture. To be exact: The band was formed by former Coldworker members Anders Jakobson (drums), Oskar Pålsson (bass) and Joel Fornbrant (vocals) in the end of 2013. About half a year later the line up was completed by Livet som insats member Kristofer Jankarls playing the guitar. The band continued to work on songs until the late spring of 2015 when the first 12 tracks were recorded to be released on two, sort of, conjoined 7″ EP’s. “Contempt For Man” is the swedish grind super-groups first full-length album. It is a pulverizing bull dozer of intense grind-core. Label: Southern Lord Barcode: 808720025712
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After reissuing and releasing milestone albums such as ALL BETS ARE OFF, CHOOSE MY OWN PATH and legendary live -and demo recordings filed under LIVE AT CBGB'S, REBELLION RECORDS now proudly presents to you the all new BACKFIRE! album ANGRY GOD! ANGRY GOD is the first new material of the M-town Rebels since 2016 and the band's first full-length in well over a decade! To say this release is very much anticipated is therefore an understatement. Luckily BACKFIRE! lives up to the expectations and releases it's strongest, most explosive record to date! Never before the Gods of European hardcore delivered an album on which they sounded so old school and typically BACKFIRE! on one hand, but as refreshing and renewing as they do on the other hand. Going strong for nearly 3 decades already, but the band still manages to reinvent itself on ANGRY GOD and does so with anger and style! The band has announced this album will be their testimony and final release ever. ANGRY GOD is their most darkest and personal album to date and the crown on their 30 year carreer span. The album was realized with the help of some old friends and partners in crime. Former drummer and now producer Igor is responsible for the album's massive and heavy production. Oeds (The Devil's Blood, Molassess) co-wrote the magnificent instrumental title-track. And Merijn (Sparrow Falls, The Young Ones) and Erick (Live By The Sword, Strongarm And The Bullies) perform guest vocals on respectively "Empty Shell" and "Black Hole" Label: Rebellion Records Barcode: 3481575609633
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Sale!
"My Broken World"; a culmination of furious anger and frustration, transformed into the best, hardest and darkest Backfire! album ever. Backfire!'s "My Broken World" features 15 songs. Check these songs and you'll understand right away why their 2009 break up was too early. Backfire! had more to offer to the universe, and music and lyric wise "My Broken World" proves it. Uncompromised aggressive New York influenced Hardcore; pissed, raw and angry. Forget the melancholic memories from their 1995 classic "Rebel 4 Life", and "My Broken World" is the best Backfire! effort so far. Backfire! 2012 is harder and darker than ever before. The lyrics from "My Broken World" are based on the deepest frustrations of disappointments and loss. Just like "In Harm's Way", the brand new "My Broken World" album is recorded and produced by Igor Wouters and mastered by Alan Douches. With guest vocals from Hein Tech9 and Dave Right Direction, as well a Crowbar cover, the atmosphere for the 15 "My Broken World" anthems is set. For Fans Of: Madball, Biohazard, Agnostic Front, Terror. (GSR Records)
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This Back Dots set represents the earliest Bad Brains music. It was recorded soon after their 1979 formation in the home of producer Don Zientara and remained unreleased until belatedly seeing the light of day in 1996. The record has been difficult to find on vinyl after quickly going out of print. It’s a breathless, often exhilarating, always intense ride with the 16 cuts barely breaking a half hour. All but one is under three minutes with a handful under two. And even if the reggae influences that informed the Brains’ sound at their height aren’t apparent, this shows how tight and together they were early on. Official reissue. Label: Vinilissimo Records Barcode: 8435008875237
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Speed of lightning, roar of thunder, Bad Brains were D.C. superheroes who transformed hardcore punk, shattering expectations and limitations. A collection of demos, rare tracks and the ROIR session, 1979-1983. 1-7: (1980 demos) 8-9: (1979 demos) 10-12: ('171A session', 1981) 13-22: (ROIR outtakes and rough mixes) 23-24: (1983 demos) Tracklist: Side 1 1. "Pay To Cum" 2. "Don't Bother Me" 3. "Don't Need It" 4. "At The Atlantis" 5. "Supertouch" 6. "Regulator" 7. "You're A Migraine" 8. "Don't Bother Me" 9. "Blackjack" 10. "Black Dots" 11. "Send You No Flower" 12. "Redbone In The City" Side 2 1. "Sailin On" 2. "Attitude" 3. "Right Brigade" 4. "Big Take Over" 5. "Jah Calling" 6. "Blackjack" 7. "Send You No Flowers" 8. "Redbone In The City" 9. "Unknown" 10. "Unknown" 11. "At The Movies" 12. "We Will Not" Label: Waste Management US
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Speed of lightning, roar of thunder, Bad Brains were D.C. superheroes who transformed hardcore punk, shattering expectations and limitations. A collection of demos, rare tracks and the ROIR session, 1979-1983. 1-7: (1980 demos) 8-9: (1979 demos) 10-12: ('171A session', 1981) 13-22: (ROIR outtakes and rough mixes) 23-24: (1983 demos) Tracklist: Side 1 1. "Pay To Cum" 2. "Don't Bother Me" 3. "Don't Need It" 4. "At The Atlantis" 5. "Supertouch" 6. "Regulator" 7. "You're A Migraine" 8. "Don't Bother Me" 9. "Blackjack" 10. "Black Dots" 11. "Send You No Flower" 12. "Redbone In The City" Side 2 1. "Sailin On" 2. "Attitude" 3. "Right Brigade" 4. "Big Take Over" 5. "Jah Calling" 6. "Blackjack" 7. "Send You No Flowers" 8. "Redbone In The City" 9. "Unknown" 10. "Unknown" 11. "At The Movies" 12. "We Will Not" Label: Waste Management US
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This breathtaking performance displays why Bad Brains became one of the most important bands in the history of American Hardcore. On Christmas Eve 1982, Bad Brains began their three-day stint at a Hardcore Festival hosted by legendary CBGB. This vinyl only release contains audio selections from the DVD release, LIVE CBGB 1982. Sure it sounds confusing, but the material on the LP, while culled from the same series of live shows around Christmas 1982 at CBGBs, is completely different. Besides, who can have enough live stuff from the world's best hardcore band at the peak of their prowess? Includes blazingly awesome live versions of "FVK," "How Low Can a Punk Get," and more. Tracklist A1 The Meek A2 The Regulator A3 Unity Dub A4 Banned In DC A5 Joshua's Song A6 Rally Round Jah's Throne A7 Destroy Babylon B1 Riot Squad B2 I And I Rasta B3 How Low Can A Punk Get? B4 F.V.K. B5 Right Brigade B6 I And I Survive B7 We Will Not (MVD Audio)
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Issued in a jewel case with a transparent tray. Comes with a 4-page booklet. Tracklist 1 Don’t Need It 2:59 2 Pay To Cum 1:53 3 Supertouch 3:33 4 The Regulator 1:37 5 Why’d You Have To Go? 2:49 6 Don’t Bother Me 2:27 7 Reggae Jam 2:31 8 Banned In DC 3:36 9 Big Takeover 3:34 10 Stay Close To Me 3:14 11 Attitude 1:35 12 You’re A Migraine 2:46 13 Just Another Damn Song 1:56 14 The Man Won’t Annoy Ya 3:18 15 Redbone In The City 2:15 16 I 2:42 (Really Wasted Youth – RWY02 )
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"Pay To Cum b/w Stay Close To Me" is the debut single from the band Bad Brains. Originally recorded in 1979 at Dots Studio in NYC, and released in 1980 on Bad Brains’ own Bad Brains Records, the single features one of hardcore’s greatest songs… a classic record from legends of the genre! This reissue marks the first release in the remaster campaign, re-launching the Bad Brains Records label imprint. The release includes a replication of the original insert. Track Listing: 1. Pay To Cum 2. Stay Close To Me (Bad Brains Records / ORG Music)
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Quickness is the fourth full-length studio album by Bad Brains, originally released by Caroline Records in 1989. This reissue marks the fifth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains’ recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. (Bad Brains Records / ORG Music)
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Bad Brains' fifth album Rise reissued on vinyl for the first time. Originally released by Epic Records in 1993, Rise was Bad Brains' major label debut, and the follow-up to the band's 1989 landmark album Quickness. The Control Group is a Brooklyn-based record label owned and operated by Nabil Ayers. Since its inception in 2002, TCG has released music by Cate Le Bon, Lykke Li, and El Perro del Mar, as well as vinyl-only releases by The Killers, PJ Harvey, Spinal Tap, Giorgio Moroder and Kings of Leon. Label: The Control Group Records Barcode: 0650384037712
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Rock for Light is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. We’re proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek and bass player Darryl Jenifer. In addition to new mixes, that version used an altered track order. This reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains’ recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. This is the classic album from 1982. Virtually everyone agrees that this group made up of 4 DC African American. They radically quickened punk's tempos, added virtuoso instrumentation, and topped it all off with the mystic squeals of frontman Paul "H.R." Hudson. This release gives voice to the band's scathing sociopolitical judgment as well as its ability to simply put the hammer down and rock. It also allows the rhythm section of Darryl Jenifer and Earl Hudson to flex their muscle on a smattering of dub-reggae interludes that help lull the unsuspecting into the right frame of mind for the next hardcore punch. TRACK LISTING A1 Coptic Times A2 Attitude A3 We Will Not A4 Sailin' On A5 Rally Round Jah Throne A6 Right Brigade A7 F.V.K. (Fearless Vampire Killers) A8 Riot Squad A9 The Meek Shall Inherit The Earth B1 Joshua's Song B2 Banned In D.C. B3 How Low Can A Punk Get B4 Big Takeover B5 I And I Survive B6 Destroy Babylon B7 Rock For Light B8 At The Movies (Bad Brains Records / ORG Music)
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Bad Brains is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of its yellow packaging. Though Bad Brains had recorded the 16 song Black Dots album in 1979 and the 5-song Omega Sessions EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. This reissue marks the second release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains’ recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. (Bad Brains Records / ORG Music)
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Αντιστατική τσόχα για το πλατό του πικάπ διαμέτρου 30 εκ. Υψηλή ποιότητα, βάρος 45 γρ., πάχος περίπου 2,5 χιλ. Ιδανικό δώρο για ντιτζέι και λάτρεις του βινυλίου. Περιορίζει βλάβες-γρατζουνιές και προστατεύει το βινύλιο. 12´´ slipmat, diameter 30 cm High quality 16 ounce felt approx. 2,5mm thick Gift idea for DJs and vinyl lovers Reduces damages/ scratches and protects the vinyl
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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This collection of early recordings were later re-worked and re-recorded for the basis of the 'Return Of The Ugly' album and is a piece of Bad Manners' history. These recordings were first issued as a limited edition vinyl album on Buster Bloodvessel's Blue Beat Records in 1988 and later re-released on French label Squale Records. White vinyl. Label: Audio Platter Barcode: 803341524200
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RE-ISSUE OF BRITISH TWO-TONE AND SKA BAND BAD MANNERS' COMPILATION ALBUM FROM 1996 - ON STUNNING WHITE VINYL! The “This Is Ska” compilation album features some the best of Bad Manners recordings made in the late 1980s for the new Blue Beat Records, including the band's first two singles for the label 'Skaville UK' and 'Sally Brown' and of course - title track 'This Is Ska' the hit single from Longsy D and Bad Manners. The album, originally released on Dojo Records in 1996, also features tracks from the band's best-selling “Greatest Hits Live” album also available on Audioplatter (PLATE038LP). The original “This Is Ska” CD became a bestseller and introduced many people to the “new” Bad Manners and highlighted how good these new recordings were! Label: Audio Platter Barcode: 803341524248
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Το νέο album των Θεσσαλονικιών punk rockers Bad Movies σε περιορισμένη έκδοση βινυλίου. Μονό Μαύρο Gatefold Βινύλιο. (vinylstore.gr)
