• UK punk legends The Adicts tenth studio album release & the bands debut album with DC-Jam Records. For the last thirty-five years, English punk band The Adicts have been in a relentless pursuit of making music and touring for their fans. Night after night, singer Monkey adorns his signature jester’s outfit while his cohorts Pete Dee (guitar), Scruff” Ellis (guitar), Kid Dee, (drums), and Shahen (bass) back him dressed in all white. Since their highly revered debut, Songs of Praise, in 1981, which featured the fan favorite “Viva la Revolution,” The Adicts have gone on to become one of the most influential punk bands of the last three decades. A feat that very few bands have ever accomplished. While others in the early English punk scene took a heavy heart singing about politics, society and angst, The Adicts separated themselves with their dystopian style and upbeat music with light-hearted lyrics that jabbed with sarcasm. Fast forward to 2012 and the only thing that’s changed is the world around them. On September 11, The Adicts will release their tenth studio album, one that is sure to surprise fans. For their latest release, the band stepped out on the ledge, integrating new styles and influences in their music, while maintaining their signature sound. Limited to 300 copies with poster & printed lyrics innersleeve. (DC-Jam Records) (DC-Jam Records)
  • Out of stock
    Smart Alex is the third studio album by punk band the Adicts. It was released in September 1985 by Razor Records. The Adicts were an influential and idiosyncratic British punk outfit formed in the late '70s in Ipswich, Suffolk by lead singer Monkey (Keith Warren), guitarist Pete Davidson, bassist Mel Ellis, and drummer Kid Dee (Michael Davison). Originally operating under the moniker Afterbirth & the Pinz, the quartet began performing as the Adicts in 1979, and quickly became known for their wry lyrics, ferocious yet upbeat sonic attack, and distinctive image -- the band affected the look of the black boots and bowler cap-adorned "droogs" from the film A Clockwork Orange, and peppered their live shows with streamers, confetti, playing cards, beach balls, joker hats, toy instruments, bubbles, and glitter. They released their debut EP, Lunch with the Adicts, in 1979 via the Dining Out label, and in 1981 they issued their inaugural full-length, Songs of Praise, independently on their own Dwed Wecords -- the LP was reissued the following year on Fallout Records, and included the single "Viva la Revolution," which would become one of the group's best-loved tracks. (Restless Empire Records)
  • THE ADICTS | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
    Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • What we have here is not only a reissue of one of the greatest punk debuts of all time, but everything the Adverts ever recorded before setting off to work on their second album. Along with all 13 tracks recorded for 1978's 'Crossing The Red Sea' (including a version of 'Gary Gilmore's Eyes' originally intended for their US release and 'New Day Dawning', which was held back for a single), this Double LP also includes the band's first three singles, along with six tracks taken from a never-before-heard recording of a gig at the Roundhouse in London in early 1978 (headlining over Sham 69), with brand new drummer, John Towe (from Generation X). Gatefold sleeve, printed inner sleeve with lyrics and liner notes by TV Smith and Dave Thompson. “One of the greatest punk records of all time” Fire Records reissue the 1978 classic debut punk record ‘Crossing The Red Sea with the Adverts’. Released after an ever growing live following and the string of successful chart hits The Advert’s debut has cemented its place in punk rock history.  From the sonic Armageddon which ushers in ‘One Chord Wonders’ through to the deliriously protracted fade of ‘Great British Mistake’, ‘Crossing The Red Sea’ never put a foot wrong. Created at the height of Punk, recorded with all the venom and passion which gave the era such vitality, “Crossing the Red Sea” was at once a statement of intent and a bellow of defiance, a refusal to take anything for granted, even its own brilliance. More than that, though, the album defined and thus became the precious moment in time when the establishment rules of rock fell away, and new ones still had to be carved out. And by those brittle standards, the Adverts weren’t simply crossing the Red Sea, They were parting it. Dave Thompson Comes in a gatefold sleeve. Includes an 8 page booklet and a postcard with a download code for a digital copy of the whole album. (Fire Records)
  • By distinctively combining sardonic wit, romanticism and timeless tunes, they produced such classics as 'Orgasm Addict', 'What Do I Get?' and 'Ever Fallen in Love?' Their split in 1981 only heightened their reputation as one of the brashest and most melodic bands ever, and the widespread acclaim that has greeted their reformation and subsequent new material has solidified their reputation as perhaps the most relevant punk band of today. The Complete History draws on years of research and numerous interviews with the band and associates, and contains meticulous detail of every gig, record release, rehearsal, recording session, bootleg and line-up, including an entire history of the band members' many and varied solo projects. In addition, a complete discography of Buzzcocks material, as well as photographs of every line up (including many previously unseen shots) complete the ultimate collectable for any fan. This revised and updated edition picks up where the last left off in 1995 and gives Buzzcocks fans a unique, in-depth and complete piece history of the British punk icons. Format Paperback | 288 pages Dimensions 129 x 198 x 25.4mm | 294.84g Language English
  • The blistering new studio album from one of the most revered American street punk bands on the planet, The Casualties! This is the first studio album to feature David Rodriguez (Starving Wolves, Krum Bums) on vocals alongside longtime members Jake Kolatis (guitar), Marc Eggers (drums) and Rick Lopez (bass)! Limited edition, splatter vinyl. (Cleopatra Records)  
  • Explosive new music from The Chisel bringing the edifying and restorative powers of the great British folk tradition back to the table for a staggering next pint. Just when you thought you were fucking full, your mouths been winched open and gallons of shards of broken glass guitar, thick bass, and burning howling bilious guts gets poured down your maw. The speed of UK82, the terror of punk, the solid mass of Oi!. Like a bar stool breaking through a bus stop, there'll always be THE CHISEL. (Jonah Falco) (La Vida Es Un Mus Records) https://lavidaesunmus.bandcamp.com/album/deconstructive-surgery-ep
  • THE COMES | no side | LP

    20.00 incl. tax
    Official reissue of seminal Japanese Hardcore band THE COMES debut. Originally released in 1983 on Dogma Records, a newly created City Rocker’s side label to release Hardcore/ Hard punk) No Side remains a milestone of first wave Japanese Hardcore. A vital document to understand the days when the Tokyo Hardcore scene was small and unknown with G.I.S.M., EXECUTE, GAUZE and THE COMES as main runners. Bands who shared stages, record labels and who grew to be one of the most varied, influential and enigmatic punk scenes of the planet. THE COMES music is frantic and sharp punk, bass driven and manic sounding with vocalist Chitose aggressive vocals punctuating every syllable and dominating the tunes. Like most first wave Hardcore acts they own their own sound and albeit many times imitated it has never been matched. No Side reissue comes in a heavy paste on board textured sleeve and includes a replica lyric insert. Includes digital pre-order of No Side. You get 2 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released. https://lavidaesunmus.bandcamp.com/album/no-side
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    "14 Year Old High School PC​-​Fascist Hype Lords Rip Off Devo for the Sake of Extorting $​$​$ from Helpless Impressionable Midwestern Internet Peoplepunks L​.​P​.​" The NWI scene is on another level to the rest of humanity. Oh yes, it's going to get weird once you put this shit on. Coneheads are a basement punk band who have decided to douse themselves in creepy circus riffs, robot meets alien vocals with science-fiction wackyness. Keep in mind, it's still punk and damn catchy! Who said weird can't be catchy?

    They sound like DOW JONES AND THE INDUSTRIALS on speed or a more manic DEVO. This would perfectly fit in 1982 but I doubt they were born before 92. Major points for historical awareness! The rhythm barrels along while solos are interspersed at six second intervals, desperately played like a blur between a Jerry Lee Richard piano solo and a fevered banjo picker who lives in an Appalachian cave. It's hard to find the line between cheap gimmick and true weirdness sometimes, but this one shows that line with every spin. This band is highly addictive and leaves you stunned! (Erste Theke Tontraeger) https://erstetheketontraeger.bandcamp.com/album/ett-028-the-coneheads-l-p-1-aka-14-year-old-high-school-pc-fascist-hype-lords-rip-off-devo-for-the-sake-of-extorting-from-helpless-impressionable-midwestern-internet-peoplepunks-l-p
  • Founded in 1982, The Crack didn't release their debut album until 1989. These British punkers were often tied into the Oi! scene of the mid-'80s along with Cockney Rejects and The Business, but they had more in common with the melodic punk stylings of 999 and mod groups like The Jam or Secret Affair. Featuring a blistering wall of guitars and biting melodies, from the classic album opener 'My World' to the raw closer 'The Giddy House' The Crack deliver ten fantastic original tunes that, while firmly rooted in 1980s UK anthemic punk, also features a pop sensibility that presages the oncoming Brit-pop scene that would absolutely dominate the '90s. Seriously, we'd bet the farm that the young Gallagher brothers were blasting this back in 1989. Absolutely essential 1980s UK punk that bridges the gap between '80s Oi! and the Brit-pop/power-pop revival. Killer. (Radiation Records)
  • Their complete first three studio sessions for John Peel's BBC Radio show, this features 13 rare and unreleased versions of their early songs. - Tracks A1-A4 Peel Session I, 11/12/1978 - https://youtu.be/Eb7GnZ0ZOoI - Tracks A5-B9 Peel Session II, 16/05/1978 - https://youtu.be/Js6cdx73zkE?list=PLMa5VnDfBAhUQTp66eccVkE0EvHmeyexA - Tracks B10-B13 Peel Session III, 10/03/1980 - https://youtu.be/bsUXcQakUno?list=PLMa5VnDfBAhUQTp66eccVkE0EvHmeyexA Tracklist A1     Killing An Arab A2     10:15 Saturday Night A3     Fire In Cairo A4     Boys Don't Cry A5     Desparate Journalist In Ongoing Meaningful Review Situation A6     Grinding Halt A7     Subway Song B8     Plastic Passion B9     Accuracy B10     A Forest B11     17 Seconds B12     Play For Today B13     M (Strange Fruit/Unofficial release)
  • Out of stock
    A facsimile of the original album release. 180g vinyl with a fancy inner sleeve. Originally released in 1979 this legendary album was the first from the revised line-up of Capt, Rat, Dave and Algy. Features the classic singles Love Song, Smash It Up and I Just Can't Be Happy Today. What more do you need to know! Essential! (Ace Records/Chiswick Records/2016)
  • This collection from legendary shape-shifting U.K. punk/goth pop outfit The Damned includes A- and B-sides from the group's output for the Chiswick label, specifically from the albums Machine Gun Etiquette (1979) and The Black Album (1980). Lovingly restored and remastered, the 24-track collection includes career highlights like "I Just Can't Be Happy Today," "The History of the World, Pt. 1," "Disco Man," "Love Song," and "Smash It Up". A1 to A3 originally released on Love Song 7'' on 27 April, 1979. A4, A5 originally released on Smash It Up 7' on 5 October, 1979. A6 to B2 originally released on I Just Can't Be Happy Today 7' on 23 November, 1979. B3 to B5 originally released on White Rabbit 7' B6 to C2 originally released on The History Of The World Part I 7' . on 22 September, 1980. C3 to C5 originally released on There Ain't No Sanity Clause 7' on 24 November, 1980. D1 originally released on Various - The Moonlight Tapes - Moonlight Club Bands Live as "Lookin' For Another" by The School Bullies; later included on Lively Arts on 1 October, 1982. D2 originally released on There Ain't No Sanity Clause (Big Beat Records reissue) on 2 December, 1983. D3 originally released on Best Of Vol 1½ - The Long Lost Weekend 19 May, 1988. D4 to D7 originally released on Friday 13th EP 7' on 13 November, 1981. (Let Them Eat Vinyl)
  • Οι Dark Rags δεν χρειάζονται ιδιαίτερες συστάσεις, καθώς το 2020 συμπληρώνουν 10 συνεχόμενα χρόνια παρουσίας στις Αθηναϊκές, και όχι μόνο, Rock’n’Roll σκηνές. Και ο καλύτερος τρόπος για να το γιορτάσουν είναι με την κυκλοφορία του 3ου τους album με τίτλο “Suburbia”. Μια συνεργασία της Labyrinth Of Thoughts και του νέου προσωπικού label του συγκροτήματος, Backstab Records. Το “Suburbia”, όπως και κάθε κυκλοφορία των Dark Rags, έχει μια συγκεκριμένη ηχητική και αισθητική προσέγγιση. 10 κομμάτια ακατέργαστου αλλά ταυτόχρονα μελωδικού garage, συνδυάζουν ιδανικά στοιχεία και επιρροές από punk έως country και 80s r’n’r έχοντας προσθέσει ταυτόχρονα στον ήχο τους με ιδανικό τρόπο, όργανα όπως σαξόφωνο και πιάνο. Περιορισμένη έκδοση: 200 αντίτυπα σε βινύλιο. (Labyrinth Of Thoughts Records)
  • DELUXE VINYL EDITION. Clear vinyl. "Chemical Warfare" is the debut album by Islington punks THE DARK, originally released in 1982. The Dark were similar to The Wall, another band with whom they shared a highly political outlook. The mostly mid-speed music also invites comparisons to Chelsea and the UK Subs. "Chemical Warfare" deserves a lot more credit than nearly all the punk albums it found itself lumped in with. The Dark invested their songs with melody and catchy as hell guitar motifs, and thoughtfully avoided the mindless rage typical of the time. Deluxe vinyl edition includes their "Chemical Warfare" LP (1982) plus 10 bonus songs from singles. (Let Them Eat Vinyl)  
  • Out of stock
    Formed in 1978 and regulars at Belfast punk haunts The Harp Bar and The Pound by 1980, The Defects achieved only local recognition until their debut 45 Dance (Til You Drop) was released through their own Casualty imprint in 1981. Selling out of its initial 2,000 pressing, the single led to a deal with London’s WXYZ label which released The Defects’ lone studio LP Defective Breakdown in 1982, netting them an Indie Top 10 success and a high-profile support slot on label mates The Anti-Nowhere League’s controversial So What UK tour into the bargain. Thirty six years on, Defective Breakdown remains one of the superior punk platters from the UK82 era. It hardly reinvents punk’s wheel, but the best of its impassioned, UK Subs-style gob-athons (Killer On The Streets, We Don’t Care) still convince, while the fizzing, hormonal rush of the Buzzcocks-y Deprived and the ritualistic, Killing Joke-esque power of Survival both provide signposts to future roads the Antrim boys could have taken. Ultimately, though, outside forces would decide The Defects’ fate. With punk’s second wave quickly running out of steam and their ill-conceived cover of Elvis Presley’s Suspicious Minds stiffing, they abruptly split after supporting the reconstituted Clash at Belfast’s Ulster Hall in February 1984. Official reissue with bonus tracks. (Restless Empire Records)  
  • Formed in 1978 and regulars at Belfast punk haunts The Harp Bar and The Pound by 1980, The Defects achieved only local recognition until their debut 45 Dance (Til You Drop) was released through their own Casualty imprint in 1981. Selling out of its initial 2,000 pressing, the single led to a deal with London’s WXYZ label which released The Defects’ lone studio LP Defective Breakdown in 1982, netting them an Indie Top 10 success and a high-profile support slot on label mates The Anti-Nowhere League’s controversial So What UK tour into the bargain. Thirty six years on, Defective Breakdown remains one of the superior punk platters from the UK82 era. It hardly reinvents punk’s wheel, but the best of its impassioned, UK Subs-style gob-athons (Killer On The Streets, We Don’t Care) still convince, while the fizzing, hormonal rush of the Buzzcocks-y Deprived and the ritualistic, Killing Joke-esque power of Survival both provide signposts to future roads the Antrim boys could have taken. Ultimately, though, outside forces would decide The Defects’ fate. With punk’s second wave quickly running out of steam and their ill-conceived cover of Elvis Presley’s Suspicious Minds stiffing, they abruptly split after supporting the reconstituted Clash at Belfast’s Ulster Hall in February 1984. (Antisociety Records)  
  • To be honest, I didn’t expect much if anything from this album. However, once I put it in the player, I was floored. Hail the New Pawn puts these guys right at the upper tier of hardcore/grindcore ranks. It’s a no-brainer. THE DREAM IS DEAD combine grindcore, crust-punk flavorings, and dissonant hardcore into an unrelenting, chaotic anti-establishment beast. They occupy a musical space somewhere between NAPALM DEATH and MISERY INDEX. Seriously, the band hits with every kind of extreme riff they can think of, a barrage of tempo changes, and enough vocal barks to penetrate that thick material we call the “human brain.” Vocalist Clark Giles gives it all he’s got with a great performance. And thankfully, he doesn’t sound like 1,000 other hardcore vocalists. Another strength of Hail the New Pawn lays in the feel. While the songs communicate an immediate feel of brutality and unrelenting attitude, there is also an ominous air to them. To top things off, the production work was by none other than Alex Newport (THEORY OF RUIN/ex-FUDGE TUNNEL/NAILBOMB). The production is nothing short of crystal clear, powerful, and balanced especially for the drums. The bottom line is that you need to do yourself a favor and check out one of the best albums of the year. Limited to 100 copies, Clear w/ Red Splatter. (Escape Artist Records)
  • Out of stock
    Past and present members of Portland hardcore mainstays such as Remains Of The Day, Hellshock, Warcry, Lebenden Toten, Deathmachine etc pull a 180 and dish out nine new tracks of icy, ominous postpunk. A little less Wipers, a little more Cure/Chameleons UK/Joy Division, etc... (Sabotage Records) https://sabotagerecords.bandcamp.com/album/the-estranged-s-t-lp
  • 'Type Foundry Session I' is an LP collection of The Estranged's first recording sessions at Type Foundry Studios in Portland, OR, totalling eight songs, all released as 7" tracks, most of which are now out of print. This record showcases the band's distinct style of omnimous, dark punk at their most raw and urgent, mixing The Cure, Wire, Joy Division and Christian Death and giving the end result a modern feel. (Sabotage Records) https://sabotagerecords.bandcamp.com/album/the-estranged-type-foundry-session-vol-1
  • Out of stock
    Very rare fanclub collection from Japan's THE EXECUTE. 26 tracks collected from their first 7" flexi, "Hardcore Temptation 7", outtakes from the first flexi sessions, and 2 tracks from the "Live in Hell" tape from 1982. Comes with insert, liimited to 198 copies. A1-A10: Execute flexi (1983) https://www.youtube.com/watch?v=16JxKB9DsMo A11-B1: Hard Core Temptation EP (1983) https://www.youtube.com/watch?v=7mFTDNoWwBo B2-B11: Out-takes from Execute flexi (1983) B12-B13: Previously released on Save Your Money compilation (1988) (Unofficial Release)
  • Out of stock
    All genres peak early, followed by uninspiring copy-cats. As for hardcore, the golden years were 1980 – 1985. Execute hailed from Tokyo Japan and made according to eye witness notorious shows. Execute formed already back in 1982 and the most known member is the guitarist Lemmy, who is also to some extent responsible for the bands later transformation into a more Goth-sound. Execute "Blunt Sleazy" 12" is one of the best Japanese bands ever without a doubt. Includes a small double sided info sheet & sticker.  Limited to 200 copies. Import from Mexico. This Lp collects songs from the following releases: - Great Punk Hits comp tracks - Criminal Flowers 7" (1984) - https://www.youtube.com/watch?v=CQOG28heBsI - Blunt Sleazy 12" (1985) - https://www.youtube.com/watch?v=SWnnTyS-5CQ (Unofficial Release)
  • Fuck the System is the eighth album by the hardcore punk band The Exploited, released in 2002. (Dream Catcher Records)  
  • “BEER CITY SKATEBOARDS AND RECORDS is proud to reissue THE FACTION – Corpse In Disguise 12”. This is the third FACTION record ever released. Originally coming out in 1984 and as a 7” limited to 1500 copies. This is now being reissued as a 12” restored and remastered for a louder, better sound then ever before! This also contains three extra songs that were not on the original (“Pegged For Life” and “The Demons” originally were on the From The Valley Within 7” comp and “The Brain” was recorded but not included). All these songs were recorded in the same session thus finally making this record complete! This record also contains a sick inner sleeve complete with lyrics! To top it all off only 1500 of these will be pressed and on translucent blue vinyl for RSD 2016. Featuring legendary pro skater (and founding member) Steve Caballero! Hear THE FACTION blaze through 7 classic songs that helped to define what would become known as Skate Rock. Just give this a listen and you can hear why THE FACTION is legendary and a pioneer of the Skate Rock genre. This is the band that was on the Skate Rock cassettes. This is the band that’s song “Skate and Destroy” was in the opening of the first Bones Brigade skateboard video. This is the band name and logo 100,000’s of skaters world wide would write and paint on their decks, grip tape, school folders and skate spots! Even today their music is featured in many skateboard documentaries and was even used in a commercial that aired during Superbowl 49. THE FACTION are quit alive and well and still playing out to this day!”
    • Vinyl Color: translucent blue
    • Pressing Qty.: 1500
    (Beer City Records)
  • “BEER CITY SKATEBOARDS AND RECORDS is proud to reissue THE FACTION – Epitaph 12”. This is the fifth FACTION record ever released. Originally coming out in 1986. This reissue has been restored and remastered for a louder, better sound then ever before! This features a brand new front and back cover as a sick inner sleeve complete with lyrics! To top it all off only 1500 of these will be pressed and on clear vinyl for RSD 2016. Featuring legendary pro skater (and founding member) Steve Caballero! Hear THE FACTION blaze through 7 classic songs that helped to define what would become known as Skate Rock. Just give this a listen and you can hear why THE FACTION is legendary and a pioneer of the Skate Rock genre. This is the band that was on the Skate Rock cassettes. This is the band that’s song “Skate and Destroy” was in the opening of the first Bones Brigade skateboard video. This is the band name and logo 100,000’s of skaters world wide would write and paint on their decks, grip tape, school folders and skate spots! Even today their music is featured in many skateboard documentaries and was even used in a commercial that aired during Superbowl 49. THE FACTION are quit alive and well and still playing out to this day!”
    • Vinyl Color: clear
    • Pressing Qty.: 1500
    (Beer City Records)