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ChangesTwoBowie reissued for the first time in over 30 years. This follow up to David’s hugely successful first "best of" compilation ChangesOneBowie, has not officially been available since the late 1980’s. Featuring iconic cover photography by Greg Gorman, it was first released in 1981. Drawing on material spanning from Hunky Dory (1971) to Scary Monsters (And Super Creeps) (1980) it achieved gold status in the U.K. album chart in 1982. (Parlophone/2018) -
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2018 Remastered Version. The first of Bowie's legendary Berlin trilogy and the one that broke the most ground. It also caused so much consternation in the NME offices that they ran two reviews, one praising it to the skies, the other bewildered by Bowie's move towards the chilly electronic sounds that bore the influence of krautrock, particularly that of Kraftwerk and Neu! Collaborating with Brian Eno and produced by the genius Tony Digitally remastered edition. Heroes is the twelfth studio album by the iconic singer/songwriter, originally released on RCA Records in October 1977. The second installment of his Berlin Trilogy recorded with Brian Eno and Tony Visconti, Heroes continued the ambient experiments of Bowie's previous album Low (released earlier that year) and featured the contributions of King Crimson guitarist Robert Fripp. Of the three albums, it was the only one wholly recorded in Berlin. Recorded at Hansa Tonstudio in what was then West Berlin, Heroes reflected the zeitgeist of the Cold War, symbolized by the divided city. Co-producer Tony Visconti considered it "one of my last great adventures in making albums. (Parlophone Records) -
Released exclusively to 'bricks & mortar' record stores (and their online storefronts) on the 45th anniversary of the album's original release in 1977, see "Heroes". 2017 remastered version. Comes with hype sticker on bottom right hand corner of shrink wrap front: white rectangle with black lettering - ‘Bowie Official 75’ with the 75 being a trade marked logo to mark Bowie’s birthday. Includes insert with lyrics and publishing details, and a facsimile of the original UK white inner sleeve with rounded corners. The first of Bowie's legendary Berlin trilogy and the one that broke the most ground. It also caused so much consternation in the NME offices that they ran two reviews, one praising it to the skies, the other bewildered by Bowie's move towards the chilly electronic sounds that bore the influence of krautrock, particularly that of Kraftwerk and Neu! Collaborating with Brian Eno and produced by the genius Tony Digitally remastered edition. Heroes is the twelfth studio album by the iconic singer/songwriter, originally released on RCA Records in October 1977. The second installment of his Berlin Trilogy recorded with Brian Eno and Tony Visconti, Heroes continued the ambient experiments of Bowie's previous album Low (released earlier that year) and featured the contributions of King Crimson guitarist Robert Fripp. Of the three albums, it was the only one wholly recorded in Berlin. Recorded at Hansa Tonstudio in what was then West Berlin, Heroes reflected the zeitgeist of the Cold War, symbolized by the divided city. Co-producer Tony Visconti considered it "one of my last great adventures in making albums. (Parlophone – DB 77822, Parlophone – 0190295842840 )
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Special limited-edition 50th anniversary picture disc of the classic album Originally released December 1971, HUNKY DORY is widely regarded as one of Bowie’s finest. Produced by Ken Scott, and recorded at Trident Studios in London, the album includes many of Bowie’s greatest moments such as ‘Changes’ ‘Life on Mars?’ ‘Oh! You Pretty Things’ and many others. To celebrate the album’s 50th anniversary, this limited-edition picture disc comes with a printed cut out sleeve and a poster. (Parlophone/2022)
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Legacy collects together some Bowie’s finest singles from his first hit, 1969’s Space Oddity through to the final singles Lazarus and I Can’t Give Everything Away from 2016. They also sound better than ever spread over 4 sides of vinyl. Stuffed to the gills with classic songs, Legacy also features a previously unreleased version of the classic 1971 single ‘Life On Mars?’ mixed by its original producer Ken Scott. In over fifty years from his very first recordings right through to his last album Blackstar, David Bowie was at the vanguard of contemporary culture as a musician, artist, icon and a constant influence on generations of writers, artists and designers. Bowie left a legacy of inspiration in every discipline from art to fashion to acting and beyond but it is for the groundbreaking music that he will mostly be remembered. This 2 disc deluxe version of the album features not only more hits but also fans favorites such as This Is Not America, Fashion and I Can’t Give Everything Away from the mighty Blackstar. Packaging takes the form of a deluxe digipack with additional photos. CD 1: 1. Space Oddity 2. The Man Who Sold The World 3. Changes 4. Oh! You Pretty Things 5. Life On Mars? (2016 Mix) 6. Starman (original Single Mix) 7. Ziggy Stardust 8. Moonage Daydream 9. The Jean Genie (original Single Mix) 10. All The Young Dudes 11. Drive-In Saturday 12. Sorrow 13. Rebel Rebel 14. Young Americans (original Single Edit) 15. Fame 16. Golden Years (single Version) 17. Sound And Vision 18. ‘Heroes’ (single Version) 19. Boys Keep Swinging 20. Fashion (single Version) 21. Ashes To Ashes (single Version) CD 2: 1. Under Pressure – Queen & David Bowie 2. Let's Dance (single Version) 3. China Girl (single Version) 4. Modern Love (single Version) 5. Blue Jean 6. This Is Not America - With The Pat Metheny Group 7. Dancing In The Street - David Bowie & Mick Jagger 8. Absolute Beginners (edit) 9. Jump They Say (radio Edit) 10. Hallo Spaceboy (PSB Remix) - With The Pet Shop Boys 11. Little Wonder (edit) 12. I’m Afraid Of Americans (V1) (clean Edit) 13. Thursday’s Child (radio Edit) 14. Slow Burn (radio Edit) 15. Everyone Says ‘Hi’ (edit) 16. New Killer Star (radio Edit) 17. Where Are We Now? 18. Lazarus (radio Edit) 19. I Can’t Give Everything Away (radio Edit) (Parlophone/2016)
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Legacy collects together some Bowie’s finest singles from his first hit, 1969’s Space Oddity through to the final singles Lazarus and I Can’t Give Everything Away from 2016. They also sound better than ever spread over 4 sides of vinyl. Stuffed to the gills with classic songs, Legacy also features a previously unreleased version of the classic 1971 single ‘Life On Mars?’ mixed by its original producer Ken Scott. In over fifty years from his very first recordings right through to his last album Blackstar, David Bowie was at the vanguard of contemporary culture as a musician, artist, icon and a constant influence on generations of writers, artists and designers. Bowie left a legacy of inspiration in every discipline from art to fashion to acting and beyond but it is for the groundbreaking music that he will mostly be remembered. Disc: 1 1. Let's Dance (Single Version) 2. Ashes to Ashes (Single Version) 3. Under Pressure 4. Life on Mars? 5. Changes Disc: 2 1. Oh! You Pretty Things 2. The Man Who Sold the World 3. Space Oddity 4. Starman (Original Single Mix) 5. Ziggy Stardust Disc: 3 1. The Jean Genie (Original Single Mix) 2. Rebel Rebel 3. Golden Years (Single Version) 4. Dancing in the Street 5. China Girl (Single Version) Disc: 4 1. Fame 2. Sound and Vision 3. Heroes (Single Version) 4. Where Are We Now? 5. Lazarus (Radio Edit) Label: Parlophone – DBLP64161 Barcode: 0190295918323
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Brand new limited edition 50th Anniversary 2 X 7" Box Set with poster and photo print. As part of the ongoing celebrations marking 50 years since David Bowie’s first hit, and following announcements of the Spying Through A Keyhole, Clareville Grove Demos and the “Mercury" Demos collections, Parlophone is releasing a very special double 7” single of Space Oddity featuring brand new remixes by Tony Visconti. The set and a 1 track digital single of the single edit of the 2019 mix of Space Oddity for streaming and download will be released by Parlophone on 12th July, 2019, the day after the single’s 50th anniversary. Space Oddity 50th anniversary double 7” set will come in a box including a double-sided poster featuring an original Space Oddity press advertisement and a Ray Stevenson shot of David taken on stage at the Save Rave ‘69 concert at the London Palladium on 30th November, 1969, the backdrop featuring a N.A.S.A. astronaut. The set also includes an information card and a print featuring an alternative shot by Jojanneke Claassen from the Space Oddity promo single cover session. A facsimile of the original ultra-rare unissued UK picture sleeve has been used for the cover of the original mono single, which, along with the label, features the original Philips trademark specifically cleared for this 50th anniversary release. The single itself has been cut from the original analogue single master tape. The jacket housing the 2019 remixes by Tony Visconti is a new design featuring an alternative Ray Stevenson shot from the Save Rave ‘69 concert to that on the poster. First released as a 7-inch single on 11 July 1969, Space Oddity was also the opening track of his second studio album, David Bowie. Initially inspired by Stanley Kubrick's film 2001: A Space Odyssey, the song gained huge popularity when it was adopted as the unofficial theme of the Apollo 11 Moon landing mission which launched five days after the single’s release. Over the past 50 years Space Oddity has been on a journey as long and as far as its main character, Major Tom. Originally written and demoed in November 1968, the song has gone through many guises from appearing in the filmed for television special Love You Til Tuesday in an earlier recorded incarnation with John ‘Hutch’ Hutchinson, to being recorded in Italian (Ragazzo solo, Ragazza sola), winning an Ivor Novello Special Award for Originality in May 1970, being Bowie’s first hit on both sides of the Atlantic (#5 in the U.K. in 1969, #1 in the U.K. in 1975 and #15 in the U.S. in 1973), having no less than three videos made for it and in 2013 was performed by Canadian astronaut Commander Chris Hadfield, while aboard the International Space Station, and became the first music video shot in space. Major Tom remained a motif for Bowie throughout his career revisiting the character in the songs Ashes to Ashes, Hallo Spaceboy and in the music video for ★. Label: Parlophone – 0190295473792, Philips – BF 1801, Parlophone – DBSO 72019 Barcode: 190295473792
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Bowie's classic 1976 album featuring: golden years, tvc15 and the title track - 6 tracks - 35 minutes - like albums used to be - digitally remastered. an eerie dispatch from the furthest reaches of bowie's cocaine paranoia, station to station has not become easier to listen to with the passing years. at this stage, bowie was wrapped up in his peculiar—even by his standards—thin white duke period, which revolved largely around dressing like a fugitive war criminal and not blinking, at least not in public. appropriate to such a detached, deranged persona, bowie set about making what was effectively a soul record devoid of any soul whatsoever. he did it, as well. station to station spawned one lingering hit, in "golden years", but the album was littered with malevolent miracles. bowie crooned like a replica sinatra on "word on a wing" and "wild is the wind" and may have single-handedly invented the new romantic movement with "tvc15". he sounds throughout on the verge of cackling dementedly and wandering off into the night; station to station is an absorbing postcard from somewhere you're kind of glad you haven't been. Now available on 180g Audiophile vinyl. (Parlophone/2017)
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180 Gram Vinyl. With 1970's 'The Man Who Sold the World', David Bowie set aside his pop and singer-songwriter aspirations and headed in a harder-rocking direction. Producer Tony Visconti provided a thick, dense setting with guitarist Mick Ronson playing the role of guitar hero to Bowie's megalomaniac frontman; think Keith Richards and Mick Jagger sprinkled with fairy dust. The new approach flowered on 'Hunky Dory', but the outline for the master plan is here. The title track, 'The Width of a Circle,' and 'All the Madmen' are essential Bowie, as he slips from cryptic to straightforward, celebratory wordplay. Textured cover, LP in poly-lined inner sleeve. Additional replica of the original paper inner sleeve included. 180 Gram Vinyl. (Parlophone/2015)
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The Rise and Fall of Ziggy Stardust and the Spiders from Mars (often shortened to Ziggy Stardust) is the fifth studio album by English musician David Bowie, released on 16 June 1972 in the United Kingdom by RCA Records. It was produced by Bowie and Ken Scott and features Bowie's backing band the Spiders from Mars — Mick Ronson, Trevor Bolder and Mick Woodmansey. Most of the songs were written around the same time as its predecessor Hunky Dory. After that album was completed, recording for Ziggy Stardust commenced in November 1971 at Trident Studios in London, with further sessions in early February 1972. Described as a rock opera and a loose concept album, Ziggy Stardust concerns Bowie's titular alter ego Ziggy Stardust, a fictional androgynous, bisexual rock star who is sent to Earth as a savior before an impending apocalyptic disaster. The character was inspired by numerous musicians, including English singer Vince Taylor. Most of the album's concept was developed after the songs were recorded. The character was retained for the subsequent Ziggy Stardust Tour. A concert film of the same name, directed by D. A. Pennebaker, was filmed in July 1973 and released in 1979, and a live album from the same show followed in 1983. The music on Ziggy Stardust has been characterised as glam rock and proto-punk. Unlike its predecessor Hunky Dory, which was generally piano-led, the songs on Ziggy Stardust are primarily guitar-based, mostly due to the departure of keyboardist Rick Wakeman. The songs were influenced by Iggy Pop of the Stooges, Lou Reed of the Velvet Underground, and Marc Bolan of T. Rex. The album's lyrics discuss the artificiality of rock music, political issues, drug use, sexual orientation and stardom. The album cover, photographed by Brian Ward in monochrome and recoloured by Terry Pastor, was taken in London, outside the home of furriers "K. West". Preceded by the single "Starman", Ziggy Stardust peaked at number 5 on the UK Albums Chart and number 75 on the US Billboard 200. The album received widespread critical acclaim and, following his performance of "Starman" on the English television programme Top of the Pops, propelled Bowie to stardom. Not wanting Ziggy to define him, Bowie created a new character, Aladdin Sane, for his next album, which Bowie described as "Ziggy goes to America". It has since been called one of the most important albums in the glam rock genre and one of the greatest albums of all time. The album has been reissued several times and was remastered in 2012 for its 40th anniversary. In 2017, it was selected for preservation in the National Recording Registry, being deemed "culturally, historically, or artistically significant" by the Library of Congress. Label: Parlophone Barcode: 825646287376
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Excellent five CD box from the Rock legend containing the 'Berlin Era' albums, which are considered to be some of his most influential recordings. Includes the albums Low, Heroes, Stage (two CDs) and Lodger, all housed in a slipcase. Label: EMI – DBZEIT7779, EMI – 5099995868424
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Double 180 Gram Vinyl. 'Ziggy Stardust: The Motion Picture' is a live album by David Bowie, corresponding to the film of the same name. The music was recorded at the Hammersmith Odeon in London on 3 July 1973, although the album was not issued by RCA Records until 1983. This is nearly the complete goodbye concert and earns it's place in rock history. How many other artists create an alter ego and how many reach the greatness of this strange, red haired alien? The set list has considerable overlap with the 'Santa Monica '72' album because of the focus on the 'Ziggy Stardust' studio album but this also draws on the 'Aladdin Sane' album. (Parlophone/2016)
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Belgium Anarcho-Punk-Hardcore-Crossover band formed in 1982 in Overpelt under the name A-Strant later changing to Dawn of Liberty in 1986. 14 track vinyl LP featuring complete studio recordings previously released on legendary punk compilations such as Attack is Now Suicide, Exclusion and A Vile Peace. Also contains their EP in full plus live in Aalst tracks previously released on cassette in 1987. All remastered for your pleasure. Limited to 150 copies black vinyl. Complete with insert filled with photos, flyers and lyrics. Mastered at Subterra recording Studio in 2023. Label: Nausea Records
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‘Reaching For Eternity’ is the 3rd album from Portland, OR’s Daydream.To say this newest offering paints outside the lines of the average punk record is an understatement. By any measure, this is a through and through hardcore punk record, but there are many pop and art elements giving these 12 tracks a quality that necessitates multiple listens to fully grasp the depths of what this record has to offer. Very smart lyrics that are delicately yelled over top notch musicianship brings to mind more modern groups such as CRAZY SPIRIT, STRAW MAN ARMY or POISON RUIN mixed with the FLUX OF PINK INDIANS, DISCHARGE and the entire Dischord Records catalog (at least from VOID to FUGAZI). These songs are as tough as they are beautiful. Uncomforting as they are soothing. Genre defying without feeling disingenuine or cheesy. Bottom line is: this is one of the better, more creative punk records of 2023. Label: Sabotage, Black Water
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Hardcore punk band formed in Victoria, B.C./ Canada in 1980. Dayglo's "Feed Us A Fetus" is their second full-length album, originally released in 1986. This is hands-down, the best Canadian punk record to emerge from the 80's!! Aside from collecting most of the songs from their first 12? record entitled "Out Of The Womb" (1981), it also contains many brand new songs (at the time) that were even better than those on the first album. Many of their classic punk anthems are captured on this vinyl and Unrest Records is the sixth label to release the album over the years, which is a testament to what a classic it really is. There should be one of these in every punk rocker's record collection. Don't miss out!! Tracks 1 to A10 Recorded 1985, Legacy Studios, Victoria B.C. Tracks 11 to 21 Recorded 1981, Legacy Studios Originally released as: Dayglo Abortions - Out Of The Womb Label: Unrest Records
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Hardcore punk band formed in Victoria, B.C./ Canada in 1980. Dayglo's "Feed Us A Fetus" is their second full-length album, originally released in 1986. This is hands-down, the best Canadian punk record to emerge from the 80's!! Aside from collecting most of the songs from their first 12? record entitled "Out Of The Womb" (1981), it also contains many brand new songs (at the time) that were even better than those on the first album. Many of their classic punk anthems are captured on this vinyl and Unrest Records is the sixth label to release the album over the years, which is a testament to what a classic it really is. There should be one of these in every punk rocker's record collection. Don't miss out!! Splatter Vinyl ltd to 200. Label: Unrest Records
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Hardcore punk band formed in Victoria, B.C./ Canada in 1980. Back in print due to popular demand and it's extreme rarity, this early 80's punk classic is now being re-issued with the original poster. Out of the Womb was released in 1981 by Sharpe Records as a pressing of 1000 copies. Containing many legendary classics, most of this album appeared on the classic Feed Us A Fetus LP in 1985. Label: Unrest Records
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" Polish death 'n' rollers Daymares put together a decent debut in their 2007 release, Can't Get Us All. They fused crusty punk, metal and death 'n' roll (a-la Entombed) to craft eleven rockin' tracks for SelfMadeGod Records that certainly were chock full of attitude and their latest EP, the six track Toothless & Fanged continues on from where the band left us last time, and even includes a Neurosis cover as well. It's a punked fuelled fiery opener in Annuit Coeptis that sets the scene and reminds me just why I dug their debut. The slower parts only add to the tracks intensity when it kicks up a few gears, and is just the right length to make a solid impact. Fury levels increase on the gang vocal heavy Never Relent which is more punk than anything else and that attitude carries over seamlessly to the fun as hell Who Laughs Last. The longest track, the epic four plus minute Words One Loves To Hate swaps pace for groove and it works a treat and certainly injects something new into the EP before the short, sharp title track, Toothless & Fanged, rolls up a healthy balance of the group's main influences - punk and death 'n' roll. The EP is rounded out with the group's cover of the Neurosis track Life On Your Knees (which originally appeared the group's first album, Pain Of Mind) which fits the band's mantra like a glove. Toothless & Fanged is another fine effort from this Polish group. If their debut floated your boat, then this EP will as well. It's that simple." (Get By Records)
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The first ever vinyl collection that includes all the collectable 7” singles from this amazing Dutch Power Pop / New Wave band. The PNV collection not only compiles all three Dutch only 7” singles released between 1980-1981 but also unreleased studio recordings from the same period. De Cylinders feature a 6-piece line up with cool keyboards and great female vocals giving the songs an extra level of catchiness. The songs are amazing hook filled classic early high energy 80s New Wave. For Fans Of: Blondie The Shivvers Rudi X-Ray Spex The Beat (Projectile Platters Records)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Dead Boys hailed from Cleveland, OH and relocated to New York to become one of the first US punk bands signed to Sire Records. Young, Loud and Snotty is the first studio album by the American punk band Dead Boys. It was recorded and released in 1977 on Sire Records, produced by Genya Ravan. The album is the only Dead Boys album to chart, peaking at 189 on the Billboard 200 in November 1977. The album was included at #7 on the Rolling Stone "10 Greatest Punk Rock Albums" reader poll. Label: Fanclub/Unofficial Release
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Dead Boys hailed from Cleveland, OH and relocated to New York to become one of the first US punk bands signed to Sire Records. “Young, Loud and Snotty” was recorded and released in 1977 and quickly became one of the definitive US Punk Rock Albums! -Rolling Stone – “Best Top 10 Punk Albums of All Time” -Sourced from the original master tapes -Pressed at RTI for Maximum Fidelity -Limited Edition Clear With Red Vinyl. (Jackpot Records)
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Re-issue of this classic Death Metal album. Comes in jewelcase with a 12-page booklet. (Martyrdoom Productions)
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Re-issue of this classic Death Metal album. Comes with insert and A2 poster. (Martyrdoom Productions)
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Re-issue of this classic Death Metal album. Comes with insert and A2 poster. Swamp green vinyl, limited to 300 copies and available exclusively from Nuclear Winter Records / Dead Congregation. Comes with poster. Label: Martyrdoom Productions
