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“9th & Walnut is where our first practice room was, in Frank’s sister’s garage,” Stevenson recalls. “His brother and sister lived there, and “The Pagan Babies”, Frank’s band with his brothers, played there too. Some of these songs were written when Frank was only 14 years old.” When the band reconvened to record them, it was just like the earliest days: “We just fell right into our old mode. It was so natural.” Also included are freshly recorded versions of the MGTC outtake “Like the Way I Know,” Descendents’ debut tracks “Ride the Wild” and ”It’s a Hectic World” (heard here for the first time with vocals by Milo), and the Dave Clark Five’s “Glad All Over”—given the full Descendents treatment. (Epitaph Record) -
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“9th & Walnut is where our first practice room was, in Frank’s sister’s garage,” Stevenson recalls. “His brother and sister lived there, and “The Pagan Babies”, Frank’s band with his brothers, played there too. Some of these songs were written when Frank was only 14 years old.” When the band reconvened to record them, it was just like the earliest days: “We just fell right into our old mode. It was so natural.” Also included are freshly recorded versions of the MGTC outtake “Like the Way I Know,” Descendents’ debut tracks “Ride the Wild” and ”It’s a Hectic World” (heard here for the first time with vocals by Milo), and the Dave Clark Five’s “Glad All Over”—given the full Descendents treatment. (Epitaph Record) -
Everything Sucks is the fifth studio album by American punk rock band the Descendents, released in 1996 through Epitaph Records. It was their first album of new studio material since 1987's All, after which singer Milo Aukerman had left the band to pursue a career in biochemistry. The remaining members (bassist Karl Alvarez, guitarist Stephen Egerton, and drummer Bill Stevenson) had changed the band's name to All and released eight albums between 1988 and 1995 with singers Dave Smalley, Scott Reynolds, and Chad Price. When Aukerman decided to return to music the group chose to operate as two acts simultaneously, playing with Aukerman as the Descendents and with Price as All. Recorded June/July 1996 at The Blasting Room, Fort Collins, Colorado. Includes black and white doublesided printed insert with lyrics, credits, drawings, photos and release notes. Epitaph ©+℗ 1996 B7 is an uncredited hidden track, known from the Gotta 7" Label: Epitaph Records Barcode: 8714092648119
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Descendents’ first Epitaph release since Everything Sucks in 1996, Hypercaffium Spazzinate, began taking shape after the band ended an extended hiatus to play live in 2010. Though still tight, they lived apart: singer Milo Aukerman -- whose cartoon rendering famously serves as the band’s logo -- was now living in Delaware, bassist Karl Alvarez and founder and drummer Bill Stevenson were in Colorado, and guitarist Stephen Egerton had settled in Oklahoma. So the album came to life over three years as the band sent tracks back and forth, occasionally meeting up in Karl and Bill’s adopted hometown of Fort Collins. Adopting such a protracted process meant not having to rush things, allowing for some of their sharpest songwriting yet. (Epitaph Record)
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I Don’t Want to Grow Up is the second album by the American punk rock band the Descendents, released in 1985 through New Alliance Records. It marked the end of a two-year hiatus for the band, during which singer Milo Aukerman had attended college and drummer Bill Stevenson had joined Black Flag. I Don’t Want to Grow Up was the first of two albums the Descendents recorded with guitarist Ray Cooper, and their last with original bassist Tony Lombardo, who quit the group because he did not want to go on tour. Though recorded quickly and without much rehearsal time, I Don’t Want to Grow Up received positive reviews from critics, who praised its catchy songs, strong melodies, and pop-influenced love songs. Label: New Alliance/Unofficial Release
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Punk classic back in print! Milo Goes to College is the first full-length album by the American punk rock band the Descendents, released in 1982 through New Alliance Records. Its title referred to singer Milo Aukerman's decision to leave the band to attend college, and its cover illustration introduced a caricature of him that would go on to become the band's mascot. It was the Descendents' last record with founding guitarist Frank Navetta, who quit the band during the hiatus that followed its release. (New Alliance/Unofficial Release)
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Sixty-two songs of hateful powerviolence-inspired hardcore from the streets of Inglewood, CA. Bleak, cruel, and relentless in execution, this is a precious testament of urban decay and violence written during the mid-'90s. The collection includes the tracks from their unreleased split LP with Man Is The Bastard, split EPs with Stapled Shut, Suppression, and Crom, "PCP Scapegoat" EP, and compilation tracks, with a total of 44 minutes. LP includes download card. (Tankcrimes Records)
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Destroy All Monsters were a very influential band from Detroit, USA. From 1973 to 1985 they played anti-conformist music with a noisy and arty mix of psychedelic rock & proto punk. The band is known due to involvement of members of MC5 and The Stooges. They described their music as "anti-rock." Destroy All Monsters never found mainstream success, but earned some notoriety due to members of notable rock groups The Stooges and MC5 who joined the group. Although Destroy All Monsters never recorded a proper album, Sonic Youth singer/guitarist Thurston Moore released a three compact disc compilation of the group's music in 1994. This vinyl compile the Ron Asheton era of the band, three singles from 1978 & 1979, the catchiest, the rockiest tunes they did! Tracklist: Side A 01 - "Bored" ~ (Asheton, Niagara) - 3:58 02 - "You're Gonna Die" ~ (Asheton, Niagara, Carry Loren) - 2:52 03 - "November 22nd 1963" ~ (Asheton, Niagara) - 4:21 Side B 04 - "Meet The Creeper" ~ (Michael Davis) - 4:55 05 - "Nobody Knows" ~ (Niagara, Davis) - 3:25 06 - "What Do I Get?" ~ (Asheton, Niagara)- 4:14 07 - "Goin' To Lose" (aka "Motherfucker") ~ (Asheton, Niagara) - 2:53 Label: Trading Places Barcode: 5060672880961
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RSD 2019, Color vinyl Limited edition reissue for the first three Destroy All Monsters singles, in their original artwork. Destroy All Monsters began life as an experimental rock group in early ‘70s Ann Arbor, the brainchild of University Of Michigan art school weirdos Mike Kelley, Jim Shaw, and Niagara (Lynn Rovner), and filmmaker Cary Loren. Following many incarnations, lineup changes, and the breakup of Niagara and Loren’s romantic relationship, the group solidified in the late ‘70s around Niagara on vocals, and Detroit legends Michael Davis of The MC5 on bass, and The Stooges’ Ron Asheton on guitar. Though they never released a proper album, the group’s singles are certified punk classics and the band has since achieved massive cult status, counting Sonic Youth among their legion of fans. Radiation Reissues is pleased to present their first three singles in limited editions of 500 copies each on color vinyl for RSD 2019. (Radiation Records)
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RSD 2019, Color vinyl Limited edition reissue for the first three Destroy All Monsters singles, in their original artwork. Destroy All Monsters began life as an experimental rock group in early ‘70s Ann Arbor, the brainchild of University Of Michigan art school weirdos Mike Kelley, Jim Shaw, and Niagara (Lynn Rovner), and filmmaker Cary Loren. Following many incarnations, lineup changes, and the breakup of Niagara and Loren’s romantic relationship, the group solidified in the late ‘70s around Niagara on vocals, and Detroit legends Michael Davis of The MC5 on bass, and The Stooges’ Ron Asheton on guitar. Though they never released a proper album, the group’s singles are certified punk classics and the band has since achieved massive cult status, counting Sonic Youth among their legion of fans. Radiation Reissues is pleased to present their first three singles in limited editions of 500 copies each on color vinyl for RSD 2019. (Radiation Records)
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Available on vinyl for the first time in the world, the 2022 4 track EP from early legendary pioneering Finnish Hardcore Punk band Destrucktions. The band formed in 1981 in Ulvila, Finland, the band broke up before their album could be released. Their one posthumous LP was finally released in 1983. This is their first release in over 40 years. 4 Tracks of fast ferocious youthful Hardcore Punk. For Fans Of: Kaaos, Bastards, Kiima, Rattus Label: Puke N Vomit
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First ever vinyl reissue of this classic Finnish Hardcore album. Destrucktions were a short-lived Hardcore Punk band from Ulvila, Finland. The band was formed in 1981 and their first album came out in 1983 after the band had already split up. Over the years the LP has come to be a sought after defining classic of 80s Finnish Hardcore. From start to finish the album is loaded with ferocious fast Finnish style hardcore, there is a reason the status and popularity of this band has remained so high over the decades, the album is just absolutely killer from start to finish. For Fans Of: Kaaos, Bastards, Kiima, Rattus Label: Puke N Vomit
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Three years after their vinyl debut, 2020's Echoes of Life, comes Destruct’s second album, Cries the Mocking Mother Nature. The band continues to pay respects to their raw hardcore influences, with greater emphasis on 80’s Swedish mangel and brutal late 90’s Japanese crust hardcore, in addition to the always present nod to British pioneers Disaster and Doom. Twelve tracks in 24 minutes. Cover art by master punk artist Joe B. Each copy of the first pressing is accompanied by a 22x33 inch fold out poster graciously illustrated by Japanese hardcore punk legend, CROW. Label: Skrammel Records
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Eternal Devastation is the second full-length album by German thrash metal band Destruction, released on July 12, 1986. It showed that the band, while still rooted in the speed metal/proto-black metal-influenced style of material evident on the Sentence of Death EP and Infernal Overkill, had started moving in the direction of a more contemporary thrash metal style. This is the last studio album to feature drummer Thomas "Tommy" Sandmann, who left the band later in 1986 and was replaced by Oliver "Olli" Kaiser. Black vinyl, ltd 400, 425gsm heavy cardboard cover, printed inner sleeve, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1986 sound. Label: High Roller Records Barcode: 4251267711239
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Infernal Overkill is the debut studio album by German thrash metal band Destruction, released on May 24, 1985. High Roller Records, 6th pressing, black vinyl, ltd 400, 425gsm heavy cardboard cover, insert, printed inner sleeve, 2 posters, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1985 sound Label: High Roller Records Barcode: 4251267711253
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"Formed in 1984 in California, Détente were like those bright stars which shine for a moment and then explode. The initial line-up was Dawn Crosby (vocals), Dennis Butler (drums), Ross Robinson (guitars) and Steve Hochheiser (bass). Before the release of the full-length ‘Recognize No Authority‘, there were three demos and a lot of changes in the band’s line-up. Living and creating in a time and place where the heart of the underground thrash scene was beating fast, Détente really had the spirit and passion of their time. This can be recognized by anyone, not only by listening to their music, but by taking a look at their biography as well. The frequent changes in line-up, often combined with disagreements derived from spontaneous explosions of their characters, reveal that Détente was a band of original 80’s thrashers. This means, that they were part of the two music scenes which emerged at that time in the USA; punk and thrash, the so-called ‘crossover’. Making an impact through their demos and live shows, Détente signed with Roadrunner Records and in 1986 released ‘Recognize No Authority‘. Ten tracks which last 30-something minutes of pure 80’s crossover thrash. As the remaining members lately stated, ‘Recognize…‘ was not only an angry-to-be-angry album, but wanted to have a clear social and political substance. This is obvious, from the track titles, the lyrics of course, as well as the intro of some tracks, which are excerpts of news broadcasts. The track ‘Holy War‘, which has an amazing and catchy bass intro that really stands out, is about the war in the Middle East. ‘Blood I Bleed‘, a very emotionally strong track, is about the exploitation of women. Apart from the very good musical composition – quick and heavy riffs, which often slow down to give a more sinister atmosphere, heavy metal-ish solos, and hammering drums – what completes this album is the passion of Dawn Crosby. Her amazing punk-style vocals had a great range, and more importantly, showed genuine passion and anger. Dawn Crosby left the band after ‘Recognize…‘ and created Fear Of God with Michael Schäfer (ex-Fog). As the biography of Détente implies, Crosby was probably a true punk as an artist and a person. It is certain that she belonged to the “pantheon” of front-women of the heavy/hardcore music scene. Unfortunately, she died from complications due to alcohol and drug abuse in 1996 (age 33). After she left Détente, the band split up for a while and then reunited, releasing the album ‘Decline‘ in 2010, and then split up again. In 2014 the album was re-released by Xtreem Music, including the early demos. What is interesting is a statement from Roadrunner which applies perfectly to Détente: “some music was meant to stay underground”. Reissue 2023, slipcase, poster, mastered by Patrick W. Engel at Temple of Disharmony. Label: High Roller Barcode: 4251267715411
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"Formed in 1984 in California, Détente were like those bright stars which shine for a moment and then explode. The initial line-up was Dawn Crosby (vocals), Dennis Butler (drums), Ross Robinson (guitars) and Steve Hochheiser (bass). Before the release of the full-length ‘Recognize No Authority‘, there were three demos and a lot of changes in the band’s line-up. Living and creating in a time and place where the heart of the underground thrash scene was beating fast, Détente really had the spirit and passion of their time. This can be recognized by anyone, not only by listening to their music, but by taking a look at their biography as well. The frequent changes in line-up, often combined with disagreements derived from spontaneous explosions of their characters, reveal that Détente was a band of original 80’s thrashers. This means, that they were part of the two music scenes which emerged at that time in the USA; punk and thrash, the so-called ‘crossover’. Making an impact through their demos and live shows, Détente signed with Roadrunner Records and in 1986 released ‘Recognize No Authority‘. Ten tracks which last 30-something minutes of pure 80’s crossover thrash. As the remaining members lately stated, ‘Recognize…‘ was not only an angry-to-be-angry album, but wanted to have a clear social and political substance. This is obvious, from the track titles, the lyrics of course, as well as the intro of some tracks, which are excerpts of news broadcasts. The track ‘Holy War‘, which has an amazing and catchy bass intro that really stands out, is about the war in the Middle East. ‘Blood I Bleed‘, a very emotionally strong track, is about the exploitation of women. Apart from the very good musical composition – quick and heavy riffs, which often slow down to give a more sinister atmosphere, heavy metal-ish solos, and hammering drums – what completes this album is the passion of Dawn Crosby. Her amazing punk-style vocals had a great range, and more importantly, showed genuine passion and anger. Dawn Crosby left the band after ‘Recognize…‘ and created Fear Of God with Michael Schäfer (ex-Fog). As the biography of Détente implies, Crosby was probably a true punk as an artist and a person. It is certain that she belonged to the “pantheon” of front-women of the heavy/hardcore music scene. Unfortunately, she died from complications due to alcohol and drug abuse in 1996 (age 33). After she left Détente, the band split up for a while and then reunited, releasing the album ‘Decline‘ in 2010, and then split up again. In 2014 the album was re-released by Xtreem Music, including the early demos. What is interesting is a statement from Roadrunner which applies perfectly to Détente: “some music was meant to stay underground”. Reissue 2023, black vinyl, ltd 480, 425gsm heavy cardboard cover, 2 inserts, poster, A5 photo card, mastered for vinyl by Patrick W. Engel at Temple of Disharmony. Cutting by SST Germany on Neumann machines for optimal quality on all levels... Label: High Roller Barcode: 4251267715664
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"Formed in 1984 in California, Détente were like those bright stars which shine for a moment and then explode. The initial line-up was Dawn Crosby (vocals), Dennis Butler (drums), Ross Robinson (guitars) and Steve Hochheiser (bass). Before the release of the full-length ‘Recognize No Authority‘, there were three demos and a lot of changes in the band’s line-up. Living and creating in a time and place where the heart of the underground thrash scene was beating fast, Détente really had the spirit and passion of their time. This can be recognized by anyone, not only by listening to their music, but by taking a look at their biography as well. The frequent changes in line-up, often combined with disagreements derived from spontaneous explosions of their characters, reveal that Détente was a band of original 80’s thrashers. This means, that they were part of the two music scenes which emerged at that time in the USA; punk and thrash, the so-called ‘crossover’. Making an impact through their demos and live shows, Détente signed with Roadrunner Records and in 1986 released ‘Recognize No Authority‘. Ten tracks which last 30-something minutes of pure 80’s crossover thrash. As the remaining members lately stated, ‘Recognize…‘ was not only an angry-to-be-angry album, but wanted to have a clear social and political substance. This is obvious, from the track titles, the lyrics of course, as well as the intro of some tracks, which are excerpts of news broadcasts. The track ‘Holy War‘, which has an amazing and catchy bass intro that really stands out, is about the war in the Middle East. ‘Blood I Bleed‘, a very emotionally strong track, is about the exploitation of women. Apart from the very good musical composition – quick and heavy riffs, which often slow down to give a more sinister atmosphere, heavy metal-ish solos, and hammering drums – what completes this album is the passion of Dawn Crosby. Her amazing punk-style vocals had a great range, and more importantly, showed genuine passion and anger. Dawn Crosby left the band after ‘Recognize…‘ and created Fear Of God with Michael Schäfer (ex-Fog). As the biography of Détente implies, Crosby was probably a true punk as an artist and a person. It is certain that she belonged to the “pantheon” of front-women of the heavy/hardcore music scene. Unfortunately, she died from complications due to alcohol and drug abuse in 1996 (age 33). After she left Détente, the band split up for a while and then reunited, releasing the album ‘Decline‘ in 2010, and then split up again. In 2014 the album was re-released by Xtreem Music, including the early demos. What is interesting is a statement from Roadrunner which applies perfectly to Détente: “some music was meant to stay underground”. Reissue 2023, red/ grey mixed w/ black splatter vinyl, ltd 400, 425gsm heavy cardboard cover, 2 inserts, poster, A5 photo card, mastered for vinyl by Patrick W. Engel at Temple of Disharmony. Cutting by SST Germany on Neumann machines for optimal quality on all levels... Label: High Roller Barcode: 4251267715640
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"Formed in 1984 in California, Détente were like those bright stars which shine for a moment and then explode. The initial line-up was Dawn Crosby (vocals), Dennis Butler (drums), Ross Robinson (guitars) and Steve Hochheiser (bass). Before the release of the full-length ‘Recognize No Authority‘, there were three demos and a lot of changes in the band’s line-up. Living and creating in a time and place where the heart of the underground thrash scene was beating fast, Détente really had the spirit and passion of their time. This can be recognized by anyone, not only by listening to their music, but by taking a look at their biography as well. The frequent changes in line-up, often combined with disagreements derived from spontaneous explosions of their characters, reveal that Détente was a band of original 80’s thrashers. This means, that they were part of the two music scenes which emerged at that time in the USA; punk and thrash, the so-called ‘crossover’. Making an impact through their demos and live shows, Détente signed with Roadrunner Records and in 1986 released ‘Recognize No Authority‘. Ten tracks which last 30-something minutes of pure 80’s crossover thrash. As the remaining members lately stated, ‘Recognize…‘ was not only an angry-to-be-angry album, but wanted to have a clear social and political substance. This is obvious, from the track titles, the lyrics of course, as well as the intro of some tracks, which are excerpts of news broadcasts. The track ‘Holy War‘, which has an amazing and catchy bass intro that really stands out, is about the war in the Middle East. ‘Blood I Bleed‘, a very emotionally strong track, is about the exploitation of women. Apart from the very good musical composition – quick and heavy riffs, which often slow down to give a more sinister atmosphere, heavy metal-ish solos, and hammering drums – what completes this album is the passion of Dawn Crosby. Her amazing punk-style vocals had a great range, and more importantly, showed genuine passion and anger. Dawn Crosby left the band after ‘Recognize…‘ and created Fear Of God with Michael Schäfer (ex-Fog). As the biography of Détente implies, Crosby was probably a true punk as an artist and a person. It is certain that she belonged to the “pantheon” of front-women of the heavy/hardcore music scene. Unfortunately, she died from complications due to alcohol and drug abuse in 1996 (age 33). After she left Détente, the band split up for a while and then reunited, releasing the album ‘Decline‘ in 2010, and then split up again. In 2014 the album was re-released by Xtreem Music, including the early demos. What is interesting is a statement from Roadrunner which applies perfectly to Détente: “some music was meant to stay underground”. Reissue 2023, screwed pro music cassette, ltd 200, mastered by Patrick W. Engel at Temple of Disharmony. Label: High Roller
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A final repress of the mid ninties classic Skuld release of Portland's DETESTATION. An absolutel classic of nineties anarcho-hardcore punk that sounds like a mix between Nausea & Sacrilege with some influences from old Swedish bands and highly angry socio-political lyrics. Existing between roughly 1995—1998 or so, Detestation was a rather surprisingly prolific group during that time. This repress of the band's 1998 self-titled LP collects some of their finest material. Though the mandatorily interconnected Portland lineup contains pre-/post- ties to Defiance, Masskontroll, Resist, Hellshock, and Severed Head of State, among others, Detestation's rather commonplace brand of 90's crust punk remains a well rooted benchmark for the scene, and with good reason. Thanks in no small part to some scorching female vocals with great vocal arrangements, the band's lightly metallic power chords tended to be a little tighter and more memorable than most, thus Detestation is rightfully remembered as one of the finest of the genre. (Original txt Aversion Online) Includes Lyric Sheet and large Poster. (Skuld Records / Profane Existence /Consensus Reality)
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Licensed from the band (and their lawyers etc etc.)!! Munster Records proudly presents a compilation of the very first three 7" singles of the great and mighty DETROIT COBRAS, along with no less than NINE previously unreleased studio tracks of the same early days, by the original line-up!!!. Available on LP with a fantastic essay about the band's beginings, pics etc. "Some milestones of rock ' roll magic are destined to stay where they started, and until now these early Cobras sides have done just that, languishing-like many of the musty 45s that inspired them-in attics and basements in the city in which they were created. But their time has long been overdue, and now here they are, along with a few unreleased sides from those halcyon early days, for rock'n'roll fans the world over to blast loud and proud." Dexter Linwood (taken from the massive liner notes). (Munster Records)
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The 1988 crustcore classic debut from Deviated Instinct. Norwich?s primo kings of stench-headed mayhem, 36 years after its original release, DEVIATED INSTINCT “Terminal Filth Stench-Core” Demo Tape, Agipunk in partnership with Terminal Filth Records (run by Deviated Instinct bass player Snapa), are finally making this classic available on vinyl in its entirety for the first time. 10 tracks heavily influenced by an Antisect and Amebix obsession, plus the fledgling thrash and death metal scenes filtering into their anarcho punk background were recorded in one frantic day. A darker, more metallic sound was developing, yet undeniably still staying true to their punk roots. The birth of what we started calling STENCH CORE at the beginning of the new millennium. With new artwork from Mid and remastered by Bri Doom. (Peaceville Records)
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Philadelphia’s DEVIL MASTER’s roots in ritual magick have never been more prominent than on their highly anticipated new album Ecstasies Of Never Ending Night. Recorded live to analog tape by Pete DeBoer (Blood Incantation, Spectral Voice), Ecstasies expands on the warped riffing and dark atmospheres that have already propelled DEVIL MASTER as one of the underground’s most unique and unfettered bands. From the band’s blackened punk maelstrom of “Acid Black Mass” to the spiraling death rock of “Abyss In Vision” and the layers of refined atmosphere on the closer “Never Ending Night”, lead guitarist Darkest Prince of All Rebellion shines across a collection of fiery, tumultuous riffs - Lyrically, vocalist Disembody Through Unparalleled Pleasure laces Ecstasies with life-affirming blasphemy and existential dread. Ecstasies of Never Ending Night witnesses DEVIL MASTER at its core. Vocalist Disembody Through Unparalleled Pleasure has assumed the role of bassist, strengthening the songwriting alongside Darkest Prince and founding member/rhythm guitarist Infernal Moonlight Apparition. Fresh blood was required and found in drummer/keyboardist Festering Terror in Deepest Catacomb (a.k.a. Chris Ulsh of Power Trip and Iron Age). Ecstasies of Never Ending Night proves to be a crucial addition to the pantheon of evil satanic metal. In the end, magick reigns! Label: Relapse Records Barcode: 0781676745722
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Philadelphia’s DEVIL MASTER’s roots in ritual magick have never been more prominent than on their highly anticipated new album Ecstasies Of Never Ending Night. Recorded live to analog tape by Pete DeBoer (Blood Incantation, Spectral Voice), Ecstasies expands on the warped riffing and dark atmospheres that have already propelled DEVIL MASTER as one of the underground’s most unique and unfettered bands. From the band’s blackened punk maelstrom of “Acid Black Mass” to the spiraling death rock of “Abyss In Vision” and the layers of refined atmosphere on the closer “Never Ending Night”, lead guitarist Darkest Prince of All Rebellion shines across a collection of fiery, tumultuous riffs - Lyrically, vocalist Disembody Through Unparalleled Pleasure laces Ecstasies with life-affirming blasphemy and existential dread. Ecstasies of Never Ending Night witnesses DEVIL MASTER at its core. Vocalist Disembody Through Unparalleled Pleasure has assumed the role of bassist, strengthening the songwriting alongside Darkest Prince and founding member/rhythm guitarist Infernal Moonlight Apparition. Fresh blood was required and found in drummer/keyboardist Festering Terror in Deepest Catacomb (a.k.a. Chris Ulsh of Power Trip and Iron Age). Ecstasies of Never Ending Night proves to be a crucial addition to the pantheon of evil satanic metal. In the end, magick reigns! Comes in single-pocket jacket with fold-out insert. Violet Vinyl. Label: Relapse Records Barcode: 0781676505913
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Philadelphia’s DEVIL MASTER have been spitting in the face of convention since forming in 2016 with their raw, twisted brand of death rock meets black metal punk mayhem. Manifestations is a compilation of DEVIL MASTER’s full catalog, two sold out demos from 2016 & 2017 (Tape & Inhabit the Corpse); remixed, remastered, and sounding more malevolent than before; Label: Relapse Records Barcode: 078167674172
