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Perhaps you, like me, have listened to Bauhaus and Killing Joke and thought, ‘Well, this is great, but I wish it was a bit more of a rager.’ Similarly, maybe you listened to The Effigies and Samhain before musing to yourself, ‘Cool, although I thought it’d be darker.’ In other words, it’s occurred to you that deathrock could be a tad deathier and - if it’s not too distasteful of me to say so - rock a hell of a lot harder. Step forward, Altar of Eden. The project of Austin, TX resident Albert Limones (whose bruising sounds you may have heard in the shadowy likes of Nosferatu and Creamers), it’s an unholy marriage of Big Black’s mechanistic rhythms and the serrated, atmospheric noise of yer favourite early ‘80s 4AD types. Tracks like ‘The Abandonment’ absolutely lay waste to your speakers - it opens with a harrowing shriek before throbs of chorusing bass and guitar carve out their own unnerving paths. Somewhere in the distance, a menacing voice can be heard, buried in murk and distortion, with the song operating at breakneck pace and maximum volume - hey, I think our criteria may have been met. Second track ‘Tears’ ups the ante, leaning heavily on atmospheric gloom while pushing the drum machine to the fore, like Clan of Xymox setting up traps for the Slenderman, before the lacerating strafes of guitar on ‘Eternity’ invite the nightmares to truly begin. And that’s just the first three songs - by the time ‘Death in the Country’ gallops to a beautifully discordant end, we’re well and truly bewitched by this wonderful, horrible noise. ‘The Grotto Screams’ was originally released on cassette in April of last year, before finally getting this well-deserved vinyl pressing - one of the first truly essential releases of 2021. Don’t miss out. (Drunken Sailor Records) -
First ever reissue of Alternative TV’s "Action Time Vision", compiled in 1980 and featuring the group’s 7“es from 1977 to 1979. Including bonus track "You Bastard" and new liner notes by ATV singer Mark Perry, the founding editor of punk fanzine Sniffin' Glue. What Mark Perry says: "It wouldn’t be an exaggeration to say that Punk turned my world upside down! In July 1976, after hearing and seeing the Ramones, I went from just another music fan, avid reader of the NME and Melody Maker, to become editor of punk’s premier fanzine, Sniffin’ Glue. It was almost an instant success and by December 1976, through our no nonsense approach, our position as the ‘punk Bible’ was assured. But it was never enough for me. As I saw the initial punk explosion subside into a succession of third-rate copycats, I wanted to have a go myself. My first attempt at forming a band was in late ’76. We called ourselves the ‘New Beatles’ and it ended after a couple of rehearsals. It wasn’t until I met guitarist Alex Fergusson, a mate of Sounds writer Sandy Robertson, in early 1977, that I started putting together some more interesting ideas for a band. I worked on a bunch of lyrics and, pretty quickly, Alex had put tunes to them. Eventually calling ourselves Alternative TV, we had our first rehearsals at Throbbing Gristle’s Industrial Studios in March ’77. That initial line-up was just me singing and Alex on guitar, with Genesis P-Orridge helping out on some bass and drums. We did ask Gen to join fulltime, but he decided against it and stuck with Throbbing Gristle. After more rehearsals, we played our first gig at the Nottingham Punk Festival in May 1977, joined by Mick Smith on bass and John Towe (ex-Generation X) on drums. I started thinking about doing a record almost from the start because, by this time, I was running the Step Forward record label with Miles Copeland, who was also to become the band’s manager. It seemed like a natural move to put out my own record, but it instead ended up on Deptford Fun City, another of Miles’ labels. Before that actually happened, we made a slight detour by recording a demo for EMI. They didn’t want to sign us, but we did end up with the tapes…" (Staubgold Records)
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Sealed Records re-issue the 1985 Alternative’s album If They Treat You Like Shit - Act Like Manure originally released on Corpus Christi Records. Recorded at Southern Studios and Co-produced by Pete Wright from Crass and featuring Annie Anxiety and Pete Wright on backing vocals. The album is full of provocative protest songs with intelligent lyrics, effective use of samples, melodic tunes and dual female / male vocals. It’s urgent, passionate and memorable. A must own release from that classic mid 80’s UK anarcho punk era. Remastered from the original tapes. Label: Sealed Records
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ALVILDA are Nina, Eva, Sandra and Melanie and is the best power pop inconnue! Four ALIEN SNATCH! pandemic pop pearls parisiennes! Seems the four gals starring the SHANGRI LAS on "Leader of the Pack", but are the ones riding Lambretta motor scooters picking up the DOGS. The are the french version of Belfasts' PROTEX, their four-song debut 45rpm has the trademark lofi-mod to power pop drive and add some yé-yés of their idols, LES CALAMITÉS and some ice-melting RONETTES surf harmonies and back ups. Fans of NUMBER ONES, WHIFFS, BARRACUDAS, TV CRIME and PROTOKIDS put a heart-shaped cardboard file next to your A´s- After Last Night 45 until release date. Record comes in two double sided printed cover cards in super clear sleeves.This is ALVILDAS first recordings from December 2020 at Château Vergogne Studio. We´re in love toutes le nuits already. (Alien Snatch Records)
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The iconic and seminal Amebix album remastered with sensational brand new design and the CD features a bonus unreleased live set (from London's Ambulance Station, 2nd February 1985). The album has been out of print for some time and has been a constant seller even 30 years after its recording. Amebix reformed briefly in 2009 and recorded the highly acclaimed comeback album Sonic Mass to global praise. New liner notes by The Baron and unseen photos. (Amebix Records – AMBEA001CD)
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Monolith" is the second studio album by the British crust punk band Amebix, originally released in 1987 and now finally made available again on cd by Dissonance Productions. (Dissonance Productions)
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Monolith was the second full-length album by West County punk-metal ’80s anti-heroes, Amebix. One of the best crossover records the UK ever produced. Originally released in 1987, with second rate Giger-style sleeve-art, on a dodgy heavy metal label (called Dodgy Heavy Metal Records). The Power Remains was a posthumous collection of live and demo recordings, that was originally released in 1993 (and done in a much more appropriate and enthusiastic fashion) by MCR and Skuld Records. This band-released reissue combines both LPs, with lavish new gatefold sleeve artwork (competently created by Andy Lefton of War//Plague and Tau Cross). And these copies are “special record store day 2016 limited editions. Limited to 1000 copies. Housed in a gatefold jacket with a round silver sticker stating "Special Limited Edition- Record Store Day 2016". Tracks A1 to B4 were originally released as the Monolith LP. Tracks C1 to D2 and D4 were originally released on The Power Remains LP. Track D3 is previously unreleased. Tracks A1 to B4 were recorded and mixed at Sam Studios Bristol in May / June 1987. Tracks C1 C2, and C3 are demo recordings. Recorded at Cabs Studios late 1987 in 10 hours. Track C1 is a demo recording. Recorded at O.O.C. Studios, Holland 1985. Tracks D1 to D4 recorded live in the Longrace Hall Bath September 1987. (Amebix Records/2016)
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Compilation of previously released early recordings. The LP contains the No Sanctuary 12" (1984) and the Who's The Enemy 7" (1982) plus tracks from a previous bonus single is the Winter 7" (tracks B6-B7). Tracks A1 to B1: No Sanctuary 12" (1984) Tracks B1 to B5: Who's The Enemy 7" (1982) Tracks B6-B7: Winter 7" (1983) Tracklist A1 Battery Humans A2 Control A3 Progress? A4 Sanctuary A5 The Church Is For Sinners A6 Sunshine Ward (Glad To Be Bad) B1 Moscow Madness (No Gods Part II) B2 Carnage B3 Curfew B4 Belief B5 No Gods No Masters B6 Winter B7 Beginning Of The End (Corteza Discos/Unofficial Release)
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Silent since the late 80s, Amebix, a duo of the reclusive swordsmith Rob Miller and his brother Stig have had their lineup augmented with the addition of drummer Roy Mayorga (Soulfly, Stone Sour). Sonic Mass is their first album in over 20 years and their third in total. Deluxe gatefold sleeve with spot varnish front & back : stunning artwork by Andy Lefton : full colour printed inner sheet. (Amebix Records) https://amebix1.bandcamp.com/album/sonic-mass
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"Web of Lies / Death Won’t Even Satisfy is the vinyl debut from this hardcore band from New Jersey, and it is a full-bore scorcher. Ammo plays ferocious US-style hardcore with a lunging, unhinged style that reminds me of groups like early Agnostic Front, Void, and Eye for an Eye-era Corrosion of Conformity… not so much in style, but in the way Ammo sounds like they’re maniacs who might materialize out of your home speakers in order to slash your throat. It’s a rare enough feat to capture this sort of wild energy on tape, but Ammo fuses this crazy energy with memorable songwriting, with tracks like “Black Site,” “Slam Slam Slam,” and “Ethnostate” hitting even harder because they’re so damn catchy. Sounding fast and crazy is Ammo’s forte, but their secret weapon is their ability to play at mid tempo, like on the crushing NYHC-style mosh part in “Known Unknown” and the singalong during the breakdown to the epic “All You Do (Is Want Me to Die).” I love music that expands hardcore’s boundaries, but Ammo isn’t that… they distill hardcore its essence, their sound ground down to the sharpness of a knife’s edge. This is not a record to sleep on." (Daniel Lupton) (Static Shock Records)
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Amy Winehouse's debut album represents her world and her soul. It is a collision between 21st century London's urban soundscapes, the great jazz voices of the last century and the emotional experience of a 19 year old jewish girl with a lot to say. Her voice is the sound of Chicago in the 40s in a smoky back room after hours jazz club. (Island Records – 00602517762411)
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Live At Hove Festival, Norway, 26 June 2007. Tracklist: A1 Addicted A2 Just Friends A3 Tears Dry On Their Own A4 He Can Only Hold Her A5 Cherry A6 Back To Black A7 Wake Up Alone B1 Love Is A Losing Game B2 Hey Little Rich Girl B3 Monkey Man B4 You Know I'm No Good B5 Rehab B6 Me And Mr Jones B7 Valerie (Round Midnight – RNDMNG027/Unofficial Release)
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Another slice of rare Amy Winehouse on 7", this time teaming up with The Specials! When Amy Winehouse jumped on stage with The Specials in the summer of 2009, a new classic was born. "You're Wondering Now" and "Ghost Town" were performed, also features great mocked Specials first album cover art. (Fan Club/Unofficial Release)
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Amyl and the Sniffers are a punk band possessed by the spirit of seventies Australian rock. Amy Taylor (vocals), Bryce Wilson (drums), Dec Martens (guitar) are former housemates who formed the band, wrote a handful of tunes and released their debut EP, Giddy Up, all in a span of twelve hours. Completing their line up with Gus Romer on bass, the band take their cues from a diverse bunch of legends including AC/DC, Cosmic Psychos, Dolly Parton and Die Antwoord, setting out to have as much fun as possible. Their 2nd EP, Big Attraction, was released in February 2017, kicking off a stellar year for these young punks. Growing buzz around their blistering live show made the band a hot tip at Bigsound in Brisbane, while the band was added to festival line-ups including Meredith and CherryRock17. The band and were invited to join the Cosmic Psychos on their forthcoming November/December tour and capped off the year with a sellout NYE show at the legendary Tote in their home town of Melbourne. 2018 sees Amyl And The Sniffers ratchet up another couple of gears with their first national headline tour in April followed by UK shows in May, and their first North American tour in June with fellow Melbournians King Gizzard And The Lizard Wizard. (Damaged Goods)
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Already renowned for a ball-tearing live show, The Sniffers made their international debut as one of the hottest tipped acts at The Great Escape in 2018. Soon afterwards, they signed deals with both Rough Trade Records and ATO Records, made a massively hyped appearance at SXSW, and finally released their self-titled debut album in 2019, landing them an ARIA (Australian Recording Industry Association) Award for Best Rock Album, capping off a wild year for the lunatic, likeable punks. Late in 2020, Amyl and The Sniffers went into the studio with producer Dan Luscombe to record their sophomore album, Comfort To Me. Written over a long year of lockdown, the album was influenced by and expanded on a heavier pool of references - old-school rock’n’roll (AC/DC, Rose Tattoo, Motörhead and Wendy O Williams), modern hardcore (Warthog and Power Trip) and the steady homeland heroes (Coloured Balls and Cosmic Psychos). Lyrically, the album was influenced by Taylor’s rap idols and countless garage bands and in her words ‘I had all this energy inside of me and nowhere to put it, because I couldn’t perform, and it had a hectic effect on my brain. My brain evolved and warped and my way of thinking about the world completely changed.’ Seventeen songs were recorded in the Comfort to Me sessions and the top 13 made the cut. They were mixed long-distance by Nick Launay (Nick Cave, IDLES, Yeah Yeah Yeahs) and mastered by Bernie Grundman (Michael Jackson, Prince, Dr Dre). Comfort To Me demonstrates the same irrepressible smarts, integrity and fearless candour as their debut but as you’d expect of any young band five years on, their sound has evolved, in Amy’s words it’s ‘raw self expression, defiant energy and unapologetic vulnerability.’ (Rough Trade Records)
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Andrea, frontman of punk rock band The Manges along with guitarist and music producer Alex Bounty (I Divi Di Beverly, Supermarket) started The Veterans in 2006. The first s/t album from 2008 is now reissued on yellow vinyl, coming with a CD that also includes extra tracks from singles and digital releases. (Striped Music)
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Limited edition reissue of this classic Angelic Upstarts album, originally released in 1983 by Anagram Records. A UK independent chart nº12, it includes two of their best loved songs in Woman In Disguise and Solidarity. This pressing comes with a full colour insert with lyrics, press clippings and memorabilia from the era. TRACKLIST A1 Woman In Disguise A2 Never Give Up A3 Waiting, Hating A4 Reason Why A5 Nobody Was Saved A6 Geordies Wife A7 Loneliness Of The Long Distance Runner B1 42nd Street B2 The Burglar B3 Solidarity B4 As The Passion B5 A Young Punk B6 Where We Started Label: Daily Records Barcode: 8435008876241
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Αντιστατική τσόχα για το πλατό του πικάπ διαμέτρου 30 εκ. Υψηλή ποιότητα, βάρος 45 γρ., πάχος περίπου 2,5 χιλ. Ιδανικό δώρο για ντιτζέι και λάτρεις του βινυλίου. Περιορίζει βλάβες-γρατζουνιές και προστατεύει το βινύλιο. 12´´ slipmat, diameter 30 cm High quality 16 ounce felt approx. 2,5mm thick Gift idea for DJs and vinyl lovers Reduces damages/ scratches and protects the vinyl
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Original press from 1988 on German label Subway Records, not a bootleg! Probably the most important "unknown" band in the history of punk rock, this unfailingly offensive, undeniably brilliant gaggle of rock critics and hooligans went out of its way to offend 99% of society while inspiring the remaining 1% to paroxysms of joy. This early-'80s collection ranks with the band's finest, highlighted by sonic joyrides like "They Saved Hitler's Cock" and "My Old Man's a Fatso." The Samoan influence extends through to 1997, with their songs popping up regularly in sets by bands such as the Foo Fighters (who often open with "Gas Chamber," included here) and the Mighty Mighty Bosstones (known to pop off a cover of Back From Samoa's "Lights Out"). File under: how to win friends and alienate people.--David Sprague Originally released in 1982. (Subway Records/1988)
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Original press from 1988 on German label Subway Records, not a bootleg! Limited vinyl repressing of the Punk band's 1980 debut EP. Formed in 1978 by "Metal" Mike Saunders and Gregg Turner, a pair of erstwhile rock critics who'd previously teamed with fellow writer Richard Meltzer in the group VOM. The Angry Samoans are classic first wave LA punk at it's finest. For fans of Black Flag, TSOL, Circle Jerks, and Fear. Reissue of the "Inside My Brain" 12" (Bad Trip Records BT 201, 6 Tracks, 1980) With extra tracks B1 to B3 (Demo, Recorded October 1978) and Tracks B4 to B5 (Live At Rhino Records, May 12, 1979). (Subway Records/1988)
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From the ashes of VOM rose the Angry Samoans! In 1978 they recorded their first demos in a cheap two track studio. Some of these tracks have appeared as bonus tracks on long deleted album re-issues, others were released on a long deleted 7´´, one sees the light of day for the first time ever! In true Samoans style the album is sharp and short and finally the complete demos are now released on one piece of vinyl that plays at 45 rpm. (Bad Trip Records)
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Anna von Hausswolff’s new album All Thoughts Fly via Southern Lord. Here in solo instrumental mode, the entire record consists of just one instrument, the pipe organ, and represents absolute liberation of the imagination. All Thoughts Fly radiates a melancholic beauty, and is distinguished by fluid transitions of contrasting elements; calmness and drama, harmony and dissonance, much like the place that inspires the music. (Southern Lord Records)
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This release was the 1st output from ANNIHILATION TIME. This is furious hardcore taking from '80s California bands like BLACK FLAG, AGGRESSION, and BL'AST. Featuring artwork by none other than Raymond Petition - this has the look and feel of a band straight out of 1982 Redondo Beach. A must for fans of scorching, atonal lead breaks, frantic vocals, and off-time, start-stop time signatures. Colored repress is limited to 500 copies. (Indecision Records)
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Rumoured to be a spoof band created by Helen Love as a side project, close to nothing is known about this cult late-90's electro/pop/punk band from the Isle of Wight. With a legacy consisting of just two 45 singles, both originally released by the legendary Damaged Goods label, Anorak Girl's complete output gets reissued for the first time in 25 years on one-sided coloured vinyl. Limited to 300 copies only! Label: Hey Suburbia - SUB034 Barcode: 8055515233735
