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After the wildly successful debut full length album Satyagraha (2015) the Swedish d-beat punks embarked upon a 12-month project, with one new cover track appearing on the band’s Youtube channel each month. The results were also released as a limited tape edition, and now it is time to put this concoction of old-school true metal and raw hardcore crust on vinyl. This is a one-time pressing of 1000 copies and it comes with a gigantic poster and a 6 page insert. Cover of the month” Jan. [1] – Into the crypts of Rays (Celtic Frost) Feb. [2] – Punk is love (Pisschrist) March [3] – Don’t really care (The Exploited) April [4] – 2 Skott (Strebers) May [5] – Bloodthirsty system (State Of Fear) June [6] – Krossad dröm (Acursed) July [7] – Day of reckoning ((Pentagram) Aug. [8] – Skallra för döden (Totalitär) Sep. [9] – Natsit ja kommunisti (Kaaos) Oct. [10] – Arise (Sepultura) Nov. [11] – Too old too cold (Darkthrone) Dec. [12] – Criminal trap (Anti-Cimex) Label: Svart Records Barcode: 6430050669430 -
Available for the first time on vinyl, early raw versions of classic tracks from legendary NYC Anarcho punk band Reagan Youth. One of New York City's earliest Hardcore bands, forming in early 1980, hailing from Queens NYC where they attended Forest Hills High School the same HS as the Ramones. They shared the stage with many of the other 80s legends such as Bad Brains, MDC, Dead Kennedys and the Misfits.In 1984 they released their now classic album 'Youth Anthems For The New Order' on SF label R Radical Records home of Anarcho Hardcore Punks MDC. This album predates that LP, the recordings on this album have an amazing primitive raw in your face energy and feel. A true artifact of blistering punk from the early NYCHC scene. You also get them tearing through a cover of the motorhead classic 'Ace of Spades' along with all the deluxe packaging you've come to expect from Puke n Vomit Records. (Puke n Vomit Records)
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Αθήνα. Δεκαετία του '80. Οι κοινωνικοί αγώνες εντείνονται, το ρεύμα εναντίωσης στη σοσιαλδημοκρατική καταστολή διευρύνεται και με ορμητήριο την πλατεία Εξαρχείων, βάζει "φωτιά" στο κέντρο της μητρόπολης. Ο Γιώργος Νικολαΐδης, με μια φωτογραφική μηχανή στο χέρι και με την ψυχή στο στόμα, βρίσκεται εκεί όπου γράφεται η ιστορία. Και την αποτυπώνει σε άσπρο και μαύρο. Σήμερα, κι ενώ έχουν περάσει κάτι παραπάνω από τρεις δεκαετίες, ανασύρει από το αρχείο του και μοιράζεται μαζί μας το ακυκλοφορητο υλικό του, ενώ οι άνθρωποι που βρίσκονταν "ψυχή τε και σώματι" στο κάδρο των φωτογραφιών του, γράφουν για τα Εξάρχεια, τον "χώρο", την αντιεξουσία, το Χημείο, τη δολοφονία Καλτεζά, το πανκ ροκ, τις ανεξάρτητες μπάντες, τα στέκια, τις συναυλίες... Κείμενα - μαρτυρίες, τα οποία, μαζί με τις σκληρές φωτογραφίες, σκιαγραφούν εκείνες τις πολύ ζωντανές μέρες και νύχτες επιθυμίας και δράσης. Τότε που οι καταληψίες του Χημείου αποχωρούσαν νικητές από τη μάχη ενάντια στην κρατική μηχανή, τραγουδώντας πάνω από τα οδοφράγματα, "είμαστε τρελοί κι ευτυχισμένοι"... Εκδότης: ΕΚΔΟΣΕΙΣ ΣΤΟ ΠΕΡΙΘΩΡΙΟ Σελίδες: 192 Σχήμα: 21χ15
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The predecessor to "Smash", "Ignition" has sold 625K to date. Here it is re-mastered, with every metallic power chord and sing-along chorus the way it sounded in the studio. Contains digital download card for entire album. (Epitaph Records)
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"Hard Times And Nursery Rhymes" builds on singer Mike Ness' twin footings, one in the haunted American landscapes of Hank Williams and the other in the raw swagger of "Exile"-era Rolling Stones. While these twin pillars have always been behind Social Distortion's anthemic songs, on "Hard Times And Nursery Rhymes" they come roaring to the fore, in one of the hardest rocking, most soulful albums of Ness' career. For fans of The Gaslight Anthem, Rancid, Bad Religion, Tom Petty, Bruce Springsteen and Tiger Army. Vinyl version includes two additional tracks. (Epitaph Records)
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Unofficial re-release their first LP from 1981. Glossy cover & 180g vinyl. (Dwed Wecords)
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Reissue of this long lost masterpice from 1981 originally released by Bulge / Genius records. The Astronauts were (and are, after close to 30 years and a history of lineup shifts only bested by The Fall) the definitive psych-punk ensemble, though even that title doesn't do 'em justice. Their sound culminates the post '77 punk dabblings of head forbears Twink (his 'Do it 77' single and The Rings' 'I wanna be free' platter), Nik Turner (the outstanding Inner City Unit and the 'punkier' late 70's bits of Hawkwind) and Daevid Allen's planet Gong (with fellow acid-punkers Here and Now) all woven in with an earlier Robert Wyatt / mellow candle-y psych folk vibe... While not sounding like any of those things at all. Get it? The album's range is gigantic: from dissonant punk a la Fall ('Everything stops for baby'), to epic progressive folk ('Protest song', 'Baby sings folk songs'), ditties ('Sod us'), hard-rock ('The Traveller'), pop ('How green was my valley'), garage / surf ('Still Talking'), industrial ('How long is a piece of string'), and set to arrangements that employ synths, flute, saxophone, and strays into progressive or even free-form / psychedelic sections. The icing on the cake is the mature statement of the lyrics, a cynical and bitter exploration of the lives of simple men, miles away from the generic horror / punk overtones that permeated most of alternative albums at the time. (La Vida Es Un Mus) https://lavidaesunmus.bandcamp.com/album/peter-pan-hits-the-suburbs-lp
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(Rhino Records)Despite carrying on the celebratory tone of The Ramones' debut and Leave Home in the likes of Sheena Is A Punk Rocker, Cretin Hop a tribute to dirty Rockaway Beach and covers of The Trashmen and Do You Wanna Dance? Their third LP from 1977 displays a dark humour that's less jokey than the previous releases' goofs on bad mental health and dysfunctional relationships. the group's best-produced of its first three releases, rocket achieves an almost smooth texture thanks to a clean mix and increased use of Beach Boys-inspired vocal harmonies.The Ramones ignited the punk-rock movement with their eponymous 1976 debut album, revitalizing rock and roll at one of its lowest ebbs with attitude, energy and a loud, fast new sound. By cutting music down to its bare essentials – four chords; a simple, catchy melody; a sped up tempo and irresistibly inane lyrics, the Ramones blazed the trail for thousands of bands that followed, influencing everyone from The Clash and The Sex Pistols to Green Day and The Offspring. Although The Ramones never achieved mainstream financial success, they released 21 live and studio albums, had a devoted fan base and were inducted into the Rock & Roll Hall of Fame in 2002. • 180g Vinyl LP • Superior 2017 remastered audio
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In many ways The Mob were the archetypal anarcho punk band. Formed in Yeovil, Somerset in 1979 the band soon spent their time permanently on the road in a convoy of trucks before squatting in Brougham Road, Hackney – a street of houses that accommodated many punk and counter-culture types. Until their demise in 1983 they remained an integral part and a huge influence on the anarcho, traveller and free festival scenes. Their first release was the 1980 Crying Again single on their own All The Madmen label, followed later that year by the Ching cassette. 1981 saw another single the hugely popular and haunting Witch Hunt soon followed by their now legendary Crass single No Doves Fly Here, both taking anarcho punk into new musically unchartered waters. 1983 saw the release of their now legendary album Let The Tribe Increase, an album that saw them moving away from the constraints of the punk sound as they continued to push the musical boundaries. This trend continued in their epic single The Mirror Breaks. The Mob’s invlovement with the counterculture saw them playing gigs with archetypal hippies Here & Now and Androids of Mu as well as being actively involved in the Persons Unknown and Centro Iberico anarchist centres and the Black Sheep Housing Co-operative. Eventually The Mob dissolved with Joseph Porter joining Zounds before founding Blyth Power. Let The Tribe Increase includes the full album, both tracks from the Mirror Breaks 7″ and a previously unheard demo version of Stay, all professionally remastered. Packaged in a 12-page booklet it contains a band history and the events that surrounded the recording of the album by Kill Your Pet Puppy fanzine editor Alistair Livingston. (Overground Records)
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Always Was, Is and Always Shall Be is the debut studio album by American punk rock musician GG Allin, recorded and released in 1980 on Orange Records. (Fan Club/Records)
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It came out of nowhere in 1982, this punk rock/hardcore fireball with the bright yellow sleeve. In one sense, The Zero Boys' Vicious Circle was yet another example of how U.S. punk seemed to peak coast to coast that year. But unlike most coastal punk, the Zero Boys were pointing the way to a scene that could accommodate heaping helpings of melody, intelligence, and rock 'n' roll, not just turbo-charged ferocity. Vinyl version contains a coupon that for a limited time allows you to download MP3 audio files of the recordings. "From 1979 into ‘83, the Indianapolis based ZBs were the finest hardcore blitz in the Midwest if not all the lower 48 states. Proof is Vicious Circle and the two decades since of copyists, bootleggers, practitioners and reunion concert pogoers. Though before and after that LP’s 1982 release they recorded the Livin’ in the 80’s 7”, songs for three comps and released the post-mortem History Of... cassette revealing their transformation into a toured band warming to the metaphysical and their demise while still waving torches of rock ‘n’ roll panache. When the Ramones lost it, the Zero Boys found it; Adding a slam brigade fist to the Blitzkrieg Beat. The Zero Boys managed to come with one of the best early 80's punk records, or one of the best records ever, period. Between Vicious Circle and History Of, the entire recorded output of this legendary Midwest punk band’s original line up is, finally, collected." -Culminated from liner notes written by Jack Rabid and Eric Weddle (Secretly Canadian Records)
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Seminal record for any punk in UK, China or whatever you live, fucker!!!! The Partisans were formed in Wales south in 1978 with the original line-up of Phil Staton-voice, Rob "Spike" Harrington-guitar and backing vocals, Andy Lealand-second guitar, Mark "Shark" Harris-drums and Mark "Savage" Parsons-bass. This line-up will change after one year as Parsons and Staton left the band and Rob took the voice position and entering Louise Wright as bass player. Basically influenced by Sex Pistols, The Clash and Ramones, The Partisans started to cover those bands and playing some own sounds too. On September 1981 they released their first 7" under the label No Future Records, a fantastic single that helped the band to tour with the likes of Blitz, The Ejected and Peter and the Test Tube Babies. On May 1982 they released their second 7" and when 1983 arrived the band's debut LP was out. This debut LP is one of the seminal steps on British punk for sure, a record that still sound fresh and strong after 3o years. (Puke n Vomit Records)
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Two classics records on one LP. Tracks on A side are from "T. S. O. L." 12" originally released by Posh Boy in 1981, four tracks on B side are from "Weathered Statues" EP released by Alternative Tentacles in 1982. (Fan Club/Unofficial)
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Καινούριος δίσκος απο τους Θεσσαλονικιούς Bad Trip. (Self Released)
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Chain Cult from Athens, Greece return with a new two track 7" after releasing their much loved demo on vinyl just a few months ago. On Isolated, Chain Cult have upped the intensity and dark atmospherics. The sound is bigger, focused and anthemic. The guitar work is haunting and flanged and the rhythm section locked in, keeping the energy high. It sits somewhere between Vex's Sanctuary 12", a more uptempo Killing Joke and Warsaw while remaining a band of their time. Isolated comes housed in a pocket sleeve designed by the bands signature designer A.D. Visions which also created the lyric insert. (La Vida Es Un Mus Records) https://chaincult.bandcamp.com/track/noise-regret
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Πριν λίγους μήνες συμπληρώθηκαν 30 χρόνια από την πρώτη έκδοση του ιστορικού πρώτου album των Στέρεο Νόβα, που κυκλοφόρησε σε βινύλιο το 1992 από την Wipe Out. Ένα album που άλλαξε το μουσικό τοπίο της Ελλάδας και παραμένει σταθερά διαχρονικό και αγαπημένο. Έχουμε την τιμή και την χαρά να το κυκλοφορήσουμε σε μια συλλεκτική επανέκδοση με νέο mastering και ανανεωμένο artwork σε μαύρο βινύλιο 180 γρ. και σε CD με 16σέλιδο booklet. Στο CD περιέχονται και τα δύο έξτρα κομμάτια, Πλαθ και Ντόλμπυ 690 που υπήρχαν στην πρώτη έκδοση του CD το 1994. Label: Inner Ear Records
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RxDxPx performing TERVEET KÄDET’s legendary 7″ ” Ääretön Joulu” (1982)! One of the greatest singles in the history of hardcore punk masterfully reinterpreted in its entirety by Brazil’s stainless thrashcore kings. You surely know what to expect from a titan showdown like this: speed, ferocious energy and sheer hardcore intensity! 10 songs – recorded in 2022, all sung in Portuguese so that “Pissaa ja paskaa” becomes “Fuder a empregada”, “Outo maa” is “Rosca solta” and so on. A must for every hardcore maniac! (F.O.A.D. Records)
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Threads is Αρχη Του Τελους guitarist's Kostas solo project. Musically, it will take us on a journey between death rock/industrial/ambient and experimental. 100 κοπιες μονο. (Self Released)
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Yo, it’s official - I’m really hyped to announce the release of my next zine! WHAT WE DO IS SECRET contains photos from the 20th edition of @ktownhardcorefest and will be released in two presses - Polish and Greek. The zine includes photos taken during shows of Electric Chair, UZI, Rat Cage, X2000, @taqbirband @golpe.punx @larrywarthog @vidropunk Lysol, @chaincultband Subdued, @draumar_oslo Public Acid, @careersuicide Desintegración Violenta, @nukke.lear.hardcore ; artwork made by @invertedart666 More info at:
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Mellakka was a Finnish Hardcore Punk band formed in a small Finnish coast/industrial town called Rauma in year 1983. During their relatively short career in the mid/late 80’s, the band visited the recording studio three times, resulting two ep’s and a three-song demo. A compilation album of these songs was released in 2004 and was named 'R.I.P. recordings 1984-1986. Black vinyl / insert / sticker. (Larmattacke Records)
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Ultra hard to find 1983 Finland Punk Hardcore classic official re- release. Original mix in all its LO-FI glory!!! Varaus was a Finnish hardcore punk band. The band was founded in around 1981-82 and released their first record, a single sided album called ½, in 1983. The band split up in April 1985 and has never performed after that. Black vinyl / insert. (Larmattacke Records)
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Δεύτερος δίσκος τον Ήλιος Θανάτου απο Αθήνα. Η ηχογράφηση έγινε από τον Νίκο Παναγιωτίδη στα Void of Cosmos Productions τον Αύγουστο του 2020. Μίξη από τον GeorgieBoy τον Οκτώβριο-Νοέμβριο του 2020. Μάστερ από τον Jack Control στα Enormous Door Mastering τον Δεκέμβριο του 2020. (Self Released/2022)
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This Back Dots set represents the earliest Bad Brains music. It was recorded soon after their 1979 formation in the home of producer Don Zientara and remained unreleased until belatedly seeing the light of day in 1996. The record has been difficult to find on vinyl after quickly going out of print. It’s a breathless, often exhilarating, always intense ride with the 16 cuts barely breaking a half hour. All but one is under three minutes with a handful under two. And even if the reggae influences that informed the Brains’ sound at their height aren’t apparent, this shows how tight and together they were early on. Official reissue. (Vinilissimo Records)
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How many hardcore, let alone metal, bands exceed all previous efforts on their third LP? Some might argue that ‘Feel The Darkness’ was Poison Idea’s prime. You could present ‘Master Of Puppets’ and ‘Reign In Blood’, if you’re so inclined. Let’s face it, these are a dying breed of exceptions to the rule. And yet, like an icepick in the eye socket of logic, here stands Foreseen with ‘Untamed Force’. In the landmine ridden field that is crossover, where bands can all too easily get it so wrong, Foreseen not only survive the death sentence of their sophomore record “Grave Danger” (2017), but head out on a blunt force killing spree. ‘Untamed Force’ indeed. Rarely has a record title been more fitting. Vocalist Mirko Nummelin sounds more pissed off than ever, 12 years on. Drummer Mårten Gustafsson’s arms and feet generate enough power to make Finland energy self-sufficient. And finally, pushing the band over the edge, separating Foreseen from us feeble bastards, we have new member Ville Valavuo joining Jaakko Hietakangas to form what is arguably the scene’s deadliest six string tag-team. Foreseen’s power is untamed but at the same time borne from hard work, a love for the craft and their musical community, and absolutely no excuses. Dig in, endure, stomp out, shoot to kill. Foreseen are for headbangers who haven’t been brainwashed by click tracks and digital recordings. Foreseen are for punks who can deal with a synth intro and harmonised solos. In 2022, ‘Untamed Force’ is the guiding principle that can inspire, but not be replicated, by the Kings of Hardcore Thrash. (Quality Control Records)
