• Eleven Violet Dances features a selection of the best tracks from the early days of this pioneer post-punk / gothic rock band. Eleven songs taken from the band records released between 1982 and 1984 including the two frst singles originaly released on Andrew Eldritch of THE SISTERS OF MERCY very own Merciful Release which is not surprising as they grew up in the same scene and their sound is very close. THE MARCH VIOLETS formed in 1981 in leeds, uk, their music is cold and dark post punk driven by drum machine, mixed male and femal vocals and great melancholic guitar leads. This compilation includes Snake Dance & Crow Baby among others early gothic hits ! High quality vinyl repress housed in black inner sleeve, thick outer sleeve and including insert sheet with lyrics and pictures. (Restless Empire Records)  
  • In many ways The Mob were the archetypal anarcho punk band. Formed in Yeovil, Somerset in 1979 the band soon spent their time permanently on the road in a convoy of trucks before squatting in Brougham Road, Hackney – a street of houses that accommodated many punk and counter-culture types. Until their demise in 1983 they remained an integral part and a huge influence on the anarcho, traveller and free festival scenes. Their first release was the 1980 Crying Again single on their own All The Madmen label, followed later that year by the Ching cassette. 1981 saw another single the hugely popular and haunting Witch Hunt soon followed by their now legendary Crass single No Doves Fly Here, both taking anarcho punk into new musically unchartered waters. 1983 saw the release of their now legendary album Let The Tribe Increase, an album that saw them moving away from the constraints of the punk sound as they continued to push the musical boundaries. This trend continued in their epic single The Mirror Breaks. The Mob’s invlovement with the counterculture saw them playing gigs with archetypal hippies Here & Now and Androids of Mu as well as being actively involved in the Persons Unknown and Centro Iberico anarchist centres and the Black Sheep Housing Co-operative.Eventually The Mob dissolved with Joseph Porter joining Zounds before founding Blyth Power. Let The Tribe Increase includes the full album, both tracks from the Mirror Breaks 7” and a previously unheard demo version of Stay, all professionally remastered. Packaged in a 12-page booklet it contains a band history and the events that surrounded the recording of the album by Kill Your Pet Puppy fanzine editor Alistair Livingston. (Overground Records)  
  • In many ways The Mob were the archetypal anarcho punk band. Formed in Yeovil, Somerset in 1979 the band soon spent their time permanently on the road in a convoy of trucks before squatting in Brougham Road, Hackney – a street of houses that accommodated many punk and counter-culture types. Until their demise in 1983 they remained an integral part and a huge influence on the anarcho, traveller and free festival scenes. Their first release was the 1980 Crying Again single on their own All The Madmen label, followed later that year by the Ching cassette. 1981 saw another single the hugely popular and haunting Witch Hunt soon followed by their now legendary Crass single No Doves Fly Here, both taking anarcho punk into new musically unchartered waters. 1983 saw the release of their now legendary album Let The Tribe Increase, an album that saw them moving away from the constraints of the punk sound as they continued to push the musical boundaries. This trend continued in their epic single The Mirror Breaks. The Mob’s invlovement with the counterculture saw them playing gigs with archetypal hippies Here & Now and Androids of Mu as well as being actively involved in the Persons Unknown and Centro Iberico anarchist centres and the Black Sheep Housing Co-operative. Eventually The Mob dissolved with Joseph Porter joining Zounds before founding Blyth Power. Let The Tribe Increase includes the full album, both tracks from the Mirror Breaks 7″ and a previously unheard demo version of Stay, all professionally remastered. Packaged in a 12-page booklet it contains a band history and the events that surrounded the recording of the album by Kill Your Pet Puppy fanzine editor Alistair Livingston. (Overground Records)
  • THE MOB | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • I became a fan of The Mojomatics when their last album, Don't Pretend That You Know Me, was released on Alien Snatch records. Their newest release is on a new label, but the hodge podge of sounds that I loved on their last album are present on this record as well. The Mojomatics is a hard band to pin down. They have some straight up pop songs, some harmonica tinged country ramblers and some swamp stomping garage-y blasts. Definitely a band not content writing the same song over and over and it gives the album a fresh & dynamic feel. (Wild Honey Records/2012) https://wildhoneyrecords.bandcamp.com/album/you-are-the-reason-for-my-troubles
  • Όλα τα μελάνια υδατικής βάσης για εκτύπωση μεταξοτυπίας έχουν πιστοποίηση ECO-Passport. Κάθε στάμπα και λογότυπο αποτελούν χειροποίητη μεταξοτυπία. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Garage/punk απο Αθήνα. (Primitive Music Records/ Patari Records / Body Blows Records)
  • Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
    Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Nipple Erectors (and their more politely named abbreviation, the Nips) their first ever legitimate LP vinyl. To be fair, we've been asked many times to do reissue the Nips on vinyl down the years. So, what you get on this new Nipathon LP are both sides of each of the group's three Soho singles, each one a perfect example of Great British Punk. Plus you have two tracks - again from the first sessions - that saw light of day for the first time on the vinyl BBB+B. You also get the young Shane MacGowan in fine growling form, a young and renowned punk about town and still very much the "King Of The Bop" rather than the "King Of The (alcoholic) Pop" that he later became in his years as a Professional Irishman and frontsperson of Pogue Mahone/The Pogues. (Now there's a good bit of trivia for you - Shane might well be the only person in the world to have fronted two bands that have had to shorten their name to avoid public outrage, and to get their records played on the radio!). You also get Shane's then best gal Shanne Bradley, fresh from being preserved for posterity (allegedly) as the subject of the Sex Pistols' mighty Satellite and learning to become the pretty good bass player that she eventually did become as a member of the Pogues' 80s contemporaries the Men They Couldn't Hang. You get 20-odd minutes of uproarious music that has stood the test of time rather better than has a lot of 1978's 'new wave' outpourings - including at least two undisputed genre classics in the anthemic (Gab-gab-gab) Gabrielle and the wild garage riffola of All The Time In The World. And, most of all, you get the musical answer to Mr MacGowan's time-honoured question that's been baffling music historians for a quarter of a century, "Why do - theycallmethekingofthabop?" No need to bother with the answers on a postcard. They're all here. Still want bovver? Then you're in the right place for it. Come and have a go if you think you're hard enough... (Ace Records)
  • "Three years since their debut LP, Dublin's The Number Ones return with a new four track EP that confirms them as kings of pop. ‘Lie to Me’ is a bitter sweet pop song that oozes golden melodies and youthful energy. After one play it’s stuck in your mind and after repeated plays you’ll wonder how you lived without this song in your life. It’s a mix of a classic Good Vibrations single and The Senseless Things before they signed to a major label. ‘Long Way to Go’ is the perfect three minute pop song that could have been released in either in 1979 or 1967. It’s a bubblegum nugget that hints at a record collection full of the Beatles, The Nerves and Protex. On the flip ‘You're So Happy I Could Cry’ keeps the energy and hooks coming whilst ‘Breaking Loose’ has bounce, charm and those gorgeous harmonies that will see the Number Ones possibly break into the mainstream pop world." (Sean Forbes) (Static Shock Records)
  • Back in 1983 Tokyo’s NURSE released what probably is the first Japanese all female hardcore record on the cult label Incest Records (INC-002). A red 7” Flexi which showed 4 innocent looking girls on the cover but displayed an unheard amount of ferocious hard hitting hardcore punk on the 8 songs Flexi produced by Baki of EXECUTE/ GASTUNK. The Following year the almighty ADK Records added them to their roster releasing a 5 track EP (ADK-13E ) produced by label owner Tam of TYPHUS/ STALIN fame. The speed went down a notch but the rawness and aggression was still there. Sadly that record marked the end of NURSE’s recording career. Had they released an LP they’ll be heralded as highly as COMES which usually is the first band that comes to mind to most people when thinking of female fronted Japanese bands. After years of their recordings been deleted on vinyl, both singles becoming absolute staples on any Japanese punk want list and the band’s underground following growing, La Vida Es Un Mus decided to repress both 7”s on a heavy weight LP to make sure a new generation discover the excellence of one of the all time great under rated bands. (La Vida En Us Mus Records)
  • This is the repress of the first Observers ep, which was originally released on Super Secret Records (500 made) last year. Tracks include: 'Lead Pill', 'Can't Be Sad', 'Short Day' and 'Normally Normal'. Their album on Vinyl Warning made the majority of the top ten best albums of 2004 in MRR and for obvious reasons, this band is incredible. For fans of the Dead Kennedys, LA's Youth Brigade, and Warsaw. (Deranged Records)
  • The predecessor to "Smash", "Ignition" has sold 625K to date. Here it is re-mastered, with every metallic power chord and sing-along chorus the way it sounded in the studio. Contains digital download card for entire album. (Epitaph Records)
  • "Presented on 140-GRAM VINYL, this is a deluxe release of an Australian radio broadcast live recording from The Offspring's classic 1995 tour." No strangers to the live scene, The Offspring leapt at the chance to capitalise on their newfound success, and the ?Smash Tour 1995? spanned a staggering 214 dates worldwide between 1994 and 1996. These gigs were received particularly well in Australia, the one country where Smash had topped the charts. The band played 11 shows there in 1995, many of which were subject to live FM broadcasts, both nationally and in the US, and it is a collection of the best of these that features of this deluxe vinyl release. Gathering together a wide array of classics from their catalogue, including their three recent singles, this set showcases a band hurtling towards international fame. (Parachute Recordings Company)
  • Out of stock

    THE OFFSPRING | smash | LP

    20.00 incl. tax
    The Offspring's metal-inflected punk became a popular sensation in 1994, selling over four million albums on an independent record label. While the group's credentials and approach follow the indie rock tradition of the '80s, sonically they sound more like an edgy, hard-driving heavy metal band, with their precise, pulsing power chords and Dexter Holland's flat vocals. Featuring Holland, guitarist Kevin "Noodles" Wasserman, bassist Greg Kriesel, and drummer Ron Welty, the Offspring released their self-titled debut album in 1989. Four years later, their second album, Ignition, became an underground hit, setting the stage for the across-the-board success of 1994's Smash, which still holds the record as the biggest selling indie release of all time. (Epitaph Records)
  • Out of stock
    Formed in 1977 in Belfast on the Punk Wave scene rapidly emerging from Northern Ireland. Building a strong local following they signed for the Good Vibrations record label. 'Self Conscious Over You' (Good Vibrations, 1979) was recorded over 5 days at Wizard Studios in Belfast in April 1979 and released 3 months later. Official reissue, remastered with lyrics sheet and photos. (Papagájův Hlasatel Records)
  • Out of stock
    Finally reissued on vinyl! For their second album, first wave U.K. punks the Outsiders decided to move on from the home-recorded D.I.Y. sound of their first LP and ventured into a proper recording studio for the first time. However, they didn't use the occasion to slather gloss on their music, and while 1978's Close Up does sound cleaner, richer, and more precise than 1977's Calling on Youth, the production is admirably lean and straightforward, and if anything, the arrangements are less tricked up than on the group's debut, with fewer acoustic guitar overdubs and a sleek, speedier approach that makes room for Adrian Borland's guitar heroics. By this point in the Outsiders' career, Borland was reportedly growing tired of the confines of the punk template (he'd break up the band to form the Sound before the year was out), and in many respects, Close Up sounds as much post-punk as punk; there are a few straightforward pogo rockers like "Vital Hours," "Count for Something," and "Out of Place," but the phase-shifted atmospherics and anti-racist lyrics of "White Dept." point to a more musically ambitious vision, while the slower, blues-infused "Keep the Pain Inside" snubs its nose at punk orthodoxy, and the nervous social commentary of "Semi-Detached Life" and "Conspiracy of War" are short on sloganeering and long on thoughtful observations of an off-kilter world. While Borland was clearly feeling his oats as a soloist, his melodies here are smart, strong, and to the point, while his vocals are effective and free of pretense, and bassist Bob Lawrence and drummer Adrian James are a splendid rhythm section, adding just the right amount of texture and color while driving the songs with authority and no-frills style. Close Up hardly sounds like the work of a band on its last legs; this is powerful, efficient rock & roll that has aged far more gracefully than most of the bands in the U.K. punk class of 1978. (Mad Butcher Records)
  • Out of stock
    Reissue of The Partisans third EP from 1983. Three legendary pieces of classic UK punk. (Mad Butcher Records)
  • Their second Lp originally released in 1984 on Cloak & Dagger Records, it features one studio side and one live side, with the studio version of Blind Ambition tacked on the end. (Restless Empire Records)
  • Out of stock
    A Gothic Horror novel about severe mental distress and punk rock. The novel is written in the form of a diary kept by a psychiatrist, Dr. Rodney H. Dweller, concerning his patient, Nathaniel Snoxell, brought to him in 1979 because of several attempted suicides. Snoxell gets involved in the nascent UK anarcho-punk scene, recording EPs and playing gigs in squatted Anarchy Centers. In 1985, the good doctor himself “goes insane” and disappears. This semi-autobiographical novel from Rudimentary Peni singer, guitarist, lyricist, and illustrator Nick Blinko, plunges into the worlds of madness, suicide, and anarchist punk. Lovecraft meets Crass in the squats and psychiatric institutions of early ‘80s England. This new edition collects Blinko’s long sought after artwork from the three previous incarnations. Praise: “Dense, haunted, shot through with black humour.” —Raw Vision “Nick Blinko is a madman. That’s not intended as pejorative opinion but rather a statement of plain fact.” —Maximum RocknRoll “The insights it offers into the punk scene and into the unsettling landscapes of its author’s mind are fascinating. The whole book has a distinct sense of coming from a mind unlike most we are used to.” —The Big Issue “An intensely written and authentically Gothic look at the life of a man suffering extreme mental distress.” —Detour “Fascinating and compelling.” —Kerrang About the Author: Nick Blinko was born in 1961. His band, Rudimentary Peni, whose records include Death Church, Cacophony, and Pope Adrian 37th, enjoy international acclaim in punk and avant-garde circles. A legendary figure in the “outsider art” scene, his paintings are exhibited across the world. He continues to write, paint, and make music in Black Langley, Hertfordshire, UK. Format Paperback | 128 pages Dimensions 140 x 216 x 12.7mm | 167g Publisher PM Press Publication City/Country Oakland, United States Language English
  • One of the best political hardcore punk bands to come out of the Boston area of all time, The Proletariat originally released their "Soma Holiday" LP in 1983 on Non-U/Radiobeat. Drawing on Marxist and socialist views they created a very original, uncompromising, angry, and bleak message set to the backdrop of intense hardcore. You may have heard their tracks off of the comps "This Is Boston, Not L.A.," "Unsafe At Any Speed," and "P.E.A.C.E." (Fan Club/Unofficial Release)
  • Long time unavailable debut album of The Restarts is now again on vinyl! Fast and energetic punk + excellent lyrics, that is The Restarts. (Papagájův Hlasatel Records) https://www.youtube.com/watch?v=hf6SyjnHxMg
  • The sixth album from UK based politically charged punk band The Restarts. Their time, toil and devotion to empowering and improving the lives of people, locally and globally - both as a band, and as individuals in the work they do outside of the band is something not to be ignored. Their usual brand remains solid relentless thrash punk, ska anthems and back to basics old school punk. (Pirates Press Records) https://therestarts.bandcamp.com/album/uprising
  • Back in stock

    THE RIVAL MOB | T-shirt

    12.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • THE SAINTS | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
    Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.