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Record Store Day, June 2021 exclusive. Pressed on 2xLP 'Aztakea' green vinyl, limited to 3,000 copies. Housed in a full-colour, gatefold jacket. Doom metal icons Electric Wizard burst onto the scene in the early 90's and have been traiblazing ever since. Out of press for 5 years, the band present their 2014 album 'Time To Die' on Gatefold 2 140g dark green LP, silver pantone front and back with printed inserts. (Spinefarm Records / Witchfinder Records) -
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There is no need to say much here, you probably know them and the web is full of infos about them. Two full demo's, live and rehearsal. Tracks A1 to A8 recorded live in January 1986 in Liverpool. Tracks A9 to A15: "Killing Babies Is Tight" demo, recorded at Dead Fly Studio on 03.03.1986. Tracks B1 to B3: rehearsal 1985. Tracks B4 to B12 "If Killing Babies Is Tight, Killing Babies For Profit Is Even Tighter" demo, recorded at Dead Fly Studio on 26.01.1987. Limited edition of 323 copies. Includes a 2-sided insert with lyrics and drawings. Tracklist A1 Unity A2 Money A3 Theme Toon A4 Am I A Punk Yet A5 Next Time A6 Thought A7 Apart A8 ... A9 Intro A10 Unity A11 Run Ronald A12 Wings Of Death A13 Vivisection Song A14 Say Goodbye A15 Outro B1 Am I Punk Yet B2 Hidewhere B3 Reject Detect B4 Intro (Death In The Swamp) B5 Satanic Warmonger Of The Abyss B6 Meltdown B7 At The Edge B8 Mother B9 Reject B10 Sheep B11 Dead End B12 Life (Liberation Records/Unofficial Release)
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Hailing from the former northern mining town of Wigan, between Manchester and Liverpool, the short-lived Electro Hippies were a band like no other, saluted as icons of crust punk and proto-grindcore. Following some cassette demos, a shared LP with Newcastle’s Generic and a Peel session, debut LP The Only Good Punk…Is A Dead One surfaced on Peaceville with twenty songs, all clocking in at under two minutes (around half being less than 60 seconds). Highly political, deeply ironic, and with a snatch of Black Sabbath in the mix, The Only Good Punk is the band at their blistering best, the peak that preceded their ultimate downfall. Label: Radiation Reissues Barcode: 8055515234732
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Though famous for other things (including doing the synths on GARY NUMAN’s iconic “Pleasure Principal” album and co-writing VISAGE’s massive hit, “Fade To Grey”), Chris Payne brought THE ELECTRONIC CIRCUS to life in 1981. At the time, poised to become his next major project, the initial single “Direct Lines” gained little traction and quickly found its way to quiet obscurity. There it remained until some genius made a video using footage from Swedish film “Summer With Monika” that so perfectly fit the surging melancholy of youth’s temporary romances that the song garnered a million views and a new cult of rabid fans (me included! -Jensen). Once this synth-pop perfection enters you it will find permanent purchase and continue to be a joyous wellspring for years to come, truly a gift that keeps giving. This fully licensed official reissue comes on 150 on red and 350 on black 75gr vinyl housed in a reverse board custom die-cut glue pocket sleeve. Originally recorded in 1981 at Pebble Beach Studios in Sussex UK (also where THE ADVERTS recorded the excellent "Gary Gilmore's Eyes/Bored Teenagers single!) by Tony Harris. Remastered in 2021 by John Golden. Art and packaging based on the original 1981 design. (Iron Lung Records)
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Almost 30 years after their first demo and several split releases, here is now the ultimate EMBITTERED discography double LP. EMBITTERED was a very underrated crust/grind band from Middlesbrough (UK) active between 1990 and 1996. The double LP contains the "And you ask why?" Demo, the "2nd Demo", all the material from their Split LPs with DYSTOPIA and Their Split 7" with HIATUS plus their own "Choke" EP. Slow metal parts mix with fast as fuck grinding moments, typical crustcore with dual vocals, some vintage hardcore, some distinctively anarcho references... Think of early Napalm Death, Extreme Noise Terror, Electro Hippies, Disrupt, Anti-System, Disorder, Deviated Instinct but at the same time, it never feels like a copy of these bands, the band had coined their own style "anarcho grind" and I can't really think of a more appropriate description: anarchopunk meets old-school grindcore. The LP comes with an extensive booklet with liner notes, previously unpublished pictures and posters. (Power It Up Records)
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Emerging in the late ’90s from western Athens as Requiem, only to be soon renamed to the more apt Embrace of Thorns, the Greek Temple of Black Death has been championing Darkness Impenetrable for more than 20 years. Having released five albums on labels such as Nuclear War Now! and Iron Bonehead plus an arsenal of demo tapes and split releases, Embrace of Thorns have been acknowledged as a force to be reckoned with. Their poison, a highly atmospheric and dense amalgam of death and black metal, has been gaining momentum since the release of their acclaimed sophomore album, Atonement Ritual, in 2009. Their third full-length, 2011’s Praying for Absolution, considered by many as their magnum opus, saw them fully embracing their potential and heralding knowledge through strife. Their latest full-length offering, 2018’s Scorn Aesthetics, was unanimously hailed and celebrated as arguably their ripest album, an idiosyncratic mix of somber, melodious, yet punishing Black Metal of Death that relies heavily on the organic mood of the performances and production. The new EP called The Pantheon I they unleashed in March continues exploring the pits of strife that is blackened metal of death, with music that is full of anguish, glorious darkness, and crushing dynamics. Now aligned with longtime fans Nuclear Winter, Embrace of Thorns are set to release their sixth album, Entropy Dynamics. The band’s first full-length recording in four years, Entropy Dynamics indeed includes many/most of the dynamics of their preceding LPs – death metalled muscularity, pitch-blackened atmosphere, stellar songwriting, and powerful production – but it also points the way toward new, creepier territory. For sure, Embrace of Thorns‘ grounding in the early bestial sound can still be heard, but rendered with the world-eating totality of classic death metal, that surge takes on a different, far-more-frightening form. The quartet heighten that frightening aspect with a subtle-yet-no-less-noticeable emphasis on dynamics rather than just crushing their enemies straightaway; when the soundfield strips back to its barest bones and ringing-into-the-abyss clean guitars take center stage, the full force of Entropy Dynamics is felt. Always staying true to themselves whilst maturing in the most respectable manner, Embrace of Thorns continue their campaign of extreme metal destruction with Entropy Dynamics. To coincide with its release, celebratory reissues of their sold-out albums Atonement Ritual and Praying for Absolution become available again via Nuclear Winter, as well as a CD version of the preceding EP The Pantheon I, which is supplemented with an exclusive bonus track. (Nuclear Winter Records)
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Formed in May of 1985 with 3 of the members from FAITH, as well as Ian MacKaye (of TEEN IDLES, MINOR THREAT, FUGAZI etc.). In their 10 month existence they only played in Washington D.C. and Baltimore and ended their existence in March of 1986. This full-length contains material from 2 different recording sessions. For fans of FUGAZI, RITES OF SPRING and even MINOR THREAT. This is something for the early DC punk scene fans. This vinyl was re-mastered in 2009 and includes a digital download card. Label: Dischord Records
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Empire was an offshoot of punk legends Generation X, very influential for the ‘80s Washington D.C. hardcore and UK neo-psychedelic scenes, acting somehow as the missing link between new wave and grunge. “Expensive Sound” was originally released in 1981, their music was raw, bare, warm —distinct from the glacial, antiseptic pop that would dominate the decade. While “Expensive Sound” may be better known for the bands it inspired — the neo-psychedia of The Stone Roses and the athletic fretwork of Fugazi — they deserve appreciation on its own merits: one of the finest guitar pop records of the era. Empire was an offshoot of Generation X, and their only LP “Expensive Sound” remains an obscure (yet highly rewarding) listen. Originally released in 1981, the same year Gary Numan and Soft Cell were raking in big bucks with their noir-flecked brand of retrofuturism, “Expensive Sound” was out-of-step with the climate of commercial music. Their music was raw, bare, warm — distinct from the glacial, antiseptic pop that would dominate the decade. The album was neither totally forward-looking nor nostalgia embracing. Instead, “Expensive Sound” does what great albums tend to: preserves a specific moment in time. There's an arid, unvarnished quality to the recordings — typified by frontman Derwood Andrews's voice and words. He sang with uncommon fragility and in a soft, almost diffident voice. There's little reverb, almost no double tracking, and absolutely no attempt to Americanize his delivery. The subject matter is rendered in a similar, disarmingly plain way. Boredom, depression, unrequited love, and existential dread are treated in equal parts —sans one song about playing the electric guitar (the aptly titled ‘Electric Guitar’). While Derwood's lyrics exhibit some of the doom-and-gloom sentiment of post-punk progenitors Joy Division, they are almost Holden Caulfield-esque in their simplicity. Empire's response to adversity is delivered with a shrug and a sigh. If Andrew's bashful vocals are part of the charm, his expressive guitar playing is the main attraction of “Expensive Sound”. As the sole guitarist on the record, he demonstrates a versatility unusual for the band's punk roots — deftly maneuvering between chunky, minimalist riffing (like on ‘Hot Seat’), vast swathes of dark noise (’Empire’), and lacerating, tightly coiled leads (‘Safety’). While “Expensive Sound” may be better known for the bands it inspired — the neo-psychedelia of The Stone Roses and the athletic fretwork of Fugazi — they deserve appreciation on its own merits: one of the finest guitar pop records of the era. Label: Munster Records Barcode: 8435008843113
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Three years after their formation, END set to release their debut full length "Splinters from an Ever-Changing Face". END is a collection of musicians from various sub genres of extreme music, including current and former members of Counterparts, The Dillinger Escape Plan, Fit For An Autopsy, Misery Signals, Shai Hulud, and Reign Supreme. What initially began as a passion project by producer/engineer Will Putney (Every Time I Die, Gojira, Body Count, Knocked Loose) in late 2016, the band has quickly built a reputation for their violent and destructive brand of hardcore/grind. The debut EP, “From The Unforgiving Arms Of God”, released in the fall 2017 via Good Fight Music was met with critical praise. The sporadic shows and festival appearances that followed helped solidify END as undeniable live act.The summer of 2020 marks the release of “Splinters From An Ever-Changing Face” , the debut full length from END to be released on Closed Casket Activities. The new LP is focused and accomplished, a rewarding period piece that pays tribute to the influences of the bands collective upbringing, but also opens new doors for the creative potential END possesses. (Closed Casket Activities Records)
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Enemy Soil was an American grindcore band from Sterling, Virginia, first formed in 1991. The band played a style of grindcore that was influenced heavily by hardcore punk, and featured many line-up changes throughout its run, with frontman Richard Johnson acting as its core. Because the group initially was unable to find a suitable drummer, earlier Enemy Soil recordings featured a drum machine.The group's music was also politically-motivated early in their career, however later recordings instead featured introspective topics for lyrics. The group eventually broke up in the spring of 1999 after releasing numerous splits and records. Members went on to form or join many bands, including Pig Destroyer, Pg. 99, and Agoraphobic Nosebleed, among others. French label Bones Brigade Records issued the two-disc compilation Smashes the State! in 2001, containing most of the band's discography, excluding the Casualties of Progress extended play.The group reformed in 2001 for a special one-off reunion show at CBGB in New York City. Footage from this show, as well as shows dating between 1996 and 1998, was released on the 2009 Selfmadegod live DVD Smashes the State Live. In June 2017, the band announced via the official Enemy Soil website that the group has reformed for a few reunion shows, including an appearance at Maryland Deathfest 2018. Tracklist: CD1-1 to 5: from the Parasitic Infestation / Enemy Soil split demo on Open Eye Records. CD1-6 to 11: from the Enemy Soil / Wadge 7" with Wadge on Break It Out Records. CD1-12: from the Midnight Offerings II - An Underground Sampler CD on With Your Teeth Records. CD1-13 to 15: previously unreleased, for a split CD that never came out. CD1-16 to 18: from the Enemy Soil / Shapeless split 7" with Desperate Corruption on Bovine Records. CD1-19 to 24: from the War Parade 7" on Slap A Ham Records. CD1-25 & 26: previously unreleased, for a split LP with Thug that never came out. CD2-1: previously unreleased, from the Random Green demo session. CD2-2 to 11: from The Ruins Of EdenThe Ruins Of Eden 10"/CD on Noise Vacuum Records. CD2-12 & 16 to 17: from the Enemy Soil / Reversal Of Man split 7" on Fish Held High Records. CD2-13 to 15: from the Enemy Soil / Agoraphobic Nosebleed split 7" on Bovine Records. CD2-18: previously unreleased version. CD2-19: from the Audio Terrorism: The Soundtrack For Weirdness And Blind Hostility compilation CD on Chaotic Noise Productions. CD2-20 to 24: from the Live In Virginia 7" on Dwie Strony Medalu Records. CD2-25 to 27: from the Corrupted / Enemy Soil split 7". CD2-28: from The Caligula Effect: A Compilation CD on Catechism Records. CD2-29 to 43: from the Fractured Theology 3"CD. CD2-44: previously unreleased, for a compilation that never came out. CD2-45 & 46: from the Obsequious / Document#2 split 7" with Pg. 99 on Sacapuntas Records. Label: Bones Brigade – BB 011
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Like a rocket from LA to the moon, enemy takes off with their new record Maladjusted. Returning from a split from LA's Downsided last year, Enemy brings their brand of straight forward LA style punk to their debut LP. Mixing modern influences from the west coast with classic 80's US HC, Enemy is one of the west coast's most consistent bands. Featuring guest vocals from Chris, from Richard Rose and GOGGS...Enemy is in good company and you will love MALADJUSTED. Label: 11PM Records
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Engine Kid was born in Seattle, Washington, 1991. The band’s original lineup consisted of guitarist/vocalist Greg Anderson, drummer Chris Vandebrooke and bassist Art Behrman. They had all been in hardcore/punk bands around town, and all had a burning desire to create a sound that was unlike anything they had done in the past. After just a few months, they quickly recorded and self-released the “Novocaine” 7inch. Circa ’92, Behrman was replaced by Brian (Krafty) Kraft, a bassist and close friend of Anderson, who he had made music with in other bands. At that moment, the entire aesthetic and execution of sound became heavier, darker and extremely dynamic. The power trio was picked up by local label C/Z records and set out upon recording the new music they were quickly creating. The band had two releases on C/Z in 1993. Their first offering was the Astronaut five song EP recorded by John Goodmanson. The songs were primitive and exemplified the bands worship of Slint and the quiet/loud song structure methodology. In the summer of ’93 the band drove to Chicago to record with their hero Steve Albini, in the basement of his house. They emerged with the eight-song album they called: “Bear Catching Fish.” Albini intuitively captured the band exactly as they were at that moment: RAW, VULNERABLE, & MAMMOTH. Shortly after the album’s release Jade Devitt replaced Vandebrooke on drums. This transition was crucial in the second phase of the group. Devitt was an absolute beast, and his power helped launch the band miles beyond where they had ever been before. The sound of “The Kid” started to transform into a sound much more of their own. The three dudes were hell bent on pushing the bounds of sonic exploration to its fullest. Suddenly there was an abundance of depth within the sounds they were creating. Eclectic influences of punk/hardcore (Black Flag, Die Kreuzen), Metal (Entombed, Carcass) and even jazz (Mahavishnu Orchestra, Miles Davis electric era) were on a full collision course with the already dynamically heavy foundation of the band. The levee had broken and the resulting flood of sound completely saturated everything in it’s path. Engine Kid toured their asses off. They were constantly on the road - playing every nook, cranny and shit-hole they possibly could. Any moment not on the road was spent focused on making their new material as lethal as possible. In early ’94 the band decided to pay homage to their mutual love of jazz/fusion and recorded three instrumental pieces that would become a split album with like minded powerhouse, Iceburn. The Engine Kid/Iceburn album showcased each groups love of jazz loosely framed by the intense enthusiasm of underground music. The album was released by Revelation records in 1994. During the summer of ’94 the band reconvened with producer John Goodmanson at Bad Animals and AVAST! studios to record the new material that was literally bleeding out of the reinvigorated trio. The songs recorded were much more progressive, heavier, harder and more focused than past works. They even tackled John Coltrane’s “OLE,” adding saxophone and trumpet from their brothers in Silkworm. In March of 1995, Revelation records released these recordings as the “Angel Wings” album. Unfortunately “The Kid” flew too close to the sun, and broke up very shortly after the album’s release. Here we are almost 30 years later, and it has taken every day of every month of every year of that time passed for the dust storms the band created to have settled. Maybe now it’s possible for the enormity of their creation to be comprehended. Remastered from the original tapes, and including an unreleased track from the session. Stoughton Tip-on gatefold jacket! Label: Revelation Records – Revelation:38, Southern Lord – LORD290 Barcode: 808720029017
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Almost 30 years since their inception, the members of Engine Kid got together a few months ago to hang out and record new music. The result of which arrives by way of the "Special Olympics" EP flexi disc/digital EP on 3rd December via Southern Lord. Some fans may recognize the song "Special Olympics" which, like others on this release, are reworkings of old material which were never recorded. The music represents the sonic direction that the band were heading before they disbanded. With this EP, Engine Kid commemorate the joy of playing music together for the first time in 26 years, and pick up where they left off. As Jade Devitt comments, "The musical commitment and connection that we forged in the 90’s has held like a magnet, finally pulling us together after 26 years! The newly recorded songs were dusted off blueprints from our very last practice tapes from the summer of ’95. Now enhanced with experience & age and new arrangements. The Kid flies again." Earlier this year, the 90’s post-hardcore collective featuring Greg Anderson (Southern Lord label owner, also in Sunn O))), Goatsnake & Thorr's Hammer) released a 6-LP box set of their career-spanning recordings on color vinyl LP's for the first time titled Everything Left Inside (find out more about that here) Engine Kid’s Brian Kraft adds, "Greg, Jade and I spent the summer and fall of 2020 gathering old photos, flyers, artwork and audio rehearsals /remixes/remasters for the Everything Left Inside box set. This remote reunion of the Kid made me realize how important Greg, Jade and Engine Kid was and is in my life. The reconnection led to recording some new material. It felt as if we were continuing right where we left off.” Engine Kid’s first new material since 1995, the “Special Olympics” EP’s cover art is a symbolic metaphor about living one's best life, and with swagger. The songs themselves continue the band’s “take on the world” attitude with restless, wild energy. Engine Kid’s new EP is available now on flexi and on digital format on Bandcamp. (Southern Lord Records)
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Formed in the northern market town of Grantham in l98l, hardcore punk band English Dogs swiftly built a reputation via demos, supporting Charged GBH and Discharge on early tours. After debut Invasion of the Porky Men, original vocalist Wakey was replaced by former Ultraviolent frontman, Ade Bailey, the inclusion of Destructors guitarist Gizz Butt pointing to the new metal direction fully mined on Forward Into Battle, Butt’s flighty riffs lifting the thrash bedrock to further heights of melodicism. This key piece of archaeology is a must for all English Dogs fans, showcasing their glorious blend of thrash, hardcore and metal. Limited edition of 300 copies in Slipcase. Slipcase comes with the German cover version and booklet with original cover. Booklet with lyrics and photos of the band. (Hellven Classics – HC003-2022, Faster And Louder– FAL05)
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Limited ORANGE edition, 200 copies only w/ 60x40cm FOLDED POSTER INCLUDED. Formed in the northern market town of Grantham in l98l, hardcore punk band English Dogs swiftly built a reputation via demos, supporting Charged GBH and Discharge on early tours. After debut Invasion of the Porky Men, original vocalist Wakey was replaced by former Ultraviolent frontman, Ade Bailey, the inclusion of Destructors guitarist Gizz Butt pointing to the new metal direction fully mined on Forward Into Battle, Butt’s flighty riffs lifting the thrash bedrock to further heights of melodicism. This key piece of archaeology is a must for all English Dogs fans, showcasing their glorious blend of thrash, hardcore and metal. (Radiation Records)
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Emerging from the northern market town of Grantham in the early 1980s, English Dogs reached the punk spotlight opening for Charged GBH and Discharge. Debut album Invasion of the Porky Men features the band’s original line-up, with drummer Andrew Pinching, bassist Mark ‘Wattie’ Watson, guitarist John Murray and vocalist Pete ‘Wakey’ Wakefield, the hardcore focus very different from the metal direction they would take after Wakey moved on and Gizz Butt added his guitar pyrotechnics. This debut disc is a must for all UK hardcore fanatics, who like their punk delivered in raw, unadorned thrash mode. Label: Radiation Records Barcode: 8055515233162
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200 COPIES LIMITED EDITION ON GREY VINYL. Emerging from the northern market town of Grantham in the early 1980s, English Dogs reached the punk spotlight opening for Charged GBH and Discharge. Debut album Invasion of the Porky Men features the band’s original line-up, with drummer Andrew Pinching, bassist Mark ‘Wattie’ Watson, guitarist John Murray and vocalist Pete ‘Wakey’ Wakefield, the hardcore focus very different from the metal direction they would take after Wakey moved on and Gizz Butt added his guitar pyrotechnics. This debut disc is a must for all UK hardcore fanatics, who like their punk delivered in raw, unadorned thrash mode. (Radiation Records)
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English Dogs formed in October 1981 in Grantham and produced an explosive 7 track demo during 1982. The band toured as support to fellow punk band Charged GBH in Germany during early 1983 and followed this with a British tour supporting Discharge. In 1983 they signed to Clay Records also home of Discharge and GBH. The band released this awesome 6 track EP titled 'Mad Punx and English Dogs' in July 1983. With a fine production by Clay records supremo, Mike Stone. This EP/Mini LP 12" from this band’s early punk period, is being reissued by PNV, this is the first domestic pressing of this album, the PNV reissue will also include the 7 track 1982 demo. includes, poster and booklet with unpublished photos 12" Max (The Millionaire) Psycho Killer Free To Kill Driven To Death Left Me For Dead R.I.P. 1982 Demo Max The Millionaire Spoils Of War Join The Army Street Fighting Free To Kill World War 2 Mark Of The Beast Label: Puke N Vomit
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Limited edition issued on 180 gram oxblood vinyl, housed in single glossy jacket with transparent plastic inner sleeve. Tracklist A Fistful Of Dollars A1 Overture for a Fistful of Dollars 2:58 A2 Almost Dead 1:42 A3 Square Dance 1:35 A4 The Chase 2:25 A5 The Result 2:37 A6 Without Pity 2:08 A7 For a Fistful of Dollars 1:49 For A Few Dollars More B1 Sixty Seconds to What? 3:06 B2 Ace High 1:20 B3 The Watchers are Being Watched 2:03 B4 The Vice of Killing 2:26 B5 The Musical Pocket Watch 1:12 B6 The Showdown 2:22 B7 Goodbye Colonel 1:46 B8 For a Few Dollars More 2:50 (Klimt Records – MJJ413CR)
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Hey knuckle draggers and chain swingers! Looking to add some dynamite to your pogo stick? Look no further!! Enzyme’s Golden Dystopian Age LP is here! 4 years since Howling Minds LP, Enzyme’s 2nd offering bends all odds and pushes the band’s brand of noise punk to a new limit. Lots to process about this record, from the hyperactive drumming, catchy rhythm backbone by the bass, 1000 pedal stomp buzz saw noise/psychedelic soundscapes guitars, discordant terminator vocals that sound like they been recorded through a cheap boom box, cameo vocals from Hardcore Victim CEO / Phantasm vox Bernie, to the more noise / beats provided by hard techno unit Nerve AKA Joshua Wells makes for one perfect storm that these noise bent fuckers have managed to harness. 3 years to make, this record sounds and reads like a reflection of life living through the tightly sanctioned lockdowns, a state of uncertainty, helplessness, anxiety and fear, geographical and imposed isolation, natural disasters and civil unrest in Naarm (Melbourne) Australia. 8 relentless noise punk tracks for the new hell we live in. Golden Dystopian Age showcases Enzyme’s never ending one sided romance with punk legends Confuse, Chaos U.K and Disorder but also exploring other influences like Anarcho punk, space rock, psychedelia, metal and gabber. Blasphemy! Is this punk future? It’s as ugly as the world Enzyme sees. It’s the Golden Dystopian Age. Label: La Vida Es Un Mus
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Era Of Fear from Xanthi/Northern Greece play dark anarcho post punk with their own sound. Four new songs following their EP that was released two years ago. On the flip side we have Πανδημια from Athens. Unfortunately, these are the last four songs that they recorded just before splitting up. Great anarcho punk strictly inspired by early 80's Greek and UK punk scene. 500 copies on black vinyl. (Scarecrow Records) https://scarecrowrecords.bandcamp.com/album/split-lp
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Eretia are four piece DIY post-everything band from Cantabria (Spain). Seven songs of power and beauty. Music you'll love with DIY values. Label: Engineer Records, Nothing To Harvest
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All female aggro Punk attack from Tokyo produced by Atsuo (BORIS)! Straightforward all girl crude Punk starring the eclectic force of Erieza Royal, previously in 穴奴隷 (Ana Do Rei), Ecodamned and many other bands! This LP comprises their rabid Hardcore Punk oriented “The unconquered” EP with an unreleased bonus track plus the 2018 tour EP leaning more towards poppy Punk Rock territories in a Japanese way. Both recordings have never been released on vinyl to date. Quoting Atsuo (BORIS) himself: “Many years have passed since I met ERIEZA ROYAL & The Summary Lynch. I have helped them with recording, mixing, designing, etc. Erieza is also known as a feminist. This is how a woman and a man were able to create a wonderful work together. I think we could present new possibilities for the future. I hope that their overflowing love and power will reach the world“. Recommended to fans of Kyah, The Nurse, Nickey And The Warriors, MNK Project… Black vinyl limited to 150 copies. (F.O.A.D. Records)
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Erupt offer up five fiery tracks on Left To Rot. Treading the blurry lines between extreme punk and extreme metal, Left To Rot is a cacophony in all the right ways. Fast as, heavy as, nasty as. Featuring members of Sheer Mag, Geld and Gutter Gods - Erupt brings its own molten explosions to the surface. These burnt offerings are recommended for fans of Sodom, Celtic Frost, Iron Age, Warthog, Mindsnare and the other hordes of apocalypse old and new. (Static Shock Records)
