• Sweden’s Hardcore pioneers blast back after 23 years! “Död åt kapitalismen” is their first recording since 1994 and as expected it takes no prisoners… 10 songs of raw and brutal HC combing the traditional Scandinavian approach with a solid d-beat structure. It takes all the best features of their previous works to push them to a new devastating stage… speed, anger, vitriolic vocals and a solid production makes this a total scandicore headsmasher for fans of Anti Cimex, Crude SS, Totallitär, Avskum and so on. Comes in a gatefold sleeve. (F.O.A.D. Records)  
  • Original tape transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in August 2020. Hardcore thrashers insisting that Assassin´s two early demos were superior to the re-recordings of the very same songs that ended up on the band´s debut album The Upcoming Terror might have a point. When the first tape Holy Terror started to circulate at the beginning of 1986, it not only put Düsseldorf on the map of German extreme metal but was also an instant classic of Teutonic steel because the quintet married instinctive ferocity with an already impressive degree of musicality. “Dinko and me wrote all of the songs during that era,” says guitarist Jürgen “Scholli” Scholz about the origins of these six tracks plus intro. “We were inspired by doing all the new hot and fast stuff that had been coming out for some years, but with our own twist. Although we liked Venom or Metallica – who made their best album with Ride the Lightning at around the same time – as well as Exciter, Motörhead and Tank, we aimed at finding an individual way, which was still possible back then.” Still rough around the edges for all their palpable ambition, the tunes – the catchy title track, band anthem ‘Assassin’ and the surprisingly colourful instrumental ‘ Speed of Light’ amongst them – were recorded “in 1985 in our rehearsal space with just one microphone. We had been dabbling with a four-track recorder from our drummer´s cousin, but the result sounded way too soft, so we stuck to that very basic setup.” Listening to this stuff now, it´s astounding just how well it has aged in comparison to the dilettantish initial steps of some of Assassin´s peers, most of which became significantly more popular. By re-issuing it in 2021 for the first time ever in due original form and not just as a bonus throwaway for some new album edition, Scholli and friends pay homage to an irretrievable era and spirit. “I´ll never forget our first gig with Darkness in Essen, the hotbed of German metal in 1985,” he concludes. “The room still exists – now with a fancy mantelpiece whereas on that evening, the fumes exuded came from the sweating crowd!” The audio was carefully restored and remastered by Patrick W. Engel at Temple of Disharmony Studio in August 2020 from the original tape source; High Roller’s ultimate vinyl re-release is limited to 500 copies (200 white/black splatter, 150 black or transparent blood-red) and comes with inside-out printed sleeve plus inlay. Together with the second demo, it is also compiled on one CD as Holy Terror/ The Saga of Nemesis in a slipcase. Andreas Schiffmann (High Roller Records)
  • Considering that The Saga of Nemesis came out in April 1986, meaning just about three months after Assassin´s debut demo Holy Terror, the group had taken a big leap forward – not least regarding its production values, making the four songs plus intro an abrasion-proof set of thrash from a time when the German scene was maturing at a frantic pace. High Roller Records, 2nd pressing, black vinyl, ltd 200, insert printed on uncoated paper, 350gsm cover with inside out print, Original tape transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in August 2020. (High Roller Records)
  • ASSUCK | T-shirt

    12.00 incl. tax
    Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
  • ASTARON | same title | LP

    23.50 incl. tax
    Astaron from Vienna Austria were a music and art performance duo made up of Angie Mörth (member of viele bunte Autos) and Martina Aichhorn who existed from 1984 to 1989. Influenced by the Viennese Actionism, Einstürzende Neubauten and Kate Bush and armed with a big dose of black humour and a true love for trash culture they created an impressively unique body of work. They released two DIY tapes, One 12” and this stunning self titled album at the tail end of 1987. It was originally released by local label Ton Um Ton Records in a criminally low pressing of 500 Copies. It’s an unadjusted highly experimental and totally addictive dark wave album with hints of minimal post punk. The music ranges from dirgelike chants to ethereal pop to haunting ballads. It’s pure melancholic beauty from start to finish. Think KUKL, Cocteau Twins, Young Marble Giants for the minimal sound, Brian Eno, Lizzy Mercier Descloux and Diamanda Galas. Sealed Records are proud to give this haunting rhythmic and gorgeous album a new lease of life. This time adding a printed inner sleeve and 12 page booklet. (Sealed Records)
  • Out of stock
    Formed in 1981 by a crew of hardcore punx and skins from Stoke-on-Trent in the industrial Midlands of England, Asylum fully embraced the ‘Noise Not Music’ rallying call. The missing link between Discharge and Japanese Noisecore, their sound is characterised by detuned ear-piercing distortion: buzzsaw guitars, fuzzed bass, charging drums and gargled vocals battle each other in a maelstrom of lo-fi production murk that reflects the bleak outlook of their lyrics. Only existing for a brief moment in time (playing a handful of mainly local gigs and releasing one demo tape and the occasional track on compilation tapes) and obscure even during their existence, Asylum were nonetheless influential, their ‘1,000 M.P.H. Hardcore Punk’ inspiring other U.K. groups such as Skum Dribblurzzzz and Napalm Death. (Nic Bullen) This release contains the 6 Track demo Is This The Price? Which was originally released as a tape only EP on Retaliation Records. The tracks have been remastered and mark the first time Asylum have released anything on vinyl. (Sealed Records)
  • "The debut 5 track 12” EP from Ataque Zero who are part of the creative and cultural punk headquarters in Bogotá - Casa Rat Trap. Ataque Zero are 2 Venezuelans, 1 Colombian and 1 French person and feature members of Muro, Dernier Futur, Exilio and Trampa but this time they have taken a more melodic approach with their sound. This still rages with intensity and passion like the finest Husker Du, Moving Targets, Manifesto Jukebox or Leatherface records. The EP never lets up the pace and has hooks at every turn. Absolutely magical." (Sean Forbes) (Static Shock Records)
  • Out of stock
    Atoxxxico was a thrashcore/hardcore punk band from Mexico active from 1987-1995. This full length was released in 1990 by Puro Pinche Ruido Records. Recorded and mixed within 24 hours at Area Studios, Mexico D.F., 1990. Produced by Atoxxxico & Puro Pinche Ruido Records. LP contains a bothsided printed lyricsheet. This is official reissue. (Puke N Vomit Records) ‎
  • Solid black vinyl ltd. to 120. The debut tape (1989) by these long running Peruvian blasting noise maniacs for the first time on vinyl! Sourced from the band’s master and totally kept in its pristine original form. 100 tracks of pure unadulterated NOISECORE NIHILISM!! No riffs, no slowdowns, no fucking music – just brutal, raging NOISECORE at the rawest stage! The absolute feeling of despair, no fun and mental aberration unleashed by the sonic hecatomb of this recording frames the crude and hopeless reality in which it was made, in an extremely impactful way! Booklet with lyrics, old fanzine excerpts and rare drawings. (F.O.A.D. Records)
  • UK punk band from New Mills with Lindsay, sister of Mackie from Blitz, playing the drums. Limited repress of their classic 2 track EP originally released on No Future in 1982. Oi-influenced vocals grafted onto a typical punk background. (Mad Butcher Records)
  • UK punk band from New Mills with Lindsay, sister of Mackie from Blitz, playing the drums. Limited repress of their classic 3 track EP originally released on No Future in 1982. Oi-influenced vocals grafted onto a typical punk background. (Mad Butcher Records)
  • AUS ROTTEN | T-shirt

    12.00 incl. tax
    Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Out of stock

    AUS | aus | LP

    17.00 incl. tax
    How does something so vintage sound like such a breath of fresh air?! Berlin's AUS tap into the Heimatland's heritage of notoriously cold and humorless nihilism to produce a danceable sense of dread. When the rhythm section isn't driving us closer to armageddon it's providing a pounding tribal backdrop for brooding and disaffected witchy incantations. Distant guitars cut like broken glass and the synth rises up through the cracks like a blend of cigarette smoke and fog machine. Collectors take note!: Comes in a heavy 320g sleeve with band photo in handstamped wax envelope. Night time only record. (Static Age Music)
  • AUS | II | LP

    17.50 incl. tax
    Their 2nd album! All Girl Post-Punk from Berlin. Cool and sinister, definitely and positively sounding like a modern reincarnation of X-MAL DEUTSCHLAND! In the recently massive wave of bands being influenced by the early 80s Post-Punk sounds, AUS are still an outstanding appearance, with their icey synth-sounds, minimalistic guitar and bass, and almost tribal (or industrial?) drum beats. And their german lyrics perfectly fit into the atmosphere created. (Static Age Music)
  • Out of stock

    AVENGERS | avengers | LP

    25.00 incl. tax
    In the late '70s, The Avengers established themselves as one of the US's preeminent punk bands. Fusing incisive guitar hooks, explosive rhythms and adolescent venom, the group forged some of the most in-your-face songs of the era. Their live shows were legendary, playing up and down the West Coast and even blowing Sex Pistols off the stage at the latter's final performance. As Byron Coley writes in the liner notes, "Of the best bands of San Francisco's first wave in 1977, The Avengers were by far the coolest and youngest sounding. They roared without irony, as though this were indeed Year Zero (and, for a moment, it was) with history being overwritten by the new. The honesty of their belief was carried by their sound. And it was convincing!" Originally released in 1983, four years after the band's dissolution, The Avengers' self-titled LP is often referred to as "The Pink Album" for its magenta-hued cover design. Frontwoman Penelope Houston's iconic voice and razor-sharp lyrics resonate on anthems "We Are The One" and "The American In Me," while penetrating ballads like "Corpus Christi" reveal a truly out-of-body euphony. The Pink Album remains The Avengers' definitive statement – collecting their classic Dangerhouse EP, sessions recorded with the Pistols' Steve Jones and a half-dozen revelatory demos. While much has been written about The Avengers in the past three decades, rock critic Greil Marcus puts it succinctly, "The word I always come back to is mystical, and that remains almost theirs alone." (Superior Viaduct Records)  
  • Out of stock
    Nothing less. 5 new bangers from Stockholm HARDCORE power house Axe Rash! Frantic to say the least. This is the elephant in the china shop - with a baseball bat. (Adult Crush Records)
  • Hardcore punk band from Stockholm/Sweden. New LP from this raging swedenpunx that vocalist is fucking pissed! Fast, abrasive and vicious but always full of intricate, catchy as hell riffs. 
    (Adult Crush Records)
    https://axerash.bandcamp.com/album/s-t

  • Out of stock
    ..first new recording from UKs Axe Grinder in over 10 years " My Plague Queen " for this RSD limited edition of 500 copies Record Store Day Release coupled with u.s metal punks War Plague -"Disease" Forming in 2008, War//Plague have been one of the most dedicated and productive DIY punk bands for the last decade. With 10 releases to date for these veteran Minneapolis punks! War//Plague combine elements of crust punk with a barrage of attacking drum hits, apocalyptic guitar riffs and vocals that are focused on the worlds horrors, self-centered materialism and shallow consumer garbage. Punk is protest! Axegrinder Initially a metallic crust punk band formed 1985/86 by Trev and Matt (members of Stone The Crowz) and Jel and Steve (both in The Proudhons). Their crust/thrash style was influenced by Amebix, but has also been compared to both Motörhead and Venom. In 1987, after the Axegrinder - Grind The Enemy, drummer Jel left and was replaced by Darryn for the Axegrinder - Live demo. The band then signed with Peaceville, off the back of their Squat Tape demo, where they released the track 'Where Evil Dwells' on the Various - A Vile Peace compilation, and then recorded The Rise Of The Serpent Men. Axegrinder also contributed two tracks to the Vile Visions compilation VHS, 'Evilution' and (new song) 'Requi-Anthem', both filmed at Queens Hall, Bradford, 1990, by which time Cliff Evans had joined the band. Axegrinder folded in 1991. While Evans formed death metal band Flesh. The other four members promptly formed Voivod-clones Wartech. In 2016 the band reformed and went into the studio to record …… ."29 years after the release of the cult album Rise of The Serpent Men, Axegrinder are back to unleash a further barrage of their unique sound onto the punk/crust genre. Never afraid to experiment and explore new sounds My Plague Queen sees the band retaining the heaviness of old but developing beyond the Rise material. Some will like it and others will loathe it but the band were always about polarising opinion so...business as usual." (Easy Action Records)
  • AXEGRINDER | T-shirt

    12.00 incl. tax
    Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Axegrinder’s influential Crust Thrash Metal release from 1988 available on vinyl with its original artwork. Rise of the Serpent Men was recorded at Lion Studios in Leeds in 1988 and released the same year. Axegrinder’s strong AMEBIX-like grind sensibility appealed to Punks and Metal-Heads alike, and the band's first and only album Rise of the Serpent Men featured artwork contributions created by Jeff Walker (of UK Metal masters Carcass). The band has gained a strong cult following in countries such as Japan over the years and has lately seen a new period of activity, with a studio album in the offing, along with plans for extensive live work. This 2017 vinyl edition of ‘Rise of the Serpent Men’ marks 30 years of Peaceville and is released as part of the early classics selection to commemorate the occasion. (Peaceville Records)
  • Out of stock
    Sixth album of Sweden's most hard rockin' punx. 10 tracks, again including several top hits. (Kidnap Records)
  • Out of stock
    Three times in the last sixty years musical movements have played a vital role in confronting the rise of fascist organisations in Britain - The Stars Campaign for Interracial Friendship in the 1950s, Rock Against Racism in the late 1970s and Love Music Hate Racism in the first two decades of the 21st century. This book is a tribute to those three musical movements and the musicians, activists and youth subcultures that surrounded them, and an in-depth study of the rise of modern fascist movements and the political strategies needed to defeat them. Format Paperback | 200 pages Dimensions 138 x 216 x 28mm | 434g Publisher Bookmarks Publications Publication City/Country London, United Kingdom Language English
  • "I And I Survive" is a 1982 EP by Bad Brains, released on the heels of their iconic self-titled debut album. Like the band's subsequent album "Rock for Light", the recordings were produced by Ric Ocasek. The release was previously out of print for nearly four decades. This reissue marks the third release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains’ recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. TRACK LISTING Side 1: I And I Survive A1 Destroy Babylon A2 Coptic Times A3 Joshua's Song (Bad Brains Records ‎/ ORG Music)
  • This breathtaking performance displays why Bad Brains became one of the most important bands in the history of American Hardcore. On Christmas Eve 1982, Bad Brains began their three-day stint at a Hardcore Festival hosted by legendary CBGB. This vinyl only release contains audio selections from the DVD release, LIVE CBGB 1982. Sure it sounds confusing, but the material on the LP, while culled from the same series of live shows around Christmas 1982 at CBGBs, is completely different. Besides, who can have enough live stuff from the world's best hardcore band at the peak of their prowess? Includes blazingly awesome live versions of "FVK," "How Low Can a Punk Get," and more. Tracklist A1 The Meek A2 The Regulator A3 Unity Dub A4 Banned In DC A5 Joshua's Song A6 Rally Round Jah's Throne A7 Destroy Babylon B1 Riot Squad B2 I And I Rasta B3 How Low Can A Punk Get? B4 F.V.K. B5 Right Brigade B6 I And I Survive B7 We Will Not (MVD Audio)
  • Back in stock
    The beyond legendary, totally immortal, Washington D.C. via NYC Rastafarian hardcore and reggae group Bad Brains released their self-titled debut album in January of 1982 on ROIR and performed some of their very first West Coast gigs later that year. The Old Waldorf, at that point owned by Bill Graham, originally opened in 1976 and was host to some of the Bay's most legendary early punk shows featuring The Avengers, The Dead Boys, The Dead Kennedys, and others. Bad Brains played their patented blend of hardcore punk and dub/roots reggae to a packed and frenzied crowd at The Old Waldorf on October 20th, 1982, a now historical live radio broadcast presented here in stunning sound quality on HQ 140 gram vinyl. (Radio X/Unofficial Release)

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