• Out of stock

    ASTARON | same title | LP

    23.50 incl. tax
    Astaron from Vienna Austria were a music and art performance duo made up of Angie Mörth (member of viele bunte Autos) and Martina Aichhorn who existed from 1984 to 1989. Influenced by the Viennese Actionism, Einstürzende Neubauten and Kate Bush and armed with a big dose of black humour and a true love for trash culture they created an impressively unique body of work. They released two DIY tapes, One 12” and this stunning self titled album at the tail end of 1987. It was originally released by local label Ton Um Ton Records in a criminally low pressing of 500 Copies. It’s an unadjusted highly experimental and totally addictive dark wave album with hints of minimal post punk. The music ranges from dirgelike chants to ethereal pop to haunting ballads. It’s pure melancholic beauty from start to finish. Think KUKL, Cocteau Twins, Young Marble Giants for the minimal sound, Brian Eno, Lizzy Mercier Descloux and Diamanda Galas. Sealed Records are proud to give this haunting rhythmic and gorgeous album a new lease of life. This time adding a printed inner sleeve and 12 page booklet. (Sealed Records)
  • Out of stock
    Formed in 1981 by a crew of hardcore punx and skins from Stoke-on-Trent in the industrial Midlands of England, Asylum fully embraced the ‘Noise Not Music’ rallying call. The missing link between Discharge and Japanese Noisecore, their sound is characterised by detuned ear-piercing distortion: buzzsaw guitars, fuzzed bass, charging drums and gargled vocals battle each other in a maelstrom of lo-fi production murk that reflects the bleak outlook of their lyrics. Only existing for a brief moment in time (playing a handful of mainly local gigs and releasing one demo tape and the occasional track on compilation tapes) and obscure even during their existence, Asylum were nonetheless influential, their ‘1,000 M.P.H. Hardcore Punk’ inspiring other U.K. groups such as Skum Dribblurzzzz and Napalm Death. (Nic Bullen) This release contains the 6 Track demo Is This The Price? Which was originally released as a tape only EP on Retaliation Records. The tracks have been remastered and mark the first time Asylum have released anything on vinyl. (Sealed Records)
  • "The debut 5 track 12” EP from Ataque Zero who are part of the creative and cultural punk headquarters in Bogotá - Casa Rat Trap. Ataque Zero are 2 Venezuelans, 1 Colombian and 1 French person and feature members of Muro, Dernier Futur, Exilio and Trampa but this time they have taken a more melodic approach with their sound. This still rages with intensity and passion like the finest Husker Du, Moving Targets, Manifesto Jukebox or Leatherface records. The EP never lets up the pace and has hooks at every turn. Absolutely magical." (Sean Forbes) (Static Shock Records)
  • Out of stock
    Atoxxxico was a thrashcore/hardcore punk band from Mexico active from 1987-1995. This full length was released in 1990 by Puro Pinche Ruido Records. Recorded and mixed within 24 hours at Area Studios, Mexico D.F., 1990. Produced by Atoxxxico & Puro Pinche Ruido Records. LP contains a bothsided printed lyricsheet. This is official reissue. (Puke N Vomit Records) ‎
  • Solid black vinyl ltd. to 120. The debut tape (1989) by these long running Peruvian blasting noise maniacs for the first time on vinyl! Sourced from the band’s master and totally kept in its pristine original form. 100 tracks of pure unadulterated NOISECORE NIHILISM!! No riffs, no slowdowns, no fucking music – just brutal, raging NOISECORE at the rawest stage! The absolute feeling of despair, no fun and mental aberration unleashed by the sonic hecatomb of this recording frames the crude and hopeless reality in which it was made, in an extremely impactful way! Booklet with lyrics, old fanzine excerpts and rare drawings. (F.O.A.D. Records)
  • UK punk band from New Mills with Lindsay, sister of Mackie from Blitz, playing the drums. Limited repress of their classic 2 track EP originally released on No Future in 1982. Oi-influenced vocals grafted onto a typical punk background. (Mad Butcher Records)
  • AUS ROTTEN | T-shirt

    12.00 incl. tax
    Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
  • Out of stock

    AUS | aus | LP

    17.00 incl. tax
    How does something so vintage sound like such a breath of fresh air?! Berlin's AUS tap into the Heimatland's heritage of notoriously cold and humorless nihilism to produce a danceable sense of dread. When the rhythm section isn't driving us closer to armageddon it's providing a pounding tribal backdrop for brooding and disaffected witchy incantations. Distant guitars cut like broken glass and the synth rises up through the cracks like a blend of cigarette smoke and fog machine. Collectors take note!: Comes in a heavy 320g sleeve with band photo in handstamped wax envelope. Night time only record. (Static Age Music)
  • AUS | II | LP

    17.50 incl. tax
    Their 2nd album! All Girl Post-Punk from Berlin. Cool and sinister, definitely and positively sounding like a modern reincarnation of X-MAL DEUTSCHLAND! In the recently massive wave of bands being influenced by the early 80s Post-Punk sounds, AUS are still an outstanding appearance, with their icey synth-sounds, minimalistic guitar and bass, and almost tribal (or industrial?) drum beats. And their german lyrics perfectly fit into the atmosphere created. (Static Age Music)
  • AVIADOR DRO Y SUS OBREROS ESPECIALIZADOS formed in the Prosperidad Neighbourhood of Madrid in 1979. Influenced equally by Dadaism and Futurist ideas as by the contemporary sounds of bands such as DEVO, THROBBING GRISTLE or CABARET VOLTAIRE, they started creating their own brand of electronic music. Soon after the band won the third prize of a local Battle of The Bands show and were given a record deal as a prize that resulted in La Chica De Plexiglás 7” (Movieplay-1980) and La Vision 7” (Movieplay-1981) both of which were recorded at the same session with a third 7” recorded but not released at the time. Faced with the total lack of interest showed by the label and feeling alienated in a Music World which wasn’t the one they dreamed of, they decided to do what dozens of their peers were doing worldwide; They started their own label, Discos Radioactivos Organizados (DRO) following the steps of Factory or Industrial Records. Faced with the exit of three members who left the band to form a more radical band (ESPLENDOR GEOMETRICO), AVIADOR DRO entered Doublewtronix studios to record Nuclear Sí, marking the birth of the Independent Music Industry in Spain. The four tracks on the EP became instant classics with Nuclear Sí being the absolute standout track, while Varsovia en Llamas, Sintonia Del Refugio Atomico and Godzilla were perfect nuggets of Synth-punk who remain amongst the greatest Spanish Pop songs ever. Originally hand-assembled, hand-coloured, self-released and distributed in the total DIY spirit, the first release of DRO remains a perfect example of what a bunch of teenagers can achieve armed with just their youthful energy and idealism. Nuclear Si, was repressed three times and has been out of print since the early 80’s. This reissue of 500 radioactive green vinyl comes out in the year that AVIADOR DRO celebrates its 40 anniversary with a book released and an anniversary tour. (La Vida Es Un Mus Records) https://lavidaesunmus.bandcamp.com/album/nuclear-s
  • Out of stock
    Nothing less. 5 new bangers from Stockholm HARDCORE power house Axe Rash! Frantic to say the least. This is the elephant in the china shop - with a baseball bat. (Adult Crush Records)
  • Hardcore punk band from Stockholm/Sweden. New LP from this raging swedenpunx that vocalist is fucking pissed! Fast, abrasive and vicious but always full of intricate, catchy as hell riffs. 
    (Adult Crush Records)
    https://axerash.bandcamp.com/album/s-t

  • Out of stock
    ..first new recording from UKs Axe Grinder in over 10 years " My Plague Queen " for this RSD limited edition of 500 copies Record Store Day Release coupled with u.s metal punks War Plague -"Disease" Forming in 2008, War//Plague have been one of the most dedicated and productive DIY punk bands for the last decade. With 10 releases to date for these veteran Minneapolis punks! War//Plague combine elements of crust punk with a barrage of attacking drum hits, apocalyptic guitar riffs and vocals that are focused on the worlds horrors, self-centered materialism and shallow consumer garbage. Punk is protest! Axegrinder Initially a metallic crust punk band formed 1985/86 by Trev and Matt (members of Stone The Crowz) and Jel and Steve (both in The Proudhons). Their crust/thrash style was influenced by Amebix, but has also been compared to both Motörhead and Venom. In 1987, after the Axegrinder - Grind The Enemy, drummer Jel left and was replaced by Darryn for the Axegrinder - Live demo. The band then signed with Peaceville, off the back of their Squat Tape demo, where they released the track 'Where Evil Dwells' on the Various - A Vile Peace compilation, and then recorded The Rise Of The Serpent Men. Axegrinder also contributed two tracks to the Vile Visions compilation VHS, 'Evilution' and (new song) 'Requi-Anthem', both filmed at Queens Hall, Bradford, 1990, by which time Cliff Evans had joined the band. Axegrinder folded in 1991. While Evans formed death metal band Flesh. The other four members promptly formed Voivod-clones Wartech. In 2016 the band reformed and went into the studio to record …… ."29 years after the release of the cult album Rise of The Serpent Men, Axegrinder are back to unleash a further barrage of their unique sound onto the punk/crust genre. Never afraid to experiment and explore new sounds My Plague Queen sees the band retaining the heaviness of old but developing beyond the Rise material. Some will like it and others will loathe it but the band were always about polarising opinion so...business as usual." (Easy Action Records)
  • AXEGRINDER | T-shirt

    12.00 incl. tax
    Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
  • Out of stock
    Axegrinder’s influential Crust Thrash Metal release from 1988 available on vinyl with its original artwork. Rise of the Serpent Men was recorded at Lion Studios in Leeds in 1988 and released the same year. Axegrinder’s strong AMEBIX-like grind sensibility appealed to Punks and Metal-Heads alike, and the band's first and only album Rise of the Serpent Men featured artwork contributions created by Jeff Walker (of UK Metal masters Carcass). The band has gained a strong cult following in countries such as Japan over the years and has lately seen a new period of activity, with a studio album in the offing, along with plans for extensive live work. This 2017 vinyl edition of ‘Rise of the Serpent Men’ marks 30 years of Peaceville and is released as part of the early classics selection to commemorate the occasion. (Peaceville Records)
  • Axe Rash from Sweden and Therapy from San Diego are delivering this amazing split. (De Nihil Records)
  • Out of stock
    Sixth album of Sweden's most hard rockin' punx. 10 tracks, again including several top hits. (Kidnap Records)
  • Out of stock
    Three times in the last sixty years musical movements have played a vital role in confronting the rise of fascist organisations in Britain - The Stars Campaign for Interracial Friendship in the 1950s, Rock Against Racism in the late 1970s and Love Music Hate Racism in the first two decades of the 21st century. This book is a tribute to those three musical movements and the musicians, activists and youth subcultures that surrounded them, and an in-depth study of the rise of modern fascist movements and the political strategies needed to defeat them. Format Paperback | 200 pages Dimensions 138 x 216 x 28mm | 434g Publisher Bookmarks Publications Publication City/Country London, United Kingdom Language English
  • "I And I Survive" is a 1982 EP by Bad Brains, released on the heels of their iconic self-titled debut album. Like the band's subsequent album "Rock for Light", the recordings were produced by Ric Ocasek. The release was previously out of print for nearly four decades. This reissue marks the third release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains’ recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. TRACK LISTING Side 1: I And I Survive A1 Destroy Babylon A2 Coptic Times A3 Joshua's Song (Bad Brains Records ‎/ ORG Music)
  • This breathtaking performance displays why Bad Brains became one of the most important bands in the history of American Hardcore. On Christmas Eve 1982, Bad Brains began their three-day stint at a Hardcore Festival hosted by legendary CBGB. This vinyl only release contains audio selections from the DVD release, LIVE CBGB 1982. Sure it sounds confusing, but the material on the LP, while culled from the same series of live shows around Christmas 1982 at CBGBs, is completely different. Besides, who can have enough live stuff from the world's best hardcore band at the peak of their prowess? Includes blazingly awesome live versions of "FVK," "How Low Can a Punk Get," and more. Tracklist A1 The Meek A2 The Regulator A3 Unity Dub A4 Banned In DC A5 Joshua's Song A6 Rally Round Jah's Throne A7 Destroy Babylon B1 Riot Squad B2 I And I Rasta B3 How Low Can A Punk Get? B4 F.V.K. B5 Right Brigade B6 I And I Survive B7 We Will Not (MVD Audio)
  • Back in stock
    The beyond legendary, totally immortal, Washington D.C. via NYC Rastafarian hardcore and reggae group Bad Brains released their self-titled debut album in January of 1982 on ROIR and performed some of their very first West Coast gigs later that year. The Old Waldorf, at that point owned by Bill Graham, originally opened in 1976 and was host to some of the Bay's most legendary early punk shows featuring The Avengers, The Dead Boys, The Dead Kennedys, and others. Bad Brains played their patented blend of hardcore punk and dub/roots reggae to a packed and frenzied crowd at The Old Waldorf on October 20th, 1982, a now historical live radio broadcast presented here in stunning sound quality on HQ 140 gram vinyl. (Radio X/Unofficial Release)
  • Out of stock
    Issued in a jewel case with a transparent tray. Comes with a 4-page booklet. Tracklist 1 Don’t Need It 2:59 2 Pay To Cum 1:53 3 Supertouch 3:33 4 The Regulator 1:37 5 Why’d You Have To Go? 2:49 6 Don’t Bother Me 2:27 7 Reggae Jam 2:31 8 Banned In DC 3:36 9 Big Takeover 3:34 10 Stay Close To Me 3:14 11 Attitude 1:35 12 You’re A Migraine 2:46 13 Just Another Damn Song 1:56 14 The Man Won’t Annoy Ya 3:18 15 Redbone In The City 2:15 16 I 2:42 (Really Wasted Youth ‎– RWY02 )
  • Out of stock
    "Pay To Cum b/w Stay Close To Me" is the debut single from the band Bad Brains. Originally recorded in 1979 at Dots Studio in NYC, and released in 1980 on Bad Brains’ own Bad Brains Records, the single features one of hardcore’s greatest songs… a classic record from legends of the genre! This reissue marks the first release in the remaster campaign, re-launching the Bad Brains Records label imprint. The release includes a replication of the original insert. Track Listing: 1. Pay To Cum 2. Stay Close To Me (Bad Brains Records / ORG Music)
  • Quickness is the fourth full-length studio album by Bad Brains, originally released by Caroline Records in 1989. This reissue marks the fifth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains’ recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. (Bad Brains Records ‎/ ORG Music)
  • Rock for Light is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. We’re proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek and bass player Darryl Jenifer. In addition to new mixes, that version used an altered track order. This reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains’ recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. This is the classic album from 1982. Virtually everyone agrees that this group made up of 4 DC African American. They radically quickened punk's tempos, added virtuoso instrumentation, and topped it all off with the mystic squeals of frontman Paul "H.R." Hudson. This release gives voice to the band's scathing sociopolitical judgment as well as its ability to simply put the hammer down and rock. It also allows the rhythm section of Darryl Jenifer and Earl Hudson to flex their muscle on a smattering of dub-reggae interludes that help lull the unsuspecting into the right frame of mind for the next hardcore punch. TRACK LISTING A1 Coptic Times A2 Attitude A3 We Will Not A4 Sailin' On A5 Rally Round Jah Throne A6 Right Brigade A7 F.V.K. (Fearless Vampire Killers) A8 Riot Squad A9 The Meek Shall Inherit The Earth B1 Joshua's Song B2 Banned In D.C. B3 How Low Can A Punk Get B4 Big Takeover B5 I And I Survive B6 Destroy Babylon B7 Rock For Light B8 At The Movies (Bad Brains Records / ORG Music)

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