• One of the most well known of Portland’s fertile post punk influenced scene, Arctic Flowers follows up their well received debut EP and split with Spectres. Their sound builds on the foundation of UK anarchopunk meeting their previous work with such bands as Signal Lost and The Observers. This 12-inch has 8 songs leaning more towards the hardcore end of the spectrum while throwing in the occasional Mob influenced bit of melodic punk. (Sabotage Records)
  • ARMAGEDOM "Silêncio Fúnebre" remastered for the 1st time from the original tape that was recovered last year. Includes, two sided printed insert with lyrics and photos + an A4 300 gsm mini poster with lyrics explained in English by Javier. This record was originally released by Rainbow Records in 1986. (Punk Vortex Records)
  • ARTCORE FANZINE ISSUE #41 with STUKAS OVER BEDROCK ‘Life Like Yogi’ 7” EP. ARTCORE #41: Features interviews with: NAKED RAYGUN, THE LUNGS, MAU MAUS, WRONG WAR, ZERO AGAIN, WHITE STAINS and SOCIAL EXPERIMENT while Vaultage features a history of WALL OF VOODOO and interviews with thrashers CONDEMNED TO DEATH and ATTITUDE ADJUSTMENT and the highly influential RIKK AGNEW talks about O.C life. On top of all that there's the art of JIM MARTIN as well as loads of bad reviews all jammed into 36 pages. STUKAS OVER BEDROCK: This highly sought after classic L.A. Hanna-Barbaric hardcore punk 7" from 1984 expanded to a six song remixed and remastered EP on 'Dino' purple vinyl. 'Life Like Yogi' comes in the 12 page 7" 'Artcore Audio Fanzine' booklet sleeve including SxOxBx interview/history, lyrics and dozens of unpublished photos by Linda Aronow... and of course a download code.
  • Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
  • This album features the entire session that Artificial Peace recorded in November 1981. At the time, A.P. were on of the leading bands in the D.C. hardcore scene. Three of these songs were initially released on the "Flex Your Head" compilation, but the rest were shelved when the band unexpectedly broke up after playing for barely over a year. Three members went on to form Marginal Man, who would have a very successful run well into the late 80s. (Dischord Records)
  • Out of stock
    Official reissue of the classic, ultra rare debut full length (1989) by this long time running metallic Hardcore cult from Japan! A faithful reproduction made exactly as the 1st pressing that was originally released in few hundred copies and quickly became a rarity sought after by collectors and sold at insane prices. Includes lyric sheet, foldout double sided poster, sticker and to respect the F.O.A.D. tradition we also added an OBI strip! Quoting Doom, Discharge, Chaos U.K., Disorder, Crucifix and Conflict as their influences on this album, ASBESTOS were actually one of the first Japanese HC bands to introduce Crustcore elements in their sound incorporating them with powerful Metal/Punk riffs creating a dark, catastrophic mood all of their own. Audio taken from the best sounding sources in existence and cleverly remastered for vinyl at Toxic Basement Studio. Black vinyl limited to 250 copies. (F.O.A.D. Records)
  • Official reissue of the classic, ultra rare debut full length (1989) by this long time running metallic Hardcore cult from Japan! A faithful reproduction made exactly as the 1st pressing that was originally released in few hundred copies and quickly became a rarity sought after by collectors and sold at insane prices. Includes lyric sheet, foldout double sided poster, sticker and to respect the F.O.A.D. tradition we also added an OBI strip! Quoting Doom, Discharge, Chaos U.K., Disorder, Crucifix and Conflict as their influences on this album, ASBESTOS were actually one of the first Japanese HC bands to introduce Crustcore elements in their sound incorporating them with powerful Metal/Punk riffs creating a dark, catastrophic mood all of their own. Audio taken from the best sounding sources in existence and cleverly remastered for vinyl at Toxic Basement Studio. Diehard splatter gray on coke bottle green vinyl limited to 150 copies. (F.O.A.D. Records)
  • The Swedish hardcore punk scene of the early 1980s was vibrant and wide, with underground movements yielding surprising extremities. This ultra-scarce cassette-only release, limited to 300 copies in 1984, was the first of the legendary Uproar label, pitting the blast-beat proto-grindcore of Asocial, from the small town of Hedemora, against the classical thrash of Bedrövlers, from the equally small town of Fagersta, whose name roughly translates to Miserablerz, a term assigned them by a bus driver that disliked their discordant noise. Subverting Bad Religion’s How Could Hell Be Any Worse for their own purposes, Asocial’s tracks are blindingly fast and Bedrövlers’ down and dirty-rare Swedish hardcore, at its best! (Radiation Records)
  • Out of stock
    LIMITED WHITE VINYL VERSION. The Swedish hardcore punk scene of the early 1980s was vibrant and wide, with underground movements yielding surprising extremities. This ultra-scarce cassette-only release, limited to 300 copies in 1984, was the first of the legendary Uproar label, pitting the blast-beat proto-grindcore of Asocial, from the small town of Hedemora, against the classical thrash of Bedrövlers, from the equally small town of Fagersta, whose name roughly translates to Miserablerz, a term assigned them by a bus driver that disliked their discordant noise. Subverting Bad Religion’s How Could Hell Be Any Worse for their own purposes, Asocial’s tracks are blindingly fast and Bedrövlers’ down and dirty-rare Swedish hardcore, at its best! (Radiation Records)
  • Sweden’s Hardcore pioneers blast back after 23 years! “Död åt kapitalismen” is their first recording since 1994 and as expected it takes no prisoners… 10 songs of raw and brutal HC combing the traditional Scandinavian approach with a solid d-beat structure. It takes all the best features of their previous works to push them to a new devastating stage… speed, anger, vitriolic vocals and a solid production makes this a total scandicore headsmasher for fans of Anti Cimex, Crude SS, Totallitär, Avskum and so on. Comes in a gatefold sleeve. (F.O.A.D. Records)  
  • Out of stock
    Original tape transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in August 2020. Hardcore thrashers insisting that Assassin´s two early demos were superior to the re-recordings of the very same songs that ended up on the band´s debut album The Upcoming Terror might have a point. When the first tape Holy Terror started to circulate at the beginning of 1986, it not only put Düsseldorf on the map of German extreme metal but was also an instant classic of Teutonic steel because the quintet married instinctive ferocity with an already impressive degree of musicality. “Dinko and me wrote all of the songs during that era,” says guitarist Jürgen “Scholli” Scholz about the origins of these six tracks plus intro. “We were inspired by doing all the new hot and fast stuff that had been coming out for some years, but with our own twist. Although we liked Venom or Metallica – who made their best album with Ride the Lightning at around the same time – as well as Exciter, Motörhead and Tank, we aimed at finding an individual way, which was still possible back then.” Still rough around the edges for all their palpable ambition, the tunes – the catchy title track, band anthem ‘Assassin’ and the surprisingly colourful instrumental ‘ Speed of Light’ amongst them – were recorded “in 1985 in our rehearsal space with just one microphone. We had been dabbling with a four-track recorder from our drummer´s cousin, but the result sounded way too soft, so we stuck to that very basic setup.” Listening to this stuff now, it´s astounding just how well it has aged in comparison to the dilettantish initial steps of some of Assassin´s peers, most of which became significantly more popular. By re-issuing it in 2021 for the first time ever in due original form and not just as a bonus throwaway for some new album edition, Scholli and friends pay homage to an irretrievable era and spirit. “I´ll never forget our first gig with Darkness in Essen, the hotbed of German metal in 1985,” he concludes. “The room still exists – now with a fancy mantelpiece whereas on that evening, the fumes exuded came from the sweating crowd!” The audio was carefully restored and remastered by Patrick W. Engel at Temple of Disharmony Studio in August 2020 from the original tape source; High Roller’s ultimate vinyl re-release is limited to 500 copies (200 white/black splatter, 150 black or transparent blood-red) and comes with inside-out printed sleeve plus inlay. Together with the second demo, it is also compiled on one CD as Holy Terror/ The Saga of Nemesis in a slipcase. Andreas Schiffmann (High Roller Records)
  • Considering that The Saga of Nemesis came out in April 1986, meaning just about three months after Assassin´s debut demo Holy Terror, the group had taken a big leap forward – not least regarding its production values, making the four songs plus intro an abrasion-proof set of thrash from a time when the German scene was maturing at a frantic pace. High Roller Records, 2nd pressing, black vinyl, ltd 200, insert printed on uncoated paper, 350gsm cover with inside out print, Original tape transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in August 2020. (High Roller Records)
  • ASSUCK | T-shirt

    12.00 incl. tax
    Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
  • ASTARON | same title | LP

    23.50 incl. tax
    Astaron from Vienna Austria were a music and art performance duo made up of Angie Mörth (member of viele bunte Autos) and Martina Aichhorn who existed from 1984 to 1989. Influenced by the Viennese Actionism, Einstürzende Neubauten and Kate Bush and armed with a big dose of black humour and a true love for trash culture they created an impressively unique body of work. They released two DIY tapes, One 12” and this stunning self titled album at the tail end of 1987. It was originally released by local label Ton Um Ton Records in a criminally low pressing of 500 Copies. It’s an unadjusted highly experimental and totally addictive dark wave album with hints of minimal post punk. The music ranges from dirgelike chants to ethereal pop to haunting ballads. It’s pure melancholic beauty from start to finish. Think KUKL, Cocteau Twins, Young Marble Giants for the minimal sound, Brian Eno, Lizzy Mercier Descloux and Diamanda Galas. Sealed Records are proud to give this haunting rhythmic and gorgeous album a new lease of life. This time adding a printed inner sleeve and 12 page booklet. (Sealed Records)
  • Out of stock
    Formed in 1981 by a crew of hardcore punx and skins from Stoke-on-Trent in the industrial Midlands of England, Asylum fully embraced the ‘Noise Not Music’ rallying call. The missing link between Discharge and Japanese Noisecore, their sound is characterised by detuned ear-piercing distortion: buzzsaw guitars, fuzzed bass, charging drums and gargled vocals battle each other in a maelstrom of lo-fi production murk that reflects the bleak outlook of their lyrics. Only existing for a brief moment in time (playing a handful of mainly local gigs and releasing one demo tape and the occasional track on compilation tapes) and obscure even during their existence, Asylum were nonetheless influential, their ‘1,000 M.P.H. Hardcore Punk’ inspiring other U.K. groups such as Skum Dribblurzzzz and Napalm Death. (Nic Bullen) This release contains the 6 Track demo Is This The Price? Which was originally released as a tape only EP on Retaliation Records. The tracks have been remastered and mark the first time Asylum have released anything on vinyl. (Sealed Records)
  • "The debut 5 track 12” EP from Ataque Zero who are part of the creative and cultural punk headquarters in Bogotá - Casa Rat Trap. Ataque Zero are 2 Venezuelans, 1 Colombian and 1 French person and feature members of Muro, Dernier Futur, Exilio and Trampa but this time they have taken a more melodic approach with their sound. This still rages with intensity and passion like the finest Husker Du, Moving Targets, Manifesto Jukebox or Leatherface records. The EP never lets up the pace and has hooks at every turn. Absolutely magical." (Sean Forbes) (Static Shock Records)
  • Out of stock
    Atoxxxico was a thrashcore/hardcore punk band from Mexico active from 1987-1995. This full length was released in 1990 by Puro Pinche Ruido Records. Recorded and mixed within 24 hours at Area Studios, Mexico D.F., 1990. Produced by Atoxxxico & Puro Pinche Ruido Records. LP contains a bothsided printed lyricsheet. This is official reissue. (Puke N Vomit Records) ‎
  • Solid black vinyl ltd. to 120. The debut tape (1989) by these long running Peruvian blasting noise maniacs for the first time on vinyl! Sourced from the band’s master and totally kept in its pristine original form. 100 tracks of pure unadulterated NOISECORE NIHILISM!! No riffs, no slowdowns, no fucking music – just brutal, raging NOISECORE at the rawest stage! The absolute feeling of despair, no fun and mental aberration unleashed by the sonic hecatomb of this recording frames the crude and hopeless reality in which it was made, in an extremely impactful way! Booklet with lyrics, old fanzine excerpts and rare drawings. (F.O.A.D. Records)
  • UK punk band from New Mills with Lindsay, sister of Mackie from Blitz, playing the drums. Limited repress of their classic 2 track EP originally released on No Future in 1982. Oi-influenced vocals grafted onto a typical punk background. (Mad Butcher Records)
  • Out of stock
    UK punk band from New Mills with Lindsay, sister of Mackie from Blitz, playing the drums. Limited repress of their classic 3 track EP originally released on No Future in 1982. Oi-influenced vocals grafted onto a typical punk background. (Mad Butcher Records)
  • AUS ROTTEN | T-shirt

    12.00 incl. tax
    Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
  • Out of stock

    AUS | aus | LP

    17.00 incl. tax
    How does something so vintage sound like such a breath of fresh air?! Berlin's AUS tap into the Heimatland's heritage of notoriously cold and humorless nihilism to produce a danceable sense of dread. When the rhythm section isn't driving us closer to armageddon it's providing a pounding tribal backdrop for brooding and disaffected witchy incantations. Distant guitars cut like broken glass and the synth rises up through the cracks like a blend of cigarette smoke and fog machine. Collectors take note!: Comes in a heavy 320g sleeve with band photo in handstamped wax envelope. Night time only record. (Static Age Music)
  • AUS | II | LP

    17.50 incl. tax
    Their 2nd album! All Girl Post-Punk from Berlin. Cool and sinister, definitely and positively sounding like a modern reincarnation of X-MAL DEUTSCHLAND! In the recently massive wave of bands being influenced by the early 80s Post-Punk sounds, AUS are still an outstanding appearance, with their icey synth-sounds, minimalistic guitar and bass, and almost tribal (or industrial?) drum beats. And their german lyrics perfectly fit into the atmosphere created. (Static Age Music)
  • Out of stock

    AVENGERS | avengers | LP

    25.00 incl. tax
    In the late '70s, The Avengers established themselves as one of the US's preeminent punk bands. Fusing incisive guitar hooks, explosive rhythms and adolescent venom, the group forged some of the most in-your-face songs of the era. Their live shows were legendary, playing up and down the West Coast and even blowing Sex Pistols off the stage at the latter's final performance. As Byron Coley writes in the liner notes, "Of the best bands of San Francisco's first wave in 1977, The Avengers were by far the coolest and youngest sounding. They roared without irony, as though this were indeed Year Zero (and, for a moment, it was) with history being overwritten by the new. The honesty of their belief was carried by their sound. And it was convincing!" Originally released in 1983, four years after the band's dissolution, The Avengers' self-titled LP is often referred to as "The Pink Album" for its magenta-hued cover design. Frontwoman Penelope Houston's iconic voice and razor-sharp lyrics resonate on anthems "We Are The One" and "The American In Me," while penetrating ballads like "Corpus Christi" reveal a truly out-of-body euphony. The Pink Album remains The Avengers' definitive statement – collecting their classic Dangerhouse EP, sessions recorded with the Pistols' Steve Jones and a half-dozen revelatory demos. While much has been written about The Avengers in the past three decades, rock critic Greil Marcus puts it succinctly, "The word I always come back to is mystical, and that remains almost theirs alone." (Superior Viaduct Records)  
  • Out of stock
    Nothing less. 5 new bangers from Stockholm HARDCORE power house Axe Rash! Frantic to say the least. This is the elephant in the china shop - with a baseball bat. (Adult Crush Records)

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