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A classic. Propelled by a political mission and some wicked bass playing, the gang of four released 'Entertainment' in 1979. Though King sings, "two steps forward, six steps back" (in At Home He's a Tourist), the only reason Gang of Four could have for stepping back is that they are so far ahead of the curve. This record is - without question - one of the most important records from the post punk era. and, while the album's title was almost certainly intended as sarcasm, this is also a really good listen. Label: Parlophone Barcode: 825646297023 -
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Tracks 1, 2, 3, 5, 6 Live at the Irvine Meadows Amphitheater, Irvine, California, June 15th, 1996 Tracks 7-8 Live at Davies Park, Brisbane, Australia, October 5th, 1997 Tracks 4,9 Live at the Metropolitan University, Leeds, April 9th, 1996 Track 10 Live at the Melkweg, Amsterdam, November 25th, 1995 Tracklist A1 Queer A2 Fix Me Now A3 Not My Idea A4 Stupid Girl A5 Only Happy When It Rains B1 Vow B2 Milk B3 Trip My Wire B4 Only Happy When It Rains B5 Girl Don't Come Label: Mind Control
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With 'American Slang', The Gaslight Anthem makes an extraordinary leap forward towards that very goal. The New Jersey-based band's third long player reveals a remarkably powerful rock 'n' roll outfit honed by two years of nearly non-stop touring. Singer/guitarist Fallon's passionate lyrical approach has grown more personal and introspective, his raw throated vocals stronger and more resonant against the band's pulse-pounding dynamic force. Songs like 'Bring It On', 'Orphans' and the rousing title track bristle and burn with the spirit of soul, the energy of punk, and the artistic ambition of any hall of famer you'd care to name. 'American Slang' is the battle cry of a great band finding it's own voice and using it to shout to the rooftops and beyond. The band began getting together for writing sessions at their longtime friend Kyle Roggendorf's basement in Parlin, NJ. (Side One Dummy Records)
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The Gaslight Anthem sophomore full-length, 'the '59 sound', is a 12 song streak of soul influenced cinematic punk, with each piece revolving around a plot steeped in the bruce springsteen and tom petty school of songwriting. for fans of the hold steady, the boss, jimmy eat world etc.. (Side One Dummy Records)
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Totally mindblowing CONFUSE/KURO/G.I.S.M.- styled madness, originally issued in 1985 on the legendary DOGMA label from Japan. One of Metallica's Kirk Hammet personal faves. In the words of Septic Death's singer Pushead, as published back then in MRR: "Raging speedcore thrusts out pile-driving chaotic leads and maniac raspy vocals, whose style is unique and adds character to the GASTUNK sound. Fast, maniac slices with some interspeed variations make this one of the hottest Japanese LPs since GISM." (Harto De Todo Records/Fan Club)
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Blood chilling Black Metal with an incredible sense of atmosphere. For fans of MGLA, Selbst, Dissection, Watain, The Spirit, Deathspell Omega. Gray vinyl limited to 350 copies. Layout by Dan Fried. (Nuclear Winter Records)
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This bootleg LP is a partial Gauze discography, contaning the entire "Fuckheads" LP as well as their compilation tracks from the "Outsider" and "City Rockers" LP releases. It comes with an insert that has the song lyrics (Except for "City Rockers", which didn't originally include a lyric insert) in English and Japanese and cover scans of the original releases featured on this record. Tracks A1-A10 are from the "Fuckheads" LP. Tracks B1-B4 are from the "Outsider" compilation LP. Tracks B5-B14 are from the "City Rockers" compilation LP. Tracklist A1 Power A2 Fuck Head A3 Shot A4 Core Tick A5 One Last Kiss A6 Love Song A7 Ghostlike Crime A8 Neurosis A9 Suikyou A10 Go B1 Fuck'en Sister B2 Anti Machine B3 Children Fuck Off B4 Desperate B5 Drug Addict B6 Oi B7 Usagi B8 Senjo B9 Shodoku Eki B10 Importent Kids B11 Warae B12 Anti Machine B13 Noyaku B14 Tyuseishi Bakudan (Fan Club/Unofficial Release)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Street punk pioneers Charged G.B.H. formed in Birmingham in l978, the name referencing original bassist Sean McCarthy’s trial for grievous bodily harm. The in-your-face hardcore of EP “Leather, Bristles, Studs And Acne,” paved the way for super-charged debut LP, City Baby Attacked By Rats, which hit the number two position on the British indie charts on release in l982, as well as the mainstream top 2O, despite being released by tiny independent, Clay Records. With a touch of Motorhead and Sabbath beneath their straight-up hardcore, City Baby is where the legend begins, capturing G.B.H. at their bloodiest. Limited to 500 copies only, includes a double sided insert and an exclusive photo licensed by US photographer Alison Braun in a 60x40cm folded poster! Tracklist Time Bomb Sick Boy Wardogs Slut Maniac Gunned Down I Am The Hunted City Baby Attacked By Rats The Prayer Of A Realist Passenger On The Menu Heavy Discipline Boston Babies Bellend Bop Label: Radiation Records Barcode: 8055515235609
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After the chart-topping debut City Baby Attacked By Rats, Birmingham ‘UK82’ punk pioneers Charged G.B.H. cut City Baby’s Revenge, their second release for Clay Records, and even though a mere year had passed, City Baby’s Revenge showed significant progression, Jock’s guitar more obviously inspired by metal, the lyrics more explicit and the sound even rawer than before. With a cool take of the Stooges’ ‘I Feel Alright’ and the reggae/rockabilly-esque ‘Skanga,’ this acclaimed winner is the LP that broke the band in the USA and is arguably the best they ever recorded required listening for the band’s devotees and all fans of metal-edged hardcore. Remastered reissue includes bonus tracks from the Give Me Fire / Man-Trap, Catch 23 / Hellhole and Do What You Do / Children Of Dust / Four Men singles. (Captain Oi Records)
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After the chart-topping debut City Baby Attacked By Rats, Birmingham ‘UK82’ punk pioneers Charged G.B.H. cut City Baby’s Revenge, their second release for Clay Records, and even though a mere year had passed, City Baby’s Revenge showed significant progression, Jock’s guitar more obviously inspired by metal, the lyrics more explicit and the sound even rawer than before. With a cool take of the Stooges’ ‘I Feel Alright’ and the reggae/rockabilly-esque ‘Skanga,’ this acclaimed winner is the LP that broke the band in the USA and is arguably the best they ever recorded required listening for the band’s devotees and all fans of metal-edged hardcore. Limited to 500 copies only, includes a double sided insert and an exclusive photo licensed by US photographer Alison Braun in a 60x40cm folded poster! Tracklist Diplomatic Immunity Drugs Party In 526 See The Man Run Vietnamese Blues Womb With A View The Forbidden Zone Valley Of Death City Babys Revenge Pins And Needles Christianised Cannibals Faster Faster High Octane Fuel I Feel Alright Skanga (Herby Weed) (Radiation Records)
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1982 compilation, featuring the tracks from the band's 'Leather, Bristles, Studs And Acne' 12", the 'No Survivors' 7", and the 'Sick Boy' 7". In between the charting debut LP City Baby Attacked By Rats and the acclaimed follow-up, City Baby’s Revenge, the independent Clay Records gathered all their Charged G.B.H. singles for the shocking compilation, Leather Bristles No Survivors And Sick Boys, capturing their versatility, as well as their shit-on-you attitude. The anti-war ‘Generals’ is an early classic, ‘Necrophilia’ tests the limits via an ironic salute to copulating with corpses and there are plenty of other shock-value moments, all delivered with their trademark blend of hardcore, metal, angst, rage and humour. Essential! Limited to 500 copies only, includes a double sided insert and an exclusive photo licensed by US photographer Alison Braun in a 60x40cm folded poster! Tracklist Race Against Time Knife Edge Lycanthhropy Necrophilia State Executioner Dead On Arrival Generals No Survivors Self Destruct Big Women Sick Boy Slit Your Own Throat Am I Dead Yet? Freak Alcohol (Radiation Records)
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The first ever eight track 12” mini LP by Hardcore Punk legends G.B.H. (No.8 in the Independent Chart in 1981) is joined by the ‘No Survivors’ (No.4) and ‘Sick Boy’ (No.5) singles on this 15 track round up of the bands early releases for Clay Records which itself reached No.5 in the Indie Chart. “No Survivors” also hit No.63 in the UK National Charts. Vocalist Colin Abrahall has supplied the liner notes whilst the booklet also contains lyrics to all the songs. Includes G.B.H. - Leather, Bristles, Studs And Acne. (LP, 1981) , G.B.H. - No Survivors(7'', 1982) and G.B.H. - Sick Boy (7'', 1982) (Captain Oi Records)
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2LP Gatefold transparent w/red splatter vinyl Gehenna saw the light of day already back in 1993 and are one of the original founders of true Norwegian Black Metal. With 7 albums and 2 EP`s on their soul scarred conscience, they have made a profound impact on today’s black metal scene. Gehenna has explored the boundaries of the genre but always stayed true, no doubt one of the main reasons for their cult-like status. Now it’s time to re-release one of their old classics… and let´s be honest: First Spell is a classic. And like other classics, First Spell should be available in its best, most complete state possible. When First Spell was originally recorded and released back in 1994, everything was done on a very low/small budget. It was originally a mini album, but this reissue, first released in 2008 on CD, gives you a full hour of audio-ecstasy. Contains the 5 tracks from the original EP, plus 9 bonus tracks. A Classic reborn!!! TRACKLIST – FIRST SPELL Side A The Shivering Voice of the Ghost Unearthly Loose Palace Angelwings And Ravenclaws Side B The Conquering of Hirsir Morningstar Side C: Midwinter Forest A Witch Is Born Night of the Serpent’s Judgement Side D: Intro Two Demons Eight Spirits Black Seared Heart Angelwinds and Ravenclaws The Chariots That Carried Her to the Grave Outro (Pt I & II) Label: Indie Recordings Barcode: 7072805008850
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Formed on the West Coast in 1993, Gehenna quickly became a name synonymous with violence, hatred and fear. Their sound blends the genres of Death, Black and Thrash Metal, adding the unrelenting barbarism of Hardcore with the “Fuck Off” attitude of classic Punk. Gehenna have been independent & will always stay independent. The music of Gehenna is the sound of the unending battles of life and death. Negative Hardcore was recorded in the smoke filled caverns of The Crampton Crystal Compound in the first days of July 2015 and mastered in 2021 by Dan Lowndes. It was engineered by Robert Orr overseen by Jimmy Short and directed by the watchful eyes, attentive ears and controlling hands of Drugs and Alcohol. All songs written and performed by The Infamous Gehenna. Gehenna is Negative Hardcore. Negative Hardcore is Gehenna. (Iron Lung Records)
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"If you’ve ever wondered what Catharsis covering The 13th Floor Elevators might sound like, wonder no longer—and that’s only the start!" - Decibel Magazine GELD make their Relapse Records debut with their third full length, Currency // Castration! The Australian band distills a despairingly hellish vision of the world into a thundering crack to the temple through an unsparing fusion of hardcore’s bleakest violence with metal’s ruthless strength-through-conviction. GELD's abrasive take on the genre is distorted through a lense of fuzzed out psych soundscapes; vocals truly sound like unhinged barks, while guitars, bass, and drums crash against one another frenetically, each track burning brighter and brighter. Every moment of Currency // Castration is urgent. Tracks such as “Chained to a Gate” edge and scratch at a relief that is ultimately denied, toying with the nightmarish promise of a breakdown that never comes. Elsewhere, "Cut You Down" pulses with frantically itching riffs that stream forth. "Fog of War" snaps and snarls; while "Secret Prison" evinces the honed physique of Japanese hardcore fed through the broken brain of someone on a years-long Rrröööaaarrr-era Voivod spin-out. Despite the band's innovative approach to the genre, GELD makes no pretensions at being “interesting” for interesting’s sake - As vocalist Al Smith puts it, “One of the most boring things people can do is try to dress up what someone else has already contributed to a genre and make it ‘clever’… We’re more interested in finding our own position” With Currency // Castration, GELD offers no promise of a higher purpose or resolve. Rather, they lean into dissociation, finding truth and meaning in the transcendental joy of simply escaping, surviving, existing. Label: Relapse Records Barcode: 0781676754113
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Swirling psychedelic D-Beat madness from Melbourne, Australia with members of KRÖMOSOM and POWER. Acidic fuzz guitars and wild distorted vocals snarling out 11 songs about suffering, vulnerability, paranoia and banality are what make up the perfect texture of living in today's doomed world. "Perfect Texture" offers about as much comfort as a swarm of angry bees whose nest has just been kicked. Huge full colour poster and lyric sheet housed in a 350gsm gloss sleeve. Label: Static Shock Records
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Reissue of their 2013 Debut album. PNV is making this must have album of amazing impassioned, tuneful Spanish-language punk KBD style punk available once again. The album has been Out-of-Print since 2018. The band just released their 5th LP in 2022. One of the most consistently hard-working bands on the punk scene today, they play live all the time and tour constantly. 2011 demo tracks added as a bonus For those that dont know who they are, the band started out in 2010 in South-Central L.A. and have released 5 studio albums, along with countless EPs and Live Tapes. Label: Puke N Vomit
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Originally released in demo form, in 2022 the band went into the studio and fully re-recorded the songs. 'What if Blitz hailed from Los Angeles and sang in Spanish’ isn’t a question you hear all that often. Fortunately, we don’t need to ask - the answer is provided by Generacion Suicida’s latest album, which rages and rattles in all the right places, drenched in the memorable brilliance that powered the Killed By Death compilations (ask yer dad - and if he doesn’t know or care, burn his terrible records and make some space to track down the KBD LPs). The band’s slogan is ‘musica del barrio, para el barrio’ - music from the neighbourhood, for the neighbourhood - but it sounds like they could use these hooks to take on the world. That’s a pretty accurate sentiment as well, because this album was written during the Covid-19 lockdown of 2020, while the world bubbled over with carefully managed misinformation, police violence and the sickening overspill of white supremacy’s foul brew. If Regeneracion sounds potent, it’s because there was a lot to be angry about, and the result is arguably their best album yet. Those chorused-out guitar lines carry shades of deathrock, hints of Manchester circa 1980, elements of something you might call goth if it was several degrees less furious. But there’s no doomed romance to this music; it’s an all-out attack. Street punk with the smarts turned up and an ear turned to the lessons learned from post-punk (but crucially, not the ‘post-punk revival’ that is essentially shirtless beardy lads chanting non-sequiturs over landfill indie). Chiefly, it’ll make you wanna get out of your chair, unite your local community and march on down towards your government’s centre of operations with a simple-to-use molotov cocktail kit. Its rage is infectious. It’s inspired by bleak moments in our recent shared history, but it revels in humans’ capacity to find strength in each other. And the tunes? Oh damn, they’re good.' Will Fitzpatrick. (Drunken Sailor Records)
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Generacion Suicida from Los Angeles are returning with their first new album in four years and fifth album in total. The band is one of the most productive and hard working punk bees we've seen since the beginning of this millennium and we are yet again pleased to be part of their story with "Regeneracion". Recorded and mixed by Tony, bands guitarist and vocal, this album retains everything about their trademark sound so far and that is some proper raw, melodic and catchy punk rock sung in Spanish but this time with a splice of a post-punk swagger thrown in for a good measure, which is a logical progression and evolution from the sound from their last full-lenght records "Reflejos" and "Sombras". "Regeneracion" was fully written during the Covid Lockdown of 2020. 2020 was also the year where it seems people decided that they had had enough. Enough with state oppression, enough with police violence, enough with systemic racism and white supremacy. All these feelings and more bubbled up and bled out into these tracks. While there were moments in life that feel bleak, we know that the people in our community are resilient and strong, and it is for them that we wrote these songs" (Symphony Of Destruction / Doomtown Records)
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PNV Records brings you another slice of essential Southern California PUNK. A reissue of their 2014 studio full length album. PNV is making this out of print must have album of amazing impassioned, tuneful Spanish-language punk KBD style punk. Loaded with intense catchy, sped-up, undistorted melodic punk steeped with a hardcore urgency. Their hyper-driven’ ‘77 punk, accented by surfy guitar melodies and fierce lead-vocals of vocalist / guitarist Tony (ex-Rayos X and Ekolalia), combined with the female backing vocals of drummer Kiwi are genuinely genius! Once you hear them, you can’t help but get hooked and you are going want to play the albums repeatedly. For those that don’t know who they are, Generacion Suicida is one of the most consistently hard-working bands on the punk scene today, they play live all the time and tour constantly. The band started out in 2010 in South-Central L.A. and have released 5 studio albums, along with countless EPs and Live Tapes. For Fans Of: Rata Negra Syndrome 81 Chain Cult Youth Avoiders Gorilla Angreb Label: Puke N Vomit
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The third LP by Generation X’s original line-up, recorded in 1979 and unreleased until 1998. An essential piece in the discography of one of the original UK punk bands. 180g vinyl. In early 1979 Generation X went to the English countryside to write and ‘routine’ the band’s third album. We felt we had a new sound, simple songs delivered with more space than most rock’n’roll, so we went into Olympic Studios in Barnes, London and began recording with the house engineer, Doug Bennett, as co-producer. Most of the songs were recorded before our tour of Japan in June ’79. On our return Billy came into the studio with an outline of a song called ‘Dancing With Myself’. We went to work on it and pretty much finished it quickly and we felt it was the song to lead the album, a single I guess… Then I left the band at the end of the year and carried the fuckin’ stack of 1/4” master tapes around the world for many years. A year or so later they changed the band name to Gen X and re-recorded four or five songs for the album “Kiss Me Deadly”. Billy later released the re-recorded version of ‘Dancing With Myself’ for his solo career in America and the rest is history… After years in storage my tapes were nearing the end of their life, so I digitized them in order to save this lost treasure. I named the album “KMD Sweet Revenge”. Some time later the album was released in Germany, Japan, Spain and supposedly the USA, however the release in America was quashed until Capitol Records put out their own version within a 3-CD anthology of the band, using some different mixes of the songs from cassette tapes. The recordings are almost complete minus a few guitar solos and final mixes. Time on Generation X had run out, but this album clearly shows the direction the band were heading and is worth documenting and certainly worth playing. For your pleasure… Sweet Revenge. Bob “Derwood” Andrews Generation X (also known as Gen X) were an English punk rock band from Chelsea (London, United Kingdom) formed on 1976 by Billy Idol, Tony James and John Towe. Label: Munster Records Barcode: 8435008836313
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Official reissue of the cult demo tape self-released by the band’s own label Cadaverizer Records 30 years ago… now for the first time on vinyl. 444 SONGS, extremely radical Noisecore ferocity from the Canary Islands. One of the sperheads of the deranged Spanish Noise/Grind scene in the ’90s that spawned sonic aberrations such as Violent Headache, Psychotic Noise, Excreted Alive, Potabilizadora, Pestufator, L.D.K. and countless more. Sourced from the band’s master to preserve all its unrelented brutality and sickness. Complete anti-musical catastrophe in its most deadly incarnation, if you’re looking for riffs, technicality and arrangements.. FUCK OFF!! Includes insert with photos of the time, scans of the original tape and liner notes Label: F.O.A.D. Records
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Genocide Superstars (sometimes shortened to Genocide SS) was a Swedish hardcore band. The band was formed in 1994 in Örebro, Sweden. Guitarist/vocalist Mieszko Talarczyk was one of the victims of the 2004 tsunami, and the band announced on their Myspace page that they had disbanded, as had Talarczyk's other band, Nasum. 42 songs taken from the 7-inches and rare compilations, some of them prevously unreleased on vinyl. 2xLP packed in gatefold sleeve. Re-mastered by Dan Swanö. A-1: Taken from the compilation CD We’re Getting Closer To The Grave Each Day, released by Devils Shitburner Records. A-2-3: Bonus tracks from the Japan CD of III: Superstar Destroyer. A-4-6: Taken from the compilation CD Swedish Assault, released by Relapse Records. A-8 & B-1-3: Queen Of The Death Camp Hop 7, released by Devils Shitburner Records. B-4: Taken from the compilation CD In Defence Of Our Future – A Tribute To Discharge, released by Distortion Records. B-5-8 & C-1-2: Another fucking EP, released by Distortion Records. C-3-9: The Iron Cross EP, released by Regurgitated Semen Records. C-10-11 & D-1: Taken from the compilation CD Fucking Noise Terror, released by Sound Pollution Records. D-2-7: From the split 7 with Vivisection, released by Blurred Records. D-8-15: The Unfucked demo (De:Nihil Records)
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Reissued on vinyl for the first time since their original release in 1982. "Last Rights for GENOCIDE and M.I.A.” is the title of one of my most beloved split albums ever released. Since its initial release in 1982, it has never been re released in its entirety and that is a major crime. "Awesome split record from Smoke Seven Records with two great US hardcore/punk combos. Genocide was founded early 1980 in New Jersey by Bobby EBZ (vocals), Wheels (bass), Jet Screamer (guitars) and Damage (drums) and "they were a full-throttle, skull fucking rip-ride of hardcore sex, ghetto drugs and berserk violence, a supersonic nailgun of Aquanet and mascara and spikes and splatterpunk and slutmetal. And this was way before most of that shit was even invented, brother. Led by shadowy charlatan and full-bore suicidal egomaniac Bobby EBZ, for one very brief but blinding moment in the late 80’s, Genocide threatened to rip rockNroll’s heart right out of it’s leather-clad chest and eat it whole. Besides a fashion sense that suggested needle Nazis from outer space, and a disposition just this side of liquored-up junkyard dogs, Genocide really ought to be remembered as one of the first bands to realize that there wasn't a whole lot of difference between the punk rock riot of GBH and the hellfire spit metal of Venom. So they played both at once. M.I.A. were formed 1980 in Las Vegas by Mike (vocals), Nick (guitars), Paul (bass/piano) and Moon (drums) and they broke up and then reunited a few months later in Orange County/California, becoming part of the growing scene there. Shortly after recording a demo, songs were snapped up for two now-legendary 1982 punk compilations: American Youth Report and Not So Quiet On The Western Front. The rest of the demo was released as a split LP Last Rites for Genocide and M.I.A.- The band struck a deal with notorious punk label Alternative Tentacles and released Murder in A Foreign Place in June of 1984. That summer they embarked on a grueling three month tour of the United States & Canada. In 1985 they completed another U.S. tour and headed back into the studio to record the post-punk classic Notes From the Underground. In 1987 the band issued its final studio album on Flipside Rec., After The Fact. In 2001, Alternative Tentacles issued Lost Boys, a compilation of the first two albums plus extras; in 2017 Darla Records reissued Notes From the Underground and After The Fact digitally and on CD for the first time." Great Music!" (Puke N Vomit Records)
