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On the wind-bitten plains of Skaraborg, Sweden, the wolves have arisen once again. They are on the prowl, yearning for your blood, warm and fresh. On their tenth full-length album Wolfbrigade go deep and they are ruthless. This time they have only submitted to themselves; from recording to production and art work. Working in isolation resulted in sharpened ears and teeth. The ten songs rip into both body and mind, with no holds barred regarding power, substance and melody. This time around, Wolfbrigade’s hybrid beast of Swedish hardcore and death metal known as Lycanthro Punk has become even more distinct. These ten tracks of destruction display both a love for 80’s metal hooks and intros, as well as primitive hardcore brutality. The lyrics dissect the state of human existence, the bizarre animal presence that we are. The naked apes. Exploring the dynamics that rule man. Power and submission. Manipulation. The injustices of inequality. This is an album seething with anger and frustration. _ Humans are a narcissistic breed, incapable of real change. This album is a way for us to deal with the fact that we are one of a large pack, submitting to the same societal norms as everyone else. No matter how much we would like it to be different. We are all on the same crazy trip. (Southern Lord Records) -
The Wolves are back!!! After the success of their latest "Anti-Tank Dogs" 7" the 5 Swedish maniacs decided it's time to repress their debut full length. We are honored once again to be involved in this collaboration that will also have Havoc Records releasing this masterpiece in U.S.A. The release will come with a great new layout and a restored sound that will be fatter and more powerful compared to the original one on a picture disc. What else should we say about this one? We all know Wolfbrigade and how good this record is, so we can't do nothing but wait for it to be released around November 2023. Label: Agipunk
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It's finally happening ! In a couple of weeks, the long awaited reissue of In Darkness You Feel No Regrets by Wolfbrigade will be finally available. The second album from the fiercest swedish hardcore punk band has been unavailable for more than a decade and we're very happy to bring it back in 2023, 20 years after its inception. « In Darkness » was one of the most influential records in the very prolific crust / hardcore scene of the early 2000s, ten songs of a perfect mix of brutality and melody and a cover of Poison Idea's Say Goodbye. We were very honored to be able to release the European version of this record in 2003 and the enthusiasm is still real to be able to offer you this reissue 20 years later. The disillusioned rage and urgency of this album remain intact after two decades. This reissue has been carefully prepared coincidentally with the band and packed in a gatefold cover with an impressive artwork by Wolfbrigade's very own bass player Johan Erkenvåg. It comes in a gatefold sleeve and there are clear & black marble and purple & black marble colored vinyl versions available for mailorder. Label: Destructure
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Wolfbrigade are back on Agipunk with this brand new 7" EP co-released with Armageddon Label from USA. The 7" consists of three brand new songs recorded at Wolfden Studio in March 2021 by Jocke Rydbjer. We can hear the band in an amazing powerful shape as the 3 tracks are ripping and punching in the face even stronger than usual. The unique blend of Scandi Crustcore and Swedish Death Metal with a touch of melody is once again confirmed by the five Lycanthropunks. A limited edition of 200 copies on Yellow vinyl will be available for the first buyers. It's with extreme joy and happiness that we welcome the Swedish Wolves back home Due to the pressing plant delays we can't provide a release date at the moment, but we'll announce it at least 2 months prior to the actual release. (Agipunk Records)
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Straight edge hardcore from Sweden. Track A1-A12 taken from the CD "Strength Through Diversity" (1997) Track B1-B5 taken from the CD "Something's Not Right" (1996) Track B6-B9 taken from the CD "The Light Will Return" (1996) Label: Shing records
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With the passage of two years since the release of their demo, along with a hefty helping of gigs under their belts, Mid-Atlantic powerhouse WITCHTRIAL have at long last bestowed upon us all the absolutely thunderous offering that is their self titled 12" EP. Drawing equally on the cult sounds of mid-80's international hardcore punk and the early days of underground extreme metal, WITCHTRIAL has made it their duty to remind us that there'd be no HELLHAMMER without DISCHARGE and no BATHORY without GBH. This slab features 6 brand new cuts of the driving metalpunk madness that many a maniac has embraced since the group's inception. Recorded by Carson Cox and mastered by Will Killingsworth ensuring a sonic assault that is unmatched. Each record comes in a jacket emblazoned with a dazzling layout designed by Reuben Storey. (Beach Impediment Records)
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Philadelphia blackened metal legion WITCHING will be releasing HATE5SIX x STUDIO 1935 LIVE SESSION through Alerta Antifascista Records on 12” vinyl as a live audio recording! The band released a live stream performance for Mutants of the Monster Fest, filmed by legendary HATE5SIX at Studio 1935 with engineer Pete Rydberg. WITCHING’s friend Judith Schaechter donated original stained glass artwork for this release, "Demonology 2018". (Alerta Antifascista Records)
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Formed in 2012 and hailing from Portland Oregon USA, Witch Vomit quickly became a force to be reckoned with in the underground Death Metal scene. With two full length albums and two EPs on 20buckspin it’s now undeniable that the band is not merely another “OSDM” (stale terminology) band since they have evolved a maximal and rarely achieved synthesis of European and American Death Metal styles into a flawless melange of horrific gore soaked splendor. ‘The Webs of Horror’ is their debut EP, clocking at almost 18 minutes of Barbaric Death Metal mastery. Finally issued on CD and LP vinyl by Nuclear Winter Records with revised design by Dan Fried. Label: Nuclear Winter Records
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Condition: Media: Near Mint (NM or M-) Sleeve: Very Good Plus (VG+) "So I did buy this before the band came through on tour. Heard from people I respect that this was going to be a good release, and, of course, the fact that there was a sort of special pressing, I had to jump. It was not what I was expecting. For some reason, I thought this band was going to be more in the metal/crust vein. In turn, this band plays more of an anarcho punk breed of music. But not to pigeonhole the band, the music is more adventurous and intricate. Without resorting to just playing fast to produce energy, they weave in more sonic energy with the layers of sound they produce. The songs are mid tempo but are atmospheric with the interweaving of guitars. With the addition of having two female vocalists and a male vocalist, the singers add another level to the mix. Kind of makes me think of what the next Harum Scarum record might sound like, or if Detestation kept going. I have heard Tragedy references elsewhere and I would also add to that. The power of the music is in the song writing. After listening to this LP, I was really excited to see them live. Me and a couple of hundred can attest to have enjoyed their set." Razorcake Fanzine (Fight For Your Mind /Folklore De La Zone Mondiale Records)
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Originally released on Harvest in 1977, Pink Flag is perhaps the most original debut album to come out of the first wave of British punk. Exhibiting severe art school damage, Wire careers at breakneck speed through 21 songs in 36 minutes to create an album that has influenced bands for over fourty years. Remastered Vinyl with Inner Sleeve. (Pinkflag Records)
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Wire’s first three albums need no introduction. They are the three classic albums on which Wire’s reputation is based. Moreover, they are the recordings that minted the post-punk form. This was adopted by other bands, but Wire were there first. It has been a number of years since these albums were readily available. The aim with these new vinyl releases is to approximate the original statements as closely as possible, but with remastered audio. The vinyl releases have the same covers and inners as the originals (minus the Harvest logo). These versions should be considered Wire’s classic 1970s albums, pure and undiluted. 1978’s Chairs Missing represented perhaps the biggest conceptual leap made during this period of Wire and was widely misunderstood at the time yet it remains, to the band and production crew Wire’s favorite ’70s album. If Pink Flag proposed an almost cut and paste approach to deconstructing rock history, Chairs Missing proposed something more radical, a definite futurism with much less influence from it’s antecedents. Chairs Missing was at once more stark and more lush than it’s predecessor and has exerted it’s own influence on the course of cultural history, having laid down one of the earliest (if not the earliest) blueprints for the genuinely post-punk aesthetic. (Pinkflag Records)
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Αντιστατική τσόχα για το πλατό του πικάπ διαμέτρου 30 εκ. Υψηλή ποιότητα, βάρος 45 γρ., πάχος περίπου 2,5 χιλ. Ιδανικό δώρο για ντιτζέι και λάτρεις του βινυλίου. Περιορίζει βλάβες-γρατζουνιές και προστατεύει το βινύλιο. 12´´ slipmat, diameter 30 cm High quality 16 ounce felt approx. 2,5mm thick Gift idea for DJs and vinyl lovers Reduces damages/ scratches and protects the vinyl
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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“Youth of America” is pressed on high-quality vinyl at RTI and packaged in a sturdy, old-fashioned tip-on sleeve. The tracks have been mastered from original tapes by Greg Sage himself, and the cover is identical to the original sleeve as issued in 1981. Simply obliterating any conception of the Wipers as a mere punk band, Greg Sage released this follow-up to “Is This Real?” in 1981—a sophisticated, overwhelming response to the evil times marked by the turn of the decade. Broken up into six long songs, “Youth of America” is a much colder, harrowing experience than the teen angst of their debut. Vocally, Sage comes off as sleep-deprived and forsaken, snarling not only at his own predicament but at the predicament of the entire world. (Jackpot Records)
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Follow Blind belongs to the best albums Wipers has to offer, although it's a slight change in musical direction compared to their previous releases. The music is more related to the psychedelic garage rock as it sounds like the more distorted punk rock. The guitar play from Greg Sage is more prominent mixed into the sounds as a whole. It's still one of their least famous records, but it's worth more than just one spin. The Wipers were a punk rock group formed in Portland, Oregon in 1977 formed by guitarist/songwriter Greg Sage. The group's tight song structure and use of heavy distortion were hailed as very influential by many critics and musicians alike. The band is considered the first Pacific Northwest punk band. Follow Blind is available as a limited edition of 750 numbered copies on silver coloured vinyl. 180 gram audiophile vinyl. (Music On Vinyl)
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The ultimate edition on vinyl! Housed in a heavy-duty slipcase, the package features a replica of Into Darkness LP with original cover layout, the demo Eternal Frost making its vinyl debut plus a thick magazine with Winter memorabilia. Perpetually out of print, much sought after and universally worshipped amongst those in the know, Winter’s Into Darkness was a game-changing classic. Formed in New York circa 1988, Winter played slow, deep and hard nuclear doom with a crust punk rawness, that came across like Hellhammer jamming with Amebix. Their penchant for mammoth sized and funeral-paced, wasteland droning has become a touchstone reference for bands across the whole spectrum of underground metal. Their pre-internet infamy led to Winter demos being tape- traded in hallowed adoration by fans and bands alike, gaining notable fans such as Fenriz from Darkthrone. Deserving of their special place in the pantheon of one-off classic albums, the Swans-like noise and down-tuned Earth-like riffs of Into Darkness went on to spawn countless doom and sludge bands, being an influence for an entire doomed generation. The Winter come-back show at Roadburn Festival in 2011 was massively anticipated and held a captivated audience. Packing out one of The Netherlands largest stages, that particular Winter show, after many years in obscurity is a rare event that is still highly regarded today. The band is a rare jewel amongst collectors, and audiences alike. Svart Records is proud to re-release Into Darkness once more, having only been reissued once in a limited edition during this millennium, putting the album back in print for a new generation of listeners. This reprint notably also features the legendary demo which was only reissued on a mini-cd in 1995, now finally on vinyl. The double vinyl set comes in a slipcase box with a luxury 32 page magazine, with every imaginable press clipping and piece of memorabilia about Winter ever produced! Into Darkness was a gateway drug to the dark depths of sludge metal, and now awaits a whole new throng of acolytes who bow down before the throne of heavy doom. Eternal Winter awaits! Black vinyl is limited to 600 copies. (Svart Records)
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The ultimate edition on CD. Housed in a heavy-duty double digipak, the set features the original Into Darkness album on the first disc and the demo Eternal Frost on the second. There’s also a heavy booklet with every possible piece of Winter memorabilia imaginable. Perpetually out of print, much sought after and universally worshipped amongst those in the know, Winter’s Into Darkness was a game-changing classic. Formed in New York circa 1988, Winter played slow, deep and hard nuclear doom with a crust punk rawness, that came across like Hellhammer jamming with Amebix. Their penchant for mammoth sized and funeral-paced, wasteland droning has become a touchstone reference for bands across the whole spectrum of underground metal. Their pre-internet infamy led to Winter demos being tape- traded in hallowed adoration by fans and bands alike, gaining notable fans such as Fenriz from Darkthrone. Deserving of their special place in the pantheon of one-off classic albums, the Swans-like noise and down-tuned Earth-like riffs of Into Darkness went on to spawn countless doom and sludge bands, being an influence for an entire doomed generation. The Winter come-back show at Roadburn Festival in 2011 was massively anticipated and held a captivated audience. Packing out one of The Netherlands largest stages, that particular Winter show, after many years in obscurity is a rare event that is still highly regarded today. The band is a rare jewel amongst collectors, and audiences alike. Svart Records is proud to re-release Into Darkness once more, having only been reissued once in a limited edition during this millennium, putting the album back in print for a new generation of listeners. This reprint notably also features the legendary demo which was only reissued on a mini-cd in 1995, now finally on vinyl. The double CD package will feature a large lush booklet, and the double vinyl set comes in a slipcase box with a luxury 32 page magazine, with every imaginable press clipping and piece of memorabilia about Winter ever produced! Into Darkness was a gateway drug to the dark depths of sludge metal, and now awaits a whole new throng of acolytes who bow down before the throne of heavy doom. Eternal Winter awaits! Label: Svart Records Barcode: 6430065589433
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The decline of industrial society set to music, for a new life in harmony with nature. Mixing the rough sound of crust punk with the dense atmosphere of black metal makes WIND IN HIS HAIR a unique representative of this relatively new niche in the music landscape. The band carries out an important message about nature, indigenous cultures and respect for Mother Earth. For fans of Wolves In The Throne Room, Alda, Fall of Efrafa. Vinyl details: · 180g heavy vinyl for maximum quality and durability · heavy 350gsm cover · high quality lyrics insert · download code · "I Love Vinyl" sticker · antistatic polylined black inner sleeve (Alerta Antifascista Records)
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The debut EP from New Englands garage punk group, Wimpy & The Medallions feat. Wimpy Rutherford the original frontman of the cult pop-punk band The Queers. A strong line up behind him, featuring ex Queers/Nobodys guitarist Geoff Palmer, Kurt Baker from The Leftovers and members from The Connection. "Still Headed Nowhere" was recorded and written in 48 hours during memorial day weekend 2012. Revisited artwork for this Hey Suburbia limited edition. TRACKLIST SIDE A Still Headed Nowhere 36 Weeks SIDE B Girls Gone Psycho Draggin' The Line Label: Hey Suburbia
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The Wild Boys were originally formed by Roddy (Radiation) Byers in the mid 70’s, before he left the band to join The Specials. His younger brother Mark, along with John Thomson and Rob Lapworth took over the band, recruiting Tony Lynch on drums. They began furiously rehearsing and honing their craft, biding their time before taking to the stage with an incredibly tight set. That quickly caught the attention of local audiences and national record companies, gaining them a growing following and recognition as a tour de force on the Coventry music scene. Coventry in 1980 was caught in the spotlight of the success of the Specials and a number of the Wild Boys songs written by Roddy Byers were recorded by the Specials. However, Jerry Dammers didn’t think that Byers song “We’re Only Monsters” was right for The Specials, so the Wild Boys new line-up immediately seized it and made it their own. The A side of the 1980 single ‘Last one of the boys’ was a song written by Johnnie Thomson, the lead singer and rhythm guitarist. But it was the B-side, the Roddy Byers penned live favourite ‘We’re Only Monsters’, that caught the public imagination and garnered the most radio play, receiving multiple plays on UK radio stations, including spins on the John Peel show and the Radio 1 morning rush hour slot. It was also spotlighted on Emperor Roscoe’s Round Table show, dissected and evaluated by a panel of high-profile celebrity judges. The exposure from this airplay saw the band begin to play larger venues, undertaking a tour of London venues, headlining shows at Malvern Winter Gardens and in their hometown at the Lanchester Polytechnic Freshers Ball, and attracting offers of support slots with UB40, The Selecter and The Specials. The profile of the band continued to rise rapidly and they were approached to write and perform songs in the Belgrade Theatre musical ‘Risky City’, a dark look at the violent underbelly of Coventry. After the initial run in the smaller Belgrade Studio, the show moved up to the Belgrade main theatre, which also saw bassist Rob depart for a successful career in photography, to be replaced by Garry Cox, poached from local band Protégé. However, by this point the pressure had begun to tell and the band started to fall apart. After a run of chaotic, alcohol fuelled shows and in 1981 they decided to call it a day, leaving behind memories of incendiary performances and a legacy of great songs. Label: Reminder Records Barcode: 196626577351
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Reissue the first album of the Polish cold wave band Wieże Fabryk - a band of almost iconic importance. If you are a fan of Siekiera or Polish cold wave scene from the 80s, you must check this band out. Originally released on CD in 2010, this is vinyl reissue. (Scream Records)
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In the early seventies, Detroit was the musical hub of America. Everything from the chart topping sounds of Motown records to the vicious proto-punk of The Stooges was being brewed out there and it seemed like there was no end in sight. But by the early eighties, the city was both a physical and cultural wasteland due to major label buyouts of the artists as well as the crippling drug habits of some of the others. Detroit's most known musical export at the time was the vapid sounds of New Wave heart-throbs The Romantics; this wasn't good. It took a gaggle of suburban skateboarders, a grade school teacher and a census bureau clerk to wake this city up from it's slumber and start one of the first hardcore punk scenes in America. Why Be Something That You're Not chronicles the first wave of Detroit hardcore from it's origins in the late seventies to it's demise in the mid-eighties. Through a combination of oral history and extensive imagery, the book proves that even though the southern california beach towns might have created the look and style of hardcore punk, it was the Detroit scene - along with a handfull of other cities across the country - that cultivated the music's grassroots aesthetic before most cultural hot spots around the globe even knew what the music was about. "The Michigan hardcore scene was a crazy mixture of DC-style teen-thug-purists and debauched elders with a taste for the newest in high energy freedom. Tony Rettman has done a great service to Western Culture by interviewing the prime knuckleheads involved in this scene and reporting what he finds." -Byron Coley Co-Author of No Wave: New York 1976-1980 --From the Back Cover In the early seventies, Detroit was the musical hub of America. Everything from the chart topping sounds of Motown records to the vicious proto-punk of The Stooges was being brewed out there and it seemed like there was no end in sight. But by the early eighties, the city was both a physical and cultural wasteland due to major label buyouts of the artists as well as the crippling drug habits of some of the others. Detroit's most known musical export at the time was the vapid sounds of New Wave heart-throbs The Romantics; this wasn't good. It took a gaggle of suburban skateboarders, a grade school teacher and a census bureau clerk to wake this city up from it's slumber and start one of the first hardcore punk scenes in America. Why Be Something That You're Not chronicles the first wave of Detroit hardcore from it's origins in the late seventies to it's demise in the mid-eighties. Through a combination of oral history and extensive imagery, the book proves that even though the southern california beach towns might have created the look and style of hardcore punk, it was the Detroit scene - along with a handfull of other cities across the country - that cultivated the music's grassroots aesthetic before most cultural hot spots around the globe even knew what the music was about. "The Michigan hardcore scene was a crazy mixture of DC-style teen-thug-purists and debauched elders with a taste for the newest in high energy freedom. Tony Rettman has done a great service to Western Culture by interviewing the prime knuckleheads involved in this scene and reporting what he finds." -Byron Coley Co-Author of No Wave: New York 1976-1980 --From the Back Cover ...Tony talks first person to the people who you idolize: this from Steve Miller of The Fix on the D.C. scene and straight edge: "all those kids in those hardcore bands were throwing out their Aerosmith and AC/DC records. It all seemed fishy to me." This, Barry Hensler, Ian Mackaye, Dave Stimpson, Tesco Vee, and John Brannon chatting like they're at a sleepover. Tony's gift as a writer is not what he knows, which borders on the obsessive, but his ear for the language and music he loves, and his gift for capturing rhetorical pratfalls. This is his head and his heart. Now will someone please pay him to write about Abba and/or Roger Nichols? --Elisa Ambrogio, Arthur Magazine Publisher : Revelation Records Language : English Paperback : 239 pages ISBN-10 : 1889703036 ISBN-13 : 978-1889703039 Item Weight : 500 grams Dimensions : 23.00 x 17.00 x 2.00 cm
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"If you look at the band photo on Make Me Sick’s insert, you’ll see people from pretty much all the best and most popular hardcore punk bands in Pittsburgh for the past few years. These people know how to make great hardcore punk, and Make Me Sick is White Stains doing just that. While White Stains isn’t as as blistering as Loose Nukes or as brutally intense as Blood Pressure, that’s only because they’ve taken a different tack here, channeling the snotty, punky hardcore of bands like the Circle Jerks, Sick Pleasure, and Chronic Sick. Of those bands, Circle Jerks is the most apt comparison given how White Stains’ snottiness comes along with so much catchiness and rhythmic density. And like Group Sex, the drum parts are almost catchier than the riffs here… I need to be careful listening to this while driving because these songs might make steering seem less important than air drumming" (Daniel Lupton) European press. Originally released on Song Book. (La Vida Es Un Mus Records)
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Just one year after unleashing their debut album Power And Pain, Whiplash were back with the follow-up Ticket to Mayhem. The band had experienced a few changes in the short interim between both albums, beginning with their drummer Tony Scaglione, who joined Slayer (just briefly). But more important, vocalist/guitarist Tony Portaro and bassist Tony Bono explored a broader range of lyrical subjects, tempos, and arrangements on this second album. This album sounds somewhat cleaner, more mature and has a more professional “produced” sound. Ticket to Mayhem showed that Whiplash possessed both the chops and pedigree to hang in with all the top league thrash bands of the era. Ticket To Mayhem is available as a limited edition of 1000 individually numbered copies on swamp green coloured vinyl and includes an insert. Label: Music on Vinyl Barcode: 8719262024311
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American thrash metal band Whiplash released their debut album Power And Pain in 1986 on the Roadrunner label. The backing vocals were recorded by Rob Kabula & Vinny Stigma of Agnostic Front and Peter Steele & Louie Beateaux of Carnivore. The band has been centred around guitarist and vocalist Tony Portaro, but are also notable for their drummer Tony Scaglione, who left the band after the album release to tour with Slayer. Power And Pain is available as a limited edition of 2000 individually numbered copies on silver coloured vinyl and includes an insert. 180 gram audiophile vinyl Includes insert Backing vocals performed by Agnostic Front's Vinny Stigma & Rob Kabula and Carnivore's Peter Steele & Louie \ Beateaux Limited edition of 2000 individually numbered copies on silver coloured vinyl (Music on Vinyl)
