• Buzzcocks’ seminal third album, lovingly restored and re-mastered from its original ¼ tapes for the first time since its original release.
    • Newly curated booklet featuring an essay from cultural commentator Jon Savage & previously unseen images
    • Packaged in its original Malcolm Garrett designed sleeve
    • Dispatched with ltd edition ‘Product’ carrier bag
    Comes with an MP3 and WAV download card. (Domino Records/2019)
  • Out of stock
    Buzzcocks’ seminal first album, lovingly restored and re-mastered from its original ¼ tapes for the first time since its March 1978 release.
    • Newly curated booklet featuring an essay from cultural commentator Jon Savage & previously unseen images
    • Packaged in its original Malcolm Garrett designed sleeve
    Comes with an MP3 and WAV download card. (Domino Records/2019)
  • Out of stock
    Buzzcocks’ career defining compilation Singles Going Steady, lovingly restored and re-mastered from its original ¼ tapes for the first time since its original release.
    • Newly curated booklet featuring an essay from punk authority Clinton Heylin & previously unseen images
    • Packaged in its original Malcolm Garrett designed sleeve
    Comes with an MP3 and WAV download card. (Domino Records)
  • Time's Up is a reissue of Buzzcocks' 1976 album of demos, recorded with founder & singer Howard Devoto and originally released as a bootleg. In 1981, with disco medleys of former pop hits like “Stars on 45” climbing the charts around the world, a cluster of British punk rockers recorded their own medley of old favorites. The Friendly Hopefuls’ Tribute to the Punks of ’76 begins with the standard looped clap track and a slick, professional-sounding chorus singing: “Hey hey/Remember that day / In 1976 / When the music scene was boring / Until along came - this!” And the guitar riff from the Buzzcocks’ “Boredom” kicks in. Spiral Scratch - the four-song debut EP on which “Boredom” appeared - was a revelation. British punk rock was brand new at that point: when Spiral Scratch was released on January 29, 1977, the Sex Pistols’ “Anarchy in the U.K.” was barely two months old, the Damned, the Vibrators, and the Stranglers had some singles out, and that was it. All those bands were signed to at-least-sort-of-legitimate record labels. Meanwhile, the Buzzcocks scraped together the funds to have 1000 copies of Spiral Scratch pressed themselves, and called their otherwise nonexistent label New Hormones. The masterminds behind the band at that point - singer/guitarist Howard Devoto and guitarist Pete Shelley - weren’t Londoners like the earliest wave of UK punks. They were from unfashionable Manchester, a couple of hours’ train ride north. In the fall of 1975, Devoto and Shelley read about the Sex Pistols, traveled down to London to see them, and came back inspired to start a band of their own. The Buzzcocks’ first complete set was opening for the second of two legendary Pistols shows in Manchester during the summer of 1976. Time’s Up - initially a bootleg in 1978, and officially released in 1991 - is an invaluable document. It's the demo Buzzcocks recorded on October 18, 1976 - all snarls, yelps, and distortion, while also sounding entirely joyful. They revel in rock bands’ newly-won right to present themselves as mean and aggressive and to say "fuck" out loud. Devoto sings as if Johnny Rotten is the only other vocalist he’s ever heard, and always seems about to break into giggles. “You tear me up, you bloody swine!” he yells with adenoidal delight. “Orgasm Addict,” which they’d re-record as a single a year later, isn’t quite fully formed yet, but Devoto’s rhymes about stained jeans, as well as his whining gasps, were genuinely transgressive for their moment. The band is still finding its feet on Time’s Up, especially as teenage drummer John Maher slowed down the tempo every time he attempted to play a fill. Still, they worked out how to vigorously shove their songs forward. The two covers that were part of their live set at the time revealed a bit about where Buzzcocks were coming from: A sped-up version of the Troggs’ “I Can’t Control Myself” anticipates the love of popcraft that would shortly surface in their own songs and a heavily rewritten take on Captain Beefheart’s “I Love You, You Big Dummy” (which Devoto would take with him to his subsequent band Magazine) hints at the odder, artier side of their later records. Two months after the Time’s Up demos, they re-recorded four of those songs with producer Martin Hannett as Spiral Scratch. A few more weeks of practice had done wonders for the Buzzcocks’ sound: now they were fast, strong and acrobatically tight. They powered through “Breakdown” in two minutes flat and started to sound more like themselves than like the Pistols or the Ramones. In fact, the Ramones would ape the two-note guitar solo gag in “Boredom” for their own on “I Wanna Be Sedated.” The great joke of Devoto’s performance here is that, on the first record by a new band at the vanguard of a new musical movement, he presents himself as utterly over everything—including punk in general. “I’m already a has-been,” he sneers. “You know the scene is - very humdrum!” He wasn't kidding because less than a week after Spiral Scratch’s release, Devoto quit the Buzzcocks, and Shelley took his place as the band’s frontman. By the time they stopped re-pressing the EP in the summer of 1977, Buzzcocks had sold 16,000 copies of it. In its way, Spiral Scratch was at least as important to punk as the Sex Pistols’ rise, because it was the first record of its kind to erase the axioms that the art and business of pop music were necessarily separate, and that a band could never be important until it signed to a “real” record label. Buzzcocks said fuck it and decided to just do it themselves. (Domino Records)  
  • What do members of Trial, Test of Time, Expired Youth and Decline have in common? A love for classic hardcore and a band called Bystander. Their path was paved by Youth Of Today, Chain of Strength, Judge and others, yet Bystander breathes new life into the genre´s boundaries both musically and lyrically. What you hear on this five song EP is powerful oldschool hardcore coupled with heartfelt lyrics which take a look both inward and outward at the same time. This is a band calling for internal reflection while engaging the scene to be more than just passive bystanders themselves. (WAK) https://www.youtube.com/watch?v=87O5y_95vnQ
  • CADÁVERES PODRIDOS is a punk band from Maracaibo, Venezuela incl. Juan from Doña Maldad and Mar De Rabia. The bandbrings eight tracks of punk with strong South American taste and a post punk feeling, blending power and despair, anger and depression, wrath and pain. Lyrics deal with the political situation in the counry and in the South American continent . The tracks of Viva Nada were mastered at Bomb Factory in North London. (Punk'n'Loud Records)
  • French Oi! classic! The debut full length by Bourdeaux` Camera Silens contains 10 kick ass street bouncer with the "Chaos en France" trademark, angry & anthemic. Before being re-recorded for this LP, an earlier version of their classic song "Pour La Gloire", was the opening track on the now seminal French punk compilation "Chaos in France. Originally released in 1985 on the band owns label, "Realite" is sold out since many years and unfortunately a wet dream for the collector nerds. So this is a really great re-issue! Limited to 500 copies, comes with original artwork, lyric sheet and huge A2 poster! (Euthanasie Records)  
  • This CAREER SUICIDE release is the second Anthology of Releases that the band has released since their inception in early 2002. Career Suicide have made a name for themselves playing purist hardcore punk influenced by the genre's pioneers as well as drawing heavily on influences spanning first wave punk and savage 60's garage from North America and the UK. This CD contains all of the songs released in the last three years -- previously only available on vinyl (‘Invisible Eyes’ 12" on FeralWard, split 12" with Jed Whitey on Deranged, ‘Signals’ ep on Slasher/EvenWorse) as well as compiling previously unreleased tracks, rare out-takes and even a live track from their 2005 Japanese tour. Rounded out by a huge full colour poster booklet, this CD also serves as a precursor to their upcoming LP "Attempted Suicide" also on Deranged Records. (Deranged Records)  
  • Writhing, sneering, tight cornered, "Machine Response" the only acceptable follow up to the blistering and landmark "Attempted Suicide." Nearly ten years of beating around the bush, casually playing around the world and drip releasing music along the way, Career Suicide is backed by their best lineup ever, ready to break back through themselves with this new full length. Machine Response veers in and out of pure speed, bursts of melody, and chunky tempo shifts, indenting the long standing influence of early 80s USHC, late 70s punk, and a peppering of 60s swagger, with their own clearly developed style. Dallas Good (Sadies, Andre Williams, John Doe, Half Japanese, Elevator and a million more) presents a magnificently essential 2nd guitar and lead presence; a screaming contribution by great friend and long time supporter of the band, Souichi Hisatake, (Forward, GISM, Insane Youth, Gudon etc) to crack your brain up; artwork in collaboration with Ryan Tong of S.H.I.T. and Toronto's life-giving Faith/Void; and a thundering recording, once again helmed by the decorated and limitless in his pursuit of smooth hearing loss, Jon Drew, provide the most damaging clarity Career Suicide have been able to capture to date.
    (Statick Shock Records)
     

  • CARNIST | hellish | 10″

    12.00 incl. tax
    CARNIST hail from London and Austria and featured ex and current members of a ton of bands (Light bearer, Plague Mass, Shels, Anopheli) CARNIST began their tirade against the meat and dairy industry with 2012's "Unlearn." HELLISH feels like a very different, more concise release, a much heavier D beat crust punk has replaced the more melodic hardcore of their previous effort, yet still retains moments of melancholy melody reminiscent of HIS HERO IS GONE. HELLISH features spoken word specifically recorded for this EP by Social Psychologist Melanie Joy, who coined the concept of Carnism, from which the band takes its name, The 10inch comes on clear and black 10" vinyl with printed inner sleeves. (Alerta Antifacista Records/2015) https://alertaantifascistarecords.bandcamp.com/album/aa113-carnist-hellish-10
  • American straight edge hardcore / punk band from Jacksonville, FL. Founded in 2003. Disbanded in 2013. "The Messenger" was released in 2006 on Eulogy Recordings. Re-pressed by Backbite Records in 2017, first time ever on vinyl. (Backbite Records)
  • Out of stock
    Classic NYC hardcore circa 1983. This is real hardcore: speed, power and fun. Re-enter the circle pit. Out-of-stock for ages - now available again. Colored vinyl includes a digital download card. (Victory Records)
  • It'S 1984 and, after the break/up of Hellhammer, the newly formed Celtic Frost are shaping what would become their punishing sound. Recorded just one month after the birth of the band at one of their very first rehearsals, "Procreation of the Wicked" presents Celtic Frost at their rawest, wildest embryonic stage. 8 tracks of pure unaltered mayhem, everything that would make them legendary is already here, proving once again why they've been such a huge influence for countless Black, Death, Thrash, Heavy Metal and Punk bands all over the planet. SIDE A> Return to the Eve Messiah Into the Crypts of Rays Visions of Mortality SIDE B> Procreation of the Wicked Morbid Tales Dethroned Emperor Nocturnal Fear (Mortal Shock Records)  
  • Out of stock
    8 tracks of Copenhagen based international hardcore punk stomp. Like a brickwall colliding with a face! Recorded @ Blakklodge mastered by Brad Boatright @ Audiosiege. Artwork by Nicky Rat. (Adult Crash Records) https://cesspoolhc.bandcamp.com/album/we-hide-among-you
  • Athen’s CHAIN CULT return with their first full length following a great Demo and 7” from last year. Recorded at Ignite Music by George Christoforidis during May and July of 2019, Shallow Grave shows the progression of a band who have played non-stop for two years, covering pretty much all of Europe. CHAIN CULT’s post punk is anthemic, militant and idealistic, putting music to a very dark and bleak time and place. You can hear echoes of early THE CURE, THE SOUND, Second Empire Justice era BLITZ or WIPERS in their music but also the passion and conviction of locals METRO DECAY, STRESS or ANTI… Very much a perfect reflection of what springs to mind thinking about the current Athens scene.

    Shallow Grave comes housed in a reverse board sleeve including a printed inner sleeve with lyrics, all  designed by CHAIN CULT’s collaborator Aris Panagopoulos of A.D. Visions. (La Vida Es Un Mus Records) https://lavidaesunmus.bandcamp.com/album/shallow-grave-lp

  • Hailing from the Los Angeles suburb of Cerritos, Channel 3 was a pioneering member of the Southern California hardcore scene. The band's first full length LP, 1982's Fear Of Life (released in the UK as I've Got A Gun on No Future) was an immediate classic and the band soon began playing to large crowds at home and abroad and even enjoyed some chart success. On the wave of this overnight popularity came their second LP, 1983's After The Lights Go Out - further solidifying their unique sound and making its indelible mark on hardcore history. -Faithful, yet updated rendering of original artwork -Limited Edition of 1,000 150 Gram black vinyl manufactured for pristine sound by Quality Record Pressing -Mastered for vinyl by Kevin Gray at Cohearent Audio (Drastic Plastic Records)
  • Channel 3 emerged from the Southern California hardcore punk explosion of the early 1980s. Fear of Life, their freshman debut, became instantly popular within the scene after its release in 1982 on Posh Boy Records. Energetic in its approach to themes of political and personal unrest and dissatisfaction, Fear of Life explores a darker, albeit less ironic and more straight-forward side of idealism than some of its contemporaries, and unleashes this angst over an earnest, hard-driving delivery, creating the terrific synergy of Mike Magrann and Kimm Gardener. One of the more important musical statements of 1982, Drastic is pleased to reissue this hardcore classic. • Contains original insert and bonus insert with never-before-seen photos and a personal note from Mike Magrann and Kimm Gardener • Remastered for vinyl by Masterdisk • Limited edition of 500 200-gram black vinyl • Faithful, updated rendering of original art on 24 pt. heavy, foil-numbered Stoughton jackets (silver foil for 200-gram) • Comes in European-style polybag for protection and durability! (Drastic Plastic Records)
  • Out of stock
    Originally released on RIOT CITY RECORDS in 1983. This is a re-issue from Czech label PHR Records in 2016. Contains printed innersleeve with band informations and photos.
    (Papagájův Hlasatel Records)
  • Out of stock
    CHAOS Z was a german hardcore-punk band from Stuttgart. They were founded in 1980 and renamed 1983 in FLIEHENDE STÜRME. However, in 1995 another album, "45 jahre ohne bewährung", was released. The band's style was raw and very dismal. CHAOS Z was one of the most influential early german hardcore bands ever. Comes in gatefold sleeve. Lyrics on the inside of gatefold. This double vinyl compiles the following releases. Tracks A1 - B4 taken from Ohne Gnade album (1982 ROR) Tracks B5 - B9 taken from Abmarsch 7" EP (1981 Mülleimer Records) Tracks C1 - C3 taken from Various - Underground Hits 1 compilation ( (1982 AGR) Tracks C4 - C7 taken from Various - Ultra Hardcore Power compilation (1983 Mülleimer Records) Tracks C8 - D10 taken from "Chaos Z - Demo MC" (1980) (Major Labels)
  • Hailing from Beith, Scotland, Chaotic Youth are still one of the best kept secrets of 80’s uk punk. Their long out of print and extremely rare E.P. from 1982, “Sad Society”, is an abrasive gem of pure UK82 sound… raw, angry, mean and catchy in all the right proportions, the powerful testament of a band that broke up too soon, disappearing not long after its release. It finally gets a well-deserved first vinyl reissue here, gathered with the tracks the band released in two compilations, ‘A Country Fit For Heroes’ and ‘Total Anarchy’ and making it the definitive collection of a great band that could stand proud next to the big names. 7 tracks of pure and glorious Uk82 mayhem! (Vomitopunkrock Records) https://vomitopunkrock.bandcamp.com/album/chaotic-youth-sad-society-e-p
  • CHARLES BRONSON | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we use for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • (Pisa, Italy, 1979) That's where set its pace one of those cult HC-bands destined to leave an unhealed scar in the still-yet-to-come international musical landscape: furious lyrics full-throated by an out of control voice, a fast as lighting abrasive guitar with no place for any melodies but still abruptly original, along with a drumming ready to massacre ears... CCM (a.k.a. Cheetah Chrome Motherfuckers) Their existence, corresponding with the most prolific HC momentum, ends up in 1987 and their two EPs, the split tape, the LP and the few other scattered songs are by far sufficient to single them out as a standing point and a reference for anyone interested in untamed music. This release finally fills a gap: their sold out records had never been reprinted so far, thus reaching crazy prices among collectors, while even lame bootleg copies had started to jump out of nowhere. Since the early start we worked with the two original sound engineers (from West Link Recorders) who had toured and shared all with the band, this “refreshing” of master tapes giving a new incredible shine to the original sound. We decided as well to include in the package pics, gig flyers and even extracts from lyrics. Members of the band supported this project since the early start with the common mission to bring back to life a palette of that music which used to correspond with everyday living. For those who luckily had a chance to see them live maybe moshing at one of their sped-up songs, but also for those others fascinated by the mysterious area surrounding their legend. Vinyl Edition: 2LP, 140g black vinyl, gatefold cover with double inner sleeve containing pictures, lyrics and a "Discography" insert, along with English/Italian biography. (Area Pirata Records) Double LP Tracklist LP 1 Side - A 1- 400 Fascists 2- Tellyson 3- Alkool (taken from 1st 7" - "Four Hundred Fascists") 4- Easy Targets 5- Furious Party 6- Frustration I 7- Frustration II (taken from 2nd 7"EP - "Furious Party") 8- Voice of the Blood/ Barbed Wire World 9- (Right to Be) Italian (taken from "Permanet Scar" split with IRI - Side A) Side - B 1- Nation on Fire 2- Envy (I'm a Mess) 3- Foe or Friend 4- Life of Punishment 5- (We're the) Juvenile Deliquency 6- Work (means Death) 7- 400 Fascists (in Town Tonite)* 8- Best Party Ever/No Bore 9- Alkool 10- (Ev'ry day's a) Reagan Day 11- Bendix Power/Secret Hate 12- Addiction 13- Camp Darby Blues 14- Any Sacrifice 15- Need A Crime / Ultracore (taken from "Permanet Scar" split con IRI - Side A) LP 2 Side - A 1- Feel Like 2- Enemy 3- Sterilized 4- Sorry / R.M. (taken from "Into the Void" LP - Side A) Side - B 1- Daymare 2- Romeo Loves Juliet 3- Strange Pain 4- Crushed By The Wheels Of Industry 5- Into The Void (taken from "Into the Void" LP - Side B) (Aera Pirata Records) https://areapiratarec.bandcamp.com/album/the-furious-era-1979-1987
  • CHELSEA formed in 1976 by singer Gene October. He kept the band alive with a harder political edge while three of the four original band members went on to found GENERATION X. This compilation contains 14 tracks taken off their early singles 7". It includes Punk classics like “War Across The Nation”,  “Urban Kids”, “Evacuate”, and “Right To Work”, the band's debut single, which is still considered as one of the best punk rock singles of all time. CHELSEA is one of englands Punk’s founding fathers. (Restless Empire Records)  
  • Raw political punk from the streets of Athens in the vein of Adiexodo, Kuro and Varaus! Includes a double-sided insert and poster. Recorded and mixed at Ignite studio (Athens). Mastered by Dan Randall (Mammoth Sound Mastering). Artwork by Drop Virus.
    (Self Released)

  • The Chosen Few were an Australian punk band which formed in 1978. 12" ep re-issue of classic 1978 Australian punk 7".
    (Going Underground Records)