• An amazing lost slice of American Punk/New Wave cool finally sees the light of day after almost 40 years.Hailing from Fullerton California The Barbies were a short lived band that existed from 1979 to 1981, they recorded 5 songs before calling it quits after the tragic death of their guitar player. A handful of test pressings were made of the 5 songs and the planned record shelved. They would have disappeared and would have been forgotten. But as luck would have it a few songs made it out in the world. their song 'Operator, Operator' was used in the cult horror classic 'Fade to Black' (1980) and the song 'Boys Will Be Boys' made it onto the legendary 'The Up Another Octave Transmission' compilation (1981) a now legendary snapshot of the OC music scene in the early 80s. The comp featured not only the Barbies but early Berlin and the Detours making it a sought after collectable. It was from this comp that everyone was turned onto the greatness of The Barbies with their cool New Wave/Punk sound, think early Go-Go's before the poppy top 40 polishing meets Penetration's razor sharp sounds with a good dose of the youthful energy of X-Ray Spex. The fully restored 5 Song 12" EP comes with an eye catching cover and inset that includes photos and lyrics and words by Rikk Agnew (Adolescents / DI / Christian Death) (Puke N Vomit Records)  
  • Over three years ago the band Barcelona entered the studio to record what was originally planned as a double LP. As the genius that they are, they managed to record around 25 minutes of their trademark “extremo Nihilismo” sound. A high concept sonic vomit somewhere between CRO MAGNON, ISKRA, NO TREND and PETRA DE FENETRA. Comfortably sitting on the crossing between hi-brow conceptual art and low-brow delinquency. In the intersection where the EXPLOITED meet the Incus catalogue as if Tony Oxley and Ian Brighton were jamming with Wattie and Big John. The recording was eventually (and conceptually it seems) split into two records. The first one being “Un Último Ultrasonido Nació Y Murió En Barcelona” (MUS138, 2017) and the second one “Residuos Del Ultrasonido” released now a mere three years later. Loads could be written about the painful process between both records but let’s just focus on the recording and be clear: Residuos pisses all over its predecessor. The songs are full of spite and power with the level of vileness reaching new levels on this eight track 7” EP. Listen to Higiene or Salvajes and tell me they are not some of the best Barcelona songs ever. As always, artwork taken care by Oriol Roca, a person I look forward to never hearing from again. (La Vida Es Un us Records) https://lavidaesunmus.bandcamp.com/album/residuos-del-ultrasonido
  • BASTARD | T-shirt

    13.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print.
    Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • Out of stock

    BATHORY | bathory | LP

    15.00 incl. tax
    Unofficial realease, similar to the original "yellow goat" version.
  • BATHORY | T-shirt

    11.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες). Κατόπιν παραγγελίας το σχέδιο είναι διαθέσιμο και σε μέγεθος XX-Large.
  • BAUHAUS | T-shirt

    11.0012.00 incl. tax
    Gildan heavy cotton t-shirt 100% cotton. All the water-based inks we use for screenprints have an eco-passport verification. Every stamp and logo is hand pulled silk screen print. Available in small, medium, large and x-large size.
  • Rare tracks and broadcasts from the 'Check Your Head' era including tracks from Lollapalooza 1994, the Tibetan Freedom Concert in 1996, and more. What can you do? It's the Beastie Boys.

    Tracklist

    A1 So Watcha Want
    A2 Groove Holmes
    A3 No Sleep Till Kawasaki
    A4 Iron Man
    A5 Freestyle Feat. DJ Hurricane
    A6 Gratitude
    A7 Time For Livin
    A8 Untitled #1
    A9 Untitled #2
    A10 Sabotage
    B1 Stand Together
    B2 Get It Together Feat. Q-Tip
    B3 Heart attack Man
    B4 Sabotage
    B5 Shake Your Rump
    B6 Shadrach
    B7 Pass The Mic
    B8 Looking Down The Barrel Of A Gun
    B9 Sure Shot
    B10 Rickys Theme / Heart Attack Man
    Liner Notes: Tracks 1-7: From "Hangin W/", MTV, USA, 1992 Tracks 8-9: From "Pump It Up", FOX, USA, 1992 Track 10: From "Late Night With David Letterman", CBS, USA, 1994 Tracks 11-12: From "Tibetan Freedom Concert", USA, 1996 Tracks 13-14: Live At G-Son Studios, "Week In Rock", MTV, USA, 1994 Tracks 15-18: Live At The I-Beam Club, S. Francisco, M6 French TV, USA, 1992 Tracks 19-20: From "Saturday Night Live", USA, 1995 (TV Party Records)
  • Out of stock
    Barcelona's Belgrado return with their second album 'Siglo XXI' and first for La Vida Es Un Mus. The 11 track album melds dark and dreamy goth and post punk with a stunning and clear production. The bass leads and drives each track into the batcave whilst the vocals yearn and ache on top. This record has a clear 80's English influence (Killing Joke, Vex, A Touch of Hysteria, Blood and Roses etc) but it also very modern day Barcelona with the reverb as important as an instrument and totally DIY. 2011's excellent self titled LP has been bettered in sound, production and song. The LP comes in a thick black and white sleeve with artwork from drummer Jonathan also including a 30x30 insert, an extra lyric sheet and a 40x55 poster. (La Vida Es Un Mus Records)
  • Nervous and passionate melodic punk rock from France and Spain. (Destructure Records) https://betteroffdeadpunk.bandcamp.com https://nuevageneracion.bandcamp.com
  • 1997 was the year in which hardcore rediscovered itself. When the US-American legends Better Than A Thousand released their milestone "Just One" back then, it was the sole starting point for the resurgence of the Youth Crew and the Straight Edge movement. Acts like Kid Dynamite, Ten Yard Fight or Bane followed this path, but Better Than A Thousand remain unforgotten as pioneers. More than 20 years later, the band members release reissues of both "Just One" and its successor "Value Driven“ together with End Hits Records, giving fans the chance to experience these immortal records in a completely new splendour. If you want to understand the creative power behind Better Than A Thousand, you only have to look at the biographies of the individual members. Frontman Ray Cappo, as the singer of Youth Of Today, is a veteran of New York hardcore and invented Krishna Core with his band Shelter. He is also (co-)founder of the still influential hardcore labels Revelation Records and Equal Vision Records. Drummer Ken Olden and guitarist Graham Land are known as the masterminds behind hardcore punk heroes Battery. Furthermore, in the early 90s, Olden did pioneer work with Damnation A.D. for the metalcore genre, which is still flourishing today. Better Than A Thousand were born in 1997 out of the love for hardcore. After the dissolution of Battery, Olden and Land want to continue to work together on their music. Cappo, who is at the peak of his career with Shelter, is looking for musical fulfilment away from the major label circus. The result is the eerie, intense hardcore explosion "Just One", which Better Than A Thousand recorded in just five days during a one-week tour break from Shelter. You can clearly hear the efforts of his touring life in Ray’s voice. Again and again his massive vocals collapse under the strain - a circumstance that makes the record's rawness and intensity all the more apparent. The spontaneous side project quickly turns into more and Better Than A Thousand play three world tours and gigs at huge festivals within only two years. They never lose their inimitable DIY spirit during this time: Ray is not actually allowed to produce the second album "Value Driven" because of his contract with Roadrunner, but the band still secretly records the record in Ken's bed and bathroom and then self-releases it as a bootleg. Guitarist and drummer Ken Olden remastered both albums for the Reissues and even recorded additional guitar tracks. Besides the regular album tracks five rare bonus songs were added. The albums are released in different versions both digitally and on vinyl (with poster and download code) and CD (limited to 500 copies). (End Hits Records/2020)
  • 1997 was the year in which hardcore rediscovered itself. When the US-American legends Better Than A Thousand released their milestone "Just One" back then, it was the sole starting point for the resurgence of the Youth Crew and the Straight Edge movement. Acts like Kid Dynamite, Ten Yard Fight or Bane followed this path, but Better Than A Thousand remain unforgotten as pioneers. More than 20 years later, the band members release reissues of both "Just One" and its successor "Value Driven“ together with End Hits Records, giving fans the chance to experience these immortal records in a completely new splendour. If you want to understand the creative power behind Better Than A Thousand, you only have to look at the biographies of the individual members. Frontman Ray Cappo, as the singer of Youth Of Today, is a veteran of New York hardcore and invented Krishna Core with his band Shelter. He is also (co-)founder of the still influential hardcore labels Revelation Records and Equal Vision Records. Drummer Ken Olden and guitarist Graham Land are known as the masterminds behind hardcore punk heroes Battery. Furthermore, in the early 90s, Olden did pioneer work with Damnation A.D. for the metalcore genre, which is still flourishing today. Better Than A Thousand were born in 1997 out of the love for hardcore. After the dissolution of Battery, Olden and Land want to continue to work together on their music. Cappo, who is at the peak of his career with Shelter, is looking for musical fulfilment away from the major label circus. The result is the eerie, intense hardcore explosion "Just One", which Better Than A Thousand recorded in just five days during a one-week tour break from Shelter. You can clearly hear the efforts of his touring life in Ray’s voice. Again and again his massive vocals collapse under the strain - a circumstance that makes the record's rawness and intensity all the more apparent. The spontaneous side project quickly turns into more and Better Than A Thousand play three world tours and gigs at huge festivals within only two years. They never lose their inimitable DIY spirit during this time: Ray is not actually allowed to produce the second album "Value Driven" because of his contract with Roadrunner, but the band still secretly records the record in Ken's bed and bathroom and then self-releases it as a bootleg. Guitarist and drummer Ken Olden remastered both albums for the Reissues and even recorded additional guitar tracks. Besides the regular album tracks five rare bonus songs were added. The albums are released in different versions both digitally and on vinyl (with poster and download code) and CD (limited to 500 copies). (End Hits Records)
  • 1997 was the year in which hardcore rediscovered itself. When the US-American legends Better Than A Thousand released their milestone "Just One" back then, it was the sole starting point for the resurgence of the Youth Crew and the Straight Edge movement. Acts like Kid Dynamite, Ten Yard Fight or Bane followed this path, but Better Than A Thousand remain unforgotten as pioneers. More than 20 years later, the band members release reissues of both "Just One" and its successor "Value Driven“ together with End Hits Records, giving fans the chance to experience these immortal records in a completely new splendour. If you want to understand the creative power behind Better Than A Thousand, you only have to look at the biographies of the individual members. Frontman Ray Cappo, as the singer of Youth Of Today, is a veteran of New York hardcore and invented Krishna Core with his band Shelter. He is also (co-)founder of the still influential hardcore labels Revelation Records and Equal Vision Records. Drummer Ken Olden and guitarist Graham Land are known as the masterminds behind hardcore punk heroes Battery. Furthermore, in the early 90s, Olden did pioneer work with Damnation A.D. for the metalcore genre, which is still flourishing today. Better Than A Thousand were born in 1997 out of the love for hardcore. After the dissolution of Battery, Olden and Land want to continue to work together on their music. Cappo, who is at the peak of his career with Shelter, is looking for musical fulfilment away from the major label circus. The result is the eerie, intense hardcore explosion "Just One", which Better Than A Thousand recorded in just five days during a one-week tour break from Shelter. You can clearly hear the efforts of his touring life in Ray’s voice. Again and again his massive vocals collapse under the strain - a circumstance that makes the record's rawness and intensity all the more apparent. The spontaneous side project quickly turns into more and Better Than A Thousand play three world tours and gigs at huge festivals within only two years. They never lose their inimitable DIY spirit during this time: Ray is not actually allowed to produce the second album "Value Driven" because of his contract with Roadrunner, but the band still secretly records the record in Ken's bed and bathroom and then self-releases it as a bootleg. Guitarist and drummer Ken Olden remastered both albums for the Reissues and even recorded additional guitar tracks. Besides the regular album tracks five rare bonus songs were added. The albums are released in different versions both digitally and on vinyl (with poster and download code) and CD (limited to 500 copies). (End Hits Records)
  • Beyond, though short lived in the NYHC scene (1988-1989), made an impact with their personal brand of Long Island metal-tinged hardcore with intricate riffage. The "Dew It!" demo was supposed to be recorded for Schism but the label folded before it got off the ground. They sold their demos through Some Records on the Lower East Side until the store closed and the rest were sold through mailorder. Originally recorded on a 1" tape and mixed on cassette, "Dew It!" has been remixed to give it the sound that was previously intended. Backed with the demo is Beyond's live set on WYNU's legendary punk and hardcore radio show, "Crucial Chaos," which was started in the late '80s and still continues to this day, nearly 25 years later. Members of Beyond have gone on to bands like Quicksand, Bold, Inside Out, Burn, Shelter, 108 and more. Revelation Records has combined these two gems on vinyl and paired it with a 20-page, 12" x 12" booklet. LP includes digital download of this record. (Revelation Records)
  • BIG BLACK | headache | LP

    17.00 incl. tax
    Remastered By Steve Albini And Bob Weston At Chicago Mastering. Headache is the 1987 EP by Big Black. A noisier affair than Atomizer, the four-song Headache EP was accompanied by a band-written sticker warning that it's not as good as the preceding LP. However Ready Men and Grinder are satisfyingly ornery, and the noise-fest of My Disco isn't far behind.
    12" - With Download. (Touch And Go Records)
  • Out of stock

    BIG BLACK | lungs | LP

    17.00 incl. tax
    Lungs is the first EP by American post-hardcore band Big Black. It was released on December 1982 on Ruthless Records and was reissued in 1992 on Touch and Go Records. A 19-year-old Steve Albini played nearly every instrument on Lungs, with "sax bleats" by Albini's college friend John Bohnen and drums being handled by "Roland," a drum machine that was credited as a member of the band. The EP was used to recruit the other members of Big Black. Lungs was recorded on a TEAC 3340 loaned to Albini in exchange for a case of beer. The original EP came with an array of objects, including loaded squirt guns, bloody pieces of paper (one of Albini's friends suffered from a nosebleed), dollar bills, condoms, concert tickets, Bruce Lee trading cards, pictures of old people and firecrackers. Things like fishhooks and razorblades were discounted, fearing lawsuits. (Touch And Go Records)
  • Out of stock

    BIG BLACK | pig pile | LP

    17.00 incl. tax
    Recorded live in london in 1987, during the last big black tour, 'pig pile' opens in the band's typically charming manner with bassist dave riley announcing "this song is called 'dingy little back alley of a country'," before the band launches into a punishing 46-minute set. the concert includes material from the band's first ep, 'lungs', all the way up through 1987s 'songs about fucking'. the band's confrontational live sound emphasizes crackling, extremely harsh guitar and very brittle drums. in true punk rock style, the treble has been turned up as far as possible. 'cables' - about slaughterhouses and 'jordan, minnesota' - about a pedophilia scandal-both appear in radically sped-up versions. 'kerosene' is introduced as "a song jerry lee lewis wrote before he killed one of his wives," and steve albini's vocals are nearly buried beneath heaped shards of guitar shrapnel in 'steelworker.' while there is no substitute for actually living through the big black live experience, 'pig pile' - both on record and in its video form-documents one of the relatively few instances in history when music was actually dangerous. (Touch And Go Records)
  • Out of stock

    BIG BLACK | racer x | LP

    17.00 incl. tax
    Originally released in 1983 on Homestead Records and re-released on Touch And Go Records in 1992. Recently remastered by Steve Albini and Bob Weston at Chicago Mastering. Includes coupon for an MP3 download of the album. Big Black was started by Steve Albini in 1982 while he was attending Northwestern University in Evanston, Illinois. Lungs, the first Big Black release was recorded by Steve on a borrowed 4-track. He played everything on the EP himself - except the sax bleating courtesy of pal John Bohnen and the drums courtesy of Roland. Soon after, Steve recruited Jeff Pezzati (Naked Raygun) on bass, and Santiago Durango (also Naked Raygun) joined them on guitar. In 1983, together with live drummer Pat Byrne, they recorded the Bulldozer EP. By 1984, the band had done some touring and recorded the Racer X EP and the start of the Il Duce 7”. After that, Jeff returned to Naked Raygun and was replaced by Dave Riley. In 1985, Big Black recorded their first full-length, Atomizer, as well as finishing the Il Duce 7”. Atomizer was released in 1986 along with the release of the Hammer Party compilation CD. In 1987, the Headache EP and Heartbeat 7” were released. That same year, the band recorded and released the 7” of The Model/He’s A Whore as well as their second full-length album, Songs About Fucking. They toured extensively (for Big Black). And they broke up. (Touch And Go Records)
  • Big Black was started by Steve Albini in 1982 while he was attending Northwestern University in Evanston, Illinois. Lungs, the first Big Black release was recorded by Steve on a borrowed 4-track. He played everything on the EP himself - except the sax bleating courtesy of pal John Bohnen and the drums courtesy of Roland. Soon after, Steve recruited Jeff Pezzati (Naked Raygun) on bass, and Santiago Durango (also Naked Raygun) joined them on guitar. In 1983, together with live drummer Pat Byrne, they recorded the Bulldozer EP. By 1984, the band had done some touring and recorded the Racer X EP and the start of the Il Duce 7”. After that, Jeff returned to Naked Raygun and was replaced by Dave Riley. In 1985, Big Black recorded their first full-length, Atomizer, as well as finishing the Il Duce 7”. Atomizer was released in 1986 along with the release of the Hammer Party compilation CD. In 1987, the Headache EP and Heartbeat 7” were released. That same year, the band recorded and released the 7” of The Model/He’s A Whore as well as their second full-length album, Songs About Fucking. They toured extensively (for Big Black). And they broke up. (Touch And Go Records)
  • Out of stock
    UK HC. New LP coming early 2020. (Quality Control Records) https://qualitycontrolhq.bandcamp.com/album/punishment-park
  • Originally released in 1993, "pussy whipped" is BIKINI KILL's debut full-length. Out-of-print for several years, the album is being reissued on vinyl on the bands own Bikini Kill Records. Vinyl includes a digital download card. (Bikini Kill Records)
  • Out of stock
    REISSUED!!! BIKINI KILL's final studio album originally released in 1996 on Kill Rock Stars. Bikini Kill was a feminist punk band that was based in Olympia, WA and Washington, DC, forming in 1990 and breaking up in 1997. KATHLEEN HANNA sang, TOBI VAIL played drums, BILLY KARREN (aka BILLY BOREDOM) played guitar and KATHI WILCOX played bass. Bikini Kill is credited with instigating the Riot Grrrl movement in the early ’90s via their political lyrics, zines, and confrontational live performances. (Bikini Kill Records)
  • "The singles" was initially released in 1998 as a CD only compilation of all of BIKINI KILL's 7"s. Once called "their defining document", it includes BIKINI KILL's legendary collaboration with JOAN JETT on the "new radio" 7" as well as the long-out-of-print "anti pleasure dissertation" and "i like fucking" 7"s - a total of 9 tracks. (Bikini Kill Records)
  • Grey vinyl. Packed shows, sold out tours, both their six-track debut 12" and debut full-length "Pressure" get re-press after re-press... does BISHOPS GREEN really need any further introduction? I don't think so either, but we at REBELLION RECORDS sure as hell are damn proud to present you guys the brand new sophomore album by Canada's leading street punk band entitled "A CHANCE TO CHANGE"! With this album the band found a bridge between their raw and powerful debut EP, the passionate and resistful "Pressure" LP and their wild and rowdy live shows capturing it all on "A Chance To Change". So what are you still waiting for?! (Pirates Press Records)  
  • Out of stock

    BLACK FLAG | my war | LP

    16.00 incl. tax
    With My War, the true Henry Rollins era of Black Flag begins. He was brought in to sing Greg Ginn’s songs for Damaged and with My War became a fully integrated member of the band, nudging the band towards slower tempos that emphasized their atonal freakouts. This slide towards MC5, free-jazz bust-outs put them at odds with punk rock’s insistence on short, fast rules. But it made the group a distinctive entity at a time when most hardcore punk bands were passing in a blur. Only the title track ever gained true notoriety, but tracks such as “Can’t Decide,” “Three Nights” and the eternal trudge of “Scream” make the case for Greg Ginn as one of the era’s most important guitar players. His solos are off the wall, while his riffage brings back the ghosts of early Black Sabbath at a time when Sabbath was fading from view. Rollins’ throaty, guttural vocal stabs recast the band as a formidable live outfit whose concerts were true endurance tests for all involved. (EU-SST Records/Unofficial Release)