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'Never Say Die!' is Black Sabbath's eighth studio album. It was the final Black Sabbath studio album to feature vocalist Ozzy Osbourne prior to his departure from the band in 1979 (until the 2013 album '13') and the last full studio album to feature the band's original line up. Black vinyl. 180gr. (Gimcastle Ltd. – BMGCAT482) -
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The highly anticipated vinyl repress of "Three: Architects of Troubled Sleep", the final album from Cursed. This definitive version of "Three" was manufactured using brand new pressing plates, making the release sound better than ever. Presented in a gatefold jacket with revamped artwork from illustrator John Baizley (Baroness, etc). Cursed were Canada's metallic monstrosity fronted by vocalist/lyricist Chris Colohan formerly of The Swarm, Left For Dead, and Ruination. The band also featured former Ire and Black Hand members. Distinctly their own animal, Cursed took the most powerful qualities of the aggressive sub-genres and turned them into something raw and explosive. Ultimately influencing and shaping the heavy music world as we know it today. In 2008, Cursed unleashed what many consider to be their hardest hitting album, "Three: Architects of Troubled Sleep". After playing a number of intimate shows and a single record release show in Canada, they embarked on an ill-fated European Tour. On the last morning of the tour, they were robbed of all of their money, passports, etc. The robbery from within their own community was what Colohan has described as the "bullet in the head" of the band. Cursed played one final show in Amsterdam that day, and went their separate ways. For some of the members, it was the last time they ever saw each other. (Deathwish Records)
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Starting life in the early 1970s, US band Pentagram are one of the most enduring and influential underground bands in Heavy Metal history. Influenced by British bands The Groundhogs & Black Sabbath, their own unique take on Doom Metal has subsequently influenced everyone from Paradise Lost to Cathedral. Peaceville signed the band in the mid 1990's and released the 3 classic albums, Relentless, Day Of Reckoning & Be Forewarned. 'Day Of Reckoning' is regarded by many fans and critics as these progenitors of Doom's finest hour. 'If producing top quality doom records was an Olympic sport, Pentagram would be weighed down by gold medals.' - (Kerrang!) This edition of 'Day of Reckoning' is presented on heavyweight 180gsm black vinyl. (Peaceville Records)
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One of the most familiar faces in the busy Melbourne music scene; Jake Robertson (who you may remember from such class acts as Ausmuteants, Hierophants, School Damage, et al) returns in full-fledged form with another unruly record from his solo alter-ego ALIEN NOSEJOB. Thirteen months on since the hardcore-punk inspired concept album, ‘Once Again The Present Becomes The Past’, Alien Nosejob turns the ship back to front and sails in a new direction, yet again. Paint It Clear mixes sounds of classic 80’s new wave and post punk whilst sprinkling in the occasional disco track on top. But don’t let these descriptions throw you off - it still carries Robertson’s classic screech of cheeky yet witty lyrics and sharp songwriting hooks. After three home-recorded records prior to this, Mikey Young has finally been phoned in to take over the production controls and breathes a whole new way of life into Alien Nosejob. Never before has ANJ been heard in such fidelity. The clarity! The definition! The dynamics! It all shines brighter than ever before resulting in a record that Robertson’s “parents could actually listen to”. There’s a little something for everyone; whether it be 80’s Cure-inspired synths in Duplicating Satan, the robust Devo-like feel of Leather Gunn, the sing-along chorus of Crusader of Coles, or the melodic, minor closer that is Bite My Tongue. There’s even The Butcher; a piano ballad inspired by the Fun Boy Three, showcasing Jake’s skills as not just a songwriter, but a damn fine singer. Paint It Clear is Alien Nosejob’s fourth full length record since 2018 - it certainly proves he a nose for these things. (Feel It Records/2021)
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This is the latest new installment of Soul Jazz Records’ on-going collection of Rastafarian music at Studio One, featuring classic material from legendary roots and culture artists The Gladiators, Horace Andy, Freddie McGregor, Sugar Minott and the Wailing Souls, alongside a superb selection of rarities from Sir Coxsone’s musical empire made up of one-off and practically unknown Rastafarian artists who recorded on a myriad of Studio One off-shoot labels in the 1970s – The Manchesters, Mellodies, The Nightingales and others. In this new collection, we see that once again the prescient Clement Dodd was a man who saw the wider picture. In the 1960s it was Sir Coxsone who identified the creative potential of The Wailers, Toots and the Maytals, Heptones, Burning Spear and many, many others. In the 1970s Studio One released an untouchable selection of the finest as styles moved from reggae to deejay to dub and, in the latter half, the emergence of dancehall. But what is also clear is that throughout this era Studio One released an incredible amount of roots music, and not just the most commercially obvious. For alongside the career-building catalogues of Burning Spear, The Wailing Souls, The Gladiators and so on, one needs to be an ardent Studio One collector to know some of the truly raw Rastafarian music featured here. Groups such as The Manchesters or The Nightingales feel as if they were recorded straight out of the churchical chants of the mansions. Black Man’s Pride explains the links between the ideology of Clement Dodd at Studio One and the Rastafarian faith, which was the creation of Afro-Jamaicans and concerned above all else with a black consciousness and empowerment, a rediscovering of the personal and racial identity of black people. The movement began in the 1930s and, in tandem with this black consciousness, called for a rejection of the British imperial culture that dominated Jamaica, while creating an identity based on a re-appropriation of an African heritage. The Rastafari movement was like a pivot, bringing together and balancing many vectors of ideologies. Marcus Garvey’s Back to Africa movement, trades union discourse, anti-colonialism and nation independence, maroon self-definition and independence, the spirit of African rebellion in the Caribbean. For Clement Dodd, a black man and producer growing up in Kingston in this era, Rastafari was simply a part of his everyday world – from witnessing Count Ossie’s grounations to the faith of many Jamaican artists at Studio One – from the Skatalites onwards. Featured here alongside these classic and rare tracks from Studio One are new and extensive sleeve notes with track-by-track notes by Rob Chapman, author of the acclaimed Downbeat Special and Never Grow Old Studio One books. The album is released as double heavyweight gatefold vinyl (+ free download code), CD with slipcase and booklet, and digital album. (Soul Jazz Records)
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Soul Jazz Records are proud to present this new collection of music from the great Fashion Records, one of the most important and iconic independent labels to come out of the UK, and which ran from 1980 for nearly 20 years. In that time Fashion released hundreds of records that successfully reflected, and indeed set, the changing styles and perspectives of reggae music in the UK – from UK dancehall and lovers rock in the 1980s through to the mighty rise of jungle in the second half of the 1990s. While nearly all other UK reggae labels focused on releasing Jamaican music – from the early days of Island and Trojan in the 1960s, through Island and Virgin in the 1970s, and Greensleeves that came up in the 1980s – Fashion’s focus was firmly on music produced in the UK. This unique British perspective shaped both lyrical content and musical fashion. And like all the great music labels – from Studio One to Blue Note – Fashion was able to create a significant roster of its own artists. Amazingly for a small independent label, a number of Fashion artists achieved mainstream UK chart and crossover success – including Laurel & Hardy, Smiley Culture and General Levy. But although this success was welcomed, crossing over into the mainstream was never the main focus for the label owners Chris Lane and John McGillivray (who also runs the successful Dub Vendor record shop) whose starting point was always primarily focused on producing quality music first. In the early 1980s, Fashion Records captured the rise of the emerging British dancehall scene in its ascendency. The large roster of first generation British-born artists and MCs on the label – including General Levy, Papa Face, Smiley Culture, Bionic Rhona, Asher Senator, Laurel & Hardy, Top Cat and many more – often gave a unique and sometimes humorous British lyrical perspective to Fashion releases, discussing everyday subjects, from police harassment to road safety! Throughout much of the 1980s and into the 1990s Fashion continued to release an almost relentless array of UK dancehall releases as well as continuing with lovers rock, and the occasional dub releases. Then, in the mid-90s, with the dancehall and reggae releases still coming on strong, Fashion released a superb series of early jungle tracks linking Jamaican and British MCs and dancehall artists with young jungle mixers, re-mixers and producers. By this time dancehall artists General Levy and Cutty Ranks had become the staple vocal samples of literally hundreds of white label jungle records and Fashion took advantage of this, often getting young producers to work in exchange for sample clearances – don’t get mad, get even! This album is a subjective and scatter-gun ride through some of the many unique and heavyweight tracks to come out of the Fashion stable that we love – some classics, some lesser-known, all 100% killer! The album is released on heavyweight triple vinyl (+ download code). The album comes with extensive sleevenotes featuring interviews with Fashion founders Chris Lane and John MacGillvary, as well as exclusive photography and original artwork and flyers. (Soul Jazz Records)
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On January 27th, 1990, Helmet entered the stage of New York’s equally famous and infamous CBGB’s. What followed was an explosive live show, set during the earliest days of the band’s career. Getting ready to release their debut album Strap It On in March that year, Helmet propelled themselves through a staccato-heavy set of tracks that would soon earn them worldwide acclaim in the Punk scene. The first side of this brand-new live album features the CBGB’s set for the first time ever on vinyl and CD, while the second half contains an equally energetic performance, recorded in 1993 at the Big Day Out Festival in Melbourne, Australia. With tracks such as ‘Ironhead’, ‘Better’ and ‘In the Meantime’, the setlist strikes a perfect balance between the band’s hits and hidden gems from their early years. Tracklist: CBGB - 1/27/1990 A1 Intro A2 Impressionable A3 Murder A4 Your Head A5 Repetition A6 Sinatra A7 Rumble Big Day Out Melbourne - 1/24/1993 B1 Ironhead B2 Better B3 Give It B4 Blacktop B5 Oven B6 Turned Out B7 In The Meantime (EAR Music/Edel Family Member)
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The first ever eight track 12” mini LP by Hardcore Punk legends G.B.H. (No.8 in the Independent Chart in 1981) is joined by the ‘No Survivors’ (No.4) and ‘Sick Boy’ (No.5) singles on this 15 track round up of the bands early releases for Clay Records which itself reached No.5 in the Indie Chart. “No Survivors” also hit No.63 in the UK National Charts. Vocalist Colin Abrahall has supplied the liner notes whilst the booklet also contains lyrics to all the songs. Includes G.B.H. - Leather, Bristles, Studs And Acne. (LP, 1981) , G.B.H. - No Survivors(7'', 1982) and G.B.H. - Sick Boy (7'', 1982) (Captain Oi Records)
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Descendents’ first Epitaph release since Everything Sucks in 1996, Hypercaffium Spazzinate, began taking shape after the band ended an extended hiatus to play live in 2010. Though still tight, they lived apart: singer Milo Aukerman -- whose cartoon rendering famously serves as the band’s logo -- was now living in Delaware, bassist Karl Alvarez and founder and drummer Bill Stevenson were in Colorado, and guitarist Stephen Egerton had settled in Oklahoma. So the album came to life over three years as the band sent tracks back and forth, occasionally meeting up in Karl and Bill’s adopted hometown of Fort Collins. Adopting such a protracted process meant not having to rush things, allowing for some of their sharpest songwriting yet. (Epitaph Record)
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A rising star on the SxE Hardcore scene was born on the ashes of some legendary bands like Think Twice, By All Means, Product, Ageing, Onfall, Substance,… This brand new band at their debut vinyl release offers 6 songs of superb songwriting reminding us of the golden age of oldschool Hardcore. These kids grew up on bands like Chain Of Strength and Youth Of Today and followed the genre through bands like First Step, Carry On, Betrayed,… Two Words put on the table a very modern sound that builds on those influences. A truly incredible debut! (Goodwill Records)
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Jalang (formerly Lái) play fast-paced and danceable D-beat punk, propelling the band’s ferocious vocals into the face of the listener. Vocalist Alda’s lyrics are delivered in Bahasa Indonesia and English, engaging with both her own and collective narratives that explore politics, religion, feminism and queer rights in South East Asia, and the diaspora in so-called Australia. Timmy (Extinct Exist, Pisschrist, Schifosi) on guitar and Tessa (Ubik, Masses) on bass were joined by Kyle (Sheer Mag) on drums in 2021. "Jalang" in Bahasa Indonesia is one of those ‘odd’ words: when describing the masculine it means wild, feral, undomesticated; while for feminine figures it translates as promiscuous, slutty or evil — something the band aims to reclaim as a mark of feminine pride. Jalang invokes the band members’ diasporic and queer narratives through hardcore punk, mixing ideas and personal experiences that often inter-connect but also continue to conflict with the world around us. Recorded by Jason Fuller (Goatsound) at Tender Trap Studios in Melbourne, Santau is 11 tracks of incandescent punk energy from this supergroup of Melbourne underground music, tackling real world issues of politics, power and protest. Next-level musical performances, inspirational song writing and the relentless fury of Alda’s vocals combine to produce one of the most intelligent, crucial and viscerally exciting Australian punk releases in years. JALANG are: Alda (Vocals), Timmy (Guitar & Vocals), Tessa (Bass) & Kyle (Drums) Recorded & Mixed by Jason Fuller (Goatsound) at Tender Trap Studio Mastered by Jack Control at Enormous Door Artwork by Alda (Deliriousinkarts) & Micah James (Scrawnart) Band Photos by Nicole Reed Gatefold-sleeve + Insert - Free Digital Download included. Originally released July 2021 by Heavy Machinery Records, Australia as part of the Flash Forward Melbourne record series. (Ruin Nation Records)
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Almost 30 years after their first demo and several split releases, here is now the ultimate EMBITTERED discography double LP. EMBITTERED was a very underrated crust/grind band from Middlesbrough (UK) active between 1990 and 1996. The double LP contains the "And you ask why?" Demo, the "2nd Demo", all the material from their Split LPs with DYSTOPIA and Their Split 7" with HIATUS plus their own "Choke" EP. Slow metal parts mix with fast as fuck grinding moments, typical crustcore with dual vocals, some vintage hardcore, some distinctively anarcho references... Think of early Napalm Death, Extreme Noise Terror, Electro Hippies, Disrupt, Anti-System, Disorder, Deviated Instinct but at the same time, it never feels like a copy of these bands, the band had coined their own style "anarcho grind" and I can't really think of a more appropriate description: anarchopunk meets old-school grindcore. The LP comes with an extensive booklet with liner notes, previously unpublished pictures and posters. (Power It Up Records)
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Reissue of the debut album by Red Alert, a true UK streetpunk classic originally released by No Future Records in 1983. Comes with lyric inner sleeve. Re-release of the 1983 original on No Future Records. (Radiation Records)
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Remastered and expanded edition of this hyper-rare early '70s release from the 'Godfather Of Ska'. By 1970, Laurel Aitken was well and truly established as the Father of British Reggae, having dominated the country's Jamaican music scene since his arrival at the start of the '60s. But having enjoyed success with every UK-based West Indian record company of note over the previous eleven years, he was no longer content with simply domestic triumphs and set his sights on conquering foreign territories. So it was he took the unusual step of licensing his next album to companies in Europe and North America, while leaving his legions of British fans scrambling for the few copies available on import. Originally out on the Belgian label 'Hebra' 42 years ago and never reissued ever since, this is one of the unmissable 70's ska classics finally back on vinyl, with the addition of 4 bonus tracks! (Radiation Records)
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Limited edition clear vinyl. No band captures the DIY punk ethos better than The Mekons. As one critic wrote of the group, "Those who couldn't play tried to learn and those who could tried to forget." Their debut EP first appeared on Fast Product in 1978, featuring the collective's original six-piece lineup and delivering three startlingly original songs – "Never Been In A Riot," "32 Weeks" and "Heart And Soul" – that never appeared on any of their albums. Like fellow Leeds misfits Gang of Four and Delta 5, The Mekons form a rowdy and illuminating piece of the UK post-punk puzzle, fusing everyday political concerns with a no-holds-barred approach to performance. Never Been In A Riot 32 Weeks Heart And Soul (Superior Viaduct Records)
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Appropriately naming themselves after the French New Wave classic from Jean-Luc Godard, Breathless are effortlessly cool, fashionably dark, hopelessly melancholic and frustratingly off-center romantics. Often lumped together with bands like The Sound and Comsat Angels, Breathless have more in common with the mid to late ’80s wandering output of The Cure, The Cocteau Twins and other artists stretching the post punk dream pop template, thanks to the strength of their arrangements and shifting time signatures, along with one of the greatest vocalists to ever step foot in the genre. Ari Neufeld knew a unique talent when she saw it and quickly drafted Dominic Appleton in to her current band due to his inventive keyboard skills. The two immediately found that they had a strong songwriting bond that far outstripped the rest of the group. Folding in guitarist Gary Mundy, with whom Appleton had been in previous projects, including their marvelous work backing Anne Clark on her debut album, the trio set out on a new path, with Appleton crucially taking command of the vocal duties. Linked to labels like 4AD, but with a strong sense of independence and a reluctance to tour endlessly, Breathless would self release their entire catalogue on their Tenor Vossa label. Certainly, the band had the charisma needed for stardom, along with the songwriting skills, but their output would remain on the margins, beloved by those in the know. (1972 Records)
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"Released in 1995, "Insomniac" was Green Day's second major label record, and their fourth album overall. This album follows in the footsteps of its predecessor "Dookie," but for some reason it just didn't have that kick like the aforementioned "Dookie" had. Released at a time when alt-rock was all the rage in the U.S., Green Day took the reigns and ran with them. Many people bashed this album for not being as good as their previous outings, but for my money, it's just as enjoyable as all their other records. The biggest difference is the absence of that one real killer track on the album that Green Day is so noted for. Granted I love "Brain Stew," "Jaded," "Geek Stink Breath" and "Walking Contradiction," but none of these rivals "Basket Case" and "Welcome to Paradise." To be honest though, it's tough to follow up a record like "Dookie." Many bands released amazing records and never followed them up with anything; at least Green Day has continued to pump out terrific albums to this day. Another no brainer on the Green Day front. No way hard rock fans will be disappointed, and for the rare chance that you're never heard a Green Day song, this album has some of their best work in my opinion. Great album all the way around." (Reprise Records/2017)
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Symbolic is the sixth and penultimate studio album by American death metal band Death, released on March 21, 1995, by Roadrunner Records. Death's 6th full length album, originally released in 1995 through Roadrunner Records. Chuck had specifically asked the label not to advertise the album as a Death Metal album, the label ignored him and advertised it as such on Metal Hammer magazine, that arose a huge fight between them. Symbolic was intended to be the last Death album and the end of the band. But Nuclear Blast didn't agreed to release Chuck's Control Denied album without having one ''sure'' success with a release bearing the ''Death'' branding. This is how ''The Sound Of Perseverance'' came to life... with songs originally written for singers other than Chuck and for the band Control Denied. (Roadrunner Records/2008)
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Bowie's classic 1976 album featuring: golden years, tvc15 and the title track - 6 tracks - 35 minutes - like albums used to be - digitally remastered. an eerie dispatch from the furthest reaches of bowie's cocaine paranoia, station to station has not become easier to listen to with the passing years. at this stage, bowie was wrapped up in his peculiar—even by his standards—thin white duke period, which revolved largely around dressing like a fugitive war criminal and not blinking, at least not in public. appropriate to such a detached, deranged persona, bowie set about making what was effectively a soul record devoid of any soul whatsoever. he did it, as well. station to station spawned one lingering hit, in "golden years", but the album was littered with malevolent miracles. bowie crooned like a replica sinatra on "word on a wing" and "wild is the wind" and may have single-handedly invented the new romantic movement with "tvc15". he sounds throughout on the verge of cackling dementedly and wandering off into the night; station to station is an absorbing postcard from somewhere you're kind of glad you haven't been. Now available on 180g Audiophile vinyl. (Parlophone/2017)
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This collection of 16 tracks from the Flying Dutchman label were recorded from 1969 to 1974 and combine Spiritual jazz and protest songs from a revolutionary time. Blacks And Blues ‘Toast To The People’ is an unreleased early Gil Scott Heron song (later re-recorded), Bob Thiele Emergency ‘Lament For John Coltrane a hauntingly beautiful tribute to the great man ft Joe Farrell on flute. Lonnie Liston Smith ‘Sais (Egypt)’, Ornette Coleman ‘Friends and Neighbors’ , Gato Barbieri ‘Tupac Amaru’ and Norweigen’s Esoteric Circle ‘Nefertite’ deep spiritual jazz. Angela Davis, H Rap Brown and Carl b Stokes provide some spoken word protest songs. Music for the mind. Tracks 01. Angela Davis - We're Threatening The Oppressors 02. Gil Scott-Heron - The Revolution Will Not Be Televised 03. Black And Blues - Toast To The People 04. Louis Armstrong With Leon Thomas - The Creator Has A Master Plan 05. Bob Thiele Emergency - Lament For John Coltrane 06. Carl B Stokes With The Oliver Nelson Orchestra - Sit Down 07. Ornette Coleman - Friends And Neighbors 08. H Rap Brown - Excerpt From Speech #2:Do Your Own Thing 09. Leon Thomas - Echoes 10. The Esoteric Circle - Nefertite 11. Gato Barbieri - Tupac Amaru 12. The Oliver Nelson Orchestra - Martin Was A Man, A Real Man 13. Carl B Stokes With The Oliver Nelson Orchestra - Paint It Black 14. Chico Hamilton - Gonna Get Some Right Now (Tiger Archives Records)
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Destroy All Monsters were a very influential band from Detroit, USA. From 1973 to 1985 they played anti-conformist music with a noisy and arty mix of psychedelic rock & proto punk. The band is known due to involvement of members of MC5 and The Stooges. They described their music as "anti-rock." Destroy All Monsters never found mainstream success, but earned some notoriety due to members of notable rock groups The Stooges and MC5 who joined the group. Although Destroy All Monsters never recorded a proper album, Sonic Youth singer/guitarist Thurston Moore released a three compact disc compilation of the group's music in 1994. This vinyl compile the Ron Asheton era of the band, three singles from 1978 & 1979, the catchiest, the rockiest tunes they did! Tracklist: Side A 01 - "Bored" ~ (Asheton, Niagara) - 3:58 02 - "You're Gonna Die" ~ (Asheton, Niagara, Carry Loren) - 2:52 03 - "November 22nd 1963" ~ (Asheton, Niagara) - 4:21 Side B 04 - "Meet The Creeper" ~ (Michael Davis) - 4:55 05 - "Nobody Knows" ~ (Niagara, Davis) - 3:25 06 - "What Do I Get?" ~ (Asheton, Niagara)- 4:14 07 - "Goin' To Lose" (aka "Motherfucker") ~ (Asheton, Niagara) - 2:53 (Tiger Archives Records)
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Καινούργια hc μπάντα απο Αθηνα. (Walk The Line Records)
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RED EDITION LIMITED TO 100 COPIES. Swedish punk began in the late ‘70s and by the mid-‘80s, the small steel mill town of Fagersta had seven bands, immortalised on rare compilation The Vikings Are Coming, which is surprisingly diverse: Bizarr’s old-school punk is influenced by the Clash and SLF; Cruel Maniacs give social criticism and Crude SS’s hardcoredraws on Discharge; Rescues In Future’s speedcore is super melodic, influenced by Husker Du; Fear of War’s thrash is anti-religious and there’s more thrash from Bedrovlerz (or ‘Miserablerz’), while Ugly Squaw proffer unique power-punk humour (also making an incognito faux-reggae appearance as Rasta Boys). This edition revives the ori- ginal Swedish version released on Uproar Records in l985, giving us the full monty of this must-have anthology. Tracklist Fear Of War - Surfer Boy Fear Of War - Morality Fuck-Up Fear Of War - Min Far Rescues In Future - Ford-Hate Rescues In Future - Jerk Rescues In Future - You Can Try Rescues In Future - Solo Låten Bedrövlerz - Self Destruct Bedrövlerz - A Child Was Born Bedrövlerz - Satisfied Mind Rasta Boys - Have A Safe Day (Rasta Mix) Ugly Squaw - Policemans Parade Ugly Squaw - Another Trojan Horse Cruel Maniax - Atomkrig Cruel Maniax - Once There Was Cruel Maniax - Human Rights Bizarr - Är Det Försent ? Bizarr - Det Var Bättre Förr Bizarr - Gör Din Plikt Crude S.S. - Blue Eyed Devils Crude S.S. - Chaos Crude S.S. - Bullying A Nation (Radiation Records)
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RSD 2019, Color vinyl Limited edition reissue for the first three Destroy All Monsters singles, in their original artwork. Destroy All Monsters began life as an experimental rock group in early ‘70s Ann Arbor, the brainchild of University Of Michigan art school weirdos Mike Kelley, Jim Shaw, and Niagara (Lynn Rovner), and filmmaker Cary Loren. Following many incarnations, lineup changes, and the breakup of Niagara and Loren’s romantic relationship, the group solidified in the late ‘70s around Niagara on vocals, and Detroit legends Michael Davis of The MC5 on bass, and The Stooges’ Ron Asheton on guitar. Though they never released a proper album, the group’s singles are certified punk classics and the band has since achieved massive cult status, counting Sonic Youth among their legion of fans. Radiation Reissues is pleased to present their first three singles in limited editions of 500 copies each on color vinyl for RSD 2019. (Radiation Records)
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RSD 2019, Color vinyl Limited edition reissue for the first three Destroy All Monsters singles, in their original artwork. Destroy All Monsters began life as an experimental rock group in early ‘70s Ann Arbor, the brainchild of University Of Michigan art school weirdos Mike Kelley, Jim Shaw, and Niagara (Lynn Rovner), and filmmaker Cary Loren. Following many incarnations, lineup changes, and the breakup of Niagara and Loren’s romantic relationship, the group solidified in the late ‘70s around Niagara on vocals, and Detroit legends Michael Davis of The MC5 on bass, and The Stooges’ Ron Asheton on guitar. Though they never released a proper album, the group’s singles are certified punk classics and the band has since achieved massive cult status, counting Sonic Youth among their legion of fans. Radiation Reissues is pleased to present their first three singles in limited editions of 500 copies each on color vinyl for RSD 2019. (Radiation Records)
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PNV brings you two new exclusive volumes inspired by the legendary 80s Punk and Disorderly UK Punk series of compilations. Each volume features bands from the three original volumes in the series. The tracks/bands are now on separate collections divided by label. We’ve licensed photos from UK photographer Virginia Turbett, who supplied all the original photos used for the cover art for the original albums. Each LP looks amazing and fits esthetically in with the original series albums, making them instantly recognizable. All the No Future bands are on the No Future comp, not only do you get the original comp tracks, but we’ve added more tracks from those bands from the No Future vaults. 16 blazing tracks of essential 82 UK punk from the likes of Violators, Blitz, The Samples, Peter and the Test Tube Babies, Red Alert, The Partisans and The Insane. Tracklist –Violators Gangland 5:48 –Violators ( Summer of 81 3:24 –Blitz Someone's Gonna Die 2:30 –The Samples Dead Hero 2:56 –Peter And The Test Tube Babies Banned From The Pubs 2:10 –Red Alert In Britain 2:10 –The Partisans Police Story 2:10 –The Insane El Salvador 3:29 –The Partisans Power And Greed 2:44 –The Insane Nuclear War 2:09 –Peter And The Test Tube Babies Up Yer Bum 1:52 –Red Alert Sell Out 1:23 –Red Alert City Invasion 2:14 –Red Alert Cast Irons Crusade 2:49 –Blitz Warriors 2:57 –Blitz Razors In The Night 1:53 (Puke N Vomit Records)
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PNV brings you two new exclusive volumes inspired by the legendary 80s Punk and Disorderly UK Punk series of compilations. Each volume features bands from the three original volumes in the series. The tracks/bands are now on separate collections divided by label. We’ve licensed photos from UK photographer Virginia Turbett, who supplied all the original photos used for the cover art for the original albums. Each LP looks amazing and fits esthetically in with the original series albums, making them instantly recognizable. All the Riot City bands are on the Riot City comp, not only do you get the original comp tracks, but we’ve added more tracks from those bands from the Riot City vaults. 16 blazing tracks of essential 82 UK punk from the likes of Vice Squad, The Ejected, Abrasive Wheels, The Expelled, The Insane, Court Martial, and Chaos UK. Tracklist –Vice Squad Last Rockers 4:37 –The Ejected Have You Got 10p 1:29 –Abrasive Wheels Vicious Circle 2:41 –Abrasive Wheels Burn Em Down 2:41 –Abrasive Wheels Army Song 1:55 –The Expelled Dreaming 2:29 –The Expelled Government Policy 2:56 –Vice Squad Resurrection 4:04 –The Insane Last Day 1:18 –Court Martial Gotta Get Out 2:53 –Chaos UK 4 Minute Warning 2:21 –The Ejected I Don't Care 2:15 –The Ejected Russians 2:27 –Vice Squad Latex Love 1:33 –Court Martial No Solution 2:18 –Chaos UK No Security 2:24 (Puke N Vomit Records)
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Atoxxxico was a thrashcore/hardcore punk band from Mexico active from 1987-1995. This full length was released in 1990 by Puro Pinche Ruido Records. Recorded and mixed within 24 hours at Area Studios, Mexico D.F., 1990. Produced by Atoxxxico & Puro Pinche Ruido Records. LP contains a bothsided printed lyricsheet. This is official reissue. (Puke N Vomit Records)
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Killer Mexican HC,. Simple, minimalist yet powerful Latino hardcore with political lyrics. Official reissue their first LP originally self released in 1988. (Puke N Vomit Records)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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After a slew of impossible to find tapes and an excellent EP from 2018, the force at work behind HOLOGRAM finally emerges from the shadowy basements of DC with a primo LP full of wild ferocity that shatters all expectations. 9 tracks of reclusive enigmatic hardcore punk that span a lifetime... if your life was only 16 minutes long that is. Strap on your headphones and immerse yourself in the sound of melted reality. 350 copies on black 150gr vinyl housed in a 24pt jacket with insert and download card included. Written, performed and recorded by Brendan R. Mixed by Brendan R. and Carson C. Mastered by Will K. Art by Brendan R. with additional art by Daniel P. (Iron Lung Records)
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UK Punk one hit wonder from Bristol with members of Chaotic Dischord and Vice Squad. Classic 3 song EP from “me and my spikey haired punky band friends” originally released on Riot City in 1983. (Mad Butcher Records)
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Originally released back in 1987 on Roddy Moreno's Oi! records, this album contains some of their best material ever: 12 aggressive Killer-Anthems, hard and tight played: "Punx'n'Skins", "Scum","Commies and nazis". Like a smack in the face! Rabid, violent, kickin'! Reissue with original artwork. Green Vinyl. (Mad Butcher Records)
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Legendary two tone from The Netherlands. Compilation of rare tracks,singles & outtakes! Tracks A1-A4 taken from first demo Tracks A5-A6 taken from first 7 (different recordings) Tracks B1-B2 Taken from the The street where I'm living 7 Tracks B3-B4 taken from the Ships that pass in the night 7 Tracks B5-B6 rare live recordings (Mad Butcher Records)
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Legendary two tone from The Netherlands. Their fourth album from 2010. First official repress of Mr. Review’s 25 years anniversary album originally released as ultra-rare picture LP in 2010. Contains two bonus tracks and includes inlay. (Mad Butcher Records)
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Another repress of a classic UK Punk EP from this Birmingham based band originally released in 1982. Four songs. (Mad Butcher Records)
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"Let's go back to rough & dirty punkrock from the UK and a band that didn't make an official album, but four fantastic 7inches. Originally formed as a five-piece band from Wigan in 1979, Barry (vocals), "Psycho" (guitars), Dean (bass), "Bambi" (drums) and Tina (2nd guitar), there were two bands called "The Insane" for a while when the original band split. They were very young at the start, with some of the group having only just left school. The band were rank amateurs, with Tina utilising the one-finger down the neck method made infamous by Crass. The band gigged for a year or so before making their vinyl debut with a track called 'Nuclear War', which appeared on the 1981 compilation Ten From The Madhouse. Read further infos on punkygibbon. The band actually saw fourteen different line-ups in their career and also recorded for Riot City Records. Both David and Simon later became members of Flux Of Pink Indians." https://wdthtc.blogspot.com/2020/11/the-insane-politics-ep-1981.html (Mad Butcher Records)
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Clive Culbertson was bassist in Irish band Sweat/ No Sweat who put out a couple of Thin Lizzy inspired power pop singles, on the excellent Rip Off Records, in the late 70's. In the early 80's Clive went solo and released this infectious power pop two sider on Rip Off Records. Two absolute killer tracks on this reissue, with "Time To Kill" and "Busy Signal". Harsh and speedy Powerpop! Very rare powerpop & punk gem! (Mad Butcher Records)
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Formed in 2011, Plague is a death metal act based in Athens, Greece. PLAGUE’s debut album Portraits of Mind is a bludgeoning affair…one that often effortlessly combines simplicity in form with stellar musicianship. The result is a lesson in Death Metal; one that borrows heavily from the early 90’s American scene. This album is the perfect balance of everything that makes Death Metal great – you’ll see for yourself. For fans of: Death (early), Massacre, Brutality, and Skeletal Remains. (Nuclear Winter Records Productions)
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A lot of people have been asking us when "PERUVIAN VACATION" would be back in print - and here's the reason for the delay - a super deluxe CD version (with the bonus record featuring all tracks from the "Unreleased Mr Adult LP session and the January 1985 demo - 16 additional tracks. This is a must own for any fans of the era, archiving recordings that are almost three decades old into a wonderful, must own package! Tracklist: Peruvian Vacation 1 Virgin Bombshell Fucker / It's Fun To You 2 Wipe Out 3 You Shoulda Listened 4 Always Never Fun 5 I Scream Inside 6 You Die 7 Peruvian Vacation 8 This Is The Norm? 9 So Much Fun 10 Born To Built To Grind 11 In Bed At Night 12 I Don't Wanna Get Involved With You 13 The Pit 14 Life's A Drag Unreleased "Mr. Adult" LP 15 Wipe Out 16 You Shoulda Listened 17 Always Never Fun 18 I Am Ill 19 What Happens Next 20 In Bed At Night 21 Born To F✶✶k 22 So Much Fun 23 This Is The Norm? Unreleased Demo Tracks Recorded 3/1/1985 24 Sleeping Troubles 25 This Is The Norm? 26 Taken Too Many 27 Elephant Man 28 The Pit 29 I Am Ill 30 Linden Sell Me Your Scarf Unreleased Coolest Retards Demo Tracks Recorded 3/1/1985 31 Livin' In A Dream 32 Buthole 33 Vicky Label: Boss Tuneage Records Barcode: 0689492079123
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X-Ray Spex are an usual entry in the British punk pantheon. With a Samali/British born front woman Poly Styrene, formally involved with the hippie culture she witnessed a Sex Pistols show in 77 and went on to form a punk band of her own. Unique in image and blistering in their sound, they released 5 singles and an album between 77-80. Constant touring caused Poly to become very disenchanted with the whole 'pop star' experience and she left the group at that point but the sole album they recorded as gone on to become a classic of a punk record. Germ Free Adolescents ' most recognizable trait is its songs that deal with consumerism, commercialism, and personal indendity in genreal. Tracks like Art-I-Ficial, I Am A Posuer, Genetic Engineering, The Day The World Turned Dayglo and singles like I Am Cliche are perfect examples of the lyrical standpoint in which the band took. Poly's high pitched edgy singing style is forefront, catching your attention right off the bat and the music behind her, a Sex Pistols style guitar driven blast of pure punk rock n roll madness albeit with a Saxophone! Original member Lora Logic played the Saxophone which certainly is another trademark element of X-Ray Spex that wasnt exactly a common thing found in punk until at least the mid 80's when ska and reggae became a heavy part of the genre (Madness) and of course in the 90's when it really exploded with Save Ferris, Reel Big Fish and Goldfinger. The lone "ballad" style song on the album, the title track is great and it gives way to the fast/slow blast of Plastic Bag which might be the most bombastic song it bursts with a kenetic guitar riff-sax/guitar blast pattern. It shares honors with Oh! Bondage Up Yours! as the bands true anthems. Bondage you might recognize from somewhere or another if you're into punk or indie rock in general. It's a certified punk classic. - Germfree Adolescents, the Only Album Release from X Ray Spex, Is One of the Most Influential Punk Rock Albums Ever Made - Ranked as One of the Greatest Punk Rock Records by Everybody from Greil Marcus to Robert Christgau toMojo to Spin - Features Penetrating Lyrics and Passionate Vocals from Frontwoman Poly Styrene - Also Features Lora Logic on Saxophone - Key Tracks Include “The Day the World Turned Dayglo” and “Germ Free Adolescents” - Includes Faithful Reproduction of Original Inner Lyric Sleeve - “X-Ray Clear” Vinyl Pressing Offering Superior Fidelity Real Gone Music is proud to present Germfree Adolescents, one of the signature albums of the early (1978) British punk movement, in an “x-ray clear” vinyl edition that serves as an ideal prism through which to see the hypocrisy of consumerist culture. The one and only LP release from X Ray Spex and its irrepressible frontwoman Poly Styrene has been deemed by everybody from Greil Marcus to Robert Christgau to Spin to Mojo as one of the greatest punk albums ever made, and for this reissue, we’ve done it right; besides the clear vinyl (offering excellent sound), we’ve reproduced the inner lyric sheet, where you can read Poly’s brilliant observations about the plastic, corporate nature of modern society. All of which she sings in a passionate yowl all her own (with Lora Logic among others backing on saxophone); this is not only one of the most penetratingly observant punk records, it’s also one of the most passionate, and, surprisingly enough, catchy. Check out “The Day the World Turned Day-Glo” and “Germ Free Adolescents” if it’s hooks you’re after; if it’s righteous anger and a noisy racket you’re seeking, every track will do ya. SIDE ONE 1. Art-I-Ficial 2. Obsessed with You 3. Warrior in Woolworths 4. Let’s Submerge 5. I Can’t Do Anything 6. Identity SIDE TWO 1. Genetic Engineering 2. I Live Off You 3. I Am a Poseur 4. Germ Free Adolescents 5. Plastic Bag 6. The Day the World Turned Dayglo (Real Gone Music) Barcode 848064007524
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Sale!Out of stock
All new material from Riverside?s long reigning kings [formed in 1989] of Ska-Core - Voodoo Glow Skulls! Voodoo Glow Skulls are back and back strong! Why you should buy this? New singer Efrem of Death By Stereo/Manic Hispanic makes his debut as well as long-time fan; Randy Blythe of Lamb of God doing guest vocals and guitar. Same ole Voodoo only a little more "ramped up". This will bring in old and new fans. It?s a no-brainer people! Expect to see Voodoo Glow Skulls back on the road early next year. From small clubs to big festivals they still got it! For fans of Mighty Mighty Bosstones, Less Than Jake and Descendents, etc... (Dr. Strange Records)
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Mastodon present their anxiously awaited ninth full-length album, Hushed and Grim, via Reprise Records. Over the past year, the group recorded the album in their home town, collaborating with producer David Bottrill [Tool, Rush, Muse, Peter Gabriel] behind the board. As their most ambitious body of work to date, it consists of 15 tracks, surveying sonic landscapes of rock, psychedelia, punk, metal, alternative, and prog threaded together by the innately expressive musical interplay of these four musicians. At the same time, an atmosphere of loss, loneliness, and longing permeates through the trio of cathartic vocals as they musically say goodbye to old friend, confidant, and long-time manager the late Nick John by architecting a magnum opus that bears the influence of his eternal memory. (Reprise Records/2021) Barcode 093624879756
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Sale!Out of stock
15 politically charged tracks that blend street-punk with a host of genres, in the way that only the Utters can. Don’t let the title fool you… this ain’t no hippy shit. (Fat Wreck Records
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Hailing from Sunderland, the Q were one of the most important bands in the late 80s scene, and in many ways paved the way for the likes of SNUFF And LEATHERFACE after them (in fact, three members of HDQ ended up in LEATHERFACE!) As many of you know, the band was centred around the guitar genius of the late great Dickie Hammond, and coming up to two years since his passing we have been working with existing band members to embellish on the CD reissues we did and make these the absolute best tributes we can to the great man! Following on from our reissue in 2017 of "SINKING", 2018 sees us release "SOULFINDER", the bands third album from 1990. Here the original 10 track album is accompanied by a further 20 tracks from sessions, demos and comps of which 19 have never been released on vinyl format before. These include not only the bands second Session for the John Peel Show, but also their first attempt at recording the "Sinking" album (with Lainey on drums, which was shelved at the time when he left the band) in its entirity - as well as the re-recording of "Those Remembered Times" that only featured as a bonus track of the original CD release of "soulfinder", and a rare 1987 live recording of "In My Thoughts" the only song by the band not be recorded during their existance. There is also a CD enclosed featuring all 30 tracks, plus a 12" insert and tribute insert. Pressed on Random Colour Mix / Effect Vinyl, and with just 250 copies, these won't be around forever, so make sure to secure your copy!
Tracklist
(Boss Tuneage Records)"Soulfinder" LP A1 Wise Up A2 Something More Than More Or Less A3 Things Seem A Whole Lot Better Now A4 Down But Not Out A5 Sometimes A6 Don't You Rain Down On Me A7 Just When I Thought B1 Soulfinder B2 Yesterday I Said All The Wrong Things B3 Believe Bonus Track From The "Soulfinder" CD B4 Those Remembered Times BBC John Peel Show (Second Session) B5 Leaving Home B6 Just When I Thought B7 If Only B8 Sinking B9 All We Knew Unreleased Recorded For The "Sinking" LP C1 Leaving Home C2 All We Knew C3 There Comes A Time C4 Towing The Line C5 Praise C6 Within These Four Walls C7 Looking Back D1 If Only D2 Sinking D3 Love Alone D4 One Word D5 Friends D6 The Grass Is Greener Unreleased Live Recording From Bradford Manhattan Club (1987) D7 In My Thoughts (Live) -
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The Psychos are back, mate! Australia’s most legit export since Crocodile Dundee release their eleventh studio album, Loudmouth Soup. After singing about beers for a solid three decades, it’s no surprise that Australia’s thirstiest rock dogs have finally delivered a song about the hangover from hell in the form of Feelin Average. Label: Subway Records Barcode: 4059251233510
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First ever reissue of Alternative TV’s "Action Time Vision", compiled in 1980 and featuring the group’s 7“es from 1977 to 1979. Including bonus track "You Bastard" and new liner notes by ATV singer Mark Perry, the founding editor of punk fanzine Sniffin' Glue. What Mark Perry says: "It wouldn’t be an exaggeration to say that Punk turned my world upside down! In July 1976, after hearing and seeing the Ramones, I went from just another music fan, avid reader of the NME and Melody Maker, to become editor of punk’s premier fanzine, Sniffin’ Glue. It was almost an instant success and by December 1976, through our no nonsense approach, our position as the ‘punk Bible’ was assured. But it was never enough for me. As I saw the initial punk explosion subside into a succession of third-rate copycats, I wanted to have a go myself. My first attempt at forming a band was in late ’76. We called ourselves the ‘New Beatles’ and it ended after a couple of rehearsals. It wasn’t until I met guitarist Alex Fergusson, a mate of Sounds writer Sandy Robertson, in early 1977, that I started putting together some more interesting ideas for a band. I worked on a bunch of lyrics and, pretty quickly, Alex had put tunes to them. Eventually calling ourselves Alternative TV, we had our first rehearsals at Throbbing Gristle’s Industrial Studios in March ’77. That initial line-up was just me singing and Alex on guitar, with Genesis P-Orridge helping out on some bass and drums. We did ask Gen to join fulltime, but he decided against it and stuck with Throbbing Gristle. After more rehearsals, we played our first gig at the Nottingham Punk Festival in May 1977, joined by Mick Smith on bass and John Towe (ex-Generation X) on drums. I started thinking about doing a record almost from the start because, by this time, I was running the Step Forward record label with Miles Copeland, who was also to become the band’s manager. It seemed like a natural move to put out my own record, but it instead ended up on Deptford Fun City, another of Miles’ labels. Before that actually happened, we made a slight detour by recording a demo for EMI. They didn’t want to sign us, but we did end up with the tapes…" (Staubgold Records)
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Αντιστατική τσόχα για το πλατό του πικάπ διαμέτρου 30 εκ. Υψηλή ποιότητα, βάρος 45 γρ., πάχος περίπου 2,5 χιλ. Ιδανικό δώρο για ντιτζέι και λάτρεις του βινυλίου. Περιορίζει βλάβες-γρατζουνιές και προστατεύει το βινύλιο. 12´´ slipmat, diameter 30 cm High quality 16 ounce felt approx. 2,5mm thick Gift idea for DJs and vinyl lovers Reduces damages/ scratches and protects the vinyl
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Out of stock
Αντιστατική τσόχα για το πλατό του πικάπ διαμέτρου 30 εκ. Υψηλή ποιότητα, βάρος 45 γρ., πάχος περίπου 2,5 χιλ. Ιδανικό δώρο για ντιτζέι και λάτρεις του βινυλίου. Περιορίζει βλάβες-γρατζουνιές και προστατεύει το βινύλιο. 12´´ slipmat, diameter 30 cm High quality 16 ounce felt approx. 2,5mm thick Gift idea for DJs and vinyl lovers Reduces damages/ scratches and protects the vinyl
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Out of stock
Αντιστατική τσόχα για το πλατό του πικάπ διαμέτρου 30 εκ. Υψηλή ποιότητα, βάρος 45 γρ., πάχος περίπου 2,5 χιλ. Ιδανικό δώρο για ντιτζέι και λάτρεις του βινυλίου. Περιορίζει βλάβες-γρατζουνιές και προστατεύει το βινύλιο. 12´´ slipmat, diameter 30 cm High quality 16 ounce felt approx. 2,5mm thick Gift idea for DJs and vinyl lovers Reduces damages/ scratches and protects the vinyl
