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Recorded live 2/28/1982, 9:30 Club, Washington, DC. Tracklist: 1. "20 Eyes" (2:27) 2. "Horror Business" (2:12) 3. "Vampira" (1:35) 4. "Mommy Can I Go Out & Kill Tonight?" (1:44) 5. "London Dungeon" (2:25) 6. "Nike A Go Go" (2:50) 7. "Night Of The Living Dead" (2:43) 8. "All Hell Breaks Loose" (1:51) Side 2 1. "Halloween" (2:01) 2. "We Are 138" (1:21) 3. "Hate Breeders" (2:34) 4. "We Bite" (0:57) 5. "I Turned Into A Martian" (1:16) 6. "Where Eagles Dare" (2:00) 7. "Queen Wasp" (1:12) 8. "Die Die My Darling" (1:41) 9. "Horror Hotel" (1:27) 10. "Ghouls Night Out" (1:32) Label: Fanclub/Unofficial -
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The early recordings of the Misfits on one album. Rare EU press for this ‘Static Age’ demos & Outtakes collection. Very limited, this comes sealed and new. Side B plays backwards! This is a must for all Misfits collectors. Includes A2 poster. TRACKLIST: A1. Last Caress A2. TV Casualty A3. Hybrid Moments A4. We Are 138 A5. Static Age A6. Return Of The Fly A7. Some Kinda Hate A8. Teenagers From Mars B1. Recording Session From C.I. Studios. New York 1978 Static Age Era Complete With Unused Takes, Mistakes and Trash Talk Label: Plan 9 Records/Unofficial
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The early recordings of the Misfits on one album. Rare EU press for this ‘Static Age’ demos & Outtakes collection. Very limited, this comes sealed and new. Side B plays backwards! This is a must for all Misfits collectors. Includes A2 poster. Red Vinyl. TRACKLIST: A1. Last Caress A2. TV Casualty A3. Hybrid Moments A4. We Are 138 A5. Static Age A6. Return Of The Fly A7. Some Kinda Hate A8. Teenagers From Mars B1. Recording Session From C.I. Studios. New York 1978 Static Age Era Complete With Unused Takes, Mistakes and Trash Talk Label: Plan 9 Records/Unofficial
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Static Age is an album by the American horror punk band Misfits, recorded in 1978. Although it was the first album the band ever recorded, it was not released in its entirety until 1996. In August 1977 The Misfits released their debut single "Cough/Cool" on Blank Records, a label operated by the band's lead vocalist Glenn Danzig. Several months later Mercury Records issued a Pere Ubu record on their own Blank Records imprint, unaware that Danzig held a trademark on the name. The parties came to a settlement, with Danzig accepting thirty hours of studio time for his band in exchange for the rights to the Blank Records name. In January and February 1978 the Misfits, then consisting of Danzig, guitarist Franché Coma, bassist Jerry Only, and drummer Mr. Jim, recorded seventeen songs at C.I. Recordings in New York City with engineer and producer Dave Achelis. Due to time constraints, the band recorded the songs live in the studio with only a few takes and very few overdubs. Ultimately fourteen of the seventeen tracks produced during the sessions were assembled for the Misfits' anticipated debut album, to be titled Static Age. However, the band were unable to find a record label interested in releasing the album. Instead, the Misfits released four of the new tracks ("Bullet", "We Are 138", "Attitude", and "Hollywood Babylon") as the "Bullet" single in June 1978 on Danzig's newly created label Plan 9 Records (the same four tracks, along with a remixed version of "Last Caress", were reissued on the Beware EP in January 1980). While on tour in Canada that October, guitarist Franché Coma abruptly quit the band, followed by drummer Mr. Jim at the tour's conclusion. With the band's future far from certain, the Static Age recordings were shelved indefinitely. Danzig recruited new members Bobby Steele and Joey Image and the Misfits shifted their style away from the traditional punk rock of the Static Age sessions to a more horror film-inspired direction. None of the remaining Static Age tracks were released during the early era of the band, though a re-recorded version of "Teenagers from Mars" appeared on the "Horror Business" single in 1979, and a live version of "We Are 138" appeared on the Evilive EP in 1982. After the band's breakup in 1983, Danzig overdubbed guitar and bass tracks on nine of the unreleased Static Age tracks ("Static Age", "TV Casualty", "Hybrid Moments", "Come Back", "Some Kinda Hate", "Theme for a Jackal", "Angelfuck", "Spinal Remains", and "She"), releasing these new versions on the 1985 Legacy of Brutality compilation album. Misfits followed in 1986, reissuing the tracks "Bullet" and "Hollywood Babylon" as well as the overdubbed version of "She". Collection II (1995) reissued "We Are 138" and "Attitude", the remixed version of "Last Caress", and the previously unreleased "Return of the Fly". With the release of the Misfits box set in 1996, the complete original Static Age album saw the light of day for the first time, eighteen years after the songs were recorded. The box set included all three compilation albums as well as a disc with all fourteen Static Age tracks that had been mixed in 1978. The remaining three tracks, "She", "Spinal Remains", and "In the Doorway", were mixed by Alan Douches and Tom Bejgrowicz on February 24, 1997, at West West Side Music and were included when Static Age was finally released as a standalone album that July. "In the Doorway" had never before been released, as it had remained unmixed on the master tapes for nineteen years. The album also included an unlisted eighteenth track consisting of a collage of studio banter and outtakes. Includes double sided insert. (D&V Records/Unofficial Release)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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“The Devil’s Rain” is the judgment of all others who stand before us, like a prophecy. The old B-movie was an influence to some of the lyrics, but the song itself is as if the heavens opened and swallowed our enemies. They have…and a new “rain” of terror begins” – Jerry Only On October 4, 2011, the Misfits released their long awaited, first full-length release of all-new, original material in nearly a decade! Rooted in the horror and sci-fi themes fiends crave, “The Devil’s Rain” features 16 fiendish, soon-to-be Misfits classics including “Twilight of the Dead”, “Dark Shadows”, “Curse of the Mummy’s Hand” and the title track itself, “The Devil’s Rain”. Produced by Ed Stasium, (who’s credits include the Ramones’ “Road to Ruin” and “Too Tough to Die”, as well as the Misfits’ 1999 release “Famous Monsters”), the album showcases a jaw-dropping, two-panel front/back cover painting featuring the rebirth of the band’s iconic “Fiend” mascot in an epic setting rendered by Arthur Suydam (known for his immensely popular work on the Marvel Zombies series, among others). The packaging, designed to emulate a CD sized gatefold LP, also features some incredible new Misfits portraits shot by the legendary Mick Rock. Rock’s imagery (which includes Bowie, Iggy, Queen, Debbie Harry, and the Ramones to name a few), has become part of the very fabric of rock ‘n’ roll. Having also served as an on-set photographer for cult-movie classic “The Rocky Horror Picture Show”, Rock lends a perfectly suited eye to view the band’s surrealistic and highly theatrical persona. “The Devil’s Rain” is not just a continuation of a historic legacy, it’s a total reboot ushering in a new era of terror. In a sense, it’s the debut album from the legendary Misfits of this decade. From fans of their classics, to newcomers discovering the band for the very first time, “The Devil’s Rain” sets the bar, and redefines the ferocity and melody that has made the Misfits omnipresent and immortal. Comes with black & white insert featuring photos & complete lyrics. Label: Planet 138 – PLN138/Unofficial
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Tracks A1 to A4 and A6 recorded at Mix-O-Lydian Studio, Boonton, NJ in August 1981 and were taken from CD3 of the official released The Misfits Box Set. Tracks A5 and A8 to A10 recorded at Mix-O-Lydian Studio, Boonton, NJ over the year 1981. Track A7 and B13 recorded at Newfound Sound Studios, Fair Lawn, NJ in June 1981. Tracks B11 and B12 recorded at Master Sound Productions, Franklin Square, NY in August 1980 and were taken from CD1 of the official released The Misfits Box Set. Tracks B14 to B18 labelled as "The Spot Sessions", recorded at Unicorn Recording Studio, Santa Monica, CA on October 3, 1982. Tracklist: "Walk Among Us" Demos A1 20 Eyes A2 I Turned Into A Martian A3 Astro Zombies A4 Vampira A5 All Hell Breaks Loose A6 Nike A Go Go A7 Devil's Whorehouse A8 Night Of The Living Dead A9 Skulls B10 Violent World B11 Horror Hotel B12 Ghouls Night Out B13 American Nightmare "The Spot Sessions" Demos B14 Devilock B15 Earth A.D. (Instrumental) B16 Mommy, Can I Go Out And Kill Tonight? (Instrumental) B17 Queen Wasp (Instrumental) B18 We Bite Label: Wasted Youth Power Records
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If the Misfits were one of the greatest punk bands then Walk Among Us released in 1982 is perhaps one of the greatest records in punk history. While Static Age and Earth AD showcased a band searching for an identity like a vampire for its next victim, Walk Among Us is almost sheer perfection. With a solidified lineup, fully grown-out devillocks (the Misfits trademark long spike of hair in the front) and the stabilizing presence of the somewhat pedestrian but agile arthur googy on drums, uber-misfit Glenn Danzig was finally able to match his zombie-elvis to a worthy musical foil. From the manic opening of 20 Eyes to the monster football chorus of Braineaters, there is nothing less than a sublime moment on this album from start to finish. Astro Zombies or I Turned into a Martian sound like songs to raise the dead by. a special bonus is perhaps the tenderest love song to decapitation (Skulls) in recent memory. Label: Miss999/Unofficial
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Mižerija's demo struck us with its rebellious attitude, infectious melancholic vibes and heavy pop sensibilities. On first listen, the band evokes some early BOYE/KAOS demos, but it's charged with both a strong punk attitude and a breeze of modern dark pop/post punk freshness. If you like the melancholic and catchy sides of UK anarcho punk and ex-YU post-punk/new-wave, we suggest that you do not sleep on Mižerija. There are some noisy moments here that recall the "Yes Sir I Will" CRASS era, there's a Honey Bane style shouted femme vocal thing going on and there are also some danceable aspects in the rhythm, which we totally adore! This is anarcho-pop wrapped up in barbed wire and updated for the new dark ages! Take notice that on this vinyl demo pressing you also get to hear one extra song from the same recording session. Limited to 524 copies. 420 on black and 104 limited baby blue color available for mailorder only. Each record comes with screenprinted cover, risographed insert and xeroxed lyrics sheet with english translation. Front cover: Niđo, Layout: Bodež. (Doomtown Records)
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Chicago’s MOCK EXECUTION are back with a 5 track EP in time for their European Tour. Expect more of their trademark raw unfiltered hardcore. Dual flanged out guitars deliver sharp chunky riffs, hypnotic and psychedelic at times, while the heavily distorted low end of the bass/drums create a cavernous foundation for their sonic attack. While borrowing heavily from Scandinavian hardcore and the entire Crust War catalogue MOCK EXECUTION make the sound their own. Label: La Vida Es Un Mus
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Chicago’s MOCK EXECUTION return with 9 tracks of unadulterated sonic aggression. Their debut LP Killed By Mock Execution takes cues from the dirtier sides of both Finnish and Japanese hardcore while keeping their engineer boots firmly set on the traditional UK crust sound of yesteryear. Executing a magnificent hybrid of DOOM and GLOOM, GAI, KAAOS, and the entire early 2000’s Crust War catalogue, MOCK EXECUTION tear through flanger solos, huge crash cymbals, burly driven bass and NO SECURITY split era intros and that’s only part way to the band’s sound. Recorded by the band on an 8 track tape recorder at their tiny practice space, during the height of global pandemic and civil unrest in the USA between 2020 and 2021, and graced with artwork by the inimitable Monykaos. (La Vida Es Un Mus Records)
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First time reissue of the totally unknown and lone 7” from the North East of England’s Model Workers. Originally released in 1981 on their own Make it Yourself label, and issued in three different coloured sleeves, the original two track 7” is as rare as it is great. This reissue adds two further songs from the ‘Model Workmanship’ demo from 1980, making it a classic four track EP. Model Workers deal in angular pop with a clear punk edge, with lead track ‘My Winter of Discontent’ being a pure DIY gem that is tight and jangly, and has the same feel as an early Television Personalties or The Times 7” or even a home recorded demo by the Jam. Had it been a Whaam! label release back in the day, Model Workers would have been a household name. But as it turned out Model Workers lifespan was short, burying the band into obscurity and turning the record into a DIY want list staple for 40 years. This reissue comes in an 8 page booklet sleeve including paper clips, band pictures and other band’s ephemera. Label: Sealed Records
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Projectile Platters is releasing this must have slice of essential Canadian Punk/Power Pop/ New Wave that no one who has a Punk collection can live with out. The Modernettes were a popular Punk band that formed in Vancouver around 1980. All of the members added vocals to the performances giving them a uniquely poppy and catchy sound. The Projectile Platters reissue compiles both of their long out of print and sought after collectable EPs. 1980s "Teen City" EP features the classics "Suicide Club," "Little Girls," "Celebrity Crackup," and the band's strongest and probably most popular song, "Barbara." 1982s "View From The Bottom" features another 5 must have classic KBD style Power Pop/Punk tracks including their cool version of the Velvet Underground classic " Femme Fatale". The LP will have the usual Projectile Platters extras a replica fold out poster for "View From The Bottom" and a double sided insert with liner notes. FOR FANS OF: The Ramones Teenage Head Pointed Sticks The Diodes Angry Samoans De Cylinders The Lloyds (Puke N Vomit/Projectile Platters)
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Mogwai release their new album 'Atomic' via Rock Action. The album is composed of reworked versions of the music recorded for the soundtrack to director Mark Cousin's acclaimed documentary Atomic: Living In Dread and Promise, which first aired on BBC Four last summer. Constructed entirely of archive film, 'Atomic' is an impressionistic kaleidoscope of the horrors of our nuclear times - protest marches, Cold War sabre-rattling, Chernobyl and Fukishima - but also the sublime beauty of the atomic world, and how x-rays and MRI scans have improved human lives. Mogwai's soundtrack encapsulates the nightmare of the nuclear age, but its dreamlike qualities too. It is the latest in the band's series of impressive soundtracks and scores, following acclaimed albums 'Les Revenants' (The Returned) and 'Zidane: A 21st Century Portrait'. Music from the film 'Atomic', a Hopscotch Films/Crossover Production directed by Mark Cousins. Black vinyl version. Issued in a gatefold sleeve with download code All songs by Mogwai. Published by Kobalt Music Publishing/Tomorrow Hits Recorded, produced and mixed at Castle Of Doom Studios, Glasgow Design & layout by dlt (Rock Action Records/2016)
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The second LP by Belarussian trio Molchat Doma, Этажи (pronounced Etazhi, meaning “Floors”), was first released in 2018 on Berlin-based Detriti Records. It became a viral hit, garnering over one million views on YouTube and becoming a legitimate phenomenon on Bandcamp. The band may fly under the radar in their native Belarus, but they’ve reached huge audiences across Europe and beyond. Six separate vinyl pressings of the album have sold out in quick succession, and Sacred Bones Records is now thrilled to bring the record back in print for good. Molchat Doma (translated as “Houses Are Silent”), founded in 2017 in Minsk, Belarus, stands at the intersection of post-punk, new-wave and synth-pop. Dark yet danceable, and with a heavy dose of goth ethos, their music is reminiscent of the masters that predate them, but make no mistake: Molchat Doma creates a sound and meaning that is immediately recognizable as all their own. The band is comprised of Egor Shkutko, who sings the Russian lyrics in his deep monotone, Roman Komogortsev on guitar, synths, and drum machine, and Pavel Kozlov on bass and synths. Label: Sacred Bones Records Barcode: 843563125670
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Monument is a fitting title for the third album by Belarusian trio Molchat Doma. Indeed, it stands as a monument to everything they’ve achieved in their short time as a band, from whispered-about unknowns, to enigmatic underground icons, to legitimate viral sensations with hundreds of thousands of TikTok videos using their music. Monument sees them return as conquering heroes, expanding on the minimalist greatness of S Krysh Nashikh Domov and Etazhi to fully realize a more maximalist vision of their crystalline post-punk sound. Written and recorded while the band was quarantined in their hometown of Minsk during the COVID-19 pandemic, Monument is a conscious step up in songwriting and fidelity, and it reveals a band preternaturally comfortable in its own skin. Whether playing to the dancefloor, as they do on the synthpop anthem “Discoteque,” or working more introspectively on pre-pandemic live favorites “Otveta Net” and “Ne Smeshno,” Molchat Doma are in complete control. Their greatest strength has always been their songwriting, and they’ve only gotten better. As the band’s arrangements have grown more sophisticated, so too have the sounds they use to bring them to life. Roman Komogortsev and Pavel Kozlov’s gear arsenal has grown to include an extensive range of synthesizers and drum machines, all of which they deploy with precision. Egor Shkutko’s vocals move fluidly between his familiar deadpan monotone and an expressive croon, his beautifully delivered Russian lyrics at turns bleak and romantic. Shkutko has often been compared to Ian Curtis, but here, he outgrows the comparison. With Monument, Molchat Doma have done one of the hardest things to do as a band. They’ve greatly expanded the scope of their music while retaining everything that made them great in the first place. Label: Sacred Bones Records Barcode: 843563144268
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When С крыш наших домов, the debut album by Molchat Doma, was released in 2017, it announced a bold new voice in underground music. The album found a passionate audience on Bandcamp and other streaming services and was released on CD and cassette. Sacred Bones Records is proud to present the album on vinyl for the first time. Molchat Doma (translated as "Houses Are Silent"), founded in 2017 in Minsk, Belarus, stands at the intersection of post-punk, new-wave and synth-pop. Dark yet danceable, and with a heavy dose of goth ethos, their music is reminiscent of the masters that predate them, but make no mistake: Molchat Doma creates a sound and meaning that is immediately recognizable as all their own. The band is comprised of Egor Shkutko, who sings the Russian lyrics in his deep monotone, Roman Komogortsev on guitar, synths, and drum machine, and Pavel Kozlov on bass and synths. Label: Sacred Bones Records Barcode: 0843563125632
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Celebrating his 30th anniversary, PUBIC INTELLECTUAL is the first Anthology to document Momus’ entire recorded output. Carefully compiled and annotated by the artist, with artwork by his chosen designer, this is a very personal statement. • Scottish artist Momus – the performing alias for Nick Currie – has curated a fascinating body of work over the course of the last 30 years for labels such as Creation, Cherry Red, Analog Baroque and él. • For thirty years, he has been releasing albums to critical success. In his lyrics and his other writing, he makes novel use of decontextualized pieces of continental (mostly French) philosophy, and has built up a personal world he says is “dominated by values like diversity, orientalism, and a respect for otherness.” He seems fascinated by identity, Japan, Rome, the avant-garde, time travel and sex. • Celebrating his 30th anniversary, PUBIC INTELLECTUAL is the first Anthology to document Momus’ entire recorded output. Carefully compiled and annotated by the artist, with artwork by his chosen designer, this is a very personal statement. • Included are many of Momus’ most acclaimed songs – such as ‘The Hairstyle Of The Devil’, ‘Lucky Like St. Sebastian’ and ‘Murderers, The Hope of Women’. • Pubic Intellectual also draws on Momus’ most recent albums from the noughties, such as Bibliotek, Bambi, Turpsycore and Glyptothek. • Momus’ sleeve-notes are hilarious. Here’s the first entry for ‘Lucky Like St. Sebastian’: “Arriving in London in 1984, I painted my Streatham room olive and lemon and put up reproductions from the National Gallery, where — along with the British Museum — I spent a lot of time. On the 159 bus up to central London, I mused on Kierkegaard’s essay (in Either/Or) The Rotation of Crops: boredom, says A. the aesthete, is the root of all evil. And he quotes Juvenal’s line that the masses just want ‘Panis et Circenses’, bread and circuses, diversion. I liked how ‘panis’ sounded like ‘penis’. I started devising an album about bread and circuses, or the way popular entertainment is used to pacify and placate the masses.” (Tiger Bay – TB6102)
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MONEY? MONEY. MONEY are the Texas blackened metal punks who dropped that FINAL BAG Demo and 3 A.M. ETERNAL EP on us in recent years. It can be hard to keep up with the deluge of mostly bullshit that comes up on a daily basis but MONEY stands alone. Their "members of" list is impressive but it’s unnecessary in light of the blistering 1-2 of licks and rapid fire drums. And while the aforementioned releases came into being via cassettes on the great Roach Leg Records and from the band themselves respectively, B.I.R. is proud to have these 7 corrosive tracks on vinyl for the first time. Amphetamine fueled riffs for moral decline. MONEY. FFO: Darkthrone, Anti-Cimex, Sepultura, G-Zet. Remastered by Arthur Rizk, this collection of the initial efforts by MONEY is both for the well acquainted and those who might have missed the tapes when they dropped. Limited to 666 copies, half on COKE bottle clear and the other half on powder white vinyl. Each record comes in a jacket featuring art by Curse of Face and logo by Joe Chatt. Yee. Label: Beach Impediment Records
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maximumrocknroll.com Aug 2019 "Man, these guys come out of the gates swinging, with a faster-paced, almost frenetic number. This is punk rock. Sure, it’s catchy, but it’s got this nervous energy that keeps the listener on edge. They keep up the pace for the entire record. This thing just shreds. At times I’m reminded of the DEAD BOYS, only amped up a tad. And just for the hell of it, they throw in a PAGANS cover. Excellent record." (KENNY KAOS) bigtakeover.com #85 "Where has all the punk rock gone? Well, if you’re seeking more than the typical mutual admiration society jerk-off that has become punk these days, look no further. Brooklyn’s MP don’t adhere to stylistic cues, don’t pander to their audience, and they don’t care what you think of them. What they do is play 10 songs in under 20 minutes with lightning speed, balance “tight” and “loose” like the best of any Killed by Death band, and do it better than your friend’s boring hardcore outfit that played five times in the past month. What do they sound like? Cleveland’s Pagans at 45. There’s no posturing, no begging you to thing they’re cool, no BS. You get these songs and you like ’em or you don’t. Now f off." (Alien Snatch! Records)
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New 12″ 45rpm by NYC punk rockers MORAL PANIC following their “White Knuckles” 7″ on ROBELLION MUSIC. It´s louder and more pissed than their previous albums. Recordings by Jeff Hogan (MURPHY’S LAW) and mastering again by Jeff Burke (RADIOACTIVITY, MARKED MEN). Split release with REPTILIAN RECORDS (US), less than 150 copies in Europe. Pressing is on randomly colored vinyl. "Moral Panic back at it and hitting it like a hammer, fast as fuck and moving out, hammering down like a speed demon with his head roaring with a mouthful of high octane siphoned from some kind of Detroit beast machine built from hard core and punk garage rock n roll, punching it out like white lines on the blacktop, high contrast clarity blurred to oblivion, punk rock 'n roll 1-2-3-4-go.(mw)" (Alien Snatch! Records)
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Morbid Saint is an American Death Metal/Thrash Metal band from Sheboygan, Wisconsin. The band is known for being a regular opening act for Florida's Death, one of the progenitors of death metal, as confirmed by Jay Visser, as well as having an influence in the genres of blackened thrash and death metal. This was originally supposed to be the second album for Morbid Saint in 1992, but It was given to fans as an advanced cassette. It was never officially released back then. It was engineered at Wave Digital Studios in Gurnee, Illinois in 1992. In 2015, the finished product was released on vinyl and now on CD. Black vinyl, ltd 700, 425gsm heavy cardboard cover w/ front sheet, insert printed on uncoated paper, poster, A5 photo card, mastered by Patrick W. Engel at Temple of Disharmony. Label: High Roller Barcode: 4251267714476
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Morbid Saint is an American Death Metal/Thrash Metal band from Sheboygan, Wisconsin. The band is known for being a regular opening act for Florida's Death, one of the progenitors of death metal, as confirmed by Jay Visser, as well as having an influence in the genres of blackened thrash and death metal. This was originally supposed to be the second album for Morbid Saint in 1992, but It was given to fans as an advanced cassette. It was never officially released back then. It was engineered at Wave Digital Studios in Gurnee, Illinois in 1992. In 2015, the finished product was released on vinyl and now on CD. Red/ black bi-color vinyl, ltd 400, 425gsm heavy cardboard cover w/ front sheet, insert printed on uncoated paper, poster, A5 photo card, mastered by Patrick W. Engel at Temple of Disharmony Label: High Roller Barcode: 4251267714452
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Spectrum of Death is the debut 1989 album by American band Morbid Saint. While words like 'underground' and 'cult' get thrown around a lot in metal circles, they could not be more apt to describe 'Spectrum of Death' by Morbid Saint, who Formed in 1984, the founding members eventually formed a five piece that churned out some of the wildest thrash there has ever been. Slipcase, poster, sticker, mastered by Patrick W. Engel at Temple of Disharmony. Label: High Roller Barcode: 4251267703210
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Spectrum of Death is the debut 1989 album by American band Morbid Saint. While words like 'underground' and 'cult' get thrown around a lot in metal circles, they could not be more apt to describe 'Spectrum of Death' by Morbid Saint, who Formed in 1984, the founding members eventually formed a five piece that churned out some of the wildest thrash there has ever been. Black vinyl, 425gsm heavy cardboard cover, insert printed on uncoated paper, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony. Label: High Roller Barcode: 4251267710331
