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Incredible performance at the webster hall in nyc, fully recorded for mtv. pure bay area thrash mayhem! Recorded live at Webster Hall, New York City, NY, USA, on October 25th, 1994. FM broadcast. Limited edition to 500 copies. TRACKLIST: A1 The Punishment Due 10:50 A2 Reckoning Day 5:05 A3 Sweating Bullets 6:06 A4 Train Of Consequences 4:16 B1 In My Darkest Hour 7:23 B2 A Tout Le Monde 4:43 B3 Symphony Of Destruction 6:22 B4 Peace Sells 6:48 B5 Victory 4:19 (Mind Control Records) -
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Killing Is My Business... and Business Is Good! is the debut studio album by American thrash metal band Megadeth, released on June 12, 1985, by Combat Records. Label: Armando Curcio Editore
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We're The Meatmen...And You Suck!! is an album from the Michigan hardcore punk band The Meatmen, which was released in 1983 on Touch and Go Records. (Touch And Go Records)
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Notorious anti-fascist hardcore punk rock icons, MDC, return with a vital new album of unflinching political anthems! Singer and political activist Dave Dictor continues to lead MDC through an incredible career revival that recently saw Green Day borrow the band's anti-Trump slogan during GD's performance on the 2016 AMA awards! The band does their 45+ year legacy proud with this supercharged set of radical punk rock screeds such as album's killer title track plus "You're Full Of Shit," "The Big Lie" and more! Label: Cleopatra Records Barcode: 0889466388415
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With over 70 different releases spread over a thirty year career and literally hundreds of songs in their repertoire, Canadian pop-punk institution the McRackins hardly need an introduction. Originally released on compact disc only in 2006 and widely considered McRackins’ own ‘Pet Sounds’, ‘Bat Out Of Shell’ makes it on vinyl for the first time, with new revised artwork and complete with double-sided lyric insert. (Hey Suburbia Records)
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The MC5 were one of the greatest rock ‘n’ roll bands to emerge in the 1960s, and the number of individuals who respect and revere the music they recorded and released in their heyday has multiplied over the years. If you aren’t already worshipping at the altar of the band’s first three albums, well, now’s the perfect time to change that, because Rhino has just reissued them in a 3-LP boxset. TOTAL ASSAULT: 50TH ANNIVERSARY COLLECTION is a limited-edition boxed set that features all three of the band’s albums pressed on colored vinyl: KICK OUT THE JAMS (red vinyl) BACK IN THE USA (white vinyl) HIGH TIME (blue vinyl The albums come in sleeves that faithfully re-create the original releases, including gatefolds for Kick Out The Jams and High Times. All three are housed in a hard slipcase with new art and previously unseen photographs by world renowned photographer Raeanne Rubenstein. The set also includes a new essay by Creem magazine founding editor/writer Jaan Uhelszki. TOTAL ASSAULT rocks hard. Go get a copy right now, so you can kick out the jams yourself. (Rhino Records – R1 572454 , Elektra – R1 572454 , Atlantic – R1 572454)
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Limited vinyl LP repressing of the classic 1969 debut album from the Garage Rock icons. (Rhino Records)
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Μόλις τρεις μήνες από την κυκλοφορία του EP «Βεντάλιες Και Σιδερογροθιές», ο MAZOHA, ακατάπαυστος, ξαναχτυπά με το νέο του album «Τώρα Χορός», πιάνοντας το νήμα μουσικά, στιχουργικά και συναισθηματικά από εκεί που το άφησε στο προηγούμενο album του, «ΠΡΤΘΛΤΣ». Όπως δηλώνει ο τίτλος και επιβεβαιώνουν το ομώνυμο κομμάτι και τα κομμάτια «Τσιχλόφουσκα» και «Ψυχολογικά Τραύματα Social Club», υπάρχει ακόμα μεγαλύτερη διάθεση για χορό, που πηγάζει από την δίψα για εκτόνωση που γνωρίζουν καλά όσοι έχουν ζήσει την εμπειρία των live του MAZOHA. Παράλληλα, στα κομμάτια «Ήρωες Πολλοί Αγάλματα Λίγα», «Σαν Σκιάχτρο» και «Νέα Υόρκη» τα beats, τα synths και οι φωνητικές γραμμές είναι χαρακτηριστικά δείγματα της σκοτεινής ποπ που χαρακτηρίζει το album του «Μπάσταρδο». Το tracklist ολοκληρώνεται με δύο ιδιαίτερα κομμάτια: τo «Ονειρεύομαι Μωρό Μου» με το noise-shoegaze intro και τα ραπαριστά καταιγιστικά φωνητικά, μια εξομολογητική και καταγγέλουσα λούπα που θα μπορούσε να κρατάει για πάντα, και τέλος «Το Πουτανάκι Σου», το ερωτικό τραγούδι του δίσκου με το ρεφρέν τσίχλα, που φλερτάρει επικίνδυνα με το trash, γραμμένο για να ακούγεται αργά το βράδυ σε όλα τα μπαρ. Ένα album αντιθέσεων που βουτάει από την απόγνωση στη λύτρωση και από τη χαρά στη λύπη, παντρεύοντας το σκοτάδι με το φως. Το πιο MAZOHA album μέχρι στιγμής. Κυκλοφορεί σε LP και Digital album από την Ιnner Ear. * * * Just three months after the release of the EP "Βεντάλιες Και Σιδερογροθιές (Fans And Iron Fists)", relenteless MAZOHA, strikes again with his new album "Τώρα Χορός (Now Dance)", catching the thread musically, lyrically and emotionally from where he left it on his previous album, "PRTTHLTS”. As stated by the title and confirmed by the homonymous track and the tracks "Τσιχλόφουσκα (Chewing gum)" and "Ψυχολογικά Τραύματα Social Club (Psychological Traumas Social Club)", there is an even greater dancing mood, which stems from the thirst for relaxation. Those who have experienced the live gigs of MAZOHA know this feeling well. At the same time, in the songs "Ήρωες Πολλοί Αγάλματα Λίγα (Many Heroes Few Statues)", "Σαν Σκιάχτρο (Like A Scarecrow)" and "New York" the beats, the synths and the vocal lines are typical examples of the dark pop that characterizes his album "Bastardo". The tracklist is completed with two special tracks: "Ονειρεύομαι Μωρό Μου (Ι Dream Baby)" with the noise-shoegaze intro and the rap stormy vocals, a confessional and denouncing loop that could last forever, and finally "Το Πουτανάκι Σου (Your Little Whore)”, the love song of the album with a chewing gum refrain, flirting dangerously with trash, written to be heard late at night in all bars. An album of contrasts that dives from despair to redemption and from joy to sorrow, marrying darkness with light. The most MAZOHA album so far. Label: Inner Ear
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Μετά το άλμπουμ «ΠΡΤΘΛΤΣ», ο MAZOHA επιστρέφει με «Βεντάλιες Και Σιδερογροθιές». Ένα μίνι ακουστικό album με 5 τραγούδια γυμνά από beats και synths, σαν να παίζεις κιθάρα και να τραγουδάς στο δωμάτιό σου. Τα τραγούδια ηχογραφήθηκαν σε διάστημα τεσσάρων ημερών τον Οκτώβριο του 2021 από τον Τζίμη Πολιούδη στο σπίτι του και τα όργανα που χρησιμοποιήθηκαν είναι ακουστική κιθάρα, μπαγλαμαδάκι και μελλόντικα. Στίχοι που μιλούν για κροκόδειλους στους δρόμους, ημιλιποθυμίες, σιδερογροθιές, δωμάτια-πλανήτες. Παρόλο που τα τραγούδια φλερτάρουν με το είδος της μπαλάντας, δεν πρόκειται για ερωτικά τραγούδια (με εξαίρεση τη διασκευή του «Άνοιξη»), αλλά για ένα σύνολο τραγουδιών που εκφράζουν πως όσο τρωτοί συναισθηματικά κι αν είναι κάποιοι άνθρωποι, δεν υποχωρούν, αντιστέκονται και προσπαθούν να είναι η εξαίρεση που θα γίνει το παράδειγμα στο αποκτηνωμένο σήμερα. Το «Βεντάλιες Και Σιδερογροθιές» κυκλοφορεί σε digital ep και σε κασέτα από την Ιnner Ear. * * * After the album "PRTTHLTS", MAZOHA returns with "Vedalies Ke Siderogrothies (Fans And Iron Fists)". A mini acoustic album of 5 songs, naked from beats and synths, like playing the guitar and singing in your room. The songs were recorded over a period of four days in October 2021 by Jimmy Polioudis at his home with the use of acoustic guitar, baglamadaki and melodika. The lyrics talk about crocodiles in the streets, near-fainting, iron fists, rooms-planets. Although the songs flirt with the genre of the ballad, they are not love songs (with the exception of the cover of "Anixi (Spring)"), but a set of songs that express that no matter how emotionally vulnerable some people are, they do not give up, they resist and try to be the exception that will become the example in the brutal current state we are living. Label: Inner Ear
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Ο ΜΑΖΟΗΑ παρουσιάζει το νέο του album με τον απειλητικό τίτλο «Ας τους Σκοτώσουμε Όλους και Μετανιώνουμε Ύστερα». Το «Ας Τους Σκοτώσουμε Όλους…» είναι γνήσιο παιδί μίας πολυδιάστατης εποχής ψηφιακών μέσων και γρήγορης ταχύτητας, όπου τα πάντα μοιάζουν να περιφέρονται γύρω από μία μαύρη τρύπα. Indie ροκ και πανκ τραγούδια, ποπ μπαλάντες και hip hop επιρροές συνθέτουν το πολύπλευρο μουσικό προφίλ του δίσκου. Στιχουργικά, περισσότερο κατασταλαγμένος από ποτέ και χωρίς να χάνει τον αυτοσαρκασμό του, καταθέτει 17* ελληνόστιχα τραγούδια, που υμνούν την αρχή και το τέλος του έρωτα, την ελπίδα και την απελπισία και αναμετριούνται με την πατριαρχία, την βαρεμάρα της καθημερινότητας, το κοινωνικό τέλμα και τον θάνατο. Ο Τζίμης Πολιούδης ηχογράφησε το άλμπουμ, τον Ιούνιο του 2022, απομονωμένος στο σπίτι του, αφουγκραζόμενος προσωπικά αλλά και εξωτερικά ερεθίσματα και γεγονότα. Η συνηθισμένη του δημιουργική μοναχικότητα σ’ αυτό τον δίσκο διακόπτεται από ενδιαφέρουσες συνεργασίες: η Nalyssa Green συμμετέχει στο ντουέτο «Αποσμητικό», ο Θωμάς Στρατάκης (Green Was Greener) συνυπογράφει την μουσική στα κομμάτια «Μελλοντικέ Μου Εαυτέ» και «Τι Θα Γίνει» και ο Κώστας Θεοδωρίδης έχει γράψει τους στίχους στο «Ανώδυνο». Label: Inner Ear
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Ο ΜΑΖΟΗΑ παρουσιάζει το νέο του album με τον απειλητικό τίτλο «Ας τους Σκοτώσουμε Όλους και Μετανιώνουμε Ύστερα». Το «Ας Τους Σκοτώσουμε Όλους…» είναι γνήσιο παιδί μίας πολυδιάστατης εποχής ψηφιακών μέσων και γρήγορης ταχύτητας, όπου τα πάντα μοιάζουν να περιφέρονται γύρω από μία μαύρη τρύπα. Indie ροκ και πανκ τραγούδια, ποπ μπαλάντες και hip hop επιρροές συνθέτουν το πολύπλευρο μουσικό προφίλ του δίσκου. Στιχουργικά, περισσότερο κατασταλαγμένος από ποτέ και χωρίς να χάνει τον αυτοσαρκασμό του, καταθέτει 17* ελληνόστιχα τραγούδια, που υμνούν την αρχή και το τέλος του έρωτα, την ελπίδα και την απελπισία και αναμετριούνται με την πατριαρχία, την βαρεμάρα της καθημερινότητας, το κοινωνικό τέλμα και τον θάνατο. Ο Τζίμης Πολιούδης ηχογράφησε το άλμπουμ, τον Ιούνιο του 2022, απομονωμένος στο σπίτι του, αφουγκραζόμενος προσωπικά αλλά και εξωτερικά ερεθίσματα και γεγονότα. Η συνηθισμένη του δημιουργική μοναχικότητα σ’ αυτό τον δίσκο διακόπτεται από ενδιαφέρουσες συνεργασίες: η Nalyssa Green συμμετέχει στο ντουέτο «Αποσμητικό», ο Θωμάς Στρατάκης (Green Was Greener) συνυπογράφει την μουσική στα κομμάτια «Μελλοντικέ Μου Εαυτέ» και «Τι Θα Γίνει» και ο Κώστας Θεοδωρίδης έχει γράψει τους στίχους στο «Ανώδυνο». Label: Inner Ear
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Mazandaran was born from an idea to make protest music that shone a light on the experience of the Iranian diaspora, many of whom were displaced by the current regime. All members share Iranian heritage and the lyrics and imagery speak of the ancient Persian mythology of The Shahnameh, with passages about the legendary hero Rostam slaying the Div-e Sepid, or White Demon, and overcoming evil. Musically, the band delve into the deep and rich history of Japanese and Skandinavian hardcore punk of the 80s, as what better type of punk is there to make you feel like you are battling demons and about to fuck shit up? Dedicated to the brave women and men of Iran suffering 44 years of oppression from the current theocratic, fascist, and fundamentally anti-Iranian regime occupying our ancestral home. زن زندگی آزادی If you would like to help people in Iran suffering under the current regime and you are concerned to avoid IR governemnt channels, please consider donating to: united4iran.org/donate/ Label: Quality Control Records
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Official re-release of the 1982 smash record, originally released on Riot City Records. On this record, Mayhem from Southport in England offer a wacky and unpolished punk sound that differs massively from the original GB punk of that time. MAYHEM came from the environment of BLITZKRIEG and THE INSANE with whom there were personnel overlaps. Originally the band started rehearsing with a bunch of mates who used to hang out at the legendary Eric's Club in Liverpool, where they often went to matinee shows on Saturdays. MAYHEM existed from about 1979-1986, but put out their last record in 1985. The record blasts out of the speakers with such a chaotic energy that you just can't sit or stand still, it encourages you to destroy precious things. Put the record on when you get up in the morning, it will ruin your day. This is punk. (Bomb-all Records)
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Official re-release of the 1982 smash record, originally released on Riot City Records. On this record, Mayhem from Southport in England offer a wacky and unpolished punk sound that differs massively from the original GB punk of that time. MAYHEM came from the environment of BLITZKRIEG and THE INSANE with whom there were personnel overlaps. Originally the band started rehearsing with a bunch of mates who used to hang out at the legendary Eric's Club in Liverpool, where they often went to matinee shows on Saturdays. MAYHEM existed from about 1979-1986, but put out their last record in 1985. The record blasts out of the speakers with such a chaotic energy that you just can't sit or stand still, it encourages you to destroy precious things. Put the record on when you get up in the morning, it will ruin your day. This is punk. (Bomb-all Records)
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Official discography 1984-1987 of this seminal speed metal band from Portland, Oregon featuring the legendary Steve Hanford “Thee Slayer Hippie” (RIP) of POISON IDEA on drums!! Punk driven thrash galore delivered with outstanding energy and riffing excellence. Double LP including: – “Burned alive” LP (1987) – “Burned alive” bonus track: “Tear down the walls” – “As the world burns” Demo (1985) – Misc pre-“Burned alive” demo tracks A work of love entirely dedicated to Steve Hanford “Thee Slayer Hippie” that took care of the audio transfer and mastering works before passing away… Forget the completely useless reissue of “Burned alive” that recently came out without part of the band’s approval, this F.O.A.D. reissue is the ultimate Mayhem Portland’s discography, ALL MASTERED FROM THE ORIGINAL REELS including a lot of rare and unreleased contents. Housed in a high glossy gatefold jacket with full colored 16 page booklet collecting rare and exclusive photos, flyers, ‘zine excerpts, interviews and a lot more.. “Over the top”!! Solid black vinyl limited to 250 copies. (F.O.A.D. Records)
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We Insist! Max Roach's Freedom Now Suite, co-authored by Max Roach and Oscar Brown, Jr., was a pivotal work in the early-'60s African-American protest movement, and continues to be relevant in its message and tenacity. It represents a lesson in living as to how the hundreds of years prior were an unnecessary example of how oppression kept slaves and immigrants in general in their place. Vocalist Abbey Lincoln expresses this oppression as effectively as anyone could with her thespian-based wordless vocals, and lyrics written by Brown that tell the grim story of the struggle of African-American for far too long. Musically, Roach assembled one of the greatest bands, from his own emerging ensemble with trombonist Julian Priester and trumpeter Booker Little, to the legendary Coleman Hawkins and lesser-known, underappreciated tenor saxophonist Walter Benton. Percussionists Ray Mantilla and Michael Olatunji gave the poetic pieces sung by Lincoln enough substance and spice to also refer to Afro-Cuban and South American prejudice and urgency for change. Hawkins is particularly impressive, as his emotional range during the deep and dour, 5/4 slave song "Driva' Man" clearly feeds off of Lincoln's blues singing about quittin' time. "Triptych; Prayer/Peace/Protest" is the magnum opus of the set, introduced by Roach's signature drum moves, an eerie operatic vocal or oppressed angst yelling from Lincoln, and a 5/4 beat from the percussionist against a calmer vocal component, all written for interpretive dance. Of the modern jazz that Roach is renowned for, the horns jump into furious hard bop with solos from Little, Benton, and Priester on "Freedom Day" after Lincoln quietly invites you to "whisper/listen," while the obscure bassist James Schenck leads in 6/8 and 5/4 ostinato over Lincoln's sustained tones on "Tears for Johannesburg," with the layered horns in and out of well-wrought harmonies, and another triad of instrumental solos. "All Africa" sports lyrics about being on the beach, or maybe the beach head in the battle for freedom, as chants of tribal names echo similar village beats. This is a pivotal work in the discography of Roach and African-American music in general, its importance growing in relevance and timely, postured, real emotional output. Every modern man, woman, and child could learn exponentially listening to this recording -- a hallmark for living life. (Wax Love Records)
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2014 release from the Metal monsters. Art is a cyclical beast. The same can easily be said of Grammy Award nominated Hard Rock juggernaut Mastodon. The group's four members recognize the importance of life's omnipresent cycles on their sixth full-length album, ONCE MORE 'ROUND THE SUN. The band orbits around themes of loss and rebirth, twirling a sonic spiral of it's signature robust riffing, hypnotically haunting sound atmospheres, triage of dynamic voices, and thundering seismic grooves. The very title says something slightly different for each member. Quite literally, ONCE MORE 'ROUND THE SUN means a year-in-the-life, explains Dailor. Lyrically, we were discussing things that happened to US recently, whereas in the past we looked further back for inspiration. It's about 365 days in this band. It was a tough and strange journey. We happened to be in the middle of completing a full rotation musically as everything else was going on. Label: Reprise Records Barcode: 093624937678
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Medium Rarities presents a bevy of classic covers, soundtrack contributions, instrumentals, B-sides, and live recordings on one complete package for the very first time. Includes Tracks: Fallen Torches (Previously Unreleased) A Commotion (cover - Feist) Asleep in the Deep (Instrumental version) Capillarian Crest (Live) A Spoonful Weighs A Ton (cover - The Flaming Lips) Toe To Toes (Instrumental version) Circle of Cysquatch (Live) Atlanta (Butthole Surfers Cover) Jaguar God (Instrumental) Cut You Up With A Linoleum Life (Aqua Teen Hunger Force) Blood & Thunder (Live) White Walker (Game of Thrones) Halloween (Instrumental version) Crystal Skull (Live) Orion (cover - Metallica) Iron Tusk (Live) (Reprise Records/2021)
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Mastodon present their anxiously awaited ninth full-length album, Hushed and Grim, via Reprise Records. Over the past year, the group recorded the album in their home town, collaborating with producer David Bottrill [Tool, Rush, Muse, Peter Gabriel] behind the board. As their most ambitious body of work to date, it consists of 15 tracks, surveying sonic landscapes of rock, psychedelia, punk, metal, alternative, and prog threaded together by the innately expressive musical interplay of these four musicians. At the same time, an atmosphere of loss, loneliness, and longing permeates through the trio of cathartic vocals as they musically say goodbye to old friend, confidant, and long-time manager the late Nick John by architecting a magnum opus that bears the influence of his eternal memory. Label: Reprise Records Barcode 093624879756
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Mastodon present their anxiously awaited ninth full-length album, Hushed and Grim, via Reprise Records. Over the past year, the group recorded the album in their home town, collaborating with producer David Bottrill [Tool, Rush, Muse, Peter Gabriel] behind the board. As their most ambitious body of work to date, it consists of 15 tracks, surveying sonic landscapes of rock, psychedelia, punk, metal, alternative, and prog threaded together by the innately expressive musical interplay of these four musicians. At the same time, an atmosphere of loss, loneliness, and longing permeates through the trio of cathartic vocals as they musically say goodbye to old friend, confidant, and long-time manager the late Nick John by architecting a magnum opus that bears the influence of his eternal memory. Released in a 4-panel digisleeve with 16-page booklet. (Reprise Records/2021)
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If one proposes that the classic late eighties NYHC sound owed a chunk of its identity to blue collar meat heads from Queens, then the same can be said for London hardcore’s meatiest riffs coming from Croydon cousins who work construction, built their own instruments and met their lead guitarist on the tram. This band reminds me of Rest in Pieces, Breakdown, Sick of it All, Sheer Terror, Inside Out NYC, and a touch of Cleveland’s Die Hard with a healthy dose of crossover picking and a heap of sick guitar solos. Something all of the above bands had in common was the ability to blur the fine line between great genius and great stupidity. It's a delicate natural balance reached only by bands that don’t take themselves too seriously but would kick your ass if you called them a joke. There is a clearly defined love of hardcore, in its many forms, behind the songwriting in Mastermind – a band of young heads and scene mainstays who intend to have fun playing hardcore the way they like it. After a four year run with a solid demo and a crushing EP, Mastermind are ready to present you with their masterpiece – The Masters’ Orders. Label: Quality Control Records
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London has been fanning the flames of hardcore punk relentlessly, producing some of the best music of the genre for a while now. Enter Mastermind, four young guns kicking it up a notch or five. Starting in 2018, and after a well received demo on Cold Comfort, here comes their scorching new release, ‘Bad Reaction’ EP, on Quality Control HQ Records. Prepare to have your mind mastered in the art of the wildest hardcore songwriting, where a 3 minute song can keep you engaged throughout and doesn’t seem out of the norm. Karim Newble, also the resident artist of the band, takes you through the waviest of riffs that remind you of the crazy end of late 80s NYHC, from such legends as Rest in Pieces and Killing Time. Meanwhile vocalist Jon Osborne might be the long lost son of Jeff Perlin growling along to the rhythm section, seemingly out of control with one beat hook after another, pulling everything together. credits Check out the EP on bandcamp Mastermind 'Bad Reaction' 7" (Quality Control Records)
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DIY post hardcore/metal/sludge band from Greece, formed in 2011 and consisting of four individuals from Tripoli, Sparta and Athens. Recorded and mixed at Piper Studio | February 2022, Athens GR Mastered by Magnus Lindberg Productions | November 2022, Stockholm SE Photography Artwork | Panos Mazarakis Graphic design | Mike S. Putrefurnaced Helping hand with this release | Mind the Cat Recordings
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Debut LP from this Oakland quintet. 14 songs that are sure to get stuck in your head. Equal parts joy and rage, classically influenced but originally executed, circle pits and 12 strings, d-beats and Hammond organs, fist fights and tambourine breaks, angry and aggressive while thought provoking and danceable. Is it hardcore or punk, OR hardcore and punk? That’s the one dichotomy you’ll have to figure out. Black Liberation Now and Forever. 500 copies on black vinyl housed in a spot varnished black on black 24pt jacket with poster insert, sticker and download card included. Recorded and mastered by Jack Shirley. Art by Boo Boo. Label: Iron Lung Records
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"Finally a new record from this awesome band from Cleveland! Close your eyes and imagine that His Hero is Gone and Amebix got together and had a child… got it? Ok, now imagine that that child grows up in a dank room full of teenage angst, listening to nothing but Death Side and Disfear records until he is 21 years-old. Now open your eyes and what you have is Masakari, a crust punk band from Cleveland, Ohio.” (Southern Lord Recordings)
