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19 JULIO 1936' - CLASSIC CNT/FAI POSTER FROM THE SPANISH REVOLUTION - ARTWORK BY TONI VIDAL Details: Publisher: Anarcho Puzzles Complete Jigsaw Size: 69cm x 48cm Pieces: 1000 Artwork: Toni Vidal -
Time for another prime dose of potent, chorus-drenched anarcho-punk from one of its finest modern exponents: A Culture Of Killing return with their third album, bigger and bolder than before with a foreboding sense of deathrock gloom dialed all the way up beyond 11. Their usual array of nods are all present and correct (The Mob, Zounds, The Cure), but this time everything feels… grander? More fully realised? Impressive, given their first two albums have been hoovered up and hailed by those in the know, but maybe we should banish any lingering doubts that the mysterious Italian band might be moving beyond merely echoing the classics and closer to creating a new benchmark for the genre. Look, all of this is a very fancy way of saying that ACOK are pretty fucking great and no one else can touch ‘em right now when it comes to this sort of goth-tinged post-punk. New instrumentation, new ways of relating to each other as a band, new ways of grabbing your attention as a listener and making you want to press the record grooves into your brain and use your nerve endings as a stylus. From new wave-styled Burundi beats and furious call-and-response vocals to dubbed-out grooves, there are new influences that are more than welcome in the band’s sound, but the songs themselves are their finest thus far (‘2 Years’ and ‘The Last Train Home’ are simply magical). It says a lot about this LP that it’ll hold its own with the output of both Crass Records and 4AD; it’s a strong step forward that’ll win ‘em new fans and embolden existing ones to say things like ‘best band in the world right now’ and ‘sell your home to buy a copy if you have to’. Especially if you don’t technically own your home. You get the idea. Is there a Crass-shaped hole in your life that’s been empty since you wore out your copy of ‘Penis Envy’? An itch that only the purest of peace punk can scratch? This is the record for you. I don’t use the word ‘essential’ much but… oh, well, I’ve given the game away there, haven’t I? Get it, get it now. Will Fitzpatrick Label: Drunken Sailor Records)
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Oakland-based dark punk band Adrenochrome is proud to present their premiere full-length release, In Memoriam. In Memoriam is laden with infectious melodies, tenacious rhythm, and catchy, powerful vocals. This album houses all the attitude and tone of early death-rock powerhouses like Phaidia, while maintaining all the fury and focus of anarcho-punk legends such as Poison Girls and Penetration. Driving, dancey, and just aggressive enough to demand your attention, In Memoriam is certain to leave you singing along with your fist in the air. (Domîno Monët) Reversed Sleeve 350gr with Insert + Download code. Label: Symphony Of Destruction Records
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Sealed Records re-issue the 1985 Alternative’s album If They Treat You Like Shit - Act Like Manure originally released on Corpus Christi Records. Recorded at Southern Studios and Co-produced by Pete Wright from Crass and featuring Annie Anxiety and Pete Wright on backing vocals. The album is full of provocative protest songs with intelligent lyrics, effective use of samples, melodic tunes and dual female / male vocals. It’s urgent, passionate and memorable. A must own release from that classic mid 80’s UK anarcho punk era. Remastered from the original tapes. Label: Sealed Records
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THIS IS A PRE-ORDER! YOUR RECORD WILL SHIP ON/OR AROUND LATE JULY, THANKS! What Revolution? was originally recorded at Southern Studios for the album If They Treat You Like Shit - Act Like Manure on Corpus Christi but for some unknown reason it was dropped at the last minute for a live track. We asked the band about this and not one member could remember why but all admitted it was a massive mistake as What Revolution? Is classic Alternative. Impassioned and raging anarcho punk with duel female and male vocals. On the flip is two radically different mixes from the album of Another Subversive Peace Song and Love and life which have the guitar tones clean and give both tracks a fresher sound. The 7” comes housed in a Crass style Sleeve. Label: Sealed Records
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Anthrax are an English anarcho-punk band formed in Gravesend, Kent, England, in 1980. They recorded their first demo in 1981 and went on to release two 7" EPs on Crass Records and Small Wonder Records. They appeared on compilations released by Crass Records, Mortarhate Records and Fightback Records. Anthrax’s first new full-length release in almost ten years – has built an impressive critical reputation, including a glowing review in Louder Than War which heralded the album “an understated masterpiece”. Released by Grow Your Own Records, the eleven-song Serfs Out LP is available on vinyl, on CD and as a digital download from the label’s Bandcamp site. The CD version comes with a folded poster cover and a 12-page A5 booklet. Pressed on “eco vinyl”, the record release comes with a gatefold sleeve. Label: Grow Your Own Records
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Anthrax are an English anarcho-punk band formed in Gravesend, Kent, England, in 1980. They recorded their first demo in 1981 and went on to release two 7" EPs on Crass Records and Small Wonder Records. They appeared on compilations released by Crass Records, Mortarhate Records and Fightback Records. Anthrax’s first new full-length release in almost ten years – has built an impressive critical reputation, including a glowing review in Louder Than War which heralded the album “an understated masterpiece”. Released by Grow Your Own Records, the eleven-song Serfs Out LP is available on vinyl, on CD and as a digital download from the label’s Bandcamp site. The CD version comes with a folded poster cover and a 12-page A5 booklet. Pressed on “eco vinyl”, the record release comes with a gatefold sleeve. Label: Grow Your Own Records
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After two outstanding 7", they finally got their shit together to record this awesome piece of vinyl. 8 songs of powerful, raging Anarcho-Punk with Emo-HC influences & female / male vocals - the galloping basic Punk-Rock aspect in their music is gone. The production is heavy & way better than their previous efforts. Included is a 16-pages A4-sized booklet with very thoughtful analytical, political but still personal lyrics and explanations + 2 posters. (Skuld Records)
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What we have here is a must have for all obsessive ANTISECT completist like myself. This record consists of two early demos, and two live sets from ’82, before they recorded the ‘In Darkness’ LP. And although the recording quality on this may leave something to be desired it is still very much worth having, in order to appreciate the evolution of the band. The songs themselves are much more raw and primal, short and to the point, and very DISCHARGE influenced (a comparison the band themselves hated, but is undeniable). The live sets featured on the B side are really the best to listen to, as they not only have a better sound and recording quality, but also feel much more representative of the band’s sound. However, the real star of this release is the packaging itself. It has two inserts, filled with tons of live photos, artwork, reviews, interviews, gig flyers, and writings from the band itself, all from the early ‘80’s. It also has an awesome fold out poster. For people like me, who are huge fans of ANTISECT, but aren’t old enough to have been around to see their early days this is an excellent look at the bands history. Tracklist: - Demo 1 -1982 1 Ulster 2 Do You Really Care? 3 Philosophy Of Anarchy 4 World War Three 5 War´s A Crime - Demo 2 -1982 6 Do You Really Care? 7 Ulster 8 World War Three - Live In Coventry 1982 9 Fear Of God 10 No Release 11 Prisoner Of Society 12 Anarchy Rules 13 Suicide Victim 14 Existance Of Restriction 15 Spoils Of War 16 Aftermath 17 Soldier - Live In Nottingham 1982 18 Death In Your Eyes 19 Hallo There How´s Life? 20 Consequence Of Hunger Label: Helvetet Records
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Compilation LP of this British Punk-Rock band, active between 1982 and 1983. On side A we have their first demo from 1983 and on side B songs recorded in rehearsals. (Vomitopunkrock Records)
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Hand made high quality silk screen print. Gildan Heavy Cotton T-shirt. Ενδέχεται να υπάρχουν ελλείψεις σε κάποια από τα μεγέθη. Σε αυτή την περίπτωση θα σας ενημερώσουμε τηλεφωνικά ή με e-mail για τον χρόνο παράδοσής τους σε εμάς από τον προμηθευτή (συνήθως 3-5 εργάσιμες ημέρες).
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Finally Re-issued after 20 years! - Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho-punk masterpiece back in circulation. In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably. We feel that those that would charge over exorbitant prices on eBay or Discogs have forgotten the message. PROFANE EXISTENCE has worked this out to ever last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE! Label: Profane Existence Records
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Bérurier noir is a French punk band formed in Paris in 1983 by Laurent "Loran" Katrakazos (guitar), François Guillemot (vocals) and Dédé (drum machine). They called themselves "noir" (black) for the color of mourning (because their first concert was planned to be also their last) and for anarchy and "Bérurier" after the character from the novels of Frédéric Dard. Instead of being an end, the success of their first show inspired them to continue. A cult band, Bérurier Noir were loved by a generation of youth and feared by concert organisers for the riots that followed their shows. On the one hand, Bérurier Noir's songs were clearly derived from British punk rock as far as music and lyrics were concerned. Most of their songs were short, aggressive and usually based on a couple of basic power chords. Their lyrics reflected the typical concerns of punks such as the rejection of consumerism, politics and traditional social order and the anger felt by disaffected youth, tramps and outsiders in general. On the other, they added some interesting innovations. Their rhythm section consisted of a drum machine. The frequent use of a saxophone as of the mid-1980s also set them apart from most other punk rock bands. They would regularly appear on record sleeves and on stage wearing clown outfits, mock police uniforms or pig masks. Their shows were a unique and highly festive cross between a punk rock concert, a grotesque circus and an anarchist rally. "Abracadaboum" is their third LP originally released in 1987. (Archive de la Zone Mondiale)
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Bérurier noir is a French punk band formed in Paris in 1983 by Laurent "Loran" Katrakazos (guitar), François Guillemot (vocals) and Dédé (drum machine). They called themselves "noir" (black) for the color of mourning (because their first concert was planned to be also their last) and for anarchy and "Bérurier" after the character from the novels of Frédéric Dard. Instead of being an end, the success of their first show inspired them to continue. A cult band, Bérurier Noir were loved by a generation of youth and feared by concert organisers for the riots that followed their shows. On the one hand, Bérurier Noir's songs were clearly derived from British punk rock as far as music and lyrics were concerned. Most of their songs were short, aggressive and usually based on a couple of basic power chords. Their lyrics reflected the typical concerns of punks such as the rejection of consumerism, politics and traditional social order and the anger felt by disaffected youth, tramps and outsiders in general. On the other, they added some interesting innovations. Their rhythm section consisted of a drum machine. The frequent use of a saxophone as of the mid-1980s also set them apart from most other punk rock bands. They would regularly appear on record sleeves and on stage wearing clown outfits, mock police uniforms or pig masks. Their shows were a unique and highly festive cross between a punk rock concert, a grotesque circus and an anarchist rally. "Ils veulent nous tuer " is their MLP originally released in 1988. (Archive de la Zone Mondiale)
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First time reissue of the yellow cover variant! French anarcho-punks Berurier Noir formed in Paris in 1983, intended to implode after one sole gig, but this intense mask-wearing duo, featuring Loran on guitar, François on vocals and a drum machine named De’de’ caused pandemonium live, leading to distinctive LPs. Debut album Macadam Massacre captures the group at their rawest, their non-conformist format and confrontational lyrics chronicling the squats and HLMs on the peripheries of French society. Deliciously dark and with jagged edges galore, it will appeal to the band’s cult followers and all those interested in cutting-edge European punk and post-punk. Includes original poster replica and lyrics sheet. Label: Radiation Reissues - RRS201 Barcode: 8055515233889
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Bérurier noir is a French punk band formed in Paris in 1983 by Laurent "Loran" Katrakazos (guitar), François Guillemot (vocals) and Dédé (drum machine). They called themselves "noir" (black) for the color of mourning (because their first concert was planned to be also their last) and for anarchy and "Bérurier" after the character from the novels of Frédéric Dard. Instead of being an end, the success of their first show inspired them to continue. A cult band, Bérurier Noir were loved by a generation of youth and feared by concert organisers for the riots that followed their shows. On the one hand, Bérurier Noir's songs were clearly derived from British punk rock as far as music and lyrics were concerned. Most of their songs were short, aggressive and usually based on a couple of basic power chords. Their lyrics reflected the typical concerns of punks such as the rejection of consumerism, politics and traditional social order and the anger felt by disaffected youth, tramps and outsiders in general. On the other, they added some interesting innovations. Their rhythm section consisted of a drum machine. The frequent use of a saxophone as of the mid-1980s also set them apart from most other punk rock bands. They would regularly appear on record sleeves and on stage wearing clown outfits, mock police uniforms or pig masks. Their shows were a unique and highly festive cross between a punk rock concert, a grotesque circus and an anarchist rally. "Souvent fauché toujours marteau" was originally released in 1989. (Archive de la Zone Mondiale)
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Can I kick it? Yeah, sure, why not? Rippling through the murk of late 2022 to provide an unlikely source of light, Cardiff’s supremely noisy quintet Can Kicker are here with a last-minute shout for album of the year. If you like your hardcore to flex some serious muscle (well… riff-wise) while skirting around the edges of goth and post-punk, with the needle in the red all the while, their self-titled debut just could be the record for you. Like a breeze block to the back of your skull, this is guaranteed to make everything feel frayed and fuzzy at the edges, delivering a knockout punch that’ll leave you reeling. But you know, in that good way. Luke Penny’s voice is often lost in the maelstrom of pulverising power chords, but he’s no grunting hardcore knucklehead. His delivery is an impassioned yelp that’s dripping with anger and a matter-of-fact sneer that instantly sells his conviction, while the band conjure echoes of Die Kreuzen’s’ Century File’ one minute, Blitz’s ‘New Age’ the next. At full pelt, they sound like Protomartyr and Discharge fighting over whose turn it is to slash the cops’ tyres; the rest of the time (say, the scintillating headfuck of creepy-crawling classic ‘Waking Dream’), they’re busy making the holiest of rackets on what’s arguably the best UK punk record since Denim & Leather’s might ‘Sacred Autism’. By the time the scorched-earth anti-psych of closer ‘Stupid Game Part II’ rolls around, you’ll be aware that you’ve been taken on a journey and you’ll want to relive the whole thing as soon as possible. But take a minute to feel grateful that Drunken Sailor are putting this one out into the world, and just in time for us to call it a Christmas gift as well. This album will melt your synapses so you’ve no idea what your brain’s trying to tell you, beyond the certainty that Can Kicker are the ones for you. Records this deliciously brutal yet immediately habit-forming don’t come along often enough - this might be the last chance for a slamdance in 2022, so give your ears a tinnitus-inducing treat. Will Fitzpatrick. (Drunken Sailor Records)
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32 mm Pin
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32 mm Badge
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32 mm Pin
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Released in 1983 on London's Legendary Mortarhate label, Conflict's debut broke all rules in punk rock, setting new standards and storming independent charts, reaching and retaining position number 1 for several weeks. Formed in 1981 and led by vocalist Colin Jerwood, who would remain one of the group's few constants throughout its 30 years of existence, and fueled by hatred for the media, the military and the general status quo of late century Thatcher's England, Conflict has been a stainless model for three generation of peace punkers, activists and anarchists from all over the world. (Radiation Records)
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32 mm Badge
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This 3 song EP was the debut of this Arizona (US) based female fronted anarcho punk/crust band that existed from 1999 - 2005. Originally released by the band in 2000, the reissued in 2008 - This as well their full length album is among the list of most essential anarchist inspired US hardcore punk. Friends of AUS-ROTTEN, HARUM SCARUM and ANTI PRODUCT take note! This version is on limited edition Clear Vinyl. 800 copies were pressed of this version. Label: Feast of Freedom Records
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Christ the Album was the fourth album by Crass from 1982. It was originally released as a boxed set double vinyl LP package, including one disk of new studio material and another, entitled Well Forked… But Not Dead, of a live recording of their June 1981 gig at the 100 Club in London along with other studio tracks, demos and tape fragments. The box also included a book, A Series Of Shock Slogans and Mindless Token Tantrums (which featured Penny Rimbaud's essay The Last of the Hippies, telling the story of the suspicious death of his friend Wally Hope) and a largesize poster painted by Gee Vaucher. The album took over a year to record, produce and mix, during which time the Falklands War had taken place. This caused Crass to fundamentally question their approach to making records, for as a group whose very reason for existing was to comment upon political issues, they felt they had been overtaken and made to appear redundant by real world events. Ratcheting up the continued "leave no stone unturned" lyrical approach that characterized the group from the start, Crass again sounds like the group's about to explode in eight million directions. Ignorant takes over the lead vocal role again, his rough ramalama bitterly leading the charge against the loathed Thatcher government and the society that allowed it to come into power. Libertine, here appearing as Peeve Libido, adds backing vocals while De Vivre takes the lead on Birth Control and Sentiment. Free's guitar work roars along with the usual vim, as does the Pete Wright aka Sybil Right / Rimbaud rhythm section, while continual spiking of the musical punch via production or sonic collages, or even almost power pop catchiness at points, prevents things from being one note. In addition to the two records, this box set contains a poster and the 26-page booklet "A Series of Shock Slogans and Mindless Token Tantrums. (Crass Records/Reissue 2019)
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A compilation from UK anarcho punks Crass, featuring "The Feeding Of The 5000" demos and their only Peel session from 1979. Tracklist A1 End Result A2 G's Song A3 General Bacardi A4 Securicor A5 Angela Rippon A6 Major General Despair A7 Do They Owe Us A Living? A8 Punk Is Dead B1 Shaved Women B2 They've Got A Bomb B3 Tired B4 G's Song [Peel Session] B5 Mother Earth (Fan Club/Unofficial Release)
