• Out of stock
    Packed shows, sold out tours, both their six-track debut 12" and debut full-length "Pressure" get re-press after re-press... does BISHOPS GREEN really need any further introduction? I don't think so either, but we at REBELLION RECORDS sure as hell are damn proud to present you guys the brand new sophomore album by Canada's leading street punk band entitled "A CHANCE TO CHANGE"! With this album the band found a bridge between their raw and powerful debut EP, the passionate and resistful "Pressure" LP and their wild and rowdy live shows capturing it all on "A Chance To Change". So what are you still waiting for?! (Pirates Press Records)  
  • Grey vinyl. If the pandemic made you realize that you missed one thing about your connection with punk, there's a decent chance that Bishops Green had something to do with that. This band hits hard and reaches people on a very deep level. Making new fans daily, they continue to connect with scores of people very deeply, even not being able to tour. Yet the true magic in this band is really seeing them live. As the world returns to normal and gigs materialize, more and more people are gonna realize how important this band is to the social fabric of punk rock. The passion they’ve instilled in fans, and the fervor from within are both equally strong and together are the reason why this band has so much impact to deliver! This album and these songs absolutely set the tone, brilliantly, but there is so much more to come as well. Absolutely no lack of excitement in this maple-leaf-adorned corner of the punk rock world - in fact, quite the opposite! There are seemingly black skies adrift right now, but somehow these songs make you feel like there's a golden future on the horizon! We can all at least sing loud, and hope... TRACK LISTING: A Side 1. Last Minute Warning 2. Empty Streets 3. What For B Side 4. Ravens Cry 5. Your Paradox 6. No Tomorrow 7. Another Morning (Pirates Press Records)
  • The Vancouver based streetpunk band, BISHOPS GREEN was formed in Spring of 2011. Bishops Green’s music is raw and energetic, with a style firmly embedded in the historic roots of Streetpunk and Oi!. The five long-time friends have been playing in bands together since the ’90s, and this history combined with the group's diverse influences, enables the creation of a catchy sing-along sound that will make sure any audience member feels like they are part of the show! Energetic and charismatic front-man Greg Huff is known to many fans of streetpunk and Oi!, as he has been the heart-beat of numerous bands since the late 80’s, including GLORY STOMPERS, SUBWAY THUGS, THE LANCASTERS and most recently ALTERNATE ACTION. Their melodic style of old-school punk draw creative influences from European groups like BLITZ, THE CLASH, STIFF LITTLE FINGERS, COCK SPARRER, THE PARTISANS and LEATHERFACE; to hardcore acts from the U.S. like THE AUTHORITIES, NAKED RAYGUN, and MINOR THREAT. Following a very impressive and critically acclaimed debut 12” MLP in 2013, this full-length album picks up right where that left off. At the core, the songs on "Pressure" are similar, but with a noticeable growth and maturation to them. The lyrics continue to be bold and ask questions of our society, while extolling the traditions and pride of punk rock culture and accountability to each other through unity. (Rebellion Records)
  • The Vancouver based streetpunk band, BISHOPS GREEN was formed in Spring of 2011. Bishops Green’s music is raw and energetic, with a style firmly embedded in the historic roots of Streetpunk and Oi!. The five long-time friends have been playing in bands together since the ’90s, and this history combined with the group's diverse influences, enables the creation of a catchy sing-along sound that will make sure any audience member feels like they are part of the show! Energetic and charismatic front-man Greg Huff is known to many fans of streetpunk and Oi!, as he has been the heart-beat of numerous bands since the late 80’s, including GLORY STOMPERS, SUBWAY THUGS, THE LANCASTERS and most recently ALTERNATE ACTION. Their melodic style of old-school punk draw creative influences from European groups like BLITZ, THE CLASH, STIFF LITTLE FINGERS, COCK SPARRER, THE PARTISANS and LEATHERFACE; to hardcore acts from the U.S. like THE AUTHORITIES, NAKED RAYGUN, and MINOR THREAT. Following a very impressive and critically acclaimed debut 12” MLP in 2013, this full-length album picks up right where that left off. At the core, the songs on "Pressure" are similar, but with a noticeable growth and maturation to them. The lyrics continue to be bold and ask questions of our society, while extolling the traditions and pride of punk rock culture and accountability to each other through unity. (Pirates Press Records)
  • This is the 6 tack mini LP release from this amazing new Canadian band from Vancouver, Canada. Fronted by Greg Huff and supported by others formerly of bands including ALTERNATE ACTION, THE LANCASTERS, SUBWAY THUGS and GLORY STOMPERS, this is the perfect next step in the evolution of those bands. The sound is still raw yet melodic and catchy, but done with so much more skill and precision than all the aforementioned bands. Fans of catchy singalong street-punk rock 'n' roll and bands like THE BUSINESS and COCK SPARRER can buy this record without hesitation. (Rebellion Records)
  • This is the 6 tack mini LP release from this amazing new Canadian band from Vancouver, Canada. Fronted by Greg Huff and supported by others formerly of bands including ALTERNATE ACTION, THE LANCASTERS, SUBWAY THUGS and GLORY STOMPERS, this is the perfect next step in the evolution of those bands. The sound is still raw yet melodic and catchy, but done with so much more skill and precision than all the aforementioned bands. Fans of catchy singalong street-punk rock 'n' roll and bands like THE BUSINESS and COCK SPARRER can buy this record without hesitation. Colored (yellow) vinyl comes with updated cover artwork and includes a digital download card. (Pirates Press Records)
  • Sale!

    BLIGHT | temple of wounds | 2xLP

    15.00 incl. tax
    The debut album from Canada's Blight, a 52-minute exercise in galvanizing, and relentless Black Metal. Enter the Temple of Wounds, unleashed from the clandestine Canadians Blight. Rising out of obscurity to share their violent, radical, and illuminating vision, Blight’s nine song new album is a 52-minute exercise in galvanizing, and relentless Black Metal. Temple of Wounds will find a home within the ashen hearts of listeners of luminaries such as Behemoth, Marduk, and Rotting Christ, while also embracing the contemporary, underground zeal of bands such as Bölzer, Cobalt, Light of the Morning Star, and Kriegsmachine. Yet the sound that Blight shapes out of chaos and calamity is uniquely their own: grand choirs and fiery chants pepper the band’s powerful and dynamic approach to Black Metal, where claustrophobic, menacing riffs threaten to suffocate, percussive elements merge violence with technological prowess, and vocals are delivered with a cathartic intensity. Formed in 2008 in Montreal, Blight released several highly sought-after tapes into the underground during their early years. It was only after a brief hiatus, from 2010 to 2011, that frontman Gabriel McCaughry (ex- Unquintessence, Ion Dissonance, Vatican, Anathema Publishing Ltd.) made a pact with current-members Pascal Pelletier, Cedric Deschamps, and Rob Lapalme (ex- Insect & Ontôs On) to solidify what stands as today’s manifestation of Blight. The band were discovered by the sub-arctic worshippers of blackest vinyl at Svart Records and after a short and fruitful period of communication, the parchments were inked and a covenant was made to release Blight’s new album Temple of Wounds on the 5th of June, 2020. Blight’s lyrical themes explore deep facets of inner alchemical transmutation, which lends their music substantial literary weight. Temple of Wounds is allied with a higher intelligence, creating a state-of-the-art sound-war of Black Metal that is at once fresh and familiar, primitive, and epic in scope. Gatefold 2LP vinyl version, on black vinyl limited to 300 copies. The vinyl edition features a 16 minute bonus track on side D. (Svart Records)
  • Out of stock
    It's 2021 and Vancouver’s Bootlicker are back with their first full length. Experimenting with various lineups and sounds since 2017, these 14 original tracks flesh out their most realized expression. Following four EP’s and two demos, their self-titled debut stays true to the noise cultivated in the previous offerings. That raw, blown-out production countered with clean guitar sound and Internationally-informed take on a UK82 delivery remains. Everything that made the band what they were on their previous output is polished into a ball of fire that will not be contained. Their mid-tempo, menacing posture of tracks like "Herd The Sheep" and "State Of Fever" give way to the D-beat totality of "Master" or "Two Faced" proving there are still ideas in the tank. There won’t be much left but scorched earth by the time it comes to rest. FFO: Mau Maus, Discharge, SSD. Every copy of this LP comes with a 16 page zine-style lyric insert full of illustrations by band member and visual artist Athena. (Static Shock Records)
  • Writhing, sneering, tight cornered, "Machine Response" the only acceptable follow up to the blistering and landmark "Attempted Suicide." Nearly ten years of beating around the bush, casually playing around the world and drip releasing music along the way, Career Suicide is backed by their best lineup ever, ready to break back through themselves with this new full length. Machine Response veers in and out of pure speed, bursts of melody, and chunky tempo shifts, indenting the long standing influence of early 80s USHC, late 70s punk, and a peppering of 60s swagger, with their own clearly developed style. Dallas Good (Sadies, Andre Williams, John Doe, Half Japanese, Elevator and a million more) presents a magnificently essential 2nd guitar and lead presence; a screaming contribution by great friend and long time supporter of the band, Souichi Hisatake, (Forward, GISM, Insane Youth, Gudon etc) to crack your brain up; artwork in collaboration with Ryan Tong of S.H.I.T. and Toronto's life-giving Faith/Void; and a thundering recording, once again helmed by the decorated and limitless in his pursuit of smooth hearing loss, Jon Drew, provide the most damaging clarity Career Suicide have been able to capture to date. (Statick Shock Records)
  • CHAIN WHIP from Vancouver, Canada released this demo recordings in July 2020 via Bandcamp as well as on a limited tape run. These recordings weren´t originally intended to be released on vinyl as some of the songs have been re-recorded to be released on CHAIN WHIP's upcoming LP "Two Step To Hell". Now, No Spirit is doing a one-time pressing of the "Demo 2020" on 180g vinyl with a limited run of 500 pieces. (No Spirit Records)
  • Out of stock
    6 tracks of Vancouver, BC hardcore. Chain Whip formed in 2018 with the sole intention of playing their favorite blend of hardcore punk. Part KBD, part California beach, part grimy Vancouver. This 12" E.P. finds the band in a faster, more furious mode with five original tracks written and recorded in the height of the 2020 Pandemic. 3 tracks are re-recorded and polished versions from their 2020 Demo (being pressed on LP RIGHT NOW by No Spirit in Germany) while the others are brand new Chain Whip recordings. The final track, Death Was Too Kind was written by Brian Goble and recorded by the Subhumans. From the band: "For me it started in December 2019 when a developer unveiled a 5 million dollar chandelier to hang from the Granville Street Bridge - a testament to wealth and the city's cluelessness. A smug fuck you on display for the world to ogle while people froze in sleeping bags underneath. That insult grew into something more tangible. 2020 was the year that an ever-worsening overdose epidemic was too boring for most news cycles. We watched citizens of North America get murdered in real time by pigs. White supremacists marched in the streets, encouraged by their revered grifters. Major news corporations backed both on primetime while demonizing people for just wanting to stay alive. We sat back, depressed and tuned into the images. We wished that we could just pull the plug on the nightmare around us. We attended some demonstrations, organized some benefits. Stayed home and we drank and drugged. We tried to sleep away the reality. Just like pollution makes the sunsets richer, we danced that good beat; a dependable, monotonous, continuous death. It hasn't quite come for us yet but we're still dancing to that tune - ever closer to the edge. Two Step To Hell. Meaner, faster, and a bit more pissed off." Chain Whip (Drunken Sailor Records)
  • Out of stock
    Back in stock

    D.O.A. | 1978 | 2xLP

    33.00 incl. tax
    We’re really excited to announce the release of the D.O.A. album “1978”. It’s a 21 track collection of never released demos, rare tracks and early singles from Canada’s punk pioneers. Joey Shithead went deep into the Sudden Death vault and came up with some super exciting and raw punk rock. The album title and art concept is spike haired nod of the head to that early, dynamic era of D.O.A. and to the seven great former members of D.O.A., who have passed on. Their spirit and talent played a huge role into launching the band into worldwide prominence. The two constants on the album are Joey Shithead and Chuck Biscuits who play on every track. From the start of 1978 you are drawn in by their wild, “I don’t give a shit” approach to punk rock. Now some 40 years later you can hear it all, starting with the never seen light of day demo version of The Enemy. This demo has a different set of lyrics that speaks to fighting Nazis, strange, what is old is new and vital again. There’s a ton of exciting tracks that range from the never heard before: Bored and Suicidal, The Mutant, No God No War, Rip Dis Joint, No Way Out and Rent-A-Riot to classic early singles like Fucked Up Ronnie, Disco Sucks, World War3, The Prisoner and Thirteen. You also get demo versions of America the Beautiful and Liar for Hire with Biscuits drumming, which are wildly different than the classic versions you hear on War on 45. On 1978 you hear the origins of hardcore and you get a full blast of D.O.A’s politics and raucous humour. The album has been released as a double 12” LP and CD. 1979 Demo: A1, B4 1981 Demo: A2, A3, B1, B3 1978 Single: A4, C1, D1, D2, D3, D4 1981 Single: A5 1982 Demo: B2, C2, C3, C4, C5 1979 Single: B5, D5 1979 Van. Comp. Track: C6 (Sudden Death Records)
  • New 40th Anniversary Edition! This is it! The godfather of hardcore from DOA, Canada’s legendary punk pioneers. This is the album that popularized and pushed the term “hardcore” into the common vernacular. For Hardcore ’81’s 40th anniversary, a restored band’s blistering second album to its original state. It comes with an extensive 12-page booklet that features lots of photos and old school flyers. See that great line up of Joey Shithead, Chuck Biscuits, Randy Rampage, and Dave Gregg in action…indeed the Men of Action. Tracks like “D.O.A.,” “Slumlord” and “Unknown” lash out at the listener, as well the incredible “Fucked Up Baby” and “Smash The State” just spear one right in the gut. This album has influenced three generations of fans and artists like Rancid, Henry Rollins, Jello Biafra, Red Hot Chilli Peppers, Green Day, NOFX and Sonic Youth. All versions feature three bonus tracks: “Disco Sucks” (1978 7-inch EP version), “The Prisoner” (1978 7-inch single version) and “Fucked Up Ronnie” (1981 7-inch EP version). Tracklist A1 D.O.A. A2 Unknown A3 Slumlord A4 Musical Interlude A5 I Don't Give A Shit A6 M.C.T.F.D A7 Communication Breakdown B1 001 Loser's Club B2 Fucked Up Baby B3 The Kenny Blister Song B4 Smash The State B5 My Old Man's A Bum B6 Bloodsucker Baby B7 Waiting For You B8 Disco Sucks (1978 7-inch Ep Version) B9 The Prisoner (1978 7-inch Single Version) B10 Fucked Up Ronnie (1981 7-inch Ep Version) (Pasazer Records)
  • Fronted by lead singer Joey Shithead, D.O.A. is one of the most important North American band from the very early days of punk ! They are often referred to as the founders of hardcore punk along with Black Flag, Dead Kennedys, Bad Brains, Angry Samoans. « Something Better Change » is their ground breaking debut album recorded between 1977 and 1980 in their hometown vancouver, canada. This is revolutionary and highly political ! This limited 40 years anniversary vinyl repress includes a gorgeous poster and the bonus track "New Wave Sucks" from 2011 Sudden Death records repress ! High quality vinyl repress housed in black inner sleeve, thick outer sleeve and including D.O.A. Band logo poster ! (Restless Empire Records)  
  • Dayglo's "Feed Us A Fetus" is their second full-length album, originally released in 1986. This is hands-down, the best Canadian punk record to emerge from the 80's!! Aside from collecting most of the songs from their first 12? record entitled "Out Of The Womb" (1981), it also contains many brand new songs (at the time) that were even better than those on the first album. Many of their classic punk anthems are captured on this vinyl and Unrest Records is the sixth label to release the album over the years, which is a testament to what a classic it really is. There should be one of these in every punk rocker's record collection. Don't miss out!! (Unrest Records)  
  • Back in print due to popular demand and it's extreme rarity, this early 80's punk classic is now being re-issued with the original poster. Out of the Womb was released in 1981 by Sharpe Records as a pressing of 1000 copies. Containing many legendary classics, most of this album appeared on the classic Feed Us A Fetus LP in 1985. (Unrest Records)  
  • This US fanclub collection from Canada's DEATH SENTENCE (not to be confused with the UK or Australia bands of the same moniker) features both of their 1984 demos, the latter of which, "Not a Pretty Sight," went on to be released as a proper LP in 1985. 'A very classy, powerful power thrash outfit that doesn't resort to metal riffs. If anything, they owe more to earlier punk, but they're firmly rooted in modern sounds, blasting it out with strong lyrics and hooks to boot--"live" proof that Vancouver is not dead. Hot!' -Tim Yohannan / MRR (October 1984) (Fan Club)
  • Dekoder’s second LP is a 6-song mid-tempo combo of old school gothic rock, anarcho-punk and plain old ’77 style punk, influenced by the more thoughtful side of the punk musical spectrum (more on the Penetration side of things than, say, the Blatz side of things). As with a lot of the female-fronted bands working in this contemporary peace punk-meets-goth milieu, the stand-out quality here are the vocals. The vocal talents of bands like Pleasure Leftists, Blue Cross (who are label mates with Dekoder), and Masquerade comprise one of the more noteworthy aspects of all this Epic postpunk/anarcho-goth revivalist stuff. “Flowers to Blossom” is an intelligent and earnest marriage of the personal themes of liberation evinced by such past bands as the Poison Girls and Rubella Ballet combined with the musical approach of groups like early Siouxsie and the Banshees, Red Scare, later Superheroines, and Legal Weapon. It’s a combo that works quite well. "Interestingly, drummer David Earles (Dekoder, Dethfox) has compiled a book of travel essays and photography from a recent trip he made to North Korea, Vietnam, Laos, and Cambodia. The book's called Dragging for Bodies and is an interesting peek into one society Americans aren't supposed to visit (N. Korea) and other places that are still recovering the war in Indo-China that devastated those countries in the 1960s and 70s. I have a copy of this book and it's a fascinating read." -Oliver Sheppard(Cvlt Nation) (Chaos Rural Records)
  • FAZE | content | 7”

    11.00 incl. tax
    Making tons of noise up north (and not just with the trombone) is Montreal's FAZE. Playing a version of punk that is equally married with psych rock, these songs drone, but there is no falter in the step them. Like a dune buggy slowly losing control, the pace is relentless. Culling elements of punk honed by fellow canadians, S.H.I.T. and more astronomical influences like Destruction Unit. Basically you have to be on drugs to fully understand this. 500 7 inches with 100 on greyish purple. (11PM Records)
  • FUCKED UP | oberon | LP

    21.00 incl. tax
    Pummeling curveball from Fucked Up channeling the world of hardcore that birthed them!! Despotic and horrendously sludgy riffs exploding in octaves lower than Hades, crashing against hellish bellowing all while the rhythm section heaves at a pace that only Noothgrush, Crossed Out, Kiss it Goodbye, and Bloodlet would tread upon. Topped off with an absolutely despicable cover of Saint-Saens "The Aquarium" this is the mythologically psychedelic sludge record you never thought Fucked Up would make. 4 tracks of pure audio excretion. (Tankcrimes Records)
  • Out of stock
    Created on the western edges of the infinite plains and prairies of coldest Canada, Edmonton, Alberta's HOME FRONT dance freely and madly along the edges of time and create their own moment amongst the revered and long frozen reserves of THE CURE, SUICIDE, ECHO AND THE BUNNYMEN, "Second Empire Justice" era BLITZ, and NEW ORDER. A record bubbling over with analog synth, guitar loops, slammed 808 drums, and anthemic vocal pushes tugging at the great moment in-between the “death” of punk and the “birth” of new wave, pulling fresh sounds into their punk roots and shoving a studded leather jacket around a silk robe. Justice, violence, doubt and uncertainty a la Gary Numan narrating a Warren Miller Extreme Ski Special on the set of TO LIVE AND DIE IN LA: this is HOME FRONT. (La Vida Es Un Ms Records)
  • ISKRA | bureval | CD

    8.00 incl. tax
    Second full-lenght for those canadian punx. Ripping, fast and brutal black metal influenced by the Norse school (Immortal above all) mixed with crust. The CD is called Bureval and includes a full-colour digipack with 28-page booklet. (Bloodspit Records/ Headnoise Records / Total Punk Records ‎/ Drink And Be Merry ‎/ Madfly Records)
  • Out of stock
    Official reissue this Canadian hardcore classic, originally released in 1986. Negative Gain was founded in Toronto, Ontario by Peter Warner who wrote all of the lyrics and provided rehearsal space in his basement. Filling out the lineup was Grant C. Slavin on guitar, Steve Currie on bass, and Andrew Mosely on drums. All members were in their mid-teens at the time. Their influences included Minor Threat, Millions of Dead Cops, the Misfits, and the Dead Kennedys, as well as local TO bands Direct Action and Sudden Impact. Negative Gain got their first break in '83 when we were asked by local Toronto promoter Jill Heath to open for Jodie Fosters Army at the city's legendary punk club The Turning Point. After the show Pete and Grant went skateboarding with JFA. The evening was documented in a subsequent issue of Thrasher as JFA's guitarist Don Pendelton was writing a column for the rag documenting their tour. Other memorable Negative Gain gigs around this time include warming up for bands like the Circle Jerks, Gang Green, the Descendents and 7 Seconds. The young thrash band soon went from listening to their favorite bands' records on a daily basis to hanging out with them backstage and stealing their beer rider! More help from Jill Heath came when the promoter sent Negative Gain's 1985 demo tape, Attack of the Killer Bears, to Pushead for review. Pushead evidently like the tape so much that he offered to release a full-length LP for the band. Negative Gain recorded their album in Oakville, Ontario in about five hours on a Saturday afternoon, as studio time was limited to what the young band could afford to spend on the recording. The session was produced by Brian Taylor of the Toronto band Youth Youth Youth. Sadly, Pete Warner committed suicide not too long after the recording was completed, and never lived to see its release. His last gig with the band was with Toronto's Bunchofuckingoofs. Negative Gain continued on as a three-piece for about two more years, before splitting in the late 1980s. First time on the digital format - with their full early demo as bonus! TRACKLIST Back From The Dead LP (1986) 1 No Life At All 2 Face First 3 Descend On Youth 4 Dark Places 5 Nuclear Winter 6 Live Or Die 7 We Believe 8 Night Stalker 9 One Way Livin' 10 President's Women 11 Piss Me Off! 12 Back From The Dead 13 Situation All Fucked Up! 14 When The Pounding Stops 15 Psychic Hours 16 Destiny's Uncertain 17 What's The Reason 18 Loss Of Self 19 Night Of The Rat 20 My Old Man Invasion of Killer Bears - Go Die! (Demo 1985) 21 Psychic Hours 22 Situation (Afu) 23 We Believe 24 Something For Everyone 25 Loss Of Self 26 Decend On Youth 27 Knowledge Doubles 28 Military Aid 29 One Way Living 30 Presidents Women 31 Nothing I Can Do 32 Destinys Uncertain 33 When The Pounding Stops (Mob Clash Records)  
  • Back in stock
    Official reissue this Canadian hardcore classic, originally released in 1986. Negative Gain was founded in Toronto, Ontario by Peter Warner who wrote all of the lyrics and provided rehearsal space in his basement. Filling out the lineup was Grant C. Slavin on guitar, Steve Currie on bass, and Andrew Mosely on drums. All members were in their mid-teens at the time. Their influences included Minor Threat, Millions of Dead Cops, the Misfits, and the Dead Kennedys, as well as local TO bands Direct Action and Sudden Impact. Negative Gain got their first break in '83 when we were asked by local Toronto promoter Jill Heath to open for Jodie Fosters Army at the city's legendary punk club The Turning Point. After the show Pete and Grant went skateboarding with JFA. The evening was documented in a subsequent issue of Thrasher as JFA's guitarist Don Pendelton was writing a column for the rag documenting their tour. Other memorable Negative Gain gigs around this time include warming up for bands like the Circle Jerks, Gang Green, the Descendents and 7 Seconds. The young thrash band soon went from listening to their favorite bands' records on a daily basis to hanging out with them backstage and stealing their beer rider! More help from Jill Heath came when the promoter sent Negative Gain's 1985 demo tape, Attack of the Killer Bears, to Pushead for review. Pushead evidently like the tape so much that he offered to release a full-length LP for the band. Negative Gain recorded their album in Oakville, Ontario in about five hours on a Saturday afternoon, as studio time was limited to what the young band could afford to spend on the recording. The session was produced by Brian Taylor of the Toronto band Youth Youth Youth. Sadly, Pete Warner committed suicide not too long after the recording was completed, and never lived to see its release. His last gig with the band was with Toronto's Bunchofuckingoofs. Negative Gain continued on as a three-piece for about two more years, before splitting in the late 1980s. The record comes with fold out inlay with photos and lyric sheet and extra poster of first and last side of the record. (Rest In Punk Records)  
  • Standing on the precipice of a damaged world circling the drain Edmonton punks NO PROBLEM are set to figuratively "kill’em all" with the release of "let god sort ’em out", their ambitious 3rd studio album out on Deranged Records. NO PROBLEM welcomes listeners into a frightening world filled with heavy riffs and nervous, gloomy, frustrated sounds. The perfect summer playlist to underscore our impending doom. A mainstay in Edmonton Alberta’s underground punk community, blending the mutant sounds of early Canadian punk with the classic primitive stomp of American hardcore. Vinyl includes a digital download card. (Taken By Surprise Records)

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